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David McVicar’s spellbinding production of Le nozze di Figaro is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley’s suave, dashingly self-absorbed Count and Röschmann’s passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable’s lighting and Tanya McCallin’s evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

‘This sexy, raunchy, romp of an opera is a triumph. Director David McVicar has searched for the essence of the composer and found it; fun filled, sensitive, romantic and serious by turns, all reflected in this production.This is a 'Must See' opera! …You'll regret it if you don't!’ Musical Opinion

Bonus material:

The Magic of Mozart: Interviews with Antonio Pappano, David McVicar and principal cast.

Cast gallery and illustrated synopsis.

Recorded live at the Sydney opera House, this Blu-Ray, DVD and CD performance received the following review: “Stellar cast.....from the first bars of the overture you know you are in for a good time...a spectacular cast on every level....” The Daily Telegraph

Boris Godunov is the story not only of a troubled leader but of an entire nation, and its history is as eventful as that of Mother Russia herself. In this new production, the legendary director Andrei Konchalovsky presents a personal vision of the opera that takes Mussorgsky’s bare and monumental first version as its basis, while adding the final scene from the composer’s revision, in which not only the Tsar but the people themselves reveal their fatal flaws.

Orlin Anastassov stars in the title role, conducted by Gianandrea Noseda.

‘’Orchestrally and vocally outstanding’’ The Opera Critic

Extra features:

Cast gallery

Interviews with Andrei Konchalovsky & Gianandrea Noseda

Running time 164 mins

Region Code All regions

Picture format 1080i High Definition

Sound format 2.0LPCM + 5.1(5.0) DTS

Menu languages EN

Subtitles EN/FR/DE/ES

Staged, directed and designed by Dmitri Tcherniakov

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow.

As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded distant heights, that “one is tempted to speak of a Russian mezzo”.

Fantastic cast: Anatoly Kotscherga portrays the religious leader Dosifei with fervor and bluster, Klaus Florian Vogt dazzles heroically as Andrey, John Daszak is a technically flawless Golitsin, and bass-baritone Paata Burchuladze gives a charismatic, forceful account of Prince Ivan Khovansky.

The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a gripping stage work for all times.

With his stripped-down sets and historicizing costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theater, builds a bridge to the political present.

Picture format: 1080i Full HD 16:9

Sound formats: PCM 2.0, DTS-HD Master Audio Surround

Region code: All (worldwide)

Subtitles (Bonus): German English, French, Spanish

Booklet notes: English, German, French

Running time: 172 mins

For the festivities marking the Pergolesi’s tercentenary in his native Jesi, Ignacio García created a new staging of the imperial drama Adriano in Siria. His staging in Jesi’s exquisite 18th-century Teatro Comunale Pergolesi includes the delightful comic intermezzo Livietta e Tracollo, thus following the precedent set at the premiere in 1734. A fine Italian cast and the distinguished Accademia Bizantina are led by the Accademia’s director, Ottavio Dantone.

Extra features:

Interview with Ottavio Dantone

Cast gallery

Running time 188 mins

Region Code All regions

Picture format 16:9 Anamorphic

Sound format 2.0LPCM + 5.1(5.0) DTS

Menu languages EN

Subtitles EN/FR/DE

World Premiere Recording!

The 2010 Jesi production is conscious of the complexity of Flaminio for all its seeming simplicity and cleverly exploits the suggestive milieu of the Teatro Valeria Moriconi, in particular its shape and relatively small scale. Without any attempt at realism, (the main action takes place “in a villa on the outskirts of the city of Naples, complete with hunting lodge, etc.”, but just a handful of props to symbolise the bucolic atmosphere), the production concentrates on establishing a kind of meta-theatrical relationship to this repertoire work which sets out to highlight the interweaving and overlayering of truth and fiction, passion and irony, tragedy and comedy. The orchestra sits behind a broad wooden platform and suspended netting decorated with leaves; every so often scenes about the characters’ private lives open up on various levels (these serve to expand the audience perspective both horizontally and vertically), as if the plot were following the inner development of these living characters. The theatrical narrative unravels – through a brilliant succession of dramatic and light-hearted moments – to its predictable happy ending.

The result takes us a step closer towards finally rediscovering such masterpieces of the Neapolitan school of the 18th century: in addition to being highly serious, ingenious and fabulous entertainment in its own right, Il Flaminio is substantive proof of the key role Naples played in developing the genre for European audiences.

