Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Divos and Divas
Bellini: | Casta Diva (from Norma) Cecilia Bartoli (mezzo) Orchestra La Scintilla, Adam Fischer | Bizet: | La fleur que tu m'avais jetée (from Carmen) Plácido Domingo (tenor) London Philharmonic Orchestra, Georg Solti | Capua: | O sole mio José Carreras (tenor) English Chamber Orchestra, Edoardo Muller | Catalani: | Ebben? Ne andrò lontana (from La Wally) Angela Gheorghiu (soprano) Orchestra del Teatro Regio di Torino, John Mauceri | Charpentier, G: | Depuis le jour (from Louise) Nicole Cabell (soprano) London Philharmonic Orchestra, Andrew Davis | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Juan Diego Flórez (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza Quanto è bella, quanto è cara! (from L'Elisir d'amore) Roberto Alagna (tenor) Orchestre de l'Opera National de Lyon, Evelino Pidò | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Renée Fleming (soprano) London Symphony Orchestra, Georg Solti | Glinka: | Vdali ot milogo (from Ruslan and Lyudmila) Anna Netrebko (soprano) Kirov Orchestra & Chorus, Valery Gergiev | Handel: | Lascia la spina (from Il Trionfo del Tempo e del Disinganno) Cecilia Bartoli (mezzo) Les Musiciens du Louvre, Marc Minkowski Semele: Endless Pleasure Danielle de Niese (soprano) Les Arts Florissants, William Christie | Lara, Augustin: | Granada Juan Diego Flórez (tenor) Fort Worth Symphony Orchestra, Miguel Harth-Bedoya | Lehár: | Dein ist mein ganzes Herz (from Das Land des Lächelns) Plácido Domingo (tenor) Orchestra del Teatro dell'Opera di Roma & Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | Mozart: | Deh! vieni alla finestra (from Don Giovanni) Bryn Terfel (bass-baritone) London Philharmonic Orchestra, Georg Solti Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Erwin Schrott (bass-baritone) Orquestra de la Comunitat Valencian, Riccardo Frizza Porgi amor (from Le nozze di Figaro) Kiri Te Kanawa (soprano) London Philharmonic Orchestra, Georg Solti | Puccini: | Che gelida manina (from La Bohème) Jonas Kaufmann (tenor) Prague Philharmonic Orchestra, Marco Armiliato Firenze è come un albero fiorito (from Gianni Schicchi) Roberto Alagna (tenor) Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti Addio, fiorito asil (from Madama Butterfly) Joseph Calleja (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly O mio babbino caro (from Gianni Schicchi) Renée Fleming (soprano) London Philharmonic Orchestra, Charles Mackerras Vissi d'arte (from Tosca) Montserrat Caballé (soprano) Orchestra of the Royal Opera House, Covent Garden, Colin Davis Signore, ascolta! (from Turandot) Montserrat Caballé (soprano) London Philharmonic Orchestra, Zubin Mehta Quando me'n vo (from La Bohème) Nicole Cabell (soprano) London Philharmonic Orchestra, Andrew Davis E lucevan le stelle (from Tosca) José Carreras (tenor) Orchestra of the Royal Opera House, Covent Garden, Colin Davis | Saint-Saëns: | Mon cœur s'ouvre à ta voix (from Samson et Dalila) Olga Borodina (mezzo) Orchestra of the Welsh National Opera, Carlo Rizzi | Schönberg, C-M: | Stars (from Les Misérables) Bryn Terfel (bass-baritone) Orchestra of the Welsh National Opera, Paul Gemignani | Strauss, J, II: | Nun's Chorus from Casanova Kiri Te Kanawa (soprano) The Mormon Tabernacle Choir, Utah Symphony, Julius Rudel | Verdi: | La donna è mobile (from Rigoletto) Joseph Calleja (tenor) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly Pace, pace mio Dio! (from La forza del destino) Angela Gheorghiu (soprano) Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | Wagner: | Morgenlich leuchtend im rosigen Schein 'Prize Song' (from Die Meistersinger von Nürnberg) Jonas Kaufmann (tenor) Prague Philharmonic Orchestra, Marco Armiliato |
The greatest opera stars in the world - together in one 2-CD set. A unique collection of all the great genuine opera stars appearing on the world's stages today. A galaxy of great names performing opera's best-loved arias and classic melodies. CD 1 ("The Divos") features celebrated performances from Roberto Alagna, Juan Diego Flórez, Jonas Kaufmann, Plácido Domingo, Bryn Terfel, José Carreras, Josef Calleja and Erwin Schrott CD 2 ("The Divas") features outstanding recordings by Cecilia Bartoli, Renée Fleming, Anna Netrebko, Angela Gheorghiu, Montserrat Caballé, Nicole Cabell, Olga Borodina, and Kiri te Kanawa A fabulous showcase of today's top vocal talent 2 CDs for the price of one | | | Usually despatched in 2 - 3 working days. |
