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Prokofiev: The Gambler, Op. 24

Prokofiev: The Gambler, Op. 24


Sergei Aleksashkin (The General), Tatiana Pavlovskaya (Pauline), Vladimir Galuzin (Alexei), Larissa Dyadkova (Babulenka), Nikolai Gassiev (Marquis), Alexander Gergalov (Mr Astley), Mlle Blanche (Nadezhda Serdyuk), Andrei Popov (Prince Nilsky), Oleg Sychev (Baron Wurmerhelm) & Andrei Spekhov (Potapych)

Mariinsky Orchestra, Valery Gergiev (conductor) & Laurent Gentot (director)

The Mariinsky label releases its second opera DVD & Blu-ray, Prokofiev’s 'The Gambler'. Filmed in the historic Mariinsky Theatre in 2010, it stars celebrated Russian tenor Vladimir Galuzin and bass Sergei Aleksashkin, and is conducted by Valery Gergiev. It is of fundamental significance that under Gergiev’s baton the Mariinsky Orchestra and opera company have performed all of Prokofiev’s symphonies, concerti and operas on numerous occasions.

Georgian director Temur Chkheidze, who also presented the Mariinsky’s last production in 1996 and directed the opera with critical success at the Metropolitan Opera in 2001, gives a fresh look to Prokofiev’s first opera.

Set in the fictional town of Roulettenburg in the mid-19th Century, 'The Gambler' is a four-act opera that displays the dramatic highs and lows involved in the game of chance. At the centre of the story is Alexei, who is in love with The General’s step-daughter, Pauline. All of the characters fall victim to the temptation of gambling, each one consumed by the obsession and greed that drives them.

Vladimir Galuzin, who plays the role of Alexei, is indisputably one of the world’s leading dramatic tenors, known for his unrivaled stentorious voice and extremely vivid characterisations of some of the most demanding roles. A Mariinsky soloist since 1990, he is much in demand internationally, performing regularly during the last two decades as a guest of most of the world’s most prominent opera houses, concert halls and festivals. The role of The General is played by Russian bass Sergei Aleksashkin. Three-time recipient of the Golden Sofit, St Petersburg’s most prestigious theatre prize, Sergei has been a Mariinsky Theatre soloist since 1989, singing title roles in Mussorgsky’s 'Boris Godunov' and Glinka’s 'Ruslan and Lyudmila'.

DURATION 2 hours 35'

Recorded at the Mariinsky Theatre, June 2010

Performed in Italian: subtitles in Russian, English, Japanese, German and French

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Britten: Death in Venice

Britten: Death in Venice

Recorded in Venice


Marlin Miller (Gustav von Aschenbach), R.-François Bitar (Voice of Apollo), Scott Hendricks (Traveller and other roles), Alessandro Riga (Tadzio), Danilo Palmieri (Jaschiu), Sabrina Vianello (Strawberry seller and other roles) & Liesbeth Devos (Lace seller and other roles)

Orchestra and Chorus of Del Teatro La Fenice, Bruno Bartoletti (conductor) & Pier Luigi Pizzi (director)

World Premiere on Blu-Ray

Dynamic presents Death in Venice on Blu-Ray following the success of Death in Venice on DVD (2010).

"It is unlikely we will see another Death in Venice to rival this one visually for a long time. Highly recommended.” (Richard Fairman, Gramophone)

Subtitles: Fre, Ger, Spa, Ita

Notes: Ita, Eng

Duration: 155 Min

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Puccini: Tosca

Puccini: Tosca

In The Settings And At The Times Of Tosca


Catherine Malfitano (Floria Tosca), Placido Domingo (Mario Cavaradossi), Ruggero Raimondi (Baron Scarpia), Giacomo Prestia (Cesare Angelotti), Giorgio Gatti (Sacristan), Mauro Buffoli (Spoletta), Silvestro Sammaritano (Sciarrone), Franco Federici (Gaoler) & Simone Scatarzi (Shepherd Boy)

Symphony Orchestra and Chorus of Rome RAI, Zubin Mehta

Conceived and Produced by ANDREA ANDERMANN

Director GIUSEPPE PATRONI GRIFFI

Cinematography VITTORIO STORARO

Directed for video by BRIAN LARGE

Recorded live in July 1992 - REMASTERED IN HIGH DEFINITION FROM THE ORIGINAL MASTER TAPE.

