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See Terms & Conditions for p&p rates. | |  | Deep RiverMusic for Lent, Passiontide and Holy Week
Bach, J S: | Chorale Prelude BWV622 'O Mensch, bewein' dein' Sünde groß' | Bruckner: | Christus factus est | Byrd: | Civitas Sancti Tui | Duruflé: | Ubi caritas, Op. 10 No. 1 | Greene, M: | Lord, Let Me Know Mine End | Ireland: | Ex ore innocentium (It is a Thing Most Wonderful) My song is love unknown | Lotti: | Crucifixus in 8 parts | Miller, E: | When I survey the wondrous Cross | Purcell: | Remember not, O Lord, our offences, Z50 Hear my prayer, O Lord, Z15 | Sanders, J D: | The Reproaches | Tippett: | Steal Away Nobody Knows O, by and by Deep River & Go down, Moses (from A Child of our time) |
Jamal Sutton (organ) Winchester College Chapel Choir, Malcolm Archer (director) An ideal release for the penitential church season of Lent, with music for Lent, Passiontide and Holy Week, sung by the highly-accomplished Choir of Winchester College. A varied selection of music ranging from the 16th to 20th centuries, framed by Tippett’s heart-rending settings of five spirituals. Some of the greatest music ever written for the this solemn period of preparation for Easter, including Lotti’s Crucifixus, Tippett’s Five Spirituals, and works by Byrd, Purcell, Duruflé and John Ireland. | 
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| |  | JS Bach: Inventions and Sinfonias
Chantal Stigliani (piano) Born in France of Venetian origin, Chantal Stigliani studied at the Paris Conservatoire and went on to win First Prize at the Debussy International Competition which has cemented her reputation for being a fine interpreter of the nuances of French music. She performs these works of JS Bach on a 1910 Pleyel pianoforte. |
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| |  | Arthur Grumiaux: The Boston Recordings
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| |  | Beethoven & Brahms: Piano Concertos
“These are memorable versions of two of the mainstays of the German classical concerto repertoire. The sound is excellent throughout and audience noise is minimal, in no way, intrusive and we can relish the spontaneity of a live event. Booklet notes are in Japanese only, however, but a profile of the orchestra is given in English.” MusicWeb International, April 2013 |
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| |  | Cantus Angelicus
Heldur Harry Põlda (boy soprano) Tallinn Sinfonietta, Risto Joost Recorded in St. Jacob’s Church in Viimsi, Estonia, boy soprano Heldur Harry Polda is studying at the Tallinn Music High School and performs a beautiful selection of gentle works by Gluck, Cacinna, Faure, Schubert and includes Lionel Bart’s ‘Where is Love’ from Oliver. He is joined on this recording by the Tallinn Sinfonietta and conducted by veteran conductor Risto Joost to present a definitive collection, Cantus angelicus. “Põlda is not averse to using some restrained vibrato, though this seems to heighten the perceived vulnerability in his young voice, rather than propel him into mini-tenor territory...One of the highlights is actually the final song, Caruso, which shows Põlda’s convincing ability to emote as a singer.” MusicWeb International, 18th April 2013 |
| | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Armenian DancesMusic for Wind Band
Taiwan Wind Ensemble, John Boyd Comprising professors and band directors, the Taiwan Wind Ensemble is a leading international exponent of the wind repertory, not least in its exciting series of commissions. On this disc it presents a selection of music of orchestrations and originals from around the world. There are a variety of overtures and evocative dances from Bach to Bernstein, as well as Alfred Reed’s richly colorful Armenian Dances. They are complemented by Taiwanese composer Chia-Ying Chiang’s mysterious and beautiful recent composition A Chasing After The Wind, which takes its title from Ecclesiastes. |
| | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Bach and Beyond, Part I
Bach & Beyond Part 1 and its sequels will appeal to Bach fans as well as those interested in contemporary music. Listeners will explore how composers influence each other across the centuries as Koh pairs Bach’s sonatas and partitas with works by living composers “An imaginative programme, beautifully played, but just lacking that last ounce of flexibility in the Bach. Koh is more at home in the Saariaho and Mazzoli.” BBC Music Magazine, April 2013 **** “Koh has programmed her beautifully played disc so its direct references and quotes stand so starkly next to its template that it's impossible to miss them.” Gramophone Magazine, February 2013 |
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Walter Geisle (trumpet), Fritz Wunderlich (tenor), Erich Wenk (bass), Eva Holderlin (organ), Friedrich Milde (oboe), Susanne Lautenbacher (violin), Margarethe Bence (alto), Karl Arnold (horn), Friederike Sailer (soprano), Georg Hortnagel (double bass), Herbert Schafer (cello), Siegfried Hopf (oboe), Karl Strobel (flute) Swabian Choral Society, Bach Festival Orchestra, Hans Grischkat |
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Fritz Wunderlich (tenor), Hans-Peter Weber (oboe d'amore), Manfred Hug (harpsichord), Friedrich Milde (oboe d'amore), Friederike Sailer (soprano), Erika Winkler (contralto), Hannes Swedberg (bass), Rudolf Kromer (violin), Helmut Reimann (cello), Willy Glas (flute), Fritz Georg Langer (trumpet), Karl Gerok (organ) Stuttgart Radio Symphony Orchestra, Stuttgart Hymnus Boys' Choir, August Langenbeck |
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| |  | JS Bach: Sonatas and Partitas for Solo Violin, Volume 1
The Herald Tribune describes Lotter as ‘a most highly cultivated representative of Early Music’ and his five CDs to date have been enthusiastically greeted by international press. “the wide-open space of the Himmselfahrtskirche in Munich brings his performance a ghost-like quality” Gramophone Magazine, May 2013 |
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