Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Beethoven Masterworks
Beethoven: | Symphonies Nos. 1-9 (complete) Janet Perry (soprano), Agnes Baltsa (mezzo), Vinson Cole (tenor), José van Dam (bass) Berliner Philharmoniker (Nos. 1, 2 & 9), Orchestre Révolutionnaire et Romantique (Nos. 3 & 4), Wiener Philharmoniker (Nos. 5 - 8), Wiener Singverein (No. 9), Claudio Abbado (Nos. 1 & 2), John Eliot Gardiner (Nos. 3 & 4), Carlos Kleiber (Nos. 5 & 7), Leonard Bernstein (Nos. 6 & 8), Herbert von Karajan (No. 9) Piano Concertos Nos. 1-5 (complete) Martha Argerich (Nos. 1 & 2), Krystian Zimerman (Nos. 3 & 4), Maurizio Pollini (No. 5) Philharmonia Orchestra (Nos. 1 & 2), Wiener Philharmoniker (Nos. 3 & 4), Berliner Philharmoniker (No. 5), Giuseppe Sinopoli (Nos. 1 & 2), Leonard Bernstein (Nos. 3 & 4), Claudio Abbado (No. 5) Violin Concerto in D major, Op. 61 Shlomo Mintz (violin) Philharmonia Orchestra, Giuseppe Sinopoli Triple Concerto for Piano, Violin, and Cello in C major, Op. 56 Alexander Lonquich (piano), Ilya Gringolts (violin) & Mario Brunello (cello) Simón Bolívar Youth Orchestra of Venezuela, Claudio Abbado Selected lieder Missa Solemnis in D major, Op. 123 Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Mass in C major, Op. 86 Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner Cantata on the Death of Emperor Joseph II, WoO 87 Cantata on the Accession of Emperor Leopold II, WoO 88 Der glorreiche Augenblick Op. 136 Fidelio, Op. 72 Gundula Janowitz (Leonore), René Kollo (Florestan), Manfred Jungwirth (Rocco), Lucia Popp (Marzelline), Adolf Dallapozza (Jaquino), Dietrich Fischer-Dieskau (Fernando), Hans Sotin (Pizarro), Karl Terkal (Erster Gefangene), Alfred Sramek (Zweiter Gefangene) Wiener Philharmoniker, Wiener Staatsopernchor, Leonard Bernstein Cello Sonatas Nos. 1-5 (complete) Pierre Fournier, Friedrich Gulda (Op. 5); Mischa Maisky, Martha Argerich (Opp. 69 & 102) String Trios (complete) Violin Sonatas Nos. 1-10 (Complete) Gidon Kremer & Martha Argerich (Opp. 23, 24 'Spring' & 30); Yehudi Menuhin & Wilhelm Kempff (Op. 12), Augustin Dumay & Maria Joao Pires (Opp. 47 'Kreutzer' & 96) String Quartets Nos. 1-16 (complete, inc. Grosse Fuge) Melos Quartet (Op. 18), Emerson Quartet (Op. 59; Op. 74; Op. 95), Hagen Quartet (Op. 127, Op. 130, Op. 131, Op. 133, Op. 132, Op. 135) Piano Trios (complete) Diabelli Variations, Op. 120 Piano Sonatas Nos. 1-32 (Complete) Wilhelm Kempff, Emil Gilels, Maurizio Pollini & Daniel Barenboim Folksong Settings Romances Nos. 1 & 2 for violin and orchestra Shlomo Mintz (violin) Philharmonia Orchestra, Claudio Abbado |
Deutsche Grammophon’s Complete Beethoven Edition of 1997 was one of the great events in recording history – an 87-CD set that served as a monument to the world’s greatest composer. Now DG are offering, in a limited edition, a box set of Beethoven Masterworks, covering the complete range of Beethoven’s works on 51 CDs. The Edition: from Symphonies to Folksong Settings, and in between Overtures, Concertos, Piano Trios, String Quartets, Chamber Music for Wind Instruments, String Trios, Cello Sonatas, Violin Sonatas, Piano Sonatas, Lieder, Masses, rare Large Choral Works, and Fidelio The Artists: almost all CDs are individual albums – presented in the original jackets – by the greatest artists. Some examples: for the Symphonies we’ve got Abbado, Gardiner, Kleiber, Bernstein and Karajan; for the Piano Concertos, we’ve got Argerich, Zimerman and Pollini; for the String Quartets we've got the Melos, Emerson and Hagen | 
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| |  | Beethoven: Complete Piano Concertos & Choral Fantasia
