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Stravinsky: | The Firebird Ekaterina Kondaurova (Firebird), Ilya Kuznetsov (Ivan Tsarevich), Marianna Pavlova (The Princess) & Vladimir Ponomarev (Kachtcheï the Immortal) The Rite of Spring Alexandra Iosifidi (The Chosen One), Elena Bazhenova (300-Year-Old Woman) & Vladimir Ponomarev (Shaman) |
The Firebird: Choreography & libretto: Michel Fokine (1910) reconstruction Isabelle Fokine, Andris Liepa; Set & costume design:Anna & Anatoly Nezhny after original sketches by Alexander Golovin, Léon Bakst & Michel Fokine The Rite of Spring Choreography after Vaslav Nijinsky (1913) Scene plan: Igor Stravinsky & Nicholas Roerich, reconstructed and staged by Millicent Hodson; Set and costume design: Nicholas Roerich, reconstructed and supervised by Kenneth Archer; Lighting: Vladimir Lukin
Subtitles: Fr, Eng, Booklet: 16 pages, Fr, Eng, Ger Filmed in High Definition at the Mariinsky Theatre June 2008 Duration: 2h03' Bonus: documentary 1909-2009 Ballets Russes & interviews with Millicent Hodson & Kenneth Archer (38') Today it is difficult to imagine the impact on audiences at the beginning of the 20th century of Serge Diaghilev (1872-1929) and his Ballets Russes. In celebration of the debut of the Ballets Russes in Paris in 1909, this wonderful Stravinsky evening at the Mariinsky Theatre showcases the original Nijinsky version of The Rite of Spring for the first time on DVD along with The Firebird, both conducted by Valery Gergiev. Thanks to the relentless work of Millicent Hodson, Nijinsky's original choreography has now been recreated, performed by the lead dancers and Ballet Company of the Saint Petersburg's Mariinsky Theatre conducted by Valery Geriev, known the world over for his interpretation of Stravinsky's works. “For those who only know the black-and-white pictures of the original production of The Rite of Spring, the colours of Roerich's designs are a revelation, while the vision of Nijinksy's revolutionary choreography can be experienced in its full glory, allowing a proper appraisal of his vision. The three principals are mesmerising... it is the company as a whole that thrills. Add Gergiev's ability to unleash the searing power of the music, not forgetting two useful bonus features, and the result is an exhilarating feast for eyes and ears.” BBC Music Magazine, September 2009 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Recorded live at Théâtre Royal de la Monnaie, Brussels on 26th & 28th April 2007.
Andrew Kennedy (Tom Rakewell), Laura Claycomb (Anne Trulove), William Shimell (Nick Shadow), Julianne Young (Mother Goose), Dagmar Peckova (Baba the Turk), Darren Jeffery (Trulove), Donal J. Byrne (Sellem) Symphony Orchestra & Chorus of la Monnaie de Munt, Kazushi Ono (conductor) & Robert Lepage (stage director) Note: This Blu-ray Disc (BD) is not compatible with standard DVD players. Stravinsky’s masterwork The Rake’s Progress, created for La Fenice in Venice in 1951, is based on a libretto by W. H. Auden and Chester Kallman, inspired by a series of 18th century prints by William Hogarth. This amazing production from La Monnaie–De Munt ‘jazzifies’ the setting by replacing Hogarth’s sin city, London, with 1950s Las Vegas, turning it into a glittering, cinematic gallery of tableaux vivants inspired by the early days of television. Staged by one of the most visionary theatre directors of our age, the Québécois Robert Lepage, the neo-classical morality tale truly becomes a grand spectacle. Lepage’s visual imagination works its magic superbly, while Kazushi Ono’s energetic musical direction drives the sparkling ensemble to exhilarating heights. Bonus material: Interview with stage director Robert Lepage Behind the scenes & rehearsal footage Photo gallery Cast gallery & illustrated synopsis ‘Lepage has forged a reputation as one of the most visionary theatre directors of our age… The Rake’s Progress is heading our way, and it promises to be a highlight of the 2007/8 season.’ Sunday Times PICTURE FORMAT: 1080i
LENGTH: 74 Mins
SOUND: 2.0 & 5.0 PCM
SUBTITLES: EN/FR/DE/ES/IT/NL
“It seems perverse to place it in Las Vegas in the 1950s, as Robert Lepage has done, with stetsons, risqué revue turns and black-and-white TV … Yet when we arrive at the graveyard scene, and then the incredibly moving mad scene in Bedlam, it is all so wonderful that I felt it had been worth persevering. Musically, it is first-rate.” BBC Music Magazine, May 2008 **** “This is a show to be seen - Covent Garden is staging it in July - and, down to the witty, period and silent menu screens, a model of its kind.” Gramophone Magazine, May 2008 “Lepage has forged a reputation as one of the most visionary theatre directors of our age… The Rake’s Progress is heading our way, and it promises to be a highlight of the 2007/8 season.” Sunday Times “Auden first met Stravinsky to discuss the libretto of The Rake's Progress in Hollywood in 1947, and Robert Lepage winds forward his 'clock of fashion' to the time and place of the opera's composition.
