Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Signum Quartett play Bartók, Berg & Schnittke
The latest release by the Signum Quartett showcases music written during the 20th century. Berg, Bartók and Schnittke all took different approaches in their quest to further the development of the string quartet and this makes for an interesting and varied programme. | 
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| |  | Mercury Living Presence 2
Albéniz: | Iberia, books 1-4 (complete) | Albéniz, M P: | Sonata in D | Alford: | Colonel Bogey March Eastman Wind Ensemble, Frederick Fennell | Anderson, Leroy: | Belle of the Ball Eastman Rochester 'Pops' Orchestra, Frederick Fennell Pirate Dance Frederick Fennell Suite of Carols - excerpts Frederick Fennell A Christmas Festival: Overture Frederick Fennell Sandpaper Ballet Frederick Fennell Forgotten Dreams Frederick Fennell Trumpeter's Lullaby Frederick Fennell The Penny Whistle Song Frederick Fennell Bugler's Holiday Frederick Fennell Irish Suite Frederick Fennell | anon.: | My Lady Careys Dompe | Auber: | Les diamants de la couronne: Overture Detroit Symphony Orchestra, Paul Paray | Auric: | Ouverture London Symphony Orchestra, Antal Dorati | Bach, C P E: | Twelve Variationen über die Folie d'Espagne, Wq118/9/H263 | Bach, J C: | Duetto in La Maggiore, Op. 18:5 | Bach, J S: | French Overture in B minor, BWV831 Toccata in F sharp minor, BWV910 | Bach, W F: | Concerto a due Cembali in E | Barber, S: | Medea Orchestral Suite, Op. 23 Capricorn Concerto | Bartók: | Concerto for Orchestra, BB 123, Sz.116 London Symphony Orchestra, Antal Dorati Dance Suite, BB 86, Sz. 77 Philharmonia Hungarica, Antal Dorati Two Portraits Op. 5 Erwin Ramor (violin) Philharmonia Hungarica, Antal Dorati Mikrokosmos (selection) Philharmonia Hungarica, Antal Dorati The Wooden Prince London Symphony Orchestra, Antal Dorati Music for Strings, Percussion & Celesta, BB 114, Sz. 106 London Symphony Orchestra, Antal Dorati The Miraculous Mandarin, Op. 19, Sz. 73 (complete ballet) BBC Symphony Orchestra & Chorus, Antal Dorati Divertimento for Strings, Sz. 113 BBC Symphony Orchestra & Chorus, Antal Dorati Sonata for Two Pianos & Percussion, BB 115, Sz. 110 Geza Frid, Luctor Ponae (pianos) Members of the London Symphony Orchestra, Antal Dorati The Miraculous Mandarin, Op. 19, Sz. 73 (suite) Chicago Symphony Orchestra, Antal Dorati First Rhapsody | Beethoven: | Symphony No. 5 in C minor, Op. 67 Symphony No. 6 in F major, Op. 68 'Pastoral' The Creatures of Prometheus Overture, Op. 43 Symphony No. 7 in A major, Op. 92 London Symphony Orchestra, Antal Dorati Leonore Overture No. 3, Op. 72b London Symphony Orchestra, Antal Dorati Egmont Overture, Op. 84 London Symphony Orchestra, Antal Dorati Consecration of the House Overture, Op. 124 London Symphony Orchestra, Antal Dorati | Berg: | Drei Orchesterstücke, Op. 6 London Symphony Orchestra, Antal Dorati Lyric Suite - for soprano and string quartet Helga Pilarczyk (soprano) London Symphony Orchestra, Antal Dorati | Bergsma: | Gold and the Senor Commandante | Berlioz: | Chasse royale et Orage (from Les Troyens) Detroit Symphony Orchestra, Paul Paray | Besard: | Branle Gay | Bizet: | Carmen: Danse Bohème Detroit Symphony Orchestra, Paul Paray La Patrie Overture Detroit Symphony Orchestra, Paul Paray L'Arlesienne Suites 1 & 2 Detroit Symphony Orchestra, Paul Paray | Bloch, E: | Sinfonia Breve Minneapolis Symphony Orchestra, Antal Dorati | Borodin: | Prince Igor Overture London Symphony Orchestra, Antal Dorati | Bull, J: | Les Buffons The King's Hunt | Byrd: | La Volta | Carpenter, J A: | Adventures in a Perambulator | Cese: | Inglesina Eastman Wind Ensemble, Frederick Fennell | Chabrier: | España Detroit Symphony Orchestra, Paul Paray Suite Pastorale Detroit Symphony Orchestra, Paul Paray Fête Polonaise Detroit Symphony Orchestra, Paul Paray Gwendoline Overture Detroit Symphony