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Nobuyuki Tsujii Live at Carnegie Hall

Nobuyuki Tsujii Live at Carnegie Hall

Recorded at Carnegie Hall, November 10, 2011


Beethoven:

Piano Sonata No. 17 in D minor, Op. 31 No. 2 'Tempest'

Chopin:

Prelude Op. 28 No. 15 in D flat major ‘Raindrop'

Foster, S:

I Dream of Jeanie with the Light Brown Hair

arr. Tsujii

Liszt:

Un Sospiro from 3 Concert Studies, S144 No. 3

Concert Paraphrase on Rigoletto, S.434 after Verdi's opera

Mussorgsky:

Pictures at an Exhibition (piano version)

Musto:

Improvisation and Fugue

Tsujii:

Elegy for the Victims of the Earthquake and the Tsunami of March 11, 2011


Nobuyuki Tsujii (piano)

On November 10, 2011, Nobuyuki Tsujii, the blind pianist from Japan who was the winner of the Van Cliburn International Piano Competition Gold Medal in 2009 appeared on the stage of Carnegie Hall.

His dream had come true. Arguably the most important event in the career of any performer, for “Nobu” it was a miracle. With his brilliant technique and beautiful tone, he contrasts familiar warhorses with newer pieces, including one of his own compositions, written in memory of the victims of the Japanese earthquake and tsunami in March 2011. Nobu brought the usually reserved Carnegie Hall audience to its feet.

Interviewed after Nobuyuki Tsujii’s recital, Van Cliburn observed: ‘What a thrill to hear this brilliant, very gifted, fabulous pianist. You feel God’s presence in the room when he plays. His soul is so pure, his music is so wonderful and it goes to infinity, to the highest heaven.’

GGramophone Magazine

Blu-ray of the Month - November 2012

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Pergolesi: Adriano in Siria

Pergolesi: Adriano in Siria

Pergolesi Spring Festival, Jesi, Ancona


Marina Comparato (Adriano), Lucia Cirillo (Emirena), Annamaria Dell’Oste (Farnaspe), Nicole Heaston (Sabina), Stefano Ferrari (Osroa) & Francesca Lombardi (Aquilio Tribuno)

Accademia Bizantina, Ottavio Dantone (conductor) & Ignacio García (director)

For the festivities marking the Pergolesi’s tercentenary in his native Jesi, Ignacio García created a new staging of the imperial drama Adriano in Siria. His staging in Jesi’s exquisite 18th-century Teatro Comunale Pergolesi includes the delightful comic intermezzo Livietta e Tracollo, thus following the precedent set at the premiere in 1734. A fine Italian cast and the distinguished Accademia Bizantina are led by the Accademia’s director, Ottavio Dantone.

Extra features:

Interview with Ottavio Dantone

Cast gallery

Running time 188 mins

Region Code All regions

Picture format 16:9 Anamorphic

Sound format 2.0LPCM + 5.1(5.0) DTS

Menu languages EN

Subtitles EN/FR/DE

“This is the most impressive and engaging product of Pergolesi's anniversary year I've heard so far...[Annamaria dell'Oste] is more dramatically aware and dignified than simply dazzling: she never once plays to the gallery, or drops out of character...The orchestral playing is exceptionally fine, with the very tight ensemble vividly captured by the microphones.” International Record Review, January 2012

“Top marks go to conductor and director for giving the music space to breathe. The vocal cast is almost uniformly brilliant. The tension between unbridled feeling and duty's constraints - a tension that obsessed 18th-century audiences - simmers throughout, energising the extemporisation through which the singers develop character. Dell'Oste is in a class of her own: she turns coloratura into eloquent, heart-rending declarations” BBC Music Magazine, February 2012 ****

GGramophone Magazine

Blu-ray of the Month - February 2012

BBC Music Magazine

DVD & Blu-ray Choice - February 2012

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Pergolesi: Flaminio

Pergolesi: Flaminio

Live Recording from The Teatro Valeria Moriconi, Jesi 2010


Juan Francisco Gatell (Polidoro), Laura Polverelli (Flaminio), Marina De Liso (Giustina), Sonia Yoncheva (Agata) & Serena Malfi (Ferdinando)

Accademia Bizantina, Ottavio Dantone (conductor) & Michal Znaniecki (stage director)

World Premiere Recording!