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| |  | Eugenia Burzio - Historical Recital
Bellini: Norma: Casta Diva che inargenti / Ah! bello a me ritorna / Qual cor tradisti / Deh! non volerli vittime Pacini: Saffo: L’amo ognor qual io l’amai Verdi: Il trovatore: D’amor sull’ali rosee Verdi: Otello: Ave Maria / A terra! si nel livido fango / Piangea cantando Verdi: La forza del destino: Me pellegrina ed orfana / Madre, pietosa Vergine Verdi: Aida: O cieli azzurri Boito: Mefistofele: L’altra notte in fondo al mare / Spunta l’aurora pallida Cilea: Adriana Lecouvreur: Io son l’umile ancella / Poveri fiori Romani: Zulma: Da tanto tempo ardevo / Oh! si ricordiamo Puccini: La fanciulla del west: Laggiu nel Soledad Meyerbeer: L’africana: Figlio del sol Ponchielli: La gioconda: Cosi mantieni il patto? Mascagni: Cavalleria rusticana: Voi lo sapete Bettinelli: Bacio vivo Bettinelli: Lontananza
Eugenia Burzio (1879-1922) possessed a hot-blooded temperament that was part of her stage success but also made her life (and that of those around her) difficult. Her life was a cycle of success and scandal which marked her career of 20 years from her debut in 1899 to her final farewell to the stage in 1919. Recordings of arias by Bellini, Verdi, Puccini and Boito, made 1907 & 1913. | | | Usually despatched in 2 - 3 working days. |
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| |  | New Year's Day Concert 2009From the Teatro La Fenice
Mariella Devia (soprano), Massimiliano Pisapia (tenor) Orchestra and Chorus of the Teatro La Fenice, Venice,
Georges Prêtre | | | Usually despatched in 8 - 10 working days. |
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Bringing true youth to an archetypal tale of youthful passion, Anna Netrebko as Juliet and Elîna Garanca as Romeo blow the dust off Bellini’s bel canto classic. Recorded under studio conditions in conjunction with concert performances at Vienna’s Konzerthaus, Anna’s and Elîna’s voices match like pearls from one oyster. Their duets from Lakmé and Norma electrified the Festspielhaus Baden-Baden during an unforgettable evening released by Deutsche Grammophon as Opera Gala. Further collaboration was – and is – clearly in the cards. “Garanca is the best reason for cherishing this fine recording. There isn't a lyric mezzo-soprano who can currently hold a candle to the Latvian in this repertoire.” BBC Music Magazine, April 2009 **** “The performance is dominated by Elina Garanca's Romeo; she easily suggests both the swaggering duellist and the lovelorn youth. There are times when her rich, velvety tones sound almost like a soprano, and in the duets with Anna Netrebko's Juliet, the two voices seem naturally to complement each other. The tenor who sings Tebaldo needs to be of equal strength to balance the drama, and Joseph Calleja rises to the challenge... The duet in Act 2, when Tebaldo and Romeo are about to fight but then learn of Juliet's death, find Garanca and Calleja striking sparks off each other; despite the beauty of the final tomb-scene duet, I found this confrontation the highlight of the proceedings.” Gramophone Magazine, March 2009 “Giulietta suits Netrebko’s plangent manner and less than dazzling coloratura technique better than the more florid Bellini and Donizetti roles, and she is more feminine and touching than the icily brilliant Edita Gruberova or the brittle, virtuosic Beverly Sills. Garanca’s warm, lustrous mezzo makes her ideal casting for Romeo, and the same goes for the supporting roles...A big success.” Sunday Times, 1st March 2009 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Giorgio Lamberti - Historical Recital
Giorgio Lamberti is one of the legends of opera with a repertoire of over 80 roles to his credit. This release offers a unique Portrait of this great tenor. | | | Usually despatched in 2 - 3 working days. |
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| |  | Elina Garanca - Bel CantoArias from operas by Bellini, Donizetti & Rossini