Orchestra, Paul Paray Danse Slave Detroit Symphony Orchestra, Paul Paray Joyeuse Marche Detroit Symphony Orchestra, Paul Paray Bourrée Fantasque Detroit Symphony Orchestra, Paul Paray | Chadwick: | Symphonic Sketches | Chambonnières: | Le Moutier | Chopin: | Cello Sonata in G minor, Op. 65 Polonaise brillante Op. 3 for cello & piano | Coates, E: | The Three Elizabeths Suite London 'Pops' Orchestra, Frederick Fennell Knightsbridge March from London Suite Eastman Wind Ensemble, Frederick Fennell London Suite Frederick Fennell Four Ways Suite Frederick Fennell | Copland: | Rodeo (Four Dance Episodes) Minneapolis Symphony Orchestra, Antal Dorati | Corigliano: | Concerto for Piano and Orchestra Hilde Somer (piano) Victor A|essandro | Couperin, F: | La Pantomime | Couperin, L: | Tombeau de M de Blancrocher in F major Pavane in F sharp minor | Debussy: | Trois Nocturnes Detroit Symphony Orchestra, Paul Paray Petite Suite Detroit Symphony Orchestra, Paul Paray Images for orchestra: II. Ibéria Detroit Symphony Orchestra, Paul Paray Prélude à l'après-midi d'un faune Detroit Symphony Orchestra, Paul Paray La Mer Detroit Symphony Orchestra, Paul Paray Cello Sonata | Delibes: | Sylvia London Symphony Orchestra, Anatole Fistoulari | Dieupart: | Passepied | Dvorak: | Symphony No. 7 in D minor, Op. 70 London Symphony Orchestra, Antal Dorati Symphony No. 8 in G major, Op. 88 London Symphony Orchestra, Antal Dorati Symphony No. 9 in E minor, Op. 95 'From the New World' Chicago Symphony Orchestra, Rafael Kubelik | Falla: | La vida breve: Interlude & Dance | Fetler: | Contrasts for Orchestra Minneapolis Symphony Orchestra, Antal Dorati | Fischer, J K F: | Passacaille en Ré mineur - Uranie | Françaix: | Piano Concertino in F major London Symphony Orchestra, Antal Dorati | Francisque: | Branle de Montirande | Franck, C: | Pièce héroïque, M37 Marcel Dupre (organ) Trois Chorals pour grand orgue, M. 38-40 Marcel Dupre (organ) | Freixanet: | Sonata in A | Frescobaldi: | Aria detta la Frescobalda (1627) Corrente in F major Galliards (5) Partite dodici sopra l'aria di Ruggiero | Ganne: | Father of Victory Eastman Wind Ensemble, Frederick Fennell | Gershwin: | An American in Paris, tone poem Minneapolis Symphony Orchestra, Antal Dorati | Giannini: | Symphony No. 3 for Winds Eastman Wind Ensemble, Frederick Fennell | Goldman: | On the mall Eastman Wind Ensemble, Frederick Fennell | Gould, M: | Symphony No. 4 ‘West Point’ Eastman Wind Ensemble, Frederick Fennell Spirituals for Strings Fall River Legend Suite | Gounod: | Faust - Ballet Music Detroit Symphony Orchestra, Paul Paray | Grainger: | Lincolnshire Posy Eastman Wind Ensemble, Frederick Fennell Country Gardens Eastman Rochester 'Pops' Orchestra, Frederick Fennell Shepherd's Hey Eastman Rochester 'Pops' Orchestra, Frederick Fennell Colonial Song Eastman Rochester 'Pops' Orchestra, Frederick Fennell Children's March 'Over the Hills and Far Away' Eastman Rochester 'Pops' Orchestra, Frederick Fennell The Immovable Do (The Cyphering C) Eastman Rochester 'Pops' Orchestra, Frederick Fennell Mock Morris Eastman Rochester 'Pops' Orchestra, Frederick Fennell Handel in the Strand Eastman Rochester 'Pops' Orchestra, Frederick Fennell Irish Tune from County Derry 'Danny Boy' Eastman Rochester 'Pops' Orchestra, Frederick Fennell Spoon River Eastman Rochester 'Pops' Orchestra, Frederick Fennell My Robin Is to the Greenwood Gone Eastman Rochester 'Pops' Orchestra, Frederick Fennell Molly on the Shore Eastman Rochester 'Pops' Orchestra, Frederick Fennell | Grieg: | Våren, elegiac melody for strings, Op. 34 No. 2 | Griffes: | Poem for flute & orchestra | Hanson, H: | Symphony No. 1 in E minor, Op. 21 'Nordic' Symphony No. 2, Op. 30 'Romantic' Song of Democracy Symphony No. 3, Op. 33 Elegy in Memory of Serge Koussevitzky, Op. 44 Lament for Beowulf, Op. 25 Fantasy Variations on a Theme of Youth, for piano and strings | Hanssen: | Valdresmarsj (March of the Valdre) Eastman Wind Ensemble, Frederick Fennell | Hartley, W: | Concerto for 23 Winds Eastman Wind Ensemble, Frederick Fennell | Hérold: | Zampa - Overture Detroit Symphony Orchestra, Paul Paray | Hindemith: | Symphonic Metamorphoses on Themes by Carl Maria von Weber Chicago Symphony Orchestra, Rafael Kubelik | Holst: | Suite No. 1 for Military Band in E flat major, Op. 28 No. 1, H105 Suite No. 2 for Military Band in F major, Op. 28 No. 2, H106 | Hovhaness: | Symphony No. 4, Op. 165 A. Clyde Roller Eastman Wind Ensemble, Frederick Fennell | Ibert: | Escales Detroit Symphony Orchestra, Paul Paray | Ives, C: | Orchestral Set No. 1 'Three Places in New England' Symphony No. 3 'The Camp Meeting' | Kennan: | Pieces (3) for Orchestra | Khachaturian: | Two Armenian Dances Eastman Wind Ensemble, Frederick Fennell | King, K: | Barnum and Bailey's Favorite Eastman Wind Ensemble, Frederick Fennell | Klohr: | The Billboard Eastman Wind Ensemble, Frederick Fennell | Kodály: | Variations on a Hungarian Folksong 'The Peacock' Chicago Symphony Orchestra, Rafael Kubelik | Liadov: | The Enchanted Lake, Op. 62 Kikimora, Op. 63 | Liszt: | Mephisto Waltz No. 1 Detroit Symphony Orchestra, Paul Paray | Loeffler: | Deux Rapsodies | MacDowell: | Suite No. 1 in D Minor, Op. 42 | Marcello, A: | Oboe Concerto in D Minor | Martinu: | Variations on a Theme of Rossini | Massenet: | Phèdre: Overture Detroit Symphony Orchestra, Paul Paray | McCauley: | Miniatures (5) for Flute & Strings | McCoy: | Lights Out Eastman Wind Ensemble, Frederick Fennell | McPhee, C: | Tabuh-Tabuhan | Meacham: | American patrol (for toy ocarinas) Eastman Wind Ensemble, Frederick Fennell | Mendelssohn: | Variations concertantes Op. 17 | Mennin: | Canzona Symphony No. 5 | Milhaud: | Le Boeuf sur le toit, Op. 58 London Symphony Orchestra, Antal Dorati Suite française, Op. 248 | Montaine: | Birds of Paradise, Op. 34 | Moore, D: | The Pageant of P.T. Barnum | Mozart: | Serenade No. 10 in B flat major, K361 'Gran Partita' Symphony No. 38 in D major, K504 'Prague' Chicago Symphony Orchestra, Rafael Kubelik | Mussorgsky: | Khovanshchina: Prelude & Dance of the Persian Slaves | Paray: | Mass for the 500th Anniversary of the Death of Joan of Arc Detroit Symphony Orchestra, Paul Paray | Peerson: | The Primerose (P VI/4) The Fall of the Leafe | Persichetti: | Symphony for Band, Op. 69 Eastman Wind Ensemble, Frederick Fennell Psalm for Band, Op. 53 | Peter, J: | Sinfonia in G | Philips, P: | Pavana Dolorosa Galiarda Dolorosa | Phillips, B: | Selections from McGuffey's Reader | Picchi: | Balli d'Arpicordo | Piston: | The Incredible Flutist | Prokofiev: | March in B flat major Op. 99 'Military March' Eastman Wind Ensemble, Frederick Fennell | Rameau: | Gavotte et doubles | Ravel: | Rapsodie Espagnole Detroit Symphony Orchestra, Paul Paray Alborada del gracioso (orchestral version) Detroit Symphony Orchestra, Paul Paray Pavane pour une infante défunte Detroit Symphony Orchestra, Paul Paray La Valse Detroit Symphony Orchestra, Paul Paray Le Tombeau de Couperin Detroit Symphony Orchestra, Paul Paray Daphnis et Chloé - Suite No. 2 Detroit Symphony Orchestra, Paul Paray Valses nobles et sentimentales Detroit Symphony Orchestra, Paul Paray Ma Mère l'Oye Detroit Symphony Orchestra, Paul Paray | Reed, H O: | La Fiesta Mexicana | Respighi: | The Birds London Symphony Orchestra, Antal Dorati Impressioni brasiliane London Symphony Orchestra, Antal Dorati Fountains of Rome Minneapolis Symphony Orchestra, Antal Dorati Pines of Rome Minneapolis Symphony Orchestra, Antal Dorati Ancient Airs and Dances, Suites Nos. 1, 2 & 3 Philharmonia Hungarica, Antal Dorati | Rogers, Bernard: | Three Japanese Dances Carol Dawn Mayer (mezzo) Eastman Wind Ensemble, Frederick Fennell Once Upon a Time | Roussel: | Suite in F major, Op. 33 Detroit Symphony Orchestra, Paul Paray | Saint-Saëns: | Bacchanale from Samson et Dalila Detroit Symphony Orchestra, Paul Paray Symphony No. 3 in C minor, Op. 78 'Organ Symphony' Detroit Symphony Orchestra, Paul Paray Danse macabre, Op. 40 Detroit Symphony Orchestra, Paul Paray | San Miguel: | The Golden Ear Eastman Wind Ensemble, Frederick Fennell | Satie: | Parade London Symphony Orchestra, Antal Dorati | Scarlatti, D: | Keyboard Sonata K541 in F major Keyboard Sonata K175 in A minor Keyboard Sonata K381 in E major | Schmitt, F: | La Tragédie de Salomé, Op. 50 Detroit Symphony Orchestra, Paul Paray | Schoenberg: | 5 orchestral pieces, Op. 16 London Symphony Orchestra, Antal Dorati 5 orchestral pieces, Op. 16 Chicago Symphony Orchestra, Rafael Kubelik | Schuller: | 7 Studies on Themes of Paul Klee Minneapolis Symphony Orchestra, Antal Dorati | Schuman: | New England Triptych: Three Pieces for Orchestra After William Billings | Sessions: | The Black Maskers | Smetana: | The Bartered Bride (extracts) | Sousa: | Hands Across The Sea Eastman Wind Ensemble, Frederick Fennell U.S. Field Artillery March Eastman Wind Ensemble, Frederick Fennell The Thunderer Eastman Wind Ensemble, Frederick Fennell Washington Post Eastman Wind Ensemble, Frederick Fennell King Cotton Eastman Wind Ensemble, Frederick Fennell El Capitan March Eastman Wind Ensemble, Frederick Fennell The Stars and Stripes Forever Eastman Wind Ensemble, Frederick Fennell | Strauss, R: | Serenade in E flat major for Winds, Op. 7 Salome: Dance of the Seven Veils Detroit Symphony Orchestra, Paul Paray Parergon zur Symphonia Domestica for piano (left hand) & orchestra, Op. 73 Hilde Somer (piano) Victor A|essandro | Stravinsky: | The Rite of Spring Minneapolis Symphony Orchestra, Antal Dorati | Tchaikovsky: | Symphony No. 6 in B minor, Op. 74 'Pathétique' London Symphony Orchestra, Antal Dorati Romeo & Juliet - Fantasy Overture London Symphony Orchestra, Antal Dorati Symphony No. 4 in F minor, Op. 36 London Symphony Orchestra, Antal Dorati Francesca da Rimini, Op. 32 Minneapolis Symphony Orchestra, Antal Dorati Swan Lake, Op. 20 Rafael Druian (violin) Minneapolis Symphony Orchestra, Antal Dorati | Teike: | Alte Kameraden Eastman Wind Ensemble, Frederick Fennell | Telemann: | Bourree alla Polacca | Thomas, Ambroise: | Gavotte from 'Mignon' Detroit Symphony Orchestra, Paul Paray Mignon Overture Detroit Symphony Orchestra, Paul Paray Raymond Overture Detroit Symphony Orchestra, Paul Paray | Thomson, V: | Symphony on a Hymn Tune The Feast of Love | Vaughan Williams: | English Folk Song Suite Toccata Marziale | Weber: | Invitation to the Dance, Op. 65 Detroit Symphony Orchestra, Paul Paray | Webern: | Five Pieces for Orchestra Op. 10 London Symphony Orchestra, Antal Dorati | Weiner, Leó: | Lakodalmas 'Wedding dance', Op. 21b | Widor: | Organ Symphony No. 6 in G minor, Op. 42 No. 2: Allegro Marcel Dupre (organ) Symphony No. 2, Op. 13, No. 2, IV. Salve Regina Marcel Dupre (organ) |
This new collection of 55 CDs from the acclaimed label offers a wealth of recordings from the 1950s and 1960s in an unrivalled range of repertory. This ranges from solo Bach played by harpsichordist Rafael Puyana to American composer and conductor Howard Hanson in his own works as well as music by fellow-Americans. Key artists include Antal Dorati in works ranging from Beethoven to Bartók and Berg; Frederick Fennell, Rafael Kubelík, Paul Paray and János Starker. An extensive 182 page booklet includes new essays on the history and development of the Mercury label by Thomas Fine (son of Wilma Cozart Fine, legendary producer of the MLP label) and Mike Gray. Numerous photographs are included and full recording information is documented. When we say full recording information, we mean it too. All the details collectors love to see is here: the microphones, the recording location, the original engineers, the subsequent remastering engineers, even the type of recording equipment. Two CDs of true rarities are included: Dorati’s 1953 mono recording of The Rite of Spring; and making its first-ever appearance on CD is John Corigliano’s Piano Concerto. The CD also includes a rare 16 minute interview with Corigliano and pianist Hilde Somer. | 