Contemporary Rome is the setting for this unique and highly innovative version of Puccini’s Tosca, performed in the Roman locations – and at the same times of day – as Puccini had written into his score. Thus the action opens in the beautiful 16th-century church of Sant’Andrea della Valle at noon, where Cavaradossi (Domingo) meets the fugitive Angelotti, moves to the Farnese Palace that evening where Tosca (Catherine Malfitano) dramatically makes a pact with the lustful Scarpia (Ruggero Raimondi), and finally to the battlements of the Castel Sant’Angelo at dawn the following day where the final drama is played out.

COLOUR

REGION CODE: ALL REGIONS

NTSC 4:3 • 114 MINS • L-PCM STEREO

SUBTITLES: ENGLISH / FRENCH / GERMAN /ITALIAN

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Meyerbeer: Robert Le Diable

Meyerbeer: Robert Le Diable

Recorded live at the Royal Opera House, December 2012


Bryan Hymel (Robert), Patrizia Ciofi (Isabelle), John Relyea (Bertram), Marina Poplavskaya (Alice), Nicolas Courjal (Alberti), David Butt Philip (Master of Ceremonies), Pablo Bemsch (Second Chevalier/Herald), Ashley Riches (Prince of Granada), Jihoon Kim (Fourth Chevalier/Priest), Jean-Francois Borras (Raimbaut) & Dušica Bijelic (Lady-in-waiting to Isabelle)

Royal Opera Chorus & Orchestra of the Royal Opera House, Daniel Oren (conductor) & Laurent Pelly (director)

A grand opera that dominated the stages of Europe for most of the 19th century, Robert le diable is a masterpiece.

Director Laurent Pelly breathes new life into Giacomo Meyerbeer’s great spectacle and audaciously entertaining moral fable, in this colourful new staging for The Royal Opera. The wonderful score includes brilliant arias, dramatic ensembles, rousing choruses and a ballet of ghostly nuns, and with the wavering hero of the title sung by Bryan Hymel, acclaimed for his role as Énée in Les Troyens for The Royal Opera and the Metropolitan Opera, this is an unmissable experience.

Premiered in 1831, it was one of the first grand operas staged at the Paris Opéra.

Meyerbeer’s European fame was initiated with “Robert” – performed 470 times in Paris alone by the time of the composer’s death in 1864.

“It is a masterpiece...Meyerbeer has made himself immortal” (Frédéric Chopin)

Extra features: ‘The legacy of Robert le diable, and a cast gallery.

Running time: 122 minutes

Subtitles EN/FR/DE/JP/KR

Sound format: 2.0LPCM + 5.1(5.0) DTS

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Strauss, R: Ariadne auf Naxos

Strauss, R: Ariadne auf Naxos

Live Recording from The Zurich Opera House, 2006


Emily Magee (Primadonna/Ariadne), Michelle Breedt (Der Komponist), Roberto Saccà (Der Tenor/Bacchus), Elena Mosuc (Zerbinetta) & Michael Volle (Ein Musiklehrer)

Orchestra of the Zurich Opera House, Christoph von Dohnányi (conductor) & Claus Guth (stage director)

Ariadne auf Naxos is one of the many beautifully crafted operas created by Richard Strauss and his librettist Hugo von Hofmannsthal. In this compelling production – directed by Claus Guth – Christoph von Dohnányi leads a particularly strong cast of singer-actors in a thrilling interpretation of the work. Ariadne is sung by the American soprano Emily Magee, who has received worldwide praise for her performances in works by both Wagner and Strauss. The German-born Italian tenor Roberto Saccà, who is now regarded as one of the leading lyric tenors of his generation, takes the part of Bacchus.