“These are intensely individual and newly revealing expressions of what Beethoven meant. I cannot imagine I shall ever exhaust their freshness, or stop marvelling at their power, for to my ear this is the truest musical inspiration miraculously caught on the wing.” Gramophone Magazine “Klemperer and Barenboim seemed to come at these works from opposite ends, so to speak...The chemistry that flies off the two is certainly remarkable, but you’ll have to decide for yourself whether you like it.” MusicWeb International, 29th April 2013 | 
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| |  | The Sound of Pablo Casals
Bach, J S: | Cello Suite No. 1 in G major, BWV1007 Cello Suite No. 5 in C minor, BWV1011 Cello Suite No. 6 in D major, BWV1012 Andante from Violin Sonata No. 2 arr. Siloti with Blas Net (piano) Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String') arr. Siloti | Beethoven: | Piano Trio No. 7 in B flat Major, Op. 97 'Archduke' with Alfred Cortot (piano) & Jacques Thibaud (violin) Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46 with Alfred Cortot (piano) | Bruch: | Kol Nidrei, Op. 47 London Symphony Orchestra, Sir Landon Ronald | Casals: | Festivola | Casals, E: | Heroica Tarragona Lluny | Dvorak: | Cello Concerto in B minor, Op. 104 Czech Philharmonic Orchestra, George Szell Songs My Mother Taught Me, Op. 55 No. 4 arr. Grünfeld with Blas Net (piano) | Elgar: | Cello Concerto in E minor, Op. 85 BBC Symphony Orchestra, Sir Adrian Boult | Garreta: | La Rosada Innominada | Haydn: | Minuet (from Sonata for Violin and Viola in C major) with Blas Net (piano) | Laserna: | Tonadilla arr. Cassadó with Blas Net (piano) | Mendelssohn: | Song without Words for Cello & Piano, Op. 109 with Blas Net (piano) | Puigferrer: | Dubte | Rimsky Korsakov: | Flight of the Bumble Bee arr. Strimer with Blas Net (piano) | Schubert: | Piano Trio No. 1 in B flat major, D898 with Alfred Cortot (piano) & Jacques Thibaud (violin) | Schumann: | Kinderszenen, Op. 15: Traümerei Otto Schulhof (piano) | Tartini: | Grave ed espressivo (from Cello Concerto in D major) with Blas Net (piano) | Valentini, Giuseppe: | Gavotte arr. Piatti with Blas Net (piano) | Vivaldi: | Concerto, Op. 3 No. 11 'Con due Violini e Violoncello obligato', RV 565: Largo arr. Stutschewzky with Blas Net (piano) |
The greatest cellist of the early 20th century, Pablo Casals is renowned for the inimitably beautiful timbre and expressive range of his playing. This extensive collection brings together his classic interpretations of the Elgar and Dvorák cello concertos, combined with a variety of suites, piano trios, national Catalonian dances and other showpieces. | 
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| |  | Arturo Toscanini: The Complete HMV Recordings
Beethoven: | Symphony No. 1 in C major, Op. 21 Symphony No. 6 in F major, Op. 68 'Pastoral' Symphony No. 4 in B flat major, Op. 60 Symphony No. 7 in A major, Op. 92 Leonore Overture No. 1, Op. 138 The Creatures of Prometheus Overture, Op. 43 | Brahms: | Symphony No. 2 in D major, Op. 73 Symphony No. 4 in E minor, Op. 98 Tragic Overture, Op. 81 | Debussy: | La Mer | Elgar: | Enigma Variations, Op. 36 | Mendelssohn: | A Midsummer Night's Dream: Nocturne A Midsummer Night's Dream: Scherzo | Mozart: | Die Zauberflöte, K620: Overture | Rossini: | La scala di seta Overture Semiramide Overture | Sibelius: | Symphony No. 2 in D major, Op. 43 | Wagner: | Faust Overture, WWV59 Götterdämmerung: Siegfried's Death & Funeral March Parsifal: Prelude to Act 1 Parsifal: Good Friday Music | Weber: | Invitation to the Dance, Op. 65 |