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Anneliese Rothenberger (Lulu), Toni Blankenheim (Dr. Schön), Gerhard Unger (Alwa), Kerstin Meyer (Gräfin Geschwitz), Erwin Wohlfahrt (Der Maler), Kim Borg (Schigolch), Benno Kusche (Ein Tierbändiger/Rodrigo), Ernst Wendt (Der Medizinalrat), Maria von Ilosvay (Eine Theatergarderobiere), Jürgen Förster (Der Prinz), Elisabeth Steiner (Ein Gymnasiast), Karl Otto (Der Theaterdirektor), Kurt Marschner (Ein Kammerdiener) & Rolf Mamero (Jack the Ripper) Philharmonisches Staatsorchester Hamburg, Leopold Ludwig | 
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| |  | The Art of Chailly
Bartók: | Concerto for Orchestra, BB 123, Sz.116 Royal Concertgebouw Orchestra The Miraculous Mandarin, Op. 19, Sz. 73 (complete ballet) Royal Concertgebouw Orchestra, Laurenscantorij Choir | Berg: | Piano Sonata, Op. 1 orch. Theo Verbey Royal Concertgebouw Orchestra | Berio: | Orchestral transcriptions Orchestra Sinfonica di Milano Giuseppe Verdi | Bruckner: | Symphony No. 7 in E Major Radio-Symphonie-Orchester Berlin | Debussy: | Sarabande orch. Ravel Royal Concertgebouw Orchestra Danse in E major orch. Ravel Royal Concertgebouw Orchestra | Dvorak: | Carnival Overture, Op. 92 Royal Concertgebouw Orchestra Symphony No. 9 in E minor, Op. 95 'From the New World' Royal Concertgebouw Orchestra | Gershwin: | Rhapsody in Blue version for two pianos and orchestra Katia and Marielle Labeque (pianos) Cleveland Orchestra Lullaby for Strings Cleveland Orchestra An American in Paris, tone poem Cleveland Orchestra Cuban Overture Cleveland Orchestra | Mahler: | Symphony No. 5 in C sharp minor Peter Masseurs (trumpet), Jakob Slagter (horn) Royal Concertgebouw Orchestra | Mendelssohn: | Symphony No. 3 in A minor, Op. 56 'Scottish' Gewandhausorchester Piano Concerto No. 3 in E minor (1842/44) Roberto Prosseda (piano) Gewandhausorchester Hebrides Overture, Op. 26 Gewandhausorchester Sketch (Symphony No. 3 in A minor, Op. 56 "Scottish") orch. Christian Voss Gewandhausorchester | Messiaen: | Turangalîla Symphony Jean-Yves Thibaudet (piano), Takashi Harada (ondes Martinot) Royal Concertgebouw Orchestra | Mussorgsky: | Pictures at an Exhibition Royal Concertgebouw Orchestra | Ravel: | Boléro Royal Concertgebouw Orchestra | Rossini: | Guillaume Tell Overture Giuseppe Laffranchini (cello solo) Orchestra Filarmonica della Scala Il Signor Bruschino Overture Orchestra Filarmonica della Scala Overture: Bianca e Falliero Orchestra Filarmonica della Scala Il barbiere di Siviglia Overture Orchestra Filarmonica della Scala Armida Overture Orchestra Filarmonica della Scala Semiramide Overture Orchestra Filarmonica della Scala L'inganno felice Overture Orchestra Filarmonica della Scala Matilde di Shabran Overture Orchestra Filarmonica della Scala Overture: Demetrio e Polibio Orchestra Filarmonica della Scala La gazza ladra Overture Orchestra Filarmonica della Scala | Schoenberg: | Verklärte Nacht, Op. 4 Radio-Symphonie-Orchester Berlin 5 orchestral pieces, Op. 16 Royal Concertgebouw Orchestra | Shostakovich: | Moscow-Cheryomushki - Suite from the operetta, Op. 105 Philadelphia Orchestra Ballet Suite No. 5 from 'The Bolt' Op. 27a Philadelphia Orchestra The Gadfly - excerpts from the film music, Op. 97 Erez Ofer (solo violin) Philadelphia Orchestra | Stravinsky: | Petrushka (1947 version) Jacques Zoon (flute), Peter Masseurs (trumpet), Ruud van der Brink (piano) Royal Concertgebouw Orchestra Pulcinella Anna Caterina Antonacci (soprano), Pietro Ballo (tenor), William Shimell (bass) Royal Concertgebouw Orchestra | Tchaikovsky: | Romeo & Juliet - Fantasy Overture Cleveland Orchestra Francesca da Rimini, Op. 32 Cleveland Orchestra Symphony No. 5 in E minor, Op. 64 Wiener Philharmoniker | Varèse: | Tuning up Royal Concertgebouw Orchestra Amériques Royal Concertgebouw Orchestra Poème Electronique Royal Concertgebouw Orchestra Arcana Royal Concertgebouw Orchestra Nocturnal Sarah Leonard (soprano) Royal Concertgebouw Orchestra, Men of the Prague Philharmonic Choir Un grand sommeil noir Mireille Delunsch (soprano) Royal Concertgebouw Orchestra | Webern: | Passacaglia for Orchestra, Op. 1 Royal Concertgebouw Orchestra |
