Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Recorded live from the Teatro Regio, Turin 7, 10 & 13 October 2010
Orlin Anastassov (Boris), Alessandra Marianelli (Xenia), Pavel Zubov (Fyodor), Ian Storey (Grigory), Vladimir Vaneev (Pimen), Peter Bronder (Prince Shuisky), Vasily Ladjuk (Andrey Shchelkalov), Vladimir Matorin (Varlaam), Luca Casalin (Missail), Nadezhda Serdjuk (Innkeeper), Evgeny Akimov (Holy Fool), Elena Sommer (Nurse), John Paul Huckle (Nikitich), Oliviero Giorgiutti (Mityukha), Matthias Stier (Boyar-in-attendance) & Andrei Konchalovsky (Khrushchyov) Chorus and Orchestra of the Teatro Regio, Torino, Gianandrea Noseda (conductor) & Andrei Konchalovsky (director) Boris Godunov is the story not only of a troubled leader but of an entire nation, and its history is as eventful as that of Mother Russia herself. In this new production, the legendary director Andrei Konchalovsky presents a personal vision of the opera that takes Mussorgsky’s bare and monumental first version as its basis, while adding the final scene from the composer’s revision, in which not only the Tsar but the people themselves reveal their fatal flaws. Orlin Anastassov stars in the title role, conducted by Gianandrea Noseda. ‘’Orchestrally and vocally outstanding’’ The Opera Critic Extra features: Cast gallery Interviews with Andrei Konchalovsky & Gianandrea Noseda Running time 164 mins Region Code All regions Picture format 1080i High Definition Sound format 2.0LPCM + 5.1(5.0) DTS Menu languages EN Subtitles EN/FR/DE/ES “Konchalovsky sticks to the 1869 original...Orlin Anastassov makes a rich-voiced but wildly over-the-top Godunov...It's good to have the superlative treble Pavel Zubov as Boris's son Fyodor...Best is Gianandrea Noseda's fluent and urgent conducting” BBC Music Magazine, October 2011 *** “[Noseda] paces and balances Boris most naturally, eschewing brassy climaxes or over-melodramatic spookiness...Konchalovsky's detailed work with his responsive soloists has some of the over-the-top manic energy of Orson Welles in his Shakespeare films: the glinting, desperate, trapped eyes of Orlin Anastassov's Tsar and the fussy sweat-wiping mannerisms of Peter Bronder's Shuisky create an apt other-worldly presence. Both too are in fine voice.” Gramophone Magazine, January 2012 “Noseda is well-schooled in this repertoire through Valery Gergiev’s mentorship and offers a viscerally exciting performance of the score. His tempi are keen and there is plenty of thrust to his orchestra’s attack...Orlin Anastassov is a much younger Boris than we’re used to seeing, but then the real Boris Godunov became regent at the age of 34. Opulently costumed, he cuts a noble figure from the start and has the vocal resources to match.” Opera Britannia, 30th October 2011 ****/***** “Anastassov is vocally and physically imposing as the Tsar. It is not, I think, being fanciful to say that from early on his staring eyes reflect the first signs of Boris's mental derangement. His voice emerges with deep resonance, focused, flowing, dark of timbre...The cast has no weaknesses...I rate the performance highly.” International Record Review, October 2011 | | | Usually despatched in 2 - 3 working days. |
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| |  | Recorded live at the Nationaltheater, Munich, 10 & 14 July 2007
Staged, directed and designed by Dmitri Tcherniakov Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded distant heights, that “one is tempted to speak of a Russian mezzo”. Fantastic cast: Anatoly Kotscherga portrays the religious leader Dosifei with fervor and bluster, Klaus Florian Vogt dazzles heroically as Andrey, John Daszak is a technically flawless Golitsin, and bass-baritone Paata Burchuladze gives a charismatic, forceful account of Prince Ivan Khovansky. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a gripping stage work for all times. With his stripped-down sets and historicizing costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theater, builds a bridge to the political present. Picture format: 1080i Full HD 16:9 Sound formats: PCM 2.0, DTS-HD Master Audio Surround Region code: All (worldwide) Subtitles (Bonus): German English, French, Spanish Booklet notes: English, German, French Running time: 172 mins | | | Usually despatched in 2 - 3 working days. |
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| |  | An Evening with Renée FlemingRecorded live at Waldbühne, Berlin, 2010
The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With over 20,000 attendances, these are some of the most popular classical music concerts in the world. This year the Berliner Philharmoniker play under the baton of Ion Marin, one of the most exciting conductors on today’s musical scene. They welcome "America's Beautiful Voice", Grammy Award winning soprano Renée Fleming, who has a devoted international following wherever she appears. Her career has been built on success across a wide range of musical styles, but she is best-known for her excellence in opera worldwide. The device of the evening was “Night of Love”- the most beautiful Opera Arias in combination with atmospheric instrumental pieces. | | | Usually despatched in 2 - 3 working days. |
