Ludwig van Beethoven

1SACD + Bonus DVD

Talented violinist Philippe Quint combines lyricism, poetry and impeccable virtuosity in his performances and has twice been nominated for a Grammy award. The Times referred to his “bravura technique and unflagging energy.” He has impressed audiences across the world and here performs these works on a Stradivarius violin.

Twenty years ago, the Austrian pianist Matthias Fletzberger won many competitions, but then gave up performing.

This is his comeback recording.

The composer Beat Furrer wrote of Ingrid Marsoner “Her musical intelligence and unbelievable sensitivity, especially the clarity and intensity of her Schubert and Mozart interpretations have deeply moved me.”

Featuring 100 historic recordings on 12 CDs (including beloved arias such as Nessun Dorma), the set also includes excerpts from oratorios and art songs.

As a bonus, Pavarotti’s magnificent 1989 live performance in Barcelona is captured on DVD with terrific sound and picture.

Nonesuch releases the label debut from acclaimed pianist Jeremy Denk, Ligeti/Beethoven, on May 14, 2012. The solo recording features Ligeti's Piano Études, Books One and Two, which Denk memorably performed in a series of recitals in 2011. The New York Times said his reading of the works left "audience members grasping for superlatives at intermission." The sets of études, six from Book One and seven from Book Two, bookend Denk's recording of Beethoven's Sonata No. 32 in C Minor, Op. 111, on the album. The Times said of Denk's 2010 Mostly Mozart Festival performance of the work: "This account, alive to every suggestion and nuance in the score, was an absolute joy to witness. Mr. Denk, clearly, is a pianist you want to hear no matter what he performs, in whatever combination-both for his penetrating intellectual engagement with the music and for the generosity of his playing."

In his Ligeti/Beethoven liner note, Denk explains his reasons for recording these works together: "One curious connection...is the way both Ligeti and Beethoven relate themselves to jazz (and to syncopation, rhythmic dislocation generally). Many people get disturbed, or confused, by Beethoven's anachronistic boogie-woogie; but I can't help thinking that however unlikely, this is an outgrowth, too, of ecstasies latent in the holy theme. There is a sense of ecstasy, too, in the discombobulations of Ligeti...

"But the most significant connection for me is between Beethoven's vast timeless canvas and Ligeti's bite-sized bits of infinity. Almost every étude visits the infinite; Ligeti uses it almost as a kind of cadence, a reference point. From simplicity, he ranges into unimaginable complexity; he wanders to the quietest and loudest extremes; he veers off the top and bottom of the keyboard. Always the infinite is lurking around, reminding you that it's not impossible, that it exists. I think of the way, among other things, Beethoven drifts off at the end of the Arietta, the way he indicates ending without ending, implies an infinite space of silence surrounding the work."

Jeremy Denk has steadily built a reputation as one of today's most compelling and persuasive pianists with an unusually broad repertoire. He has appeared as soloist with many major orchestras, including the Atlanta, Dallas, Houston, New World, St. Louis, and San Francisco symphonies, The Philadelphia Orchestra, Orchestra of St. Luke's, Orpheus Chamber Orchestra, and Philharmonia Orchestra in London. He appears often in recital in New York, Washington, Boston, and Philadelphia. Denk maintains working relationships with a number of living composers and has participated in many premieres. Denk's recording of music by Charles Ives, released on his own Think Denk Media label, made many Best of 2010 lists, including those of the New York Times, Boston Globe, Washington Post, and New York magazine. He also is an avid chamber musician and a respected writer, both on his blog and in such publications as the New Yorker.

In 2008/09 James Rhodes saw his profile go from complete unknown to rising star, attracting celebrity followers including Stephen Fry and Sir David Tang. He swiftly went on to headline London's historical Roundhouse, where he was the first classical pianist to perform since its re-opening.

In 2010 he made his television debut in the BBC Four documentary Chopin: The Women Behind the Music and in 2011. James went on to present and perform in his very own television series James Rhodes: Piano Man on Sky Arts.

This new disc – recorded live at The Old Market theatre in Brighton – captures the energy of Rhodes in concert as he performs and entertainingly discusses works by Bach, Beethoven, Chopin, Rachmaninov and more in this 85-minute programme.