The 2010 Jesi production is conscious of the complexity of Flaminio for all its seeming simplicity and cleverly exploits the suggestive milieu of the Teatro Valeria Moriconi, in particular its shape and relatively small scale. Without any attempt at realism, (the main action takes place “in a villa on the outskirts of the city of Naples, complete with hunting lodge, etc.”, but just a handful of props to symbolise the bucolic atmosphere), the production concentrates on establishing a kind of meta-theatrical relationship to this repertoire work which sets out to highlight the interweaving and overlayering of truth and fiction, passion and irony, tragedy and comedy. The orchestra sits behind a broad wooden platform and suspended netting decorated with leaves; every so often scenes about the characters’ private lives open up on various levels (these serve to expand the audience perspective both horizontally and vertically), as if the plot were following the inner development of these living characters. The theatrical narrative unravels – through a brilliant succession of dramatic and light-hearted moments – to its predictable happy ending.

The result takes us a step closer towards finally rediscovering such masterpieces of the Neapolitan school of the 18th century: in addition to being highly serious, ingenious and fabulous entertainment in its own right, Il Flaminio is substantive proof of the key role Naples played in developing the genre for European audiences.

PCM Stereo, dts-HD Master Audio 5.1 (Blu-ray)

Picture Format: 16:9, 1080i FULL HD

Subtitle Languages: IT (Original Language), GB, DE, FR, ES, JP, Korean

Running Time: 183 mins

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Pergolesi: Il Prigionier Superbo & La Serva Padrona

Pergolesi: Il Prigionier Superbo & La Serva Padrona


Pergolesi:

Il prigionier superbo

Antonio Lozano (Sostrate), Maria Rodrìguez Cusì (Rosmene), Marina de Liso (Metalce), Ruth Rosique (Ericlea), Marina Comparato (Viridate), Giacinta Nicotra (Micisda)

La Serva Padrona

Alessandra Marianelli (Serpina), Carlo Lepore (Uberto), Jean Meningue (Vespone)


Accademia Barocca de I Virtuosi Italiani, Corrado Rovaris (conductor) & Henning Brockhaus (stage director)

The Fondazione Pergolesi Spontini, which has been devoting itself to the research and performance of Pergolesi‘s music for years now, had his operas recorded live at the annual Music Festival in Jesi.

Released on this BD are two productions from Jesi of one almost forgotten opera, Il prigionier superbo, and one of Pergolesi’s most popular works, La serva padrona, combined like they were at the original premiere. Il prigionier superbo tells the story of two rival kings and a princess in distress. In order to strengthen his power, Metalce imprisons his rival Sostrate. Further, he tries to obtain Rosmene’s love. Proud like her father Sostrate, she persistently thwarts the tyrant, while on the other hand she forces herself to hate her beloved Viridate. La serva padrona is the short comedy of Serpina and Uberto: the wily maidservant, hell-bent on her willing to become the mistress of the house, thinks up a plan in order to convince her master to marry her.

Both operas were directed by Henning Brockhaus, who placed Il prigionier superbo within a contemporary setting inside a cave and La serva padrona in a circus. The casts both brilliantly show their versatile voices in numerous virtuosic arias accompanied by the Baroque specialists of the Accademia Barocca de I Virtuosi Italiani, conducted by Corrado Rovaris.

Sound Format: PCM Stereo, dts-HD Master Audio 5.1 (Blu-ray)

Picture Format: 16:9, 1080i FULL HD

50 GB (Dual Layer)

Subtitles: IT (Original Language), GB, DE, FR, ES, KOR, JP

Running Time: 177 mins

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Pergolesi: L'Olimpiade

Pergolesi: L'Olimpiade

Live Recording From The Teatro Valeria Moriconi, Jesi, 2011


Raul Gimenez (Clistene), Lyubov Petrova (Aristea), Yetzabel Arias Fernandez (Argene), Jennifer Rivera (Licida), Sofia Soloviy (Megacle)

Academia Montis Regalis, Alessandro de Marchi (conductor) & Italo Nunziata (director)

With Olimpiade the famous poet Metastasio created one of the most popular librettos of the 18th century. It was set to music by over 60 baroque and classical composers including Vivaldi, Caldara, Hasse, Cimarosa and Donizetti. Pergolesi’s composition from 1735 was one of the earliest adaptations.