Exploring the essence of the piece, Claus Guth and his designer Christian Schmidt worked with the binary opposites that are posited on every level of the work and that seem to be so clear-cut: on the one hand, there is the reality of the prologue and, on the other, the artificiality of the opera. An entertaining and intelligently crafted production of one of the key operas exploring the intertextuality that occurs between “real life” and what today would be called “virtual reality”.

Sound Formats: PCM Stereo, DTS-HD Master Audio 7.1

Picture Format: 16:9

Resolution: 1080i FULL HD

Subtitle Languages: DE (Original Language), GB, FR, ES, IT

Running Time: 127 mins

Blu-ray Disc: 50 GB (Dual Layer)

FSK: 0

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Bruckner: The Mature Symphonies (Symphony No. 5)

Bruckner: The Mature Symphonies (Symphony No. 5)


Bruckner:

Symphony No. 5 in B flat major

original version


Recorded live at Philharmonie Berlin on 21 June 2010.

The Süddeutsche Zeitung summed up this highly acclaimed performance of Bruckner's monumental Fifth Symphony by saying: “Both Bruckner’s belief in God, as it majestically wells up out of the chorale of the Fifth, and his deeply tragic world view, collide with one another in Barenboim’s interpretation”. The operatic experience of the conductor was almost tangible, revealing the “sheer dramatic instrumental battle between Bruckner’s God and the Devil – between heaven and hell – without betraying Bruckner’s unerring sense of striking proportions.” The release of this “contrapuntal masterpiece” (as Bruckner, not without pride, referred to this work) is part of Daniel Barenboim’s Bruckner cycle with the renowned Staatskapelle Berlin.

Picture Format Blu-ray: NTSC 16:9

Full HD

Sound Formats Blu-ray: DTS HD Master Audio,

PCM Stereo

Region Code: 0 (worldwide)

Running Time: 76:49 min

Disc Format: BD 25

“The camerawork is gratifyingly unfussy, and Barenboim builds the structural edifices patiently without letting the music sag or sound predictable.” Financial Times, 8th June 2013 ****

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Bruckner: Symphony No. 7 & Wolf: Lieder

Bruckner: Symphony No. 7 & Wolf: Lieder

Recorded live at Semperoper Dresden, September 2012


Bruckner:

Symphony No. 7 in E Major

Strauss, R:

Befreit, Op. 39 No. 4

Wolf, H:

Verborgenheit (No. 12 from Mörike-Lieder)

Renée Fleming (soprano)

Er ist's (No. 6 from Mörike-Lieder)

Renée Fleming (soprano)

Elfenlied (No. 16 from Mörike-Lieder)

Renée Fleming (soprano)

Anakreons Grab (No. 29 from Goethe-Lieder)

Renée Fleming (soprano)

Mignon II 'Nur wer die Sehnsucht kennt' (No. 6 from Goethe-Lieder)

Renée Fleming (soprano)


The Dresden Staatskapelle has a living Bruckner tradition, stretching back a century and more, which is lovingly curated by its new music director, Christian Thielemann, who is himself a powerful advocate for the composer’s symphonies as the pinnacle of the Austro-German tradition; and in particular for the Wagnerian resonances of the Seventh, whose Adagio was shaped by news of Wagner’s death in Venice. Hugo Wolf was also deeply affected by that news; his songs, like Bruckner’s symphonies, can be seen as oblique reflections on the influence of Wagner, especially when sung, as they are here by Renée Fleming, with the utmost delicacy and intimacy.

Christian Thielemann’s first concert as Principal Conductor of the Staatskapelle Dresden.

Both Thielemann and Fleming are renowned interpreters of Romantic repertoire.

Bruckner’s 7th Symphony premiered in 1884 to universal acclaim & established him as a serious composer of symphonic music, Wolf’s Songs were composed four years later.

Wolf was a great admirer of Bruckner and both idolized Wagner, whose influence is felt in the 7th Symphony.