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| |  | Nobuyuki Tsujii Live at Carnegie HallRecorded at Carnegie Hall, November 10, 2011
On November 10, 2011, Nobuyuki Tsujii, the blind pianist from Japan who was the winner of the Van Cliburn International Piano Competition Gold Medal in 2009 appeared on the stage of Carnegie Hall. His dream had come true. Arguably the most important event in the career of any performer, for “Nobu” it was a miracle. With his brilliant technique and beautiful tone, he contrasts familiar warhorses with newer pieces, including one of his own compositions, written in memory of the victims of the Japanese earthquake and tsunami in March 2011. Nobu brought the usually reserved Carnegie Hall audience to its feet. Interviewed after Nobuyuki Tsujii’s recital, Van Cliburn observed: ‘What a thrill to hear this brilliant, very gifted, fabulous pianist. You feel God’s presence in the room when he plays. His soul is so pure, his music is so wonderful and it goes to infinity, to the highest heaven.’ | | | Usually despatched in 2 - 3 working days. |
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| |  | Sir Simon Rattle conducts Mussorgsky & BorodinRecorded live at Philharmonie Berlin, 2007
A beautiful document of the outstanding contribution Sir Simon Rattle has made to the music world in his work with one of the greatest orchestras, the Berliner Philharmoniker. A perfect choice of programme: The best-known symphonic works of Borodin and Mussorgsky with immediate visceral impact on the audience. The wonderful encore, Shostakovich´s Polka from The Golden Age is announced by Sir Simon Rattle as crazy – it represents the prolonging of the process of modernization set in motion by Borodin and Mussorgsky. A feast for music lovers. The second Blu-ray Disc of Sir Simon Rattle and the Berliner Philharmoniker on EuroArts. "The musicians are very articulate, they are very open, they are very curious. They always want to know why we are doing something. They don't just do it – they are not an obedient orchestra in that way, but they are a very creative orchestra.” Sir Simon Rattle Picture format BD: 1080i Full HD - 16:9 Sounds formats BD: PCM 2.0, PCM 5.1 Region code: All Booklet notes: English, German, French Running time: 91 mins FSK: 0 “…is a sophisticated Russian New Year's Eve event from Berlin. …the impression remains that Rattle brings off the subtler, more atmospheric passages best.” BBC Music Magazine, July 2009 **** “Technically speaking this is an outstanding issue…picture quality and colour balance are exceptional…the sound-picture [is] clear and truthfully balanced…The Berlin Philharmonic's playing is as impressive as ever…Simon Rattle is as charismatic as ever…it is a joy to watch him engaging so obviously with Borodin's languorous Oriental melodies” International Record Review | | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | Solti: Journey of a lifetimeCelebrating the 100th birthday of Sir Georg Solti
This fantastic documentary, from the director of the very successful DVD Carlos Kleiber - I am lost to the world, celebrates the 100th birthday of Sir Georg Solti. He was one of the 20th Century’s most brilliant conductors and a leading figure of musical culture world-wide. The documentary follows the Hungarian-Jewish conductor’s career: As Toscanini’s assistant at the Salzburg Festival, as Music Director in Munich and Frankfurt after the war, achieving world-wide fame with his legendary recording of Wagner’s Ring cycle. It was as the long-serving Music Director at the Royal Opera House, Covent Garden, and of the Chicago Symphony Orchestra that Solti became an international start of classical music. These stops form the central points of the film. Many great musicians like Valery Gergiev and Dohnànyi have great memories to share. Sound Format: PCM Stereo Running Time: 107 minutes Booklet: English, German, French Subtitles: English spoken version, German spoken version, Subtitles: French, Spanish, Korean AVAILABLE WORLDWIDE “Talking heads opine that Solti's career only soared after Bohm retired and Karajan died...it does provide some remarkable anecdotes...such as Solti becoming great cronies with Theodor Adorno...Most significantly, though, this also includes a solid sample of everyday Solti.” BBC Music Magazine, May 2013 **** “Solti is a documentary director's dream...there is always so much to look at even when he's sitting still..There is much skilfully sequenced archive footage...even if the director finds it hard to linger on his subject doing what he did best.” Gramophone Magazine, January 2013 “Contributions are intelligent and interesting and there is thankfully little by way of padding. There is some linking narration and the occasional musical extract...I found the 52 minutes of this film compulsive viewing and was only sorry there wasn't more of it.” MusicWeb International, 21st May 2013 | | | Usually despatched in 2 - 3 working days. |
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