Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | L'Art de Christian Ferras
Bach, J S: | Violin Concerto No. 1 in A minor, BWV1041 Violin Concerto No. 2 in E major, BWV1042 Concerto for Two Violins in D minor, BWV1043 Sonata for Violin & Harpsichord No. 3 in E major, BWV1016 | Beethoven: | Violin Concerto in D major, Op. 61 Romances Nos. 1 & 2 for violin and orchestra | Chausson: | Poème for Violin & Orchestra, Op. 25 | Debussy: | Violin Sonata | Fauré: | Violin Sonata No. 2 in E minor, Op. 108 | Franck, C: | Violin Sonata in A major | Honegger: | Sonata for Solo Violin, H 143 | Lekeu: | Violin Sonata in G major | Mozart: | Violin Concerto No. 3 in G major, K216 Violin Concerto No. 7 in D major, KV 271a | Nigg: | Violin Concerto No. 1 | Ravel: | Tzigane | Schumann: | Violin Sonata No. 1 in A minor, Op. 105 Romances (3), Op. 94 Violin Sonata No. 1 in A minor, Op. 105 Violin Sonata No. 2 in D minor, Op. 121 Violin Sonata No. 3 in A minor, WoO 27 | Sibelius: | Violin Concerto in D minor, Op. 47 | Tchaikovsky: | Violin Concerto in D major, Op. 35 |
Universal Music France pays homage to one of the greatest French violinists of the 20th century with an outstanding 10-CD box set (at budget price). This is, in fact, the first large-scale anthology devoted to the violinist. For the first time, this set takes his complete recordings for Deutsche Grammophon, including the Bach Concertos with Karajan and Serge Nigg’s Concerto, previously unreleased on CD. | | | (Sorry, download not available in your country) | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | JS Bach: Schübler Chorales, Preludes and Fugues
Bach, J S: | Chorale Preludes II, BWV645-650 'Schübler Chorales' Prelude & Fugue in B minor, BWV544 Prelude & Fugue in G major, BWV541 Prelude & Fugue in C minor, BWV546 Prelude & Fugue in C major, BWV545 Prelude & Fugue in E minor, BWV548 'Wedge' Toccata & Fugue in D minor, BWV538 'Dorian' Fantasia & Fugue in C minor, BWV537 Prelude & Fugue in C major, BWV547 |
This new recording features some unique historical organs in Germany, which have a strong link with the great composer himself, organs which Bach might have known, and whose builders he greatly respected. This 2CD contains the famous Schübler Chorales, concert pieces based on the chorale melodies from Bach’s Cantatas, and a selection of famous Preludes and Fugues, testimony of Bach’s consummate contrapuntal skills. Matteo Messori is one of the leading Baroque organists of Europe; his previous recordings for Brilliant Classics (Kunst der Fuge, BC 94061 and Clavierübing, BC 94201) have been awarded 5 star reviews in international classical magazines. His Schütz edition is a recorded landmark for that still neglected master. J.S. Bach is widely regarded as the father of the Baroque period. A master of vocal, keyboard, orchestral and chamber repertoire, he is one of music’s greatest legends – a man whose works, which were truly revolutionary for their time, continue to inspire generations of composers. Bach’s virtuoso skill as an organist was world renowned, and he was particularly celebrated for his use of registration. Spanning 2 CDs, this compilation is dedicated to some of his bestknown Preludes and Fugues, and also features the celebrated Schübler Chorales. While the former works betray the composer’s unparalleled ability to give distinctive qualities to each of the fugal voices, the latter collection – compiled by the publisher Johann Georg Schübler in 1748 – is largely made up of chorales based on melodies from Bach’s cantatas, and was intended for concert performance. The celebrated Fantasia and Fugue in C minor BWV357 and Toccata and Fugue in D minor BWV538, which Bach himself is said to have held in high esteem, complete the line up. One of Europe’s leading organists, Matteo Messori has recorded widely for Brilliant Classics. Here he combines energy with with artistic flair to deliver consummate readings of these engaging works: a mustbuy for the keyboard and Baroque connoisseur. | | | Usually despatched in 4 - 5 working days. |
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Jana Büchner (soprano), Britta Schwarz (alto), Markus Brutscher (tenor), Gotthold Schwarz (bass) Kammerchor der Frauenkirche & Ensemble Frauenkirche, Matthias Grunert Continuing the tradition, Bach’s Christmas Oratorio was once again performed in the Frauenkirche in Dresden in December 2011 by the resident forces under the direction of Matthias Grunert. It was a wonderfully evocative performance, available here on CD for the first time. “[The soloists] all have fine voices and are regulars in the world of historical performance practice. I especially enjoyed Britta Schwarz, who has some of the most beautiful arias to sing and does so brilliantly. She has a warm and pleasant voice and is perfectly suited to the intimate character of the alto arias.” MusicWeb International, November 2012 | | | Usually despatched in 4 - 5 working days. |
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| |  | Time Isn't PassingBach & Kurtág: Works for Cello and Piano