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| | Decca - 4806774 (CD - 16 discs) Normally: $65.25 Special: $52.25 |
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| |  | Pierre Boulez conducts Mahler & Berg
Pierre Boulez is an icon of today’s classical scene and closely associated with the works of Mahler. Featuring the acclaimed Vienna Philharmonic and the chorus of the Vienna State Opera – historically connected to Mahler, Berg and Boulez. These performances were recorded live at the opening concert of the prestigious Salzburg Festival in 2011, conceived as a tribute to Gustav Mahler, and will be released to coincide with the maestro’s 88th birthday in March. Mahler’s 2-act Das Klagende Lied is a mythical tale of fratricide, guilt and retribution, based on stories by the Grimm brothers and Ludwig Bechstein. “[the Mahler's] its brightly lit orchestral effects have always brought the best out of his conducting; the performance has both spaciousness and finely focused detail...The Lulu Suite is even more remarkable, for there's an emotional breadth to Boulez's approach now that just wasn't there in his earlier, pioneering performances. His balance between rigour and expressiveness exactly mirrors Berg's music” The Guardian, 14th March 2013 **** “This new performance...is remarkable for its transparency, but Boulez has added actual drama to his mastery of Mahler's early orchestration...There's real atmosphere here...The choir, perfectly trained and singing with impeccable diction and attention to dynamics, cannot be praised highly enough. The Lulu-Suite that follows receives a marvellous reading as well...this new Boulez is a major entry.” International Record Review, May 2013 | 
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| |  | refractions: Choral Works by Valen, Berg, Messiaen & Webern
Berit Norbakken Solset (soprano) Det Norske Solistkor, KORK & Members of the Oslo Sinfonietta, Grete Pedersen Music in the early 20th century did pass from one medium to another, from late Romanticism into an unknown future. Refractions allows the listener to sample this transition through the choral music of four very different composers. “an unusually diverse and unhackneyed 20th-century programme.” Gramophone Magazine, May 2013 | 
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| |  | Brigitte Fassbaender: The Great Lieder Recordings
and songs by Liszt, Tchaikovsky, Dvorak, Brahms, Mendelssohn, Milhaud and Wolf; oratorio arias by Rossini, Handel, JS Bach and Schumann; opera arias and scenes by Ponchielli, Massenet, Saint-Saens, Verdi, Flotow, Enescu; operetta excerpts by Fall, J Strauss II, Oscar Straus, Heuberger, Offenbach and Zeller
Brigitte Fassbaender (mezzo); Wolfgang Sawallisch, Erik Werba, Irwin Gage, Karl Engel, Aribert Reimann (piano); with Anneliese Rothernberger (soprano), Patricia Wise (soprano), Lucia Popp (soprano), Nicolai Gedda (tenor), Dietrich Fischer-Dieskau (baritone), José van Dam (bass-baritone) Lawrence Foster, Jeffrey Tate, Willi Boskovsky, Sir Neville Marriner, Willy Mattes Brigitte Fassbaender rose to woldwide fame in the role of Octavian in the Strauss/Hofmannsthal comedy Der Rosenkavalier. Fassbaender took her Octavian to all the major centres including London, Milan, Vienna, New York and Tokyo and continued singing the role for over 20 