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With Rosario La Spina cast as Calaf, Susan Foster as the icy princess and Hyeseoung Kwon as the loyal slave girl Liù, the singing throughout is superlative.

The choreography and direction of Graeme Murphy is visionary, add the set and costume designs of Kristian Fredrikson, and the lighting of John Drummond Montgomery and this production is glorious in its beauty.

Libretto by Nahum Tate based on a story by Virgile

Sets and Costumes Chloé Obolensky

Lighting Jean Kalman

Coproduction with Netherlands Opera,Amsterdam, Production adapted for Vienna Festival May 2006

A genius with the ability to combine French and Italian influences in an art that transported the English language, Purcell may be William Christie's favourite composer.This production of Dido and Aeneas, directed by Deborah Warner and interpreted by Les Arts Florissants, was overwhelmingly acclaimed when created at the Vienna Festival in 2006 and again when repeated at the Opéra Comique in 2008.This short opera, one of the earliest, is particularly dear to William Christie who has recorded and directed it on several occasions.

Brilliant stage direction by Deborah Warner combines various time spaces in the 17th century with the present day, enhanced by the subtle lighting schemes of Jean Kalman.The elegant, production for television by François Roussillon entirely sustains the stage direction and music bringing to life the performance recorded in December 2008 at the Opéra Comique.

The Royal Ballet and The Royal Opera join forces for Wayne McGregor’s acclaimed fusion of music and movement, whose richly layered designs perfectly complement Purcell’s telling of a classical tale of love thwarted by evil powers. With Sarah Connolly and Lucas Meachem in the title roles, Christopher Hogwood conducts the Orchestra of the Age of Enlightenment. Filmed with High Definition cameras and recorded in true surround sound.

BONUS MATERIAL

Illustrated synopsis & cast gallery.

Interview with Wayne McGregor.

‘Dido is perfectly integrated, and the expressively stylised movements that McGregor has devised for the singers make a fascinating contrast to the gyrations of the corps de ballet. …The casts were excellent. [Sarah Connolly] struck gold with a heartbreaking account of "When I am laid". The sensitivity of her acting and her intense musicality was striking throughout. Lucy Crowe made a delightful Belinda, with Lucas Meachem a quarterback hunk of an Aeneas. The young ad hoc chorus sang beautifully.’ The Telegraph

Picture 1080i High Definition / 16:9 Sound 2.0 & 5.1 PCM

Video codec AVC/MPEG-4 Disc size BD25 Menu language EN Subtitles EN/FR/DE/ES/IT

Region code All regions Running time 72 mins Dimensions W135 H170 D12 (mm)

Jonathan Kent’s spectacular production of Purcell’s huge semi-opera is joyous, imaginative and witty. Glyndebourne, with its intimate auditorium, provides the perfect setting for a drama which is partly spoken and partly sung. Based on an adaptation of Shakespeare’s A Midsummer Night’s Dream, the story is lavished with a brilliance that justifies this production’s acclaim. Paul Brown’s inventive designs, Kim Brandstrup’s exquisite choreography, an excellent cast of actors and singers and outstanding playing by the Orchestra of the Age of Enlightenment under William Christie combine to make a seamless theatrical experience, here recorded in High Definition and true surround sound.

“There are too many highlights to mention in this varied and infinitely delightful entertainment. Glyndebourne has a triumph on its hands.” The Stage

Extra features:

Interview with William Christie

Interview with Jonathan Kent

Running time 3 hours 41 mins

Region code All regions

Picture format 16:9 Anamorphic

Sound format 2.0 LPCM & 5.1 DTS digital

Menu language EN

Subtitles EN/FR/DE/ES

Making full use of Drottningholm Theatre’s unique 17th century Baroque theatre machinery, as well as his deep creative understanding of the profound drama of the work, stage director Pierre Audi creates a production of Zoroastre that completely accords with the spirit of Rameau. True to the form of the tragédie lyrique, choreographer Amir Hosseinpour’s dances perfectly match the weight and meaning of both plot and music.

The ensemble, Les Talens Lyriques, reinforced with musicians from the Drottningholm Court Theatre Orchestra and Chorus, is expertly and passionately led into the musical stratosphere by musical director Christophe Rousset. This intensely dramatic production is captured live in vibrant High Definition video and true surround sound.

Note: This Blu-ray Disc (BD) is not compatible with standard DVD players

World Premiere Recording on DVD

Stage Director, Set & Lighting Design by Marco Arturo Marelli

Costume Design Dagmar Niefind

Aribert Reimann is one of the world’s most important living composers. His works are performed regularly all over the world. Now comes his latest opera - Medea. Roughly 30 authors have written works based on this ancient myth but it was the play by Franz Grillparzer which inspired Reimann most: »In no other version is it made so brutally clear that Medea is an outsider. (…) Right from the start of act one my mind was flooded by musical ideas and by the end of the second act I really thought my head would burst.« Vienna State Opera succeeded in recruiting Marco Arturo Marelli – a man with a world-wide reputation, especially for global premieres – as director and scenographer for this performance. Unusually for a world premiere, the first series of performances of the opera were a huge success amongst audiences and press alike. The public stormed the box office and ticket sales by far exceeded availability. A “Sold Out” notice had to be put up for virtually every performance!

Sound Format: PCM Stereo, dts-HD Master Audio 5.1

Picture Format: 16:9

Resolution: 1080i FULL HD

Subtitle Languages: DE, GB, FR, IT, ES, JP

Running Time: 113 mins

Blu-ray Disc: 25 GB (Single Layer)

FSK: 0

Staged by ENNOSUKE ICHIKAWA

Set Design by SETSU ASAKURA

Rimsky-Korsakov epitomises the fantastic side of the Russian soul. Regarding opera as „essentially the most enchanting and intoxicating of lies,“ he drew on his country’s rich folk heritage to create a fairy-tale world in which the fanciful and commonplace were fused through extravagant orchestral virtuosity and fervently Romantic vocal writing. This Châtelet revival of Le Coq d’Or brings to the stage once again the great Kabuki actor Ennosuke III’s striking staging of Rimsky-Korsakov’s opera first mounted in co-production with the San Francisco Opera in 1984. Born into one of Japan’s most important Kabuki families in 1939, Ennosuke III is a master of his art, who has worked to give this traditional theatre form appeal for modern audiences. As an actor, director and producer his aim has been to bring back the energy and excitement of Edo-period Kabuki. High-tech special effects, dynamic lighting, stunning costumes and minimalist sets have drawn new fans to his ‘Super Kabuki’ shows. He worked on this sumptuous production of Le Coq d’Or with an all-Japanese creative team and the result had an Oriental beauty and fascination entirely appropriate to this satirical fantasy opera. Completed in 1907, Le Coq d’Or, based on Pushkin’s 1834 poem, was Rimsky-Korsakov’s last opera.

It was also his most provocative. When he completed the score, he was forced to submit it to the censor with the result that it was barred from production. Rimsky-Korsakov died in 1908 without ever having heard the opera performed.

Sound Format: PCM Stereo, dts-HD Master Audio 5.1

Picture Format: 16:9

Resolution: 1080i HD

Subtitle Languages: GB, DE, IT, FR, ES, CN

Running Time: 108 mins

Blu-ray Disc: 25 GB (Single Layer)

FSK: 0

World Premiere Recording

„It can be truly said of Adelaide di Borgogna that, like a rose, it bloomed but a day - l’espace d’un matin.” First performed in Rome on the 27th December 1817, it enjoyed very few revivals. In 2011 the Rossini Festival in Pesaro presented the second staged performance of Adelaide di Borgogna since 1825.

The story of the opera was taken from a historical event that took place in the medieval period, marking the end of an independent Italian kingdom and leading to the birth of the German Holy Roman Empire through the efforts of Otto I of Saxony. Caught between political rivalry and the love of two men, Adelaide of Burgundy struggles to fight for her people and chooses Otto, the better ruler, for herself and her kingdom.

Adelaide stars sought-after mezzo Daniela Barcellona as Ottone, young Australian soprano Jessica Pratt, who possesses a natural-born bel canto voice, in the role of Adelaide, and Bogdan Mihai gives proof of his versatile coloratura-tenor.

Director Pier’ Alli devised a modern, stylish look for his production, which interweaves medieval aspects with ironically used elements from the time of the opera’s genesis. His video installations create a beautifully abstract world for Rossini’s colourful music.

SPECIAL FEATURE: Making Of Adelaide di Borgogna

Sound Format: PCM Stereo, DD 5.1 dts-HD Master Audio 5.1

Picture Format: 16:9, 1080i FULL HD

25 GB (Single Layer)

Subtitle Languages: IT (Original Language), GB, DE, FR, ES, JP, Korean

Running Time: 137 mins + 17 mins (Bonus)

FSK: 0

World Premiere Recording

“What a pleasure to listen to Demetrio e Polibio”, wrote major Italian daily La Stampa after the premiere of Rossini‘s very first opera at the 2010 Rossini Opera Festival in Pesaro, attributing it „an undeniable fascination“. The work was given its first performance in Rome in 1812. It is still unclear whether Rossini was 14 or 18 when he wrote it; what is beyond doubt, however, is the anticipation of great things to come.

The libretto is a far-fetched tale of feuding kings, mistaken identities, disguises and cruel fates typical of the late 18th-century opera seria. Young stage director Davide Livermore, heading a production of the Accademia di Belle Arti di Urbino, turns the libretto into a ghost story, setting the action behind the stage of an opera house, when everyone has left and all that remains are the spirits of an opera that yearns for the breath of life – much like the practically forgotten Demetrio e Polibio itself.

With the help of little flames that flare up from the singers‘ palms and other "phantasmagorical" tricks, Livermore creates an enchanting atmosphere that is given a perfect musical rendering by conductor Corrado Rovaris (Music Director of the Opera Company of Philadelphia) and the Orchestra Sinfonica Rossini. Each giving outstanding performances are the four stand-out soloists Maria José Moreno, Victoria Zaytseva, Yijie Shi and Mirco Palazzi, „stars … of the highest international order“ (Süddeutsche Zeitung). Once again, the Rossini Opera Festival fulfills its dual goal of performing unknown Rossini works in new, critical editions, and of fostering young singers on their path towards the world‘s great stages.

SPECIAL FEATURE: Making Of Demetrio e Polibio

Sound Format: PCM Stereo, dts-HD Master Audio 5.1

Picture Format: 16:9, 1080i FULL HD

Format: 25 GB (Single Layer)

Subtitle Languages: IT (Original Language), GB, DE, FR, ES, JP, Korean

Running Time: 115 mins + 15 mins (bonus)

FSK: 0

Region Code: Worldwide