Bach, J S: | Viola da Gamba Sonatas Nos. 1-3, BWV1027-1029 arr. for cello and piano Toccata, Adagio & Fugue in C major, BWV564 arr. J. Arp for cello and piano | Kurtág: | Jatekok (Games), Book 7: Virag az ember … - Mijakonak Signs, Games and Messages, for strings Jatekok (Games), Book 5: Preludium es koral (Prelude and Chorale) Signs, Games and Messages for String Trio: Ligatura Y arr. J. Arp for cello and piano Jelek, for solo cello, Op. 5b Jatekok (Games), Book 7: … aus tiefer Not… - un message a Madeleine Santchi 80 Pilinszky János: Gérard de Nerval Arnyak version for cello and piano György Kroó in memoriam |
Duo Arp Frantz: Caspar Frantz (piano) & Julian Arp (cello) | |
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“In general Rilling steers a secure middle course between Scylla and Charybdis, between the leaden interpretations that were all too common at one time and the whizz-kid treatment. There are, however, some performances here which don’t quite come off - parts of No.3 are a bit lumpen, for example” MusicWeb International, January 2013 | | | (also available to download from $21.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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“Commitment and love: one senses both in every bar. The tone is freighted with rich colours but lightens when need be. Bowing remains flexible. The movements are played with directness, but never with any sense of coolness or doctrinaire detachment, as one so often finds...Above all, these are living and breathing interpretations. The only thing being paraded here is the music’s greatness and the artist’s role in acting as the agent of that greatness.” MusicWeb International, January 2013 | | | Usually despatched in 2 - 3 working days. |
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| |  | Bach & Luther: Bach in Context
1CD+Book Bach in Context is a musical collaboration between Musica Amphion and Gesualdo Consort Amsterdam which sheds new light on Bach’s magnificent repertoire. Cantatas and organ works which are related in a liturgical-musical way are performed together in a quasi-liturgical setting. By employing the church organ as a continuo instrument and usually a one-per-part vocal setting, Bach’s sound picture and performing practice are approached as closely as possible. Beautifully packaged with a book containing gorgeous photos as well as liner notes, this is a perfect package for Bach lovers. | | | Usually despatched in 2 - 3 working days. |
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| |  | Presti & Lagoya Studio Recordings 1956/1960
Ida Presti & Alexandre Lagoya (guitar duo) Legendary guitar duo Ida Presti and Alexandre Lagoya were a force to be reckoned with and still today their performances (particularly of early music for guitar), remain benchmark performances. This disc presents their recordings between 1956-1960. | | | Usually despatched in 2 - 3 working days. |
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| |  | The Organ of Guildford Cathedral
Bach, J S: | Cantata BWV29 'Wir danken dir, Gott, wir danken dir': Overture Katherine Dienes-Williams (organ) Bist du bei mir, BWV508 David Davies (organ) | Bovet: | Salamanca Katherine Dienes-Williams (organ) | Hampton, C: | At the Ballet Katherine Dienes-Williams (organ) | Handel: | Water Music: Hornpipe David Davies (organ) | Howells: | Psalm-Preludes Set 1, Op. 32: No. 1 Katherine Dienes-Williams (organ) | Johnson, David: | Trumpet Tune in A David Davies (organ) | Lefebure-Wely: | Sortie in E flat major Katherine Dienes-Williams (organ) | O'Regan: | Colimaçon for organ Katherine Dienes-Williams (organ) | Reger: | Toccata in D minor, Op. 59 No. 5 David Davies (organ) | Saint-Saëns: | Prélude & Fugue Op. 99 No. 2 in B major Katherine Dienes-Williams (organ) | Vierne, L: | Pièces de fantaisie, 2nd suite, Op. 53: No. 3, Hymne au soleil Katherine Dienes-Williams (organ) Pièces en style libre, Op. 31: No. 19, Berceuse David Davies (organ) | Whitlock: | Five Short Pieces: Folk Tune David Davies (organ) | Wood, C: | Nunc Dimittis Katherine Dienes-Williams (organ) |
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| |  | Maurice & Marie-Madeleine Chevalier Durufléat the organs of the Basilica of the National Shrine of the Immaculate Conception, Washington DC
Maurice Duruflé (organ), Marie-Madeleine Duruflé (organ) Recorded in 1967, this historic recital is the premiere recording of the Basilica's two large organs, built by the Möller. The recording is full of important moments: the transcription of a Handel organ concerto played as a duet on the two instruments, Maurice Duruflé's transcription of Tournemire's improvisation on Victimae Pascali, played by Mme. Duruflé. The concert concludes with Maurice Duruflé's Prelude and Fugue on the name of Alain (again, played by Mme. Duruflé). Those looking to find an example of authentic French organ playing need look no further. | |
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