Johann Sebastian Bach

“if you've ever shuddered at the extremes of expression, interpretation, tempi and noises-off in Gould's Bach, then Hewitt should be a profound pleasure...That's not to say that there isn't effervescent, energetic playing - there's plenty, but while brisk tempi are allowed, there's no rush, which gives Hewitt time to let every voice speak, and for her ornamentation to be impeccably delivered.” Andrew McGregor, bbc.co.uk, 30th November 2003

“Philippe Quint is a wonderfully accomplished soloist.” Gramophone Magazine

“When you hear the ominous first chorus of Bach's St John Passion sung and played like this, liturgical ritual and visceral human drama make for an unusually intense experience. The bass line pulsates, the boys articulate the words with supreme clarity and the steady speed provides the movement with just the right length – a consideration too often neglected.
Recorded in New College, Oxford, the resident choristers, choral scholars and lay clerks appear to be entirely at ease with the special juxtaposition of quicksilver action and warm reflection which Bach demands in his choruses and chorales.
Edward Higginbottom delivers a palpable sense of narrative, unfussy, as if habit lies at the root of its being. Just listen to the searing choral chromaticisms as Christ is brought before Caiaphas, the startlingly urgent declamations as the crowd bays for blood or the distraught tenderness of James Bowman in 'Es ist vollbracht'.
The Evangelist is the established tenor James Gilchrist, whose alert and straightforward singing makes his performance wholly believable.
Of the current generation of choristers, Joe Littlewood reminds us that English choirboys can sing German music beautifully and convey the emotional essence of the text with maturity and purpose. His 'Ich folge' is a delight.
There's the odd strain in Matthew Beale's testing tenor arias but a pleasing timbre, as indeed there is in John Bernays' proud but unblustering Christus. If there's a general tendency, it's to allow the music to speak in its own time within a relaxed beat. The rest is instinct, experience and letting what will be, be. In such light comes this refreshing and captivating new interpretation.” Gramophone Classical Music Guide, 2010

“an outstanding period performance which can stand comparison with any in the catalogue...The choir itself is fresh and bright, singing incisively, with the crowd choruses vividly adding to the drama...Gilchrist is a superb Evangelist, fluent and expressive, and the main quartet of soloists makes a sensitive team.” Penguin Guide, 2010 ***

““Edward Higginbottom is one of those rare musicians who can balance projects of genuine popular appeal with the key masterpieces of the choral repertoire. With this Naxos set of the St John Passion he could potentially reach his largest audience yet… especially with the glorious singing of the now world- renowned Choir of New College, Oxford.” Gramophone Magazine

‘A memorable as well as enticing disc’ (Gramophone)

“Lane commands the golden tone and effortless, spirited virtuosity needed to make these transcriptions come alive, and makes them sound easy to boot. A honey of a release” BBC Music Magazine

“Wonderful music, consummately transcribed and movingly played” International Piano

“This is wonderfully crafted piano music, marvellously executed by Lane … the playing is always supremely fluid and musically enquiring … this is another fascinating release from Hyperion” International Record Review

“A truly fascinating disc … Lane clearly relishes in the amusing challenges, but he also makes you wonder at the immensity of Bach’s genius” Classic FM Magazine