Known simply as ‘The Maestro’, Toscanini attracted adoring fans wherever and whenever he performed and his visit to London in 1935 was nothing short of a sensation, quickly becoming the hottest ticket in town. Toscanini had already dazzled London audiences in 1930 with the New York Philharmonic-Symphony Orchestra and when he returned to the capital five years later he performed with a British ensemble for the first time: the BBC Symphony Orchestra. Formed in 1930, the BBCSO quickly established a reputation for virtuosity and was an ideal vehicle for Toscanini’s fiery musicianship. His visit was without question the highlight of the orchestra’s short history to that date. The HMV recordings that result from this collaboration has simply not been overpassed For instance, his outstanding performance of La Mer benefits from a both a vital energy and a variety of colour (that the recording, despite of his age, is surprisingly fully able to bring to our ears) and explains by itself the higher respect from the composer to the maestro. | 
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| |  | The Very Best of Elisabeth Schwarzkopf
Bach, J S: | Cantata BWV51 'Jauchzet Gott in allen Landen': Aria Bist du bei mir, BWV508 | Beethoven: | O wär' ich schon mit dir vereint (Marzelline) | Heuberger: | Gehen wir ins Chambre séparée) from The Opera Ball | Humperdinck: | Brüderchen, komm tanz mit mir (Dance Duet from Hänsel und Gretel) | Lehár: | Viljalied (from Die lustige Witwe) | Mozart: | Non so più cosa son, cosa faccio (from Le nozze di Figaro) Porgi amor (from Le nozze di Figaro) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Come scoglio (from Così fan tutte) Ridente la calma, K152 | Schubert: | An die Musik D547 Das Lied im Grünen, D917 Nachtviolen D752 (Mayrhofer) Der Musensohn, D764 (Goethe) | Siecynski: | Wien, du Stadt meiner Traüm | Smetana: | Endlich allein (from Die verkaufte Braut) | Strauss, J, II: | Klänge der Heimat (from Die Fledermaus) | Strauss, R: | Da geht er hin (from Der Rosenkavalier, Op. 59) Es gibt ein Reich (from Ariadne auf Naxos) Das war sehr gut, Mandryka (from Arabella) Frühling (from Vier Letzte Lieder) Im Abendrot (from Vier Letzte Lieder) Muttertändelei, Op. 43 No. 2 Zueignung, Op. 10 No. 1 | trad.: | Gsätzli | Wagner: | Einsam in trüben Tagen (from Lohengrin) | Weber: | Wie nahte mir der Schlummer … Leise, leise, fromme Weise (from Der Freischütz) | Wolf, H: | Auch kleine Dinge (No. 1 from Italienisches Liederbuch) Mein Liebster hat zu Tische mich geladen (No. 25 from Italienisches Liederbuch) Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch) Verschling der Abgrund meines Liebsten Hütte Wiegenlied im Sommer (from Sechs Lieder für eine Frauenstimme) In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder) Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder) Mausfallen-Sprüchlein (from Lieder für eine Frauenstimme) |
Multi-award winning opera singer Elisabeth Schwarzkopf, praised for the ‘pristine beauty of her lyric soprano’ (The Guardian), was revered in opera houses worldwide and is perhaps most famous for her Mozart roles. However, she was also at home on the concert stage and this collection combines her acclaimed portrayals of Donna Elvira, Countess Almaviva and Richard Strauss’s Marschallin, among others, with her affecting interpretations of lieder and song-cycles. | 
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| |  | Flavours: Music for Cello and Piano