In the 2011 Jesi production of L’Olimpiade a large part of the auditorium is taken up by a cross-shaped platform. This is where the characters of the drama are introduced, where they elaborate their plans and express their innermost feelings, their sufferings and hopes, while the supreme ritual of the ancient Greek world, the Olympic Games, is celebrated on a distant stage: that event upon which their lives – and all prospects of happiness or otherwise – depend.

L’Olimpiade stars a superb cast of young singers, especially to be named are the ladies in the leading roles – Lyubov Petrova, Yetzabel Arias Fernández, Jennifer Rivera and Sofi a Soloviy – as well as famous Raúl Giménez in the role of King Clistene.

Alessandro De Marchi has been involved in the interpretation of early music for a long time. His orchestra, specialized on the interpretation of baroque and classical compositions on period instruments, Academia Montis Regalis, was also involved in this project.

“It is hard to imagine a happier or more enthralling presentation of [Pergolesi’s] ‘Olimpiade’ ... more natural in the theater than one would think possible.” La Stampa

Sound Format: PCM Stereo, DD 5.1 (DVD)

PCM Stereo, dts-HD Master

Audio 5.1 (Blu-ray)

Picture Format: 16:9, 1080i FULL HD

Format: DVD 9 & DVD 5 / NTSC, 50 GB (Dual Layer)

Subtitle Languages: IT (Original Language),

GB, DE, FR, ES, JP, Korean

Running Time: 170 mins

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Pergolesi: La Salustia

Pergolesi: La Salustia

Live Recording from The Teatro G.B. Pergolesi, Jesi 2011


Vittorio Prato (Marziano), Serena Malfi (Salustia), Laura Polverelli (Giulia), Florin Cezar Ouatu (Alessandro) & Giacinta Nicotra (Albina)

Accademia Barocca De I Musici Italiani, Corrado Rovaris (conductor) & Juliette Deschamps (stage director)

World Premiere Recording.

Pergolesi’s first opera “La Salustia” is filled with emotions and dramatic elements. It portrays the battle of two women, their struggle for power and justice. Further, it is the story of failing deceitful plots and mistrust.

Salustia is the strong empress, wife of the Roman emperor Alessandro, whose mother-in-law Giulia would rather see dead than accept as ruler. Strangely however, it is Salustia who saves Giulia from her own death more than once. She fights not only for her own justice – ruling together with her love Alessandro – but also for justice amongst all the other battling parties. At the end she is rewarded for her moral strength. The drama around the unbreakable Salustia takes its course in the setting of ancient Rome. Young French director Juliette Deschamps, known for various opera productions in Jesi, made the old story come alive on a stage that suggests an ancient palace with large windows, later on the coliseum. The cast features well-loved Pergolesi interpreters such as Serena Malfi, Laura Polverelli or Vittorio Prato. The Accademia Barocca de I Musici Italiani, well-known for productions in historic performance practice, are led by Corrado Rovaris. This is a world premiere recording of one of the very few Salustia-productions that exist worldwide.

“Deschamps's production is clear and visually handsome, with Vanessa Sannino's 18th-century costumes registering particularly vividly on Blu-ray. Shining vocally brightly are mezzo-soprano Laura Polverelli as the scheming Giulia, mezzo Serena Malfi as the victimised Salustia and baritone Vittorio Prato as Marziano, his paternal revenge on Salustia's behalf thrillingly respresented” BBC Music Magazine

“The singing and playing of La Salustia are both expert and enthusiastic...This work stands as an enjoyable example of Pergolesi's art and of both stylish and virtuoso singing.” MusicWeb International, 13th May 2013

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Pergolesi: Lo frate ‘nnamorato

Pergolesi: Lo frate ‘nnamorato

Live Recording from The Teatro G. B. Pergolesi, Jesi, 2011


Nicola Alaimo (Marcaniello), Elena Belfiore (Ascanio), Patrizia Biccirè (Nena), Jurgita Adamonyte (Nina), Barbara Di Castri (Luggrezia), David Alegret (Carlo), Laura Cherici (Vannella), Rosa Bove (Cardella), Filippo Morace (Don Pietro)

Europa Galante, Fabio Biondi (conductor) & Willy Landin (stage director)

Pergolesi’s comic opera Lo frate ’nnamorato (The Brother in Love) from 1732 was his ticket to the Royal Chapel in Naples. Its huge success was due to the beautiful score, showing Pergolesi’s talent for opera compositions, and the exquisite Libretto by Gennarantonio Federico. Lo frate ‘nnamorato especially owes its wit and exuberance to the comic resources of improvisational theatre, which is refl ected in the narrative structure and relationships between the dramatis personae. Love triangles, marriage plans that come to nothing, intrigues and more lead the opera along to the unsuspected outcome.

