Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Live Recording from The Teatro G.B. Pergolesi, Jesi 2011
Vittorio Prato (Marziano), Serena Malfi (Salustia), Laura Polverelli (Giulia), Florin Cezar Ouatu (Alessandro) & Giacinta Nicotra (Albina) Accademia Barocca De I Musici Italiani, Corrado Rovaris (conductor) & Juliette Deschamps (stage director) World Premiere Recording. Pergolesi’s first opera “La Salustia” is filled with emotions and dramatic elements. It portrays the battle of two women, their struggle for power and justice. Further, it is the story of failing deceitful plots and mistrust. Salustia is the strong empress, wife of the Roman emperor Alessandro, whose mother-in-law Giulia would rather see dead than accept as ruler. Strangely however, it is Salustia who saves Giulia from her own death more than once. She fights not only for her own justice – ruling together with her love Alessandro – but also for justice amongst all the other battling parties. At the end she is rewarded for her moral strength. The drama around the unbreakable Salustia takes its course in the setting of ancient Rome. Young French director Juliette Deschamps, known for various opera productions in Jesi, made the old story come alive on a stage that suggests an ancient palace with large windows, later on the coliseum. The cast features well-loved Pergolesi interpreters such as Serena Malfi, Laura Polverelli or Vittorio Prato. The Accademia Barocca de I Musici Italiani, well-known for productions in historic performance practice, are led by Corrado Rovaris. This is a world premiere recording of one of the very few Salustia-productions that exist worldwide. “Deschamps's production is clear and visually handsome, with Vanessa Sannino's 18th-century costumes registering particularly vividly on Blu-ray. Shining vocally brightly are mezzo-soprano Laura Polverelli as the scheming Giulia, mezzo Serena Malfi as the victimised Salustia and baritone Vittorio Prato as Marziano, his paternal revenge on Salustia's behalf thrillingly respresented” BBC Music Magazine “[Salustia] is thoroughly likeable in the hands of mezzo Serena Malfi. Her light young tones exude innocent shock at her situation...but she mines Pergolesi's music for all the emotional gravitas she can muster...The strong case here is matched by meticulous period playing and calm direction” International Record Review, June 2013 “The singing and playing of La Salustia are both expert and enthusiastic...This work stands as an enjoyable example of Pergolesi's art and of both stylish and virtuoso singing.” MusicWeb International, 13th May 2013 | 
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| |  | Live Recording from The Teatro G. B. Pergolesi, Jesi, 2011
Nicola Alaimo (Marcaniello), Elena Belfiore (Ascanio), Patrizia Biccirè (Nena), Jurgita Adamonyte (Nina), Barbara Di Castri (Luggrezia), David Alegret (Carlo), Laura Cherici (Vannella), Rosa Bove (Cardella), Filippo Morace (Don Pietro) Europa Galante, Fabio Biondi (conductor) & Willy Landin (stage director) Pergolesi’s comic opera Lo frate ’nnamorato (The Brother in Love) from 1732 was his ticket to the Royal Chapel in Naples. Its huge success was due to the beautiful score, showing Pergolesi’s talent for opera compositions, and the exquisite Libretto by Gennarantonio Federico. Lo frate ‘nnamorato especially owes its wit and exuberance to the comic resources of improvisational theatre, which is refl ected in the narrative structure and relationships between the dramatis personae. Love triangles, marriage plans that come to nothing, intrigues and more lead the opera along to the unsuspected outcome. The 2011 Jesi production, set in the 1950s, features an outstanding cast of singers that further present first-class acting skills that drive a line between quintessence and parody, inventive genius and a sense of tradition, caricature and insight into the roles and characters. Nicola Alaimo, Elena Belfiore, Patrizia Biccirè and Jurgita Adamonytė – to name but a few – carry this wonderful production, realized by the young Argentine director Willy Landin. Fabio Biondi began his career as a Wunderkind Violinist at the age of twelve. In 1990 he founded his fabulous ensemble Europa