Hogarth's Gin Alley runs into Easy Street, populated by Vegas hookers, dancers and chancers. The composer-sanctioned division into two halves rather than three acts is a complementary move from the conventions of the opera house to the theater, and what a show we have. Madam, or rather Mother Goose (Julianne Young, bearing a disconcerting resemblance to Julianne Moore), lures the naive Tom onto a heart-shaped satin bed, and the pair literally sink into its folds – before our hero re-emerges, worldly wise and weary, in front of a blow-up Winnebago, and banishes ennui not with mother's ruin but a line or two of Colombia's finest.
Andrew Kennedy takes all this in his stride, and his always fresh, appealing tenor ensures we retain our sympathy through Tom's piteous downfall from indolence to insanity, far more so than we are likely to for his operatic model, Ferrando.
From Nick Shadow's first entrance under the shade of a Dallas derrick to his flame-capped Broadway nemesis, the parallels are not with Dons Alfonso or Giovanni but rather Alberich.
This is largely thanks to William Shimell's ironblack baritone and rasping wit, though lines such as 'That man alone is free who chooses what to will and wills his choice as destiny' certainly strike a Wagnerian ring of mania.
The recorded balance is slightly unfavourable to Laura Claycomb in 'I go to him': this is her 'Abscheulicher', but she is no Leonora, and is happiest vocally when she is dramatically downcast.
The two crucial scenes, either side of the interval, between her, Tom and Dagmar Pecková's show-stealing Baba are models of ensemble writing and direction, pulling between operatic naturalism and Stravinsky's preferred realism just as Tom is torn between one woman and the other – and all in front of a chorus who change from waltz-time party guests to painfully well observed inhabitants of Bedlam with phenomenal assurance.
Doubtless Kazushi Ono must take credit for some slickly cinematic pacing. This is a show to be seen and, down to the witty, period and silent menu screens, a model of its kind.” Gramophone Classical Music Guide, 2010 | | | Usually despatched in 2 - 3 working days. |
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| |  | Recorded live at the Glyndebourne Opera House, 18 & 19 December, 2010
In this celebrated Glyndebourne Festival production, David Hockney’s designs for director John Cox reinterpret the Hogarth etchings that inspired the opera’s libretto, written for Stravinsky by W.H. Auden and Chester Kallman. In 2010, this revival under Glyndebourne’s Music Director, Vladimir Jurowski, captured the opera’s neo-classical spirit and its juxtaposition of whimsy, cynicism and compassion, prompting the Financial Times to call it, ‘‘as enjoyable a performance of Stravinsky’s opera as any that has come along". Extra features: Documentary includes interview with David Hockney Introduction to the Rakes’s Progress Running time 150 mins Region Code All regions Picture format 1080i High Definition / 16:9 Sound format 2.0LPCM + 5.1(5.0) DTS Menu languages EN Subtitles EN/FR/DE/ES “Full of colour and light, and brimming with wit, this is a production that lifts the performers...Lehtipuu conveys [Tom's] fresh-faced innocence, making his gradual demise all the more heart-breaking. Bass Matthew Rose is not the most chilling Nick Shadow, but is all the more believable as an apparently supportive, and likeable, friend to Tom, until the veil drops...[Persson] underpins [Anne's] heartfelt love with a steely determination...An absolute triumph.” BBC Music Magazine, January 2012 ***** “It is hard to imagine a Tom Rakewell who looks the part better than the lanky, almost adolescent Topi Lehtipuu, his wide-eyed innocence an open invitation to corruption, and he sings the role with elegance. Miah Persson is almost his equal...The combination of Vladimir Jurowski and the London Philharmonic Orchestra ensures crisp ensemble of the highest quality.”” Gramophone Magazine, March 2012 “Star of the show - as she is so often - is Miah Persson, who turns out to be a radiant and steadfast Anne...[Lehtipuu] manages to give us a Tom whoe fundamentally endearing qualities shine through, even when he's at his most cocky...Matthew Rose's portrayal of Nick Shadow has been criticized in some quarters for its lack of venom, but I find that the mellifluous coating to his malevolence only adds to the effect.” International Record Review, February 2012 BBC Music Magazine