PCM Stereo, dts-HD Master Audio 5.1 (Blu-ray)

Picture Format: 16:9, 1080i FULL HD

Subtitle Languages: IT (Original Language), GB, DE, FR, ES, JP, Korean

Running Time: 183 mins

FSK: 0

The Fondazione Pergolesi Spontini, which has been devoting itself to the research and performance of Pergolesi‘s music for years now, had his operas recorded live at the annual Music Festival in Jesi.

Released on this BD are two productions from Jesi of one almost forgotten opera, Il prigionier superbo, and one of Pergolesi’s most popular works, La serva padrona, combined like they were at the original premiere. Il prigionier superbo tells the story of two rival kings and a princess in distress. In order to strengthen his power, Metalce imprisons his rival Sostrate. Further, he tries to obtain Rosmene’s love. Proud like her father Sostrate, she persistently thwarts the tyrant, while on the other hand she forces herself to hate her beloved Viridate. La serva padrona is the short comedy of Serpina and Uberto: the wily maidservant, hell-bent on her willing to become the mistress of the house, thinks up a plan in order to convince her master to marry her.

Both operas were directed by Henning Brockhaus, who placed Il prigionier superbo within a contemporary setting inside a cave and La serva padrona in a circus. The casts both brilliantly show their versatile voices in numerous virtuosic arias accompanied by the Baroque specialists of the Accademia Barocca de I Virtuosi Italiani, conducted by Corrado Rovaris.

Sound Format: PCM Stereo, dts-HD Master Audio 5.1 (Blu-ray)

Picture Format: 16:9, 1080i FULL HD

50 GB (Dual Layer)

Subtitles: IT (Original Language), GB, DE, FR, ES, KOR, JP

Running Time: 177 mins

FSK: 0

With Olimpiade the famous poet Metastasio created one of the most popular librettos of the 18th century. It was set to music by over 60 baroque and classical composers including Vivaldi, Caldara, Hasse, Cimarosa and Donizetti. Pergolesi’s composition from 1735 was one of the earliest adaptations.

In the 2011 Jesi production of L’Olimpiade a large part of the auditorium is taken up by a cross-shaped platform. This is where the characters of the drama are introduced, where they elaborate their plans and express their innermost feelings, their sufferings and hopes, while the supreme ritual of the ancient Greek world, the Olympic Games, is celebrated on a distant stage: that event upon which their lives – and all prospects of happiness or otherwise – depend.

L’Olimpiade stars a superb cast of young singers, especially to be named are the ladies in the leading roles – Lyubov Petrova, Yetzabel Arias Fernández, Jennifer Rivera and Sofi a Soloviy – as well as famous Raúl Giménez in the role of King Clistene.

Alessandro De Marchi has been involved in the interpretation of early music for a long time. His orchestra, specialized on the interpretation of baroque and classical compositions on period instruments, Academia Montis Regalis, was also involved in this project.

“It is hard to imagine a happier or more enthralling presentation of [Pergolesi’s] ‘Olimpiade’ ... more natural in the theater than one would think possible.” La Stampa

Sound Format: PCM Stereo, DD 5.1 (DVD)

PCM Stereo, dts-HD Master

Audio 5.1 (Blu-ray)

Picture Format: 16:9, 1080i FULL HD

Format: DVD 9 & DVD 5 / NTSC, 50 GB (Dual Layer)

Subtitle Languages: IT (Original Language),

GB, DE, FR, ES, JP, Korean

Running Time: 170 mins

World Premiere Recording.

Pergolesi’s first opera “La Salustia” is filled with emotions and dramatic elements. It portrays the battle of two women, their struggle for power and justice. Further, it is the story of failing deceitful plots and mistrust.

Salustia is the strong empress, wife of the Roman emperor Alessandro, whose mother-in-law Giulia would rather see dead than accept as ruler. Strangely however, it is Salustia who saves Giulia from her own death more than once. She fights not only for her own justice – ruling together with her love Alessandro – but also for justice amongst all the other battling parties. At the end she is rewarded for her moral strength. The drama around the unbreakable Salustia takes its course in the setting of ancient Rome. Young French director Juliette Deschamps, known for various opera productions in Jesi, made the old story come alive on a stage that suggests an ancient palace with large windows, later on the coliseum. The cast features well-loved Pergolesi interpreters such as Serena Malfi, Laura Polverelli or Vittorio Prato. The Accademia Barocca de I Musici Italiani, well-known for productions in historic performance practice, are led by Corrado Rovaris. This is a world premiere recording of one of the very few Salustia-productions that exist worldwide.