Galante, which quickly became the most internationally renowned and awarded Italian ensemble of baroque music. Sound Format: PCM Stereo, DD 5.1 dts-HD Master Audio 5.1 Picture Format: 16:9, 1080i FULL HD Subtitle Languages: IT (Original Language), GB, DE, FR, ES, JP, Korean Running Time: 160 mins Blu-ray Disc: 50 GB (Dual Layer) FSK: 0 Region Code: Worldwide Worldwide available “The production...brilliantly updates the work to the 1950s. Its whole atmosphere is redolent of that great era in Italian cinema...The fast-paced comedy is perfectly placed - and ideally paced...Patrizia Biccire is utterly on song - soulful, with a full, rounded tone...The procession of good tunes, hints of folk music, and really wittily crafted ensembles is irresistable” International Record Review, June 2013 | 
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| |  | Recorded live at the Nationaltheater, Munich, 10 & 14 July 2009
Requiring 38 soloists, chorus and large orchestra, "Palestrina", Hans Pfitzner's (1869-1949) "most important work" (Süddeutsche Zeitung), is a challenging opera to stage. Written in a lush late-Romantic idiom, the masterpiece weaves a fictitious tale around Giovanni Pierluigi da Palestrina, one of the most important Renaissance composers and renovators of sacred music, who fears losing his creative powers and his role in society. In Munich, the city in which it was given its world premiere in 1917, the Bavarian State Opera succeeded – director Christian Stückl, best known for his staging of the Oberammergau Passion Play and the Salzburg Festival's "Jedermann", transformed the monumental work into an optical pop art event. Conductor Simone Young maintains a silky, organic orchestral texture, and expertly holds the reins of the many vocal and instrumental parts. Heading the many outstanding soloists are the imposing Christopher Ventris as Palestrina, Bayreuth regular Falk Struckmann and baritone Michael Volle. Picture format Blu-ray: 1080i Full HD Sound format Blu-ray: PCM Stereo, DTS-HD Master Audio Region code: All (Worldwide) Booklet notes: English, German, French Running time: 197 mins Performance + 9 mins Bonus | 
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| |  | Live Recording from The Staatsoper Hamburg, 2008
Alexia Voulgaridou (Blanche de la Force), Wolfgang Schöne (Marquis de la Force), Nikolai Schukoff (Le chevalier de la Force), Kathryn Harries (Madame de Croissy), Anne Schwanewilms (Madame Lidoine), Gabriele Schnaut (Mère Marie de l‘Incarnation) Staatsoper Hamburg, Simone Young (conductor) & Nikolaus Lehnhoff (director) Set Design by Raimund Bauer. The opera Dialogues of the Carmelites is the only opera the French composer Francis Poulenc has ever written. It is based on the screenplay Die begnadigte Angst by Georges Bernanos. The material for the opera is based on actual historic events. Poulenc converges religion and revolution: The young Blanche de la Force who suffers from existential fear all life long, escapes into a convent hoping to conquer her paralysing fear of life and death. Even the walls of the convent cannot stop the French Revolution. The nuns of the Carmelite Order fail to resist it and accept to die in martyrdom. Fascinated by their constancy finally Blanche overcomes her angst and follows her sisters to the scaffold. This dramatic opera in three acts had its debut performance at La Scala in Milan in 1957. With its religious theme this opera takes a special position in the theatre of music in the 20th century. Poulenc's clear and insistent musical language is perfectly interpreted by conductor Simone Young and the Philharmoniker Hamburg. This production showcases big, vibrant voices from all age categories who are not only brilliant in singing but also in acting. Besides the great musical performance, the main reason for the huge success of the opera is stage director Nikolaus Lehnhoff. His simplistic stage design together with the mystic light installation this opera guarantees great listening and also an amazing viewing pleasure. “…the sheer power of Lehnhoff’s final scene simply takes your breath away.” Hamburger Abendblatt “It is remarkable how Lehnhoff succeeds in narrating the events of a two-and-a-half hour drama