The 2011 Jesi production, set in the 1950s, features an outstanding cast of singers that further present first-class acting skills that drive a line between quintessence and parody, inventive genius and a sense of tradition, caricature and insight into the roles and characters. Nicola Alaimo, Elena Belfiore, Patrizia Biccirè and Jurgita Adamonytė – to name but a few – carry this wonderful production, realized by the young Argentine director Willy Landin.

Fabio Biondi began his career as a Wunderkind Violinist at the age of twelve. In 1990 he founded his fabulous ensemble Europa Galante, which quickly became the most internationally renowned and awarded Italian ensemble of baroque music.

Sound Format: PCM Stereo, DD 5.1 dts-HD Master Audio 5.1

Picture Format: 16:9, 1080i FULL HD

Subtitle Languages: IT (Original Language), GB, DE, FR, ES, JP, Korean

Running Time: 160 mins

Blu-ray Disc: 50 GB (Dual Layer)

FSK: 0

Region Code: Worldwide

Worldwide available

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Pfitzner: Palestrina

Pfitzner: Palestrina

Recorded live at the Nationaltheater, Munich, 10 & 14 July 2009


Christopher Ventris (Giovanni Pierluigi da Palestrina), Peter Rose (Pope Pius IV), Michael Volle (Giovanni Morone), John Daszak (Bernardo Novagerio), Roland Bracht (Cardinal Christoph Madruscht), Falk Struckmann (Carlo Borromeo), Christiane Karg (Ighino)

Bayerisches Staatsorchester, Chor der Bayerischen Staatsoper, Simone Young (conductor) & Christian Stückl (director)

Requiring 38 soloists, chorus and large orchestra, "Palestrina", Hans Pfitzner's (1869-1949) "most important work" (Süddeutsche Zeitung), is a challenging opera to stage. Written in a lush late-Romantic idiom, the masterpiece weaves a fictitious tale around Giovanni Pierluigi da Palestrina, one of the most important Renaissance composers and renovators of sacred music, who fears losing his creative powers and his role in society.

In Munich, the city in which it was given its world premiere in 1917, the Bavarian State Opera succeeded – director Christian Stückl, best known for his staging of the Oberammergau Passion Play and the Salzburg Festival's "Jedermann", transformed the monumental work into an optical pop art event.

Conductor Simone Young maintains a silky, organic orchestral texture, and expertly holds the reins of the many vocal and instrumental parts. Heading the many outstanding soloists are the imposing Christopher Ventris as Palestrina, Bayreuth regular Falk Struckmann and baritone Michael Volle.

Picture format Blu-ray: 1080i Full HD

Sound format Blu-ray: PCM Stereo, DTS-HD Master Audio

Region code: All (Worldwide)

Booklet notes: English, German, French

Running time: 197 mins Performance + 9 mins Bonus

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Poulenc: Dialogues des Carmélites

Poulenc: Dialogues des Carmélites

Live Recording from The Staatsoper Hamburg, 2008


Alexia Voulgaridou (Blanche de la Force), Wolfgang Schöne (Marquis de la Force), Nikolai Schukoff (Le chevalier de la Force), Kathryn Harries (Madame de Croissy), Anne Schwanewilms (Madame Lidoine), Gabriele Schnaut (Mère Marie de l‘Incarnation)

Staatsoper Hamburg, Simone Young (conductor) & Nikolaus Lehnhoff (director)

Set Design by Raimund Bauer.