Elina Garanca follows her exceptional DG debut splash, Aria Cantilena, with bel canto solos and ensembles featuring guest luminaries like Ildebrando d’Arcangelo. Flawless coloratura and a “one-in-a-million” mezzo (The Independent) make this exciting young artist ideal for this repertoire. Balancing familiar numbers and ensembles with little known treasures by Bellini, Donizetti and Rossini, Elina rides bel canto’s vocal acrobatics and spun out melodies through an emotional spectrum to unforgettable effect. “How Rossini would have fallen for the Latvian Elina Garanca! Her voice, with its creamy mezzo middle and purposeful drop into the chest register suggests a perfect Rosina; part passionate young woman but mostly knowing minx. …no recent artist, including the magnificent Marilyn Horne, has recorded a more affecting rendition of Tancredi's recitative and cavatina, 'O patria... Di tanti paliti': every word articulated, every musical phrase properly shaped and a seemingly effortless legato. This is a deeply satisfying CD from a great artist in the making.” BBC Music Magazine, April 2009 ***** “A refreshingly unhackneyed selection of bel canto arises from a star mezzo. The gentle songs from Adelson e Salvini and Dom Sébastien make a nice contrast with the fireworks of "Di tanti palpiti" from Tancredi. Roberto Abbado and the Bologna orchestra provide the always sympathetic accompaniment... What of that long bel canto line? It is never allowed to overwhelm the dramatic situation of each scene but Garanca seems to find no difficulty in any of this music.” Gramophone Magazine, June 2009 “Unjustly denied first prize at the Cardiff Singer of the World competition in 2001, the glamorous Latvian mezzo-soprano Elina Garanca has gone on to prove the judges wrong by carving a front-ranking international career. This well-programmed recital of less familiar material from operas by Rossini, Donizetti and Bellini shows off her superb technique, with its fluent coloratura and beautiful upper register. The melancholy Romanza from Bellini's early Adelson e Salvini and the lilting "Di tanti palpiti" from Rossini's Tancredi both show her at her impressive best.” The Telegraph, 12th February 2009 | | | Usually despatched in 2 - 3 working days. |
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| |  | 14th October 1958
“I Capuleti e I Montecchi” recorded live with Simionato, Hurley, Cassily and Flagello as soloists. Given by the New York Opera Society on 14th October 1958. Conducted by Arnold Gamson | | | Usually despatched in 2 - 3 working days. |
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| |  | Montserrat Caballé Volume 2
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| |  | Montserrat Caballe: Volume 1Teatro Real Madrid 1983
Montserrat Caballe gave this concert in Madrid in 1983. Accompanied by Miguel Zanetti on piano, she sang arias and songs by Vivaldi, Giordano, Galuppi, Gluck, Bellini and Ravel. Being as there is so little of Caballe available on DVD these two releases will delight every fan of this remarkable soprano. | | | Usually despatched in 2 - 3 working days. |
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| |  | Selma Kurz Volume 2
Arditi: | Il Bacio L'Estasi | Auber: | Air et variations (from Les diamants de la couronne) | Bellini: | Ah! non giunge uman pensiero (from La Sonnambula) O rendetemi la speme...Qui la voce sua soave...Vien, diletto (from I Puritani) | Bizet: | Deh, vieni del zeffiro a vol (from La Jolie Fille de Perth) | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) Sung in German | Donizetti: | So anch'io la virtu magica (from Don Pasquale) | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) | Meyerbeer: | Nobles seigneurs, salut! (from Les Huguenots) Sung in German C’est bien lui … La, la, la, air chéri (from L'etoile du nord) Sung in German | Mozart: | Ach ich liebte, war so glücklich (from Die Entführung aus dem Serail) Batti, batti, o bel Masetto (from Don Giovanni) Deh vieni, non tardar (from Le nozze di Figaro) | Strauss, J, II: | Frühlingsstimmen Walzer Op. 410 | Verdi: | Surta è la notte...Ernani! Ernani, involami (from Ernani) D'amor sull'ali rosee (from Il Trovatore) Saper vorreste (from Un Ballo in Maschera) Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Tu che la vanità (from Don Carlo) |
Selma Kurz (1874-1933) ranks amongst the leading coloratura-voices of this century. The stupendous brilliance and the incredible ease with which she mastered the most difficult and breakneck coloratura-passages were and are truly impressive. Recordings made by the Gramophone label 1911-13 | | | Usually despatched in 2 - 3 working days. |
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