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Edward William Elgar (1857-1934)

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An Evening with Renée Fleming

An Evening with Renée Fleming

Recorded live at Waldbühne, Berlin, 2010


includes:

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Elgar:

Salut d'amour, Op. 12

Khachaturian:

Spartacus: Adagio of Spartacus & Phrygia

Korngold:

Glück, das mir verbleib 'Marietta's Lied' (from Die Tote Stadt)

Leoncavallo:

Mimi Pinson la biondinetta (from La Bohème)

Musette svaria sulla bocca viva (from La Bohème)

Mussorgsky:

A Night on the Bare Mountain

Puccini:

Donde lieta usci (from La Bohème)

Tu che di gel sei cinta (from Turandot)

Smetana:

Dobrá! Já mu je dám!... Jak je mi? (Dalibor)

Strauss, R:

Morgen mittag um elf! (from Capriccio)

Zueignung, Op. 10 No. 1

Tchaikovsky:

Romeo & Juliet - Fantasy Overture

Wagner:

Rienzi Overture


The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With over 20,000 attendances, these are some of the most popular classical music concerts in the world.

This year the Berliner Philharmoniker play under the baton of Ion Marin, one of the most exciting conductors on today’s musical scene. They welcome "America's Beautiful Voice", Grammy Award winning soprano Renée Fleming, who has a devoted international following wherever she appears. Her career has been built on success across a wide range of musical styles, but she is best-known for her excellence in opera worldwide.

The device of the evening was “Night of Love”- the most beautiful Opera Arias in combination with atmospheric instrumental pieces.

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EuroArts Waldbühne - 2058074

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Europa Konzert 2010 from Oxford

Europa Konzert 2010 from Oxford

Recorded live at Sheldonian Theatre, Oxford, 1 May 2010


Brahms:

Symphony No. 1 in C minor, Op. 68

Elgar:

Cello Concerto in E minor, Op. 85

Alisa Weilerstein (cello)

Wagner:

Die Meistersinger von Nürnberg: Prelude to Act 3


For over 20 years, the Berliner Philharmoniker have celebrated their foundation on May 1st with the annual Europa Konzert - this year’s concert takes place in Oxford. The orchestra under the baton of worldwide renowned musician Daniel Barenboim, welcome cellist Alisa Weilerstein who has attracted widespread attention for a playing that combines natural virtuoso command and technical precision with impassioned musicianship.

"Daniel Barenboim´s programme played to the orchestra's strengths, and the sound was sumptuous. The plush strings and refulgent brass permitted him to unfold the introspective third-act prelude to Wagner's Die Meistersinger with glacial slowness, while the energy that pulsed through Brahms's First Symphony, its phrases sculpted in great expressive arcs with every detail and woodwind solo thrillingly realised, was irresistible. Between the prelude and the symphony, Barenboim conducted the young American cellist Alisa Weilerstein in Elgar's Cello Concerto … Barenboim's approach was refreshingly un-English, a bonus in Elgar, and the sound of the orchestra in the climaxes was overwhelming." Guardian

Picture format BD: 1080i Full HD - 16:9

Sounds formats BD: PCM 2.0, DTS HD Master Audio

Region code: 0

Booklet notes: English, German, French

Running time: 83 mins

FSK: 0

“There's no old man's regret in [Weilerstein's] performance, which is passionate and full-blooded, and shot through with grief and longing rather than any nostalgia...Barenboim has always been an excellent Brahmsian...and he rounds the concert off with a richly satisfying account of the First Symphony. No real surprises, but not far from perfection” BBC Music Magazine, January 2011 *****

“The young American cellist Ailsa Weilerstein simply steals the show. Her musicianship is absolutely stunning. She captures a perfect balance between introversion and songfulness, sensitivity and whimsy, seemingly at one with the music...The filming captures the event's rapt atmosphere, if a bit busily.” Classic FM Magazine, June 2011 ****

“[The Elgar] is gripping from the very start...[Weilerstein] never holds back and takes some impressive risks, perhaps inspired by an accompaniment that convinces me, for the time, of the Berlin Philharmonic being the finest orchestra for Elgar, as well as for everything else.” Gramophone Magazine, August 2011

“[In the Brahms and Wagner] the Berliners' majestic playing is deeply impressive, their timbral and intonational blend bordering on the miraculous...playing at this level of achievement still has the power to have one shaking one's head in disbelief at its sheer expertise...[Weilerstein] plays with compelling flair and understanding” International Record Review, January 2012

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EuroArts - 2058064

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Usually despatched in 2 - 3 working days.

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