Running time: 106 minutes

Subtitles N/A

Sound format: 2.0LPCM + 5.1(5.0) DTS

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Mariss Jansons conducts Mahler Symphony No. 2

Mariss Jansons conducts Mahler Symphony No. 2


Mahler:

Symphony No. 2 in C minor 'Resurrection'

Anja Harteros (soprano) & Bernarda Fink (alto)

Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)

Ich bin der Welt abhanden gekommen (Rückert-Lieder)

for 16 Voices arranged by Clytus Gottwald


Chor des Bayerischen Rundfunks, Mariss Jansons

Gustav Mahler’s gigantic Symphony No. 2 in C minor usually fi lls out a concert on its own. But in this recording with the Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) under its principal conductor Mariss Jansons, the work is introduced by an exquisite – and fi tting – choral work: A contemporary (1982) 16-voice arrangement of a song by Mahler, Ich bin der Welt abhanden gekommen, based on a poem by Friedrich Rückert and originally composed for voice and orchestra in 1901 – performed here by the superb Chor des Bayerischen Rundfunks (Bavarian Radio Choir).

The nickname “Resurrection” for Mahler’s Second Symphony is derived from the closing chorus of the last movement, in which Mahler set to music verses from Klopstock’s “Messias”. Although the symphony is a challenge to perform, due to the length of the work as well as the exceptionally large musical scoring, it has become part of the standard repertoire. The Second Symphony is a central work in Mahler’s oeuvre, a work whose Munich performance of 1900 brought him the long hoped-for recognition as composer.

Sound Format: PCM Stereo, dts-HD Master Audio 5.0

Picture Format: 16:9, 1080i FULL HD

Format: 25 GB (Single Layer)

Running Time: 96 mins

FSK: 0

Region Code: Worldwide

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Verdi: La forza del destino

Verdi: La forza del destino

Teatro Regio di Parma, February 2011


Dimitra Theodossiou (Leonora), Vladimir Stoyanov (Don Carlo), Aquiles Machado (Don Alvaro), Mariana Pentcheva (Preziosilla), Roberto Scanduzzi (Padre Guardiano), Carlo Lepore (Fra Melitone), Ziyan Afteh (Il Marchese di Calatrava), Adriana di Paola (Curra), Hyung Ho Kim (Mastro Trabucco)

Orchestra e Coro del Teatro Regio di Parma, Gianluigi Gelmetti

C Major presents the next instalment in their Tutto Verdi project with the Teatro Regio di Parma production of La forza del destino.

The cast features Dimitra Theodossiou – a frequent performer at La Scala and Opera Zurich – alongside Vladimir Stoyanov and Mariana Pentcheva,

Stefano Poda –the production’s director – has also worked in some of the most renowned theatres across the world.

PICTURE: 16:9, HD

BD: DTS-HD MA 5.1, PCM 2.0

RUNNING TIME: TOTAL: 190 MINUTES (OPERA: 179 MINUTES, BONUS: 11 MINUTES)

SUBTITLES: ITALIAN (ORIGINAL LANGUAGE), ENGLISH, GERMAN, FRENCH, SPANISH, CHINESE, KOREAN, JAPANESE BONUS: ENGLISH, ITALIAN

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Schubert: Winterreise D911

Schubert: Winterreise D911


Christoph Prégardien (tenor) & Michael Gees (piano)

World famous tenor Christoph Prégardien continues his series of recordings for Challenge Classics of Schubert song-cycles, with what many consider to be the composer’s greatest work in the genre “Winterreise”. As with previous critically acclaimed releases in the series the pianist is Michael Gees. This Blu-ray release features video of a performance of the work as well as the documentary “Winterreise, Der dritte Weg” (Winterreise, the third way), which presents interviews with Prégardien and Gees and behind-the-scenes footage of the studio recording process. It also includes a bonus CD of Christoph Prégardien and Michael Gees performing “Winterreise”.

Blu-ray specifications:

Region code: A, B, C (region free)

Rating: E (exempt)

Picture format: 16:9, 1920x1080i

Sound format: Stereo PCM 192kS/s-24Bit, Surround 5.1 PCM 192kS/s-24Bit

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