years. Fassbaender says that, in her operatic repertoire, she wanted to be as wide-ranging as possible, while always respecting her limitations. Running parallel to her appearances in the theatre, Fassbaender developed her career in the concert hall and on the recital platform. Her discography is even richer in oratorio (Bach, Handel, Rossini, Schumann) and Lieder than in opera. If you pick up any retrospective writing on a singer you will encounter attempts to describe their voice in words. In the case of Brigitte Fassbaender there is more description of her performances and interpretations than of her actual sound. Alan Blyth has spoken of ‘a very personal, no-holds barred manner of singing’, while Richard Wigmore wrote that ‘her bold, bronze timbre, with its dash of astringency, was not conventionally beautiful. Yet beauty was never her prime concern.’ In a recent interview Fassbaender looked back on her career in its time. ‘It was very different then – there was much less stress and competition (...). And we had more opportunities to sing for recordings and to take more risks in our work. I feel gratitude, but also amazement, for all the wonderful, strenuous, many-sided, nerve-wracking things that I was allowed to experience.' | 
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| |  | Die Vier Elemente: II Feuer
interspersed with readings from works by Goethe, Krolow, Schiller, Hoffmann, Kunert, Jandl, Esquivel and Rilke
The Ensemble BonaNox present the next volume of their interpretations of the four elements; Fire. Their previous volume, Water obtained great reviews. (German booklet only) | 
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| |  | Open Your Eyes: Lieder for the Turn of a Century
Soprano Katherine Broderick makes her debut recording on Champs Hill Records with a recital disc of Strauss, Berg and Schoenberg, accompanied by Malcolm Martineau. Katherine Broderick was the winner of the 2007 Kathleen Ferrier Award. Following studies at the National Opera Studio in London, Guildhall School of Music and Drama, Royal Northern College of Music and the Mendelssohn Hochschule in Leipzig, she is now a member of the ENO Young Singers Programme. In demand at opera houses in the UK and Europe, her stage repertoire encompasses Wagner, Verdi, Mozart and Britten. The repertoire on 'Open Your Eyes' was all composed between 1885 and 1908 and opens with Eight poems by Herman Gilm from his Letze Blätter which Richard Strauss set in 1885 while still in his very early twenties. The set includes three of his best‐loved songs (also recorded by Felicity Lott on CHRCD037), including Die Nacht, where he shows his flair for nocturnal tone painting and Allerseelen or 'All Souls Day' where the most lyrical of vocal lines is set against the background of flower‐decked graves. Alban Berg composed his 'Seven Early Songs' starting in 1905, while a student of Schoenberg, with the songs influenced by Strauss, Mahler, Wolf and Debussy and having a distinct sense of a romantic musical world expanded beyond its limits, on the brink of dissolving into modernism. Arnold Schoenberg's Brettl Lieder or Cabaret Songs of 1901 are tonal works, intended to use a more popular song idiom to convey more 'serious' ideas, and setting eight poems taken from a collection published as simply 'German Songs' in 1900 by Otto Julius Bierbaum. The most unusual of the set is Hugo Salus' Der Genügsamerliebhaber or 'Easily satisfied lover': a man tells us that his lady‐friend has a black cat with a soft, velvety coat. The woman spends all her time caressing her cat's fur while it sits on her lap, and it shivers when he strokes it. Later, he puts the kitty on his bald head and she plays with it and laughs. Throughout the songs, Schoenberg responds to the texts with simplicity and humour, and no little suggestiveness in this instance. “Here's an irresistable recital of