Johann Sebastian Bach

This stunning collection showcases the greatest stars of classical music with dazzling performances from Gustavo Dudamel, Cecilia Bartoli, Lang Lang and Anna Netrebko, to name but a few...

Also includes legendary performances from some of the greatest artists of all time, including Luciano Pavarotti, Sir Georg Solti, Plácido Domingo and Daniel Barenboim.

Introducing the exciting talents of a number of rising stars such as Jonas Kaufmann, Danielle De Niese, Julia Fischer and Alice Sara Ott

With 40 tracks and over 2½ hours of music this collection is outstanding value for money, providing the foundation for a library of classical music.

The ‘Goldberg’ Variations by Bach are considered among the most commanding and inspired sets of variations of any period, and one of the most ambitious compositions ever written for harpsichord.

They are performed here by Steven Devine on a double-manual harpsichord by Colin Booth (2000) after Fleischer (1710). The co-director of the Orchestra of the Age of Enlightenment, Devine also plays the harpsichord with The Gonzaga Band and London Baroque, and has been performing Bach’s Variations extensively in the UK.

The ‘Goldberg’ Variations begin with a highly embellished but unpretentious Aria, around which Bach builds a series of thirty variations that range from the high-spirited to the introspective. The epic scope of this work is not only a consequence of its length, but also of the enormous variety that is presented here – in terms of both style and mood – and of the way the whole piece is held together by the constant underlying theme of the opening Aria. The variations were very advanced for their time, looking forward to the much later ‘Diabelli’ Variations by Beethoven as well as the ‘Corelli’ Variations by Rachmaninoff.

The set of thirty variations was supposedly commissioned by Baron von Keiserling, the Russian ambassador to the Dresden court, to help him get through his many nights of insomnia, and named after the baron’s harpsichordist, who played them. However, as the set was published in 1741, and Goldberg was born in 1727, unless he was an exceptionally talented harpsichordist, the more likely explanation was that Bach wrote them for his son Wilhelm Friedemann to play, and perhaps donated a few to the young Goldberg.

Whatever the truth of its origins, there is no denying the exceptional excellence of the work. In the words of Steven Devine: ‘This is a wonderful collection of dance movements, interspersed with passionate cannons and virtuosic hand-crossings, all framed by a simple unpretentious Aria.’

Past Future – for the first time a record featuring the electric bass as solo instrument with symphony orchestra. Magnus Rosén is a former member of multi-platinum and award winning heavymetal act Hammerfall, but has in later years pursued a career as an electric-bass soloist. On this his first album with a symphony orchestra, both Magnus’ own compositions as well as music written and arranged especially for this unusual combination are performed.