DVD/Blu-ray Choice - January 2012 |
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Michael Tilson Thomas and the San Francisco Symphony present a special Bluray re-issue of their groundbreaking episode of Rite of Spring from the Keeping Score series, commemorating the 100th anniversary of the premiere of Stravinsky's revolutionary ballet score, presented in stunning Dolby TrueHD 96k upsampled audio. “Funny thing about revolutions, you never know when or where they’re gonna start. They can be social or political or artistic, and very often it's these artistic or cultural revolutions, revolutions in taste, really, that seem to predict other violent changes in society. That's exactly the case with the Rite of Spring.” With these words Michael Tilson Thomas opens the groundbreaking episode from the San Francisco Symphony’s Keeping Score series. In 1913, with Europe on the brink of war, a fashionable Parisian audience reacted with hostile frenzy to the premiere of Igor Stravinsky’s new work. The ballet’s shocking music and dance provoked a riot that evening and was soon recognised as perhaps the most revolutionary piece of the 20th century, a reputation it maintains to this day. In this Blu-ray, MTT and SFS take you from the salons of St. Petersburg to the villages where Stravinsky found inspiration in the earthy power of Russian folk music and dance. MTT then retraces Stravinsky's journey to the cultural crossroads of pre-war Paris. There, in collaboration with the great impresario Diaghilev and his star dancer Nijinsky, Stravinsky developed the shocking, erotic, and violent evocation of pagan Russia that became Rite of Spring. Presented for the first time on Blu-ray disc, Keeping Score: Stravinsky features a thought provoking documentary and a brilliant live concert performance of Rite of Spring along with music from The Firebird. The documentary is filmed in standard-definition 16:9 widescreen, with concert performances filmed in high-definition 16:9 widescreen, and presented in optional 5.1 surround sound with Dolby TrueHD 96k upsampling. | 
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| |  | Balanchine - JewelsRecorded live at the Opéra national de Paris, October & November 2005.
Choreography: George Balanchine Set & costume design: Christian Lacroix In 2000, seventeen years after George Balanchine’s death, a rare and precious ballet arrived at the Paris Opéra: Jewels, a work first performed by the New York City Ballet in 1967. This alluring, abstract ballet, a triptych in which each piece sparkles with the brilliance of a precious stone, is a lyric tribute to women and to the capital cities of the great dance schools. Couturier, painter and craftsman Christian Lacroix created the glorious costumes and sets which, together with the outstanding performances of the dancers and the sensitive musical direction of Paul Connelly, results in a celebration of sumptuous splendour. Note: This Blu-ray Disc (BD) is not compatible with standard DVD players PICTURE FORMAT: 1080i
LENGTH: 162 Mins
SOUND: 2.0 & 5.0 PCM AUDIO
SUBTITLES: EN/FR/DE/ES/IT
“A gem of dazzling brilliance” The Independent | | | Usually despatched in 2 - 3 working days. |
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| |  | Dances & Dreams: Gala from Berlin 2011Recorded live at the Berlin Philharmonic, 31 December 2011
In 2011 the Berliner Philharmoniker and their musical director Sir Simon Rattle welcomed in the New Year with a gala concert programmed with ‘Dances & Dreams’. Spinetingling and inspiring performances of music by Dvořák, Ravel, Richard Strauss, Stravinsky and Brahms are complemented by the extraordinary talent of the multi-awarded Russian pianist Evgeny Kissin. Kissin’s musicality, the depth and poetic quality of his interpretations, and his extraordinary virtuosity have placed him at the forefront of today’s pianists, and his passionate performance of the renowned Piano Concerto in A minor by Edvard Grieg is mesmerizing. Kissin's musicality, the depth and poetic quality of his interpretations, and his extraordinary virtuosity