The opera Dialogues of the Carmelites is the only opera the French composer Francis Poulenc has ever written. It is based on the screenplay Die begnadigte Angst by Georges Bernanos. The material for the opera is based on actual historic events. Poulenc converges religion and revolution: The young Blanche de la Force who suffers from existential fear all life long, escapes into a convent hoping to conquer her paralysing fear of life and death. Even the walls of the convent cannot stop the French Revolution. The nuns of the Carmelite Order fail to resist it and accept to die in martyrdom. Fascinated by their constancy finally Blanche overcomes her angst and follows her sisters to the scaffold. This dramatic opera in three acts had its debut performance at La Scala in Milan in 1957. With its religious theme this opera takes a special position in the theatre of music in the 20th century. Poulenc's clear and insistent musical language is perfectly interpreted by conductor Simone Young and the Philharmoniker Hamburg. This production showcases big, vibrant voices from all age categories who are not only brilliant in singing but also in acting. Besides the great musical performance, the main reason for the huge success of the opera is stage director Nikolaus Lehnhoff. His simplistic stage design together with the mystic light installation this opera guarantees great listening and also an amazing viewing pleasure.

“…the sheer power of Lehnhoff’s final scene simply takes your breath away.” Hamburger Abendblatt

“It is remarkable how Lehnhoff succeeds in narrating the events of a two-and-a-half hour drama that is low on action without losing power or intensity.” Frankfurter Allgemeine Zeitung

Sound Format: PCM Stereo, dts-HD Master Audio 7.1

Picture Format: 16:9

Resolution: 1080i FULL HD

Subtitle Languages: FR, GB, DE, ES, IT, JP

Running Time: 166 mins

Blu-ray Disc: 50 GB (DUAL LAYER)

FSK: 0

“Lehnhoff takes a relatively minimalist approach...The principals are generally strong. Kathryn Harries is moving as the dying Madame de Croissy...Laura Aikin is effective as the gregarious Sister Constance and Gabriele Schnaut captures the frustrations of Mere Marie...Simone Young draws some marvellous textures from the orchestra” BBC Music Magazine, October 2010 ***

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Poulenc: Dialogues des Carmélites

Poulenc: Dialogues des Carmélites

Filmed in HD at the Bayerische Staatsoper (Munich), 03/2010


Alain Vernhes (Marquis de la Force), Susan Gritton (Blanche de la Force), Bernard Richter (Chevalier de la Force), Sylvie Brunet (Madame de Croissy), Soile Isokoski (Madame Lidoine), Susanne Resmark (Mère Marie), Hélène Guilmette (Soeur Constance), Heike Grötzinger (Mère Jeanne) & Anaïk Morel (Soeur Mathilde)

Bayerisches Staatsorchester & Chor der Bayerischen Staatsoper, Kent Nagano

Stage direction and set design: Dmitri Tcherniakov

Costumes Elena Zaytseva, Lighting Gleb Filshtinsky

A passionate lover of the human voice, Francis Poulenc composed the Dialogues des Carmélites in 1953, using a libretto he himself had written from a screenplay by Georges Bernanos. The first ever performances in Munich, this production was entrusted to Dmitri Tcherniakov, whose worldwide reputation is underpinned by productions like Eugene Onegin and Macbeth at the Paris Opera and Don Giovanni at Aixen-Provence.

The superb international cast includes a fine Blanche de la Force in Susan Gritton and an excellent Madame de Croissy by Sylvie Brunet, who was favourably compared to Rita Gorr in the press. They are superbly backed up by Soile Isokoski, Susanne Resmark, Hélène Guilmette, Alain Vernhes and the fabulous Bernard Richter.

Kent Nagano with the Dialogues literally at his fingertips – he recorded a landmark version some years ago – is at the helm of the Bavarian State Opera Orchestra and Chorus.

Subtitles : Fr, Eng, Ger, Spa

Colour 1080i HD, 16/9

PCM Stereo, DTS HD Master Audio

“[the production is] set in a soulless authoritarian state but filmed in a way that underlines individual dilemmas and common humanity. It is worth watching for Sylvie Brunet’s doughty Madame de Croissy, Soile Isokoski’s gracious Madame Lidoine and Susan Gritton’s winning Blanche.” Financial Times, 4th June 2011 ***

“Tcherniakov's production is probably the most physically active Dialogues ever staged. Everyone is seemingly in constant motion...Sylvie Brunet is a memorably formidable and pitiable Croissy...Helen Guilmette's Constance, lively but never cloying or cute, is immeasurably enhanced by heavenly floated pianissimi...Isokoski, suitably dignified in her role, is in ravishing voice.” International Record Review, July/August 2011

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