Amber Docters van Leeuwen (cello) & Taisiya Pushkar (piano) For her debut recording for Brilliant Classics, young Dutch cellist Amber Docters van Leeuwen has chosen a wildly varying programme: starting off in the classical yet highly personal and original style of the late Beethoven cello sonatas, she moves to that other classic for the cello, the Debussy sonata. Then she enters the unsettling world of Alfred Schnittke, whose eclectic and highly dramatic first cello sonata was written in 1978. She ends her journey with Flavours by Eef van Breen, written for Amber, an out of the box extravaganza in Jazz style, bitter, sweet, salty and spicy. Amber Docters van Leeuwen took her tuition with Dmitri Ferschtman in Amsterdam, then continued at the Manhattan School of Music, where she graduated with honours. Her repertoire and concert programmes combine the classical with the experimental, and she regularly partners with musicians like Bobby McFerrin, Jef Neve and Gabriel Rios. She was winner of several international competitions, notably the first Amsterdam Cello Biennnale in 2008. | 
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| |  | Valentina Lisitsa Piano Recital
Valentina Lisitsa (piano) Described by critics as a ‘bona fide angel playing’ and an ‘electrifying pianist’, the young Ukrainian-born, North Carolina-based Valentina Lisitsa has been receiving rave reviews ever since her début in Avery Fisher Hall for the Mostly Mozart Festival. It would be hard to conceive of a more thoroughly Romantic or demanding programme than she presents here: Beethoven’s radical ‘Appassionata’ Sonata, via Schumann’s musical expression of an adult’s memories of childhood and Thalberg’s fantastic transformation of themes from Rossini’s most popular opera to Liszt’s pianistic danse macabre, inspired by a fresco by the medieval Italian artist Francesco Traini. | 
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| |  | Van Cliburn: The Complete Album Collection
Barber, S: | Piano Sonata, Op. 26 | Beethoven: | Piano Concerto No. 5 in E flat major, Op. 73 'Emperor' Chicago Symphony Orchestra, Fritz Reiner Piano Concerto No. 4 in G major, Op. 58 Chicago Symphony Orchestra, Fritz Reiner Piano Sonata No. 26 in E flat major, Op. 81a 'Les Adieux' Piano Concerto No. 3 in C minor, Op. 37 Philadelphia Orchestra, Eugene Ormandy Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight' Piano Sonata No. 8 in C minor, Op. 13 'Pathetique' Piano Sonata No. 23 in F minor, Op. 57 'Appassionata' | Brahms: | Piano Concerto No. 2 in B flat major, Op. 83 Chicago Symphony Orchestra, Fritz Reiner Piano Concerto No. 1 in D minor, Op. 15 Boston Symphony Orchestra, Fritz Reiner | Chopin: | Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre' Piano Sonata No. 3 in B minor, Op. 58 Piano Concerto No. 1 in E minor, Op. 11 Philadelphia Orchestra, Eugene Ormandy | Grieg: | Piano Concerto in A minor, Op. 16 Eugene Ormandy, Eugene Ormandy | Liszt: | Piano Concerto No. 1 in E flat major, S124 Philadelphia Orchestra, Eugene Ormandy Piano Concerto No. 2 in A major, S125 Philadelphia Orchestra, Eugene Ormandy | MacDowell: | Piano Concerto No. 2 in D minor Op. 23 Chicago Symphony Orchestra, Walter Hendl | Mozart: | Piano Sonata No. 10 in C major, K330 | Prokofiev: | Piano Concerto No. 3 in C major, Op. 26 Chicago Symphony Orchestra, Walter Hendl Piano Sonata No. 6 in A major, Op. 82 | Rachmaninov: | Piano Concerto No. 3 in D minor, Op. 30 Symphony of the Air, Kirill Kondrashin Piano Concerto No. 2 in C minor, Op. 18 Chicago Symphony Orchestra, Fritz Reiner Rhapsody on a Theme of Paganini, Op. 43 Philadelphia Orchestra, Eugene Ormandy | Schumann: | Piano Concerto in A minor, Op. 54 Chicago Symphony Orchestra, Fritz Reiner | Tchaikovsky: | Piano Concerto No. 1 in B flat minor, Op. 23 RCA Victor Symphony Orchestra, Kirill Kondrashin |