have placed him at the forefront of today's pianists. Picture format: 1080i Full HD 16:9 Sound formats: PCM 2.0, DTS-HD Master Audio Surround Region code: All (worldwide) Booklet notes: English, German, French Running time: 89 mins German FSK: 0 “Where Rattle and company radiate love, Kissin gives us duty. Still, nothing else casts a chill. Hearing the orchestra's splendours, observing the smiles and eye contact, you'd never believe the past stories of turbulence between musicians and conductor...The Blu-ray edition, as always, is markedly crisper” BBC Music Magazine, January 2013 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Paavo Järvi conducts Stravinsky & DebussyRecorded live at the Salle Pleyel, Paris, September and November 2012
Conducted by Grammy award winning Paavo Järvi the Orchestre de Paris exquisitely performs three landmark pieces of orchestral music. Both of Stravinsky’s ballet scores and Debussy’s L’Après-midi d’un faune are well suited for a DVD recording. The wildly varying moods under Järvi’s expert guidance are superbly caught in this high quality production. The orchestra undertake international tours and aims to reach all genres of people. Järvi became the Music Director at the beginning of the 2010/11 season, and after just seven months his contract was extended to the end of 2016. | 
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| |  | Sir Simon Rattle conducts Stravinsky, Rachmaninov & TchaikovskyRecorded live at Waldbühne Berlin, 21 June 2009
The famous yearly Berliner Philharmoniker Open-Air concert at the Berlin Waldbühne attended by more than 20,000 people. The atmosphere is unique and unconventionally relaxed. People bring champagne, salmon and caviar, making the Waldbühne a giant picnic area. Candles are lit, transforming the area into an atmospheric venue for some of the most popular pieces of classical music. The 2009 programme has a Russian feel to it, with classic pieces by Tchaikovsky, Rachmaninoff and Stravinsky; three pieces of the core repertoire, among the most popular ones. Yefim Bronfman, artist of international reputation, and specialist of the Russian repertoire, achieves a brilliant performance of this 3rd Concerto of Rachmaninoff. Romantic, different, and relaxed, this is a superb summer night in Berlin - not only for fans of classical music. The first Blu ray Disc of Sir Simon Rattle and the Berliner Philharmoniker on EuroArts. Picture format BD: 1080i Full HD - 16:9 Sounds formats BD: PCM 2.0, PCM 5.1 Region code: All Booklet notes: English, German, French Running time: 104 mins FSK: 0 | | | In stock - usually despatched within 1 working day. |
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| |  | Tchaikovsky Iolanta & Stravinsky Persephone2012 Teatro Real, Madrid
Amrita, Pequeños Cantores & Chorus and Orchestra of the Teatro Real, Teodor Currentzis (Musical Director) & Peter Sellars (Stage Director) Set Designer George Tsypin Costume Designers Martin Pakledinaz & Helen Siebrits Lighting Designer James F. Ingalls Iolanta is a one act lyric opera, sung in Russian, by Tchaikovsky. Performed in the style of a nineteenth-century Italian melodrama, the scenes have a recitative introduction followed by a single arioso, aria, duet or chorus. Persephone is a three act melodrama, sung in French, by Stravinsky. It is a story of regeneration, symbolised in Sellars use of dancers from the Cambodian dance company, Amrita Performing Arts. Peter Sellars, one of the most innovative creators on today's stage, has linked these two productions by using the same stage setting, instantly archaic yet modern, and lit by rich colours to define the journey from darkness to light. “It would be hard to find a more committed, vocally assured pair than Ekaterina Scherbachenko and Pavel Cernoch” BBC Music Magazine, March 2013 **** “There are fine performances from Dominique Blanc in the title role and Paul Groves as Eumolpe. The real touch of genius, though, is Sellars' decision to reimagine the piece in terms of eastern dance rather than ballet, and the choreography, by Cambodia's Amrita Performing Arts, is exquisite.” The Guardian, 13th December 2012 **** | | | In stock - usually despatched within 1 working day. |
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