Claude Achille Debussy

Paderewski was perhaps the most famous, and certainly the most highly paid, pianist who ever lived. In the years between 1890 and the First World War his fame reached levels now only reserved for the biggest pop stars and when he became prime-minister of Poland after the end of the war his deification was complete. He resumed his career in the 1920’s and continued to perform until his death. Unfortunately most of his recordings were made later in life and do not capture his playing in its prime, a fact which has somewhat damaged his posthumous reputation, so it is particularly important that these earliest recordings, which can redress the balance, are made available complete for the first time. This is playing very different in style from what we are used to today, but aside from its historic importance, taken on its own terms it is quite clear what a great communicator Padereswki was. And it’s good to be reminded in works like Liszt’s La Leggierezza study that at this point in his career there was nothing lacking in technique either.

Several titles included are taken from Paderewski’s own test pressings of unissued discs held at the International Piano Archive, University of Maryland, and this is their first release. A must for collectors!

The great American mezzo-soprano Marilyn Horne celebrated her her 70th birthday in January 2004 and that year also marked 50 years since her professional debut.

Horne’s debut in 1954 was in in Los Angeles. That same year her name and voice was brought to many more people than could ever hear her in the opera house through the 1954 film Carmen Jones in which she sang the dubbed voice of Dorothy Dandridge. Her Covent Garden debut was as Marie in Wozzeck (sung in English at that time) in 1964 – she had made her San Francisco debut in 1960 with the same role. It was with Joan Sutherland that Marilyn Horne found the perfect vocal partner and their performances in the great bel canto operas by Rossini, Bellini and Donizetti took the opera world by storm in the 1960s and early 1970s.

By the time she retired in 1998, Marilyn Horne’s long and distinguished career embraced an enormous variety of operatic roles, as well as a wide variety of solo song ranging from Schubert, Schumann and Mahler through to modern American songs. Such a wide repertory was due to the sheer range of her voice and its remarkable flexibility, a voice that could sustain long lines of melody as well as negotiate the most florid vocal pyrotechnics.

Marilyn Horne participated in a number of complete opera recordings (among them classic recordings of Norma and Semiramide with Joan Sutherland) for Decca and also made ten recital programmes.

The complete recitals are now reissued in their entirety as a Collector Edition on 11 CDs and preserve the original sequence of music as presented on vinyl; the original LP cover art is reproduced for the CD sleeves.

Michael Studer is a remarkable pianist who, although he studied in Paris and Vienna, is not well-known outside his native Switzerland. Since 2000, he has suffered from a hearing disability which tragically caused premature retirement, and CLAVES have gathered together his best recordings, made between 1971 and 1999, into this handsome 6-disc tribute. For the unbeatable price of just one CD, here is a unique chance to discover a rare talent, placed genunely and directly at the service of each composer in turn.

This charming double album pays tribute to a very French institution - the Paris Instrumental Quintet, renamed following World War Two after harpist Pierre Jamet. All the works on the second disc were written for, or commissioned by, the Quintet, and recorded soon after their premières, so that this release is an important historical document as well as a very civilised listening experience. And sooo French!

This is a very important record for collectors of great orchestral interpretations, in that it reveals aspects of the great Hungarian-born but naturalised American conductor Fritz Reiner which have rarely been made available on disc before. There are two major highlights on this CD – Prokofiev’s ‘Peter and the Wolf’ with the magnificent tenor Lauritz Melchior adopting a new role on disc as narrator, and