CD 1 Tchaikovsky - Concerto No. 1 CD 2 Rachmaninoff - Concerto No. 3 CD 3 Schumann - Concerto- Chicago Symphony Orchestra CD 4 Prokofiev - Concerto No. 3 & Mac Dowell - Concerto No. 2 CD 5 Beethoven - Concerto No. 5 "Emperor" CD 6 My Favorite Chopin CD 7 Brahms - Concerto No. 2 CD 8 Rachmaninoff - Concerto No. 2 CD 9 Beethoven - Concerto No. 4 Cd 10 Brahms - Concerto No. 1 CD 11 Beethoven - Sonata No. 26 "Les Adieux" - Mozart - Sonata K. 330 CD 12 Chopin - Sonatas Nos. 2 & 3 CD 13 Grieg - Concerto - Liszt - Concerto No. 1 CD 14 Chopin - Concerto No. 1 CD 15 My Favorite Encores CD 16 Rachmaninoff - Rhapsody on a theme of Paganini - Liszt - Concerto No. 2 CD 17 Prokofiev - Sonata No. 6 - Barber - Sonata CD 18 Beethoven - Concerto No. 3 CD 19 My Favorite Brahms CD 20 Beethoven - Sonatas No. 14 "Moonlight" - No. 8 "Pathétique" - No. 23 "Appassionata" CD 21 Chopin's Greatest Hits CD 22 My Favorite Debussy CD 23 The World's Favorite Music CD 24 Rachmaninoff CD 25 A Romantic Collection CD 26 Van Cliburn plays Liszt CD 27 Van Cliburn plays Brahms CD 28 Van Cliburn in Moscow - Moscow Philharmonic Orchestra - Kondrashin DVD Van Cliburn - Concert Pianist - A Film by Peter Rosen
28CD & 1DVD (NTSC Region 0) Released on the RCA Red Seal label, this stunning budget-priced boxset brings together for the first time all the live & studio recordings of legendary pianist Harvey Lavan ‘Van’ Cliburn - from his 1958 debut recordings of Tchaikovsky’s Piano Concerto No. 1 and Rachmaninov’s No. 3 to his personal selections of favourite Chopin, Brahms & Debussy pieces, the popular album of Favourite Encores to his last recording for RCA with Brahms pieces, released in 1977. Also contains a CD with selections from his performances in Moscow in 1972, as well as the DVD “Van Cliburn, Concert Pianist”, a film by Peter Rosen. | 
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Acclaimed Greek violinist Leonidas Kavakos makes his Decca Classics debut with the complete Beethoven Violin Sonatas. A young artist of rare quality, Leonidas Kavakos won the Sibelius Violin Competition in 1985, when still in his teens and, three years later, the Paganini Competition. Often described as “the violinist’s violinist”, Der Tagesspiegel wrote that Kavakos has “quite possibly the most beautiful violin tone imaginable”. He has appeared with conductors including Riccardo Chailly, Valery Gergiev and Iván Fischer, and with the world’s major orchestras, including the Berliner Philharmoniker, Gewandhausorchester, London Symphony Orchestra, New York Philharmonic and Royal Concertgebouw Orchestra. “Kavakos' tone is both sweet and full-blooded, never overblown; Pace's contribution is lithe, characterful and sensitive...this vital, joyous set of Beethoven's boundary pushing sonatas takes its place among the very best.” bbc.co.uk, 18th March 2013 “This is a notably well-played set, and Pace and Kavakos have considered deeply how to present Beethoven's ideas in the clearest, most vivid way. Phrases are precisely articulated, the dynamic shapes and stress points brought into clear focus.” Gramophone Magazine, March 2013 “[Op. 96] holds some of the most delicate and refined playing of the set...This is a milestone in Kavakos's remarkable career and a worthy successor to the four-decades-old Perlman/Ashkenazy classic.” International Record Review, May 2013 “In their beautifully balanced survey of Beethoven's Sonatas for Violin and Piano, Kavakos and Pace allow us to eavesdrop on 10 intimate conversations between musical equals.” The Independent on Sunday, 17th February 2013 ***** | 
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This title was released for the first time in 1999 and was one of the first to use Jonathan del Mar's edition in which textual errors and ambiguities are corrected. “expressive but on a tight rhythmic leash” BBC Music Magazine, April 2013 **** | 
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