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The amazing Bolschoi interpretation of Theophile Gautier’s piece created in 1841 at the Opéra de
Paris : Giselle. One of the great moments of Dance history that saw the main themes of Romanticism expressed.
A love pastoral care that ends tragically, a fantastic world of unearthly creatures and redemption
thanks to the power of love. Giselle is the dream of a poet who gets deliberately lost in a dream world… A young countryside
girl seduced by a Lord, reaches the height of tragedy before falling into a supernatural epilogue. This ballet is a masterpiece of romantic ballets in which movement traduces the soul’s language. In order to write Giselle, Théophile Gautier required the help of Jules-Henri Vernoy de Saint-Georges. The choregraphy was insured by Jean Coralli : first ballet director of the Opéra de Paris.
Jules Perrot who was in love with the main interpret contributed to the project more than he was expected to. This reunion of talents made this romantic ballet masterpiece exist. Movement
became the soul’s language. The popular Bolshoi Ballet series continues, bringing ballet lovers some of the finest performances by
the worlds most acknowledged dance company. | 
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| |  | The Greatest Ballets
| | CASSE NOISETTE : March / Arabic dance / Chinese dance / Tripak / Dance of the reed-flutes / The flowers’ waltz. ANNA KARENINE : Waltz / Ball scene / Anna and Vronsky / Scene at the racecourse / Winter garden scene / Variation of Anna and Vronsky / Variation of Anna. | Adam: | Giselle (excerpts) Giselle's entrance / Waltz / One step / First act finale / Step of the first Wilys / Entrance of the Prince and appearance of Giselle / Big pas de deux. | Khachaturian: | Spartacus (exerpts) Triumph of Rome / Dance of Phrygia / Adagio of Spartacus / Dance of Dades’ daughters and victory of Spartacus / Spartacus and Phrygia / Egin’s variation. | Prokofiev: | Cinderella, Op. 87 (highlights) Cinderella / The beggar fairy / The summer fairy / Cinderella leaves to the ball / Cinderella arrives to the ball and great waltz / The Prince meets Cinderella | Tchaikovsky: | Swan Lake (excerpts) Waltz / Action step / Dance of the little swans / Pas de deux / Mazurka / Final scene |
Maya Plisetskaya & Vladimir Vassiliev Marinskii Theatre & Bolshoi Ballet | 
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| |  | Opéra National de Paris, 2006
Laëtitia Pujol, Nicolas Le Riche, Marie-Agnès Gillot & Wilfried Romoli Premiers Danseurs, Corps de Ballet et Orchestre de l’Opéra national de Paris, Paul Connelly Giselle is Adolphe Adam’s best-known work and the title role is one of the most sought-after in ballet. It demands both technical perfection and outstanding grace and lyricism, as well as great dramatic skill. In the first act Giselle has to convey the innocence and love of a country girl, the heartbreak of being betrayed. In the second act Giselle must seem otherworldly, yet loving. Choreography: Jean Coralli and Jules Perrot adapted by Patrice Bart and Eugène Polyakov “Marie-Agnès Gillot, a statuesque dancer of grand allure” New York Times | 
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| |  | Ballet Evergreens
National Ballet Orchestra, Pietro Garda | | | In stock - usually despatched within 1 working day. |
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| |  | listen: | | Act 2 - extract |  |
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Wiener Philharmoniker, Herbert von Karajan "...we can find much to enjoy ... the playing is romantic and glowing ... is surprisingly sensitive in the ethereal music..."
Gramophone | | | In stock - usually despatched within 1 working day. |
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| |  | The Cambridge Singers Christmas Album
The Cambridge Singers, City of London Sinfonia, John Rutter | | | In stock - usually despatched within 1 working day. |
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| |  | Tortelier's French Bonbons
BBC Philharmonic, Yan Pascal Tortelier | | | In stock - usually despatched within 1 working day. |
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| |  | Christmas Music
Orphei Drängar Choir, Robert Sund | | | In stock - usually despatched within 1 working day. |
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| | NILSSON, BIRGIT/THE SINGERS...
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| | The Singers ; Renata Tebaldi
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