questing, late-Romantic songs...Katherine Broderick has just the voice and temperament to express these subtle and exciting shifts between innocence and experience, tonality atonality. A sense of tenderness and vulnerability tempers the high brilliance of her soprano...For Schoenberg's calculatedly popular Brettl-Lieder, Broderick becomes entertainer supreme, with knowing, vividly characterised and confiding performances” BBC Music Magazine, March 2013 ***** “[Broderick's] varied experience pays dividends in this recital...Given the scope of her Strauss, it is no surprise to find that Broderick is equally engaging in the contrasting demands of Berg's Seven Early Songs and Schoenberg's cabaret-based Brettl-Lieder...a judicious mix of not-too-brash bravado and playful sensuality makes this perofrmance just the ticket.” Gramophone Magazine, March 2013 | | | In stock - usually despatched within 1 working day. |
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| |  | Chen Reiss: The Nightingale and the Rose
Bellini: | Vanne, o rosa fortunata | Berg: | Die Nachtigall | Brahms: | An die Nachtigall, Op. 46 No. 4 (Text: L.C.H. Hölty) | Fauré: | Les roses d'Ispahan Op. 39 No. 4 | Franck, C: | Roses et papillons Le mariage des roses | Grieg: | Seks Sange, Op. 48 No. 4 'Die verschwiegene Nachtigall' Zur Rosenzeit (No. 5 from Seks Sange, Op. 48) | Guastavino: | La rosa y el sauce | Hahn, R: | Le rossignol des lilas | Krenek: | Die Nachtigall | Mahler: | Ablösung im Sommer (Lieder und Gesänge aus der Jugendzeit) | Meyerbeer: | Die Rosenblätter | Purcell: | Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585) | Rimsky Korsakov: | The Nightingale and the Rose | Saint-Saëns: | Le Rossignol (de Banville) | Schubert: | Heidenröslein, D257 | Schumann: | Die Rose, die Lilie, die Taube, die Sonne (No. 3 from Dichterliebe, Op. 48) Meine Rose, Op. 90 No. 2 | Sherwin, M: | A Nightingale Sang in Berkeley Square | Strauss, R: | Rote Rosen, AV76 Das Rosenband, Op. 36 No. 1 | Viardot-Garcia: | Les deux roses | Weber: | Das Röschen ('Ich sah ein Röschen am Wege steh’n'), J. 67 (Op. 15 No. 5) | Zeira: | Shnei Shoshanim (Two roses) |
Chen Reiss (soprano) & Charles Spencer (piano) Chen Reiss’s debut album 'Liaisons' was internationally acclaimed for both the repertoire selection and the sheer brilliance of the musicianship displayed by Reiss. Gramophone magazine called her performances of arias by Haydn, Mozart, Salieri and Cimarosa "standard-setting" and BBC Music magazine called it "top-drawer". For her second ONYX CD Chen Reiss and pianist Charles Spencer have assembled a wonderful collection of songs on the subject of 'The Nightingale and the Rose' – songs that convey the magic of being in love, the heartbreak of love lost, the memories, the fun, the fantasies all associated with that strange, mysterious, dangerous and all-powerful condition – love. In repertoire that ranges from Purcell to Krenek, Hahn to Meyerbeer and Rimsky-Korsakov, and ends in Berkeley Square in London, this is a programme tailor-made for Chen Reiss’s remarkable voice and it will seduce you. “It is a measure of her gifts that Chen Reiss takes all these composers in her stride. That vocal stride is impressive: sustained lyric tone that is only rarely forced...Charles Spencer is as ever the perfect partner” BBC Music Magazine, April 2013 **** “Reiss fields a supple, vernal lyric-coloratura that soars without strain or hardness into the stratosphere. Discerningly partnered by Charles Spencer, she can spin a pure legato and always phrases musically, with rubato growing naturally from the curve of the line and the flux of the harmony...this is a more-than-promising recital from a soprano whose vocal ease and allure make her an artist to watch.” Gramophone Magazine, March 2013 | | | In stock - usually despatched within 1 working day. |
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