that is low on action without losing power or intensity.” Frankfurter Allgemeine Zeitung Sound Format: PCM Stereo, dts-HD Master Audio 7.1 Picture Format: 16:9 Resolution: 1080i FULL HD Subtitle Languages: FR, GB, DE, ES, IT, JP Running Time: 166 mins Blu-ray Disc: 50 GB (DUAL LAYER) FSK: 0 “Lehnhoff takes a relatively minimalist approach...The principals are generally strong. Kathryn Harries is moving as the dying Madame de Croissy...Laura Aikin is effective as the gregarious Sister Constance and Gabriele Schnaut captures the frustrations of Mere Marie...Simone Young draws some marvellous textures from the orchestra” BBC Music Magazine, October 2010 *** | | | Usually despatched in 2 - 3 working days. |
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| |  | Filmed in HD at the Bayerische Staatsoper (Munich), 03/2010
Stage direction and set design: Dmitri Tcherniakov Costumes Elena Zaytseva, Lighting Gleb Filshtinsky A passionate lover of the human voice, Francis Poulenc composed the Dialogues des Carmélites in 1953, using a libretto he himself had written from a screenplay by Georges Bernanos. The first ever performances in Munich, this production was entrusted to Dmitri Tcherniakov, whose worldwide reputation is underpinned by productions like Eugene Onegin and Macbeth at the Paris Opera and Don Giovanni at Aixen-Provence. The superb international cast includes a fine Blanche de la Force in Susan Gritton and an excellent Madame de Croissy by Sylvie Brunet, who was favourably compared to Rita Gorr in the press. They are superbly backed up by Soile Isokoski, Susanne Resmark, Hélène Guilmette, Alain Vernhes and the fabulous Bernard Richter. Kent Nagano with the Dialogues literally at his fingertips – he recorded a landmark version some years ago – is at the helm of the Bavarian State Opera Orchestra and Chorus. Subtitles : Fr, Eng, Ger, Spa Colour 1080i HD, 16/9 PCM Stereo, DTS HD Master Audio “[the production is] set in a soulless authoritarian state but filmed in a way that underlines individual dilemmas and common humanity. It is worth watching for Sylvie Brunet’s doughty Madame de Croissy, Soile Isokoski’s gracious Madame Lidoine and Susan Gritton’s winning Blanche.” Financial Times, 4th June 2011 *** “Tcherniakov's production is probably the most physically active Dialogues ever staged. Everyone is seemingly in constant motion...Sylvie Brunet is a memorably formidable and pitiable Croissy...Helen Guilmette's Constance, lively but never cloying or cute, is immeasurably enhanced by heavenly floated pianissimi...Isokoski, suitably dignified in her role, is in ravishing voice.” International Record Review, July/August 2011 | | | Usually despatched in 3 - 4 working days. |
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Sergei Aleksashkin (The General), Tatiana Pavlovskaya (Pauline), Vladimir Galuzin (Alexei), Larissa Dyadkova (Babulenka), Nikolai Gassiev (Marquis), Alexander Gergalov (Mr Astley), Mlle Blanche (Nadezhda Serdyuk), Andrei Popov (Prince Nilsky), Oleg Sychev (Baron Wurmerhelm) & Andrei Spekhov (Potapych) Mariinsky Orchestra, Valery Gergiev (conductor) & Laurent Gentot (director) The Mariinsky label releases its second opera DVD & Blu-ray, Prokofiev’s 'The Gambler'. Filmed in the historic Mariinsky Theatre in 2010, it stars celebrated Russian tenor Vladimir Galuzin and bass Sergei Aleksashkin, and is conducted by Valery Gergiev. It is of fundamental significance that under Gergiev’s baton the Mariinsky Orchestra and opera company have performed all of Prokofiev’s symphonies, concerti and operas on numerous occasions. Georgian director Temur Chkheidze, who also presented the Mariinsky’s last production in 1996 and directed the opera with critical success at the Metropolitan Opera in 2001, gives a fresh look to Prokofiev’s first opera. Set in the fictional town of Roulettenburg in the mid-19th Century, 'The Gambler' is a four-act opera that displays the dramatic highs and lows involved in the game of chance. At the centre of the story is Alexei, who is in love with The General’s step-daughter, Pauline. All of the characters fall victim to the temptation of gambling, each one consumed by the obsession and greed that drives them. Vladimir Galuzin, who plays the role of Alexei, is indisputably one of the world’s leading dramatic tenors, known for his unrivaled stentorious voice and extremely vivid characterisations of some of the most demanding roles. A Mariinsky soloist since 1990, he is much in demand internationally, performing regularly during the last two decades as a guest of most of the world’s most prominent opera houses, concert halls and festivals. The role of The General is played by Russian bass Sergei Aleksashkin. Three-time recipient of the Golden Sofit, St Petersburg’s most prestigious theatre prize, Sergei has been a Mariinsky Theatre soloist since 1989, singing title roles in Mussorgsky’s 'Boris Godunov' and Glinka’s 'Ruslan and Lyudmila'. DURATION 2 hours 35' Recorded at the Mariinsky Theatre, June 2010 Performed in Italian: subtitles in Russian, English, Japanese, German and French | 
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Misha Didyk (Alexei), Kristine Opolais (Polina), Vladimir Ognovenko (General), Stefania Toczyska (Babulenka), Stephan Rügamer (The Marquis), Sylvia de la Muela (Blanche), Viktor Rud (Mr Astley) Staatskapelle Berlin, Daniel Barenboim (conductor) & Dmitri Tcherniakov (stage director) First release on Blu-ray. This production from 2009 is staged by young up-and-coming director Dmitri Tcherniakov, who worked at Bolshoi, Mariinsky, Opera de Bastille, La Scala, and various opera houses in Germany. The opera is based on the famous novel “The Gambler” by Dostoyevsky “Barenboim's crystal-clear pacing of the score is hard-hitting rather than quicksilvery, but the payoff in the last Act is terrific, and the blue-lit look of it all - Tcherniakov designed it, too - works well...No wonder Barenboim and Tcherniakov try to lift each other up in the wings at the end.” BBC Music Magazine, June 2010 ***** “Tcherniakov in Berlin has chosen to mirror the capitalist excesses of our day and does so with tireless attention to detail...Kristine Opolais as Polina and especially Misha Didyk as Alexei both look and sound well...[Barenboim] is here at his most obviously committed. He has found in the piece a depth and expressionist power that brings us close to the world of Wozzeck.” Gramophone Magazine, July 2010 | | | Usually despatched in 2 - 3 working days. |
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| |  | Recorded live at Het Muziektheater, Amsterdam, in 2005.
Note: This Blu-ray Disc (BD) is not compatible with standard DVD players. Prokofiev’s enchantingly surreal commedia dell’arte masterwork is turned into a spectacular triumph of total theatre in this vital production from the Amsterdam Muziektheater. De Nederlandse Opera has chosen to use the more flexible French libretto of the 1921 premiere, a pertinent choice which has the advantage of accentuating the aesthetic common ground shared by Prokofiev and Les Six. Stéphane Denève’s brilliant musical direction inspires outstanding performances from the soloists and the superb Rotterdam Philharmonic Orchestra, enhanced by the smart, blockbusting staging of Laurent Pelly and the exquisite sets of Chantal Thomas, which propel this feverish fable to great heights. Bonus material/features: Cast gallery & Illustrated synopsis Introduction including interviews with main members of the cast and the artistic team ‘A wonderful spectacle… A masterful staging of Prokofiev’s Love for three oranges from DNO. … Seldom have we seen such a successful synthesis of music, image and wit on the operatic stage.’ Het Parool PICTURE FORMAT: 1080i
LENGTH: 144 Mins
SOUND: 2.0 & 5.1 PCM AUDIO
SUBTITLES: EN/FR/DE/ES/IT/NL
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| |  | Gianni Schicchi & The Miserly Knight
Puccini: | Gianni Schicchi Alessandro Corbelli (Gianni Schicchi), Sally Matthews (Lauretta), Felicity Palmer (Zita), Massimo Giordano (Rinuccio), Adrian Thompson (Gherardo), Olga Schalaeva (Nella), Christopher Waite (Gherardino), Maxim Mikhailov II (Betto di Signa), Luigi Roni (Simone), Riccardo Novaro (Marco), Marie McLaughlin (Ciesca) | Rachmaninov: | The Miserly Knight, Op. 24 Sergei Leiferkus (The Baron), Richard Berkeley-Steele (Albert), Viacheslav Voynarovskiy (Moneylender), Albert Schagidullin (The Duke), Maxim Mikhailov (The Servant), Matilda Leyser ("Aerialist") |
Alessandro Corbelli takes the title role in Annabel Arden’s whirlwind production of Puccini’s compact opera, in which the scheming Gianni Schicchi retrieves for himself the spoils of a disinherited family to pave the way for his daughter to marry her love. Recorded live at Glyndebourne Opera House, Sussex, UK, on 11th July 2004. Note: This Blu-ray Disc (BD) is not compatible with standard DVD players. Plus: Rachmaninov’s The Miserly Knight – The complete opera, also directed by Annabel Arden and conducted by Vladimir Jurowski, as performed alongside Gianni Schicchi as a double bill at Glyndebourne on 11th July 2004. PICTURE FORMAT: 1080i LENGTH: 162 Mins SOUND: 2.0 & 5.1 PCM AUDIO SUBTITLES: EN/FR/DE/ES/IT “Annabel Arden’s dark staging of Rachmaninov’s opera and her brilliantly funny view of Puccini’s comedy make for a perfect Glyndebourne evening. Sergei Leiferkus and Alessandro Corbelli are memorable in the respective title
parts and Vladimir Jurowski is the superb conductor.” Sunday Times “Alessandro Corbelli delivers a masterclass in how to extract every ounce of humour from comedy by playing it straight. He is the king of comedy and an international treasure.” The Stage | | | Usually despatched in 2 - 3 working days. |
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| |  | Live Recording from The Teatro Regio di Torino 2008
José Cura (Edgar), Amarilli Nizza (Fidelia), Julia Gertseva (Tigrana), Marco Vratogna (Frank), Carlo Cigni (Gualtiero) Orchestra and Chorus of The Teatro Regio di Torino, Yoram David (conductor) & Lorenzo Mariani (stage director) NOTE: This Blu-ray Disc is not compatible with standard DVD players. World Premiere Recording On Blu-ray Disc. Set and Costume Design by Maurizio Balò A fake death, a perverse woman and a pure woman, a man torn between them, a murder: the story of Edgar, Giacomo Puccini’s second opera, is full of dramatic turns of events. Arthaus Musik presents this powerful and tragic opera now in a version which was count for lost for nearly 120 years. For the first time the original version in four acts of Edgar by Giacomo Puccini was staged at the Teatro Regio in Turin in 2008. Thanks to the rediscovery of the manuscript score, after 119 years since the first and only performance in Milan in 1889 and after numerous versions condensing the opera in three acts, it will be again possible to experience the original opera that Puccini wrote. It was only when the American Puccini expert Linda B. Fairtile began reconstructing the original orchestration of the almost 40-minute final act that the composer’s granddaughter, Simonetta Puccini, came up with the intact score. José Cura, acclaimed all over the world for his intense interpretations, is Edgar. His rich and brilliant tenor voice, together with his fascinating stage presence, make him one of the most charismatic and sought-after artists in the world. With him, two prima donnas, two artists of great charm and with skyrocketing careers: the Italian soprano Amarilli Nizza and the Russian mezzo-soprano Julia Gertseva. Sound Format: PCM Stereo, DD 5.1 Picture Format: 16:9 Resolution: 1080i FULL HD Menu Language: GB Blu-ray Disc: 50 GB (Dual Layer) Subtitle Languages: IT, GB, DE, FR, ES, Japanese Running Time: 157 mins FSK: 0 “In Lorenzo Mariani's Turin production, the action is transposed from the 14th century to the time of the Risorgimento. Act 1 finds everyone dressed in white for a summer picnic. When Edgar and Tigrana have escaped to the city in Act 2, it looks like a production of Traviata, with all the men in top hats and the girls in red feathers. Act 3, though, goes with terrific zest, José Cura as Edgar in disguise, holding forth with burnished tone, and Amarilli Nizza singing "Addio, mio dolce amor" - the one passage that has become fairly well known - with considerable feeling. One can sense Puccini grappling with all the diverse influences on his music, a bit of Wagner, a bit of Verdi, a touch of Donizetti... Yoram David controls the huge orchestra and chorus with impressive authority.” Gramophone Magazine, December 2009 | | | Usually despatched in 2 - 3 working days. |
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