Ex. VAT prices will be applied automatically for non-EU delivery addresses. See Terms & Conditions for p&p rates. | |  | C P E Bach - Organ Sonatas
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| |  | Motets by Bach’s Pupils
Vocal Concert Dresden & Dresden Instrumental Concert, Peter Kopp | 
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| |  | C P E Bach - Reveries for Connoisseurs & Amateurs
Jocelyne Cuiller (clavichord: Patrick Chevalier, 1994, after Hubert 1789, Jean Tournay after Friederici, 1773) A second clavichord recital presented by Jocelyne Cuiller invites
us to a dreamy promenade in the realm of pre-romantic sensibility,
sharing Jean-Jacques Rousseau's frame of mind, to the sound of
magnificent works by Carl Philipp Emanuel Bach.The clavichord
sounds like a cross between a guitar and a harpsichord, giving both charm and intimacy to the music. | 
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| |  | Volumes 70 & 71 of the Glenn Gould Complete Jacket CollectionThe Glenn Gould Silver Jubilee Album
| | A Glenn Gould Fantasy | Bach, C P E: | Keyboard Sonata Wq 49/1 (H30) in A minor 'Württemberg Sonata No. 1' | Gould, G: | So You Want to Write a Fugue
Juilliard String Quartet | Scarlatti, D: | Keyboard Sonata K430 in D major Keyboard Sonata K9 in D minor Keyboard Sonata K13 in G major | Scriabin: | Two Pieces, Op. 57 | Strauss, R: | Wie erkenn' ich mein Treulich vor andern nun?, Op. 67, No. 1 Guten Morgen 's ist Sankt Valentinstag, Op. 67, No. 2 Sie trugen ihn auf der Bahre bloss, Op. 67, No. 3 |
The Canadian musician Glenn Gould was undoubtedly one of the greatest pianists of all time. To mark the 75th anniversary of his birth, and the 25th anniversary of his death, Sony BMG Masterworks presents this seminal artist’s vinyl recordings as re-mastered CDs, designed to replicate the exact artwork of the original gramophone records in miniaturised form. Already issued as part of an 80-CD box set (88697130942), these albums are now being made available individually. | 
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| |  | moderntimes 1800Sinfonias from the Enlightenment
Modern Times_1800, Ilia Korol & Julia Moretti (artistic direction) The symphonic works featured on this 2CD set all come from a period during the second half of the eighteenth century that has come to be known as the “Age of Enlightenment” when Frederick the Second ruled over Prussia. Alongside acknowledged masterpieces by Mozart and Haydn, the program also includes pieces by Hasse, Graun and C.P.E Bach that are receiving their first ever recording. The music is performed by the rising stars of the Austrian Chamber Group “Modern Times_1800”. | 
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| |  | Mstislav Rostropovich plays Cello Concertos
| | Music for Cello & Organ by Frescobaldi, Marcello, J.S.Bach, Handel, Caix d’Herelois, Rheinberger & Saints-Saën | Bach, C P E: | Cello Concerto No. 2 in B flat major, Wq 171 The Saint Paul Chamber Orchestra, Hugh Wolff | Dvorak: | Cello Concerto in B minor, Op. 104 Boston Symphony Orchestra, Seiji Ozawa | Gagneux: | Triptyque pour violoncelle et orchestre Seiji Ozawa | Halffter, R: | Cello Concerto No. 2 Orchestre National de France, Crist¢bal Halffter | Hoddinott: | Noctis Equi, Scena for cello and orchestra London Symphony Orchestra, Kent Nagano | Honegger: | Cello Concerto London Symphony Orchestra, Kent Nagano | Jolivet: | Cello Concerto No. 2 (1966) André Jolivet | Knaifel: | Chapter Eight (live recording) | Milhaud: | Concerto for Cello and Orchestra No. 1 Op. 136 London Symphony Orchestra, Kent Nagano | Moret: | Cello Concerto Collegium Musicum de Zurich, Paul Sacher | Penderecki: | Cello Concerto No. 2 London Symphony Orchestra, Kent Nagano | Prokofiev: | Cello Concerto in E minor, Op. 58 Boston Symphony Orchestra, Seiji Ozawa | Shchedrin: | Cello Concerto "sotto voce concerto" (1994) Seiji Ozawa | Shostakovich: | Cello Concerto No. 1 in E flat major, Op. 107 London Symphony Orchestra, Seiji Ozawa | Tartini: | Cello Concerto in D major The Saint Paul Chamber Orchestra, Hugh Wolff | Tchaikovsky: | Variations on a Rococo Theme in A, Op. 33 Boston Symphony Orchestra, Seiji Ozawa | Vivaldi: | Concerto for cello, strings & continuo in D minor RV 406 The Saint Paul Chamber Orchestra, Hugh Wolff |
Mstislav Rostropovich (cello) ‘Rostropovich, however, does have the true measure of these works and plays to an appropriate scale with a
beauty of tone unimaginable from a period instrument. His eloquence has a style of its own, beyond the usual
constraints of period and convention. The lyrical slow movements are imbued with a wistfulness and intimacy reflecting a well-known side of his musical personality; the brooding rhetorical quality of the C.P.E. Bach Adagio is especially compelling’ Gramophone on Vivaldi & CPE Bach | 
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| |  | C.P.E. Bach - Gamba Sonatas & Fantasias
Gianluca Buratto [baritone], Lorenzo Ghielmi [Silbermann fortepiano] & Vittorio Ghielmi [viola da gamba, bass viol, anonym., Germany 17c] Precursors of Beethoven's cello sonatas here played on viol
and a Silbermann fortepiano.The rare Hamlet Fantasy finds the
Ghielmi brothers joined by bass-baritone. Gianluca Buratto
who has recently worked with Christophe Coin. “Vibrant and urgently lyrical playing, possessed of a degree of personality that you would never guess from the bark-bread of the disc's artwork.” Gramophone Magazine, July 2008 | 
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| |  | C. P. E Bach - Concertos & Symphonies
Raphael Alpermann (harpsichord) & Peter Bruns (cello) Akamus-Berlin At the end of the 18th century, the most famous member of the Bach family was not Johann Sebastian, but his son, Carl Philipp Emanuel! This prominent representative of the school of German, and more especially Prussian composers, a pioneer of Empfindsamkeit (the cult of “sensibility”), was prized above all for what his contemporaries termed his “originality” – by which they meant the sovereign ease with which he forged his own style. To understand this, one need only listen to the nine symphonies from his Berlin period, whose radical departure from traditional forms symbolises a stylistic revolution in itself. As for his innovative treatment of the concerto, which overturns all the principles of symmetry so dear to Baroque composers, it seems already to prefigure Romanticism. “Enthusiasm and energy make this disc of lesser-known works a worthy reissue. The Berlin Akademie für Alte Musik had no trouble displaying their customary enthusiastic high-energy style and rigorous tight ensemble. ” Gramophone Magazine, July 2008 | 
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| |  | The Artistry of Barthold Kuijken
Barthold Kuijken (transverse flute) Barthold Kuijken (b. 1949) studied flute and recorder at the Royal Conservatories of Brussels and
The Hague. As member of the Collegium Aureum and later of La Petite Bande he gained
experience with repertoire ranging from Baroque to early Romanticism. He often joins in concerts
with his brothers Sigiswald and Wieland and harpsichordists Robert Kohnen and Gustav
Leonhardt, He teaches at the Royal Conservatories of Brussels and The Hague.
A performance by a master of his craft, playing pieces by Bach, Telemann, Schubert, Mozart
and Couperin. | 
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| |  | C. P. E. Bach - Viola da gamba Sonatas
“Kouzov is a very talented, serious, well-trained cellist. His technique is easy and secure, his tone warm and focused” Strings Magazine on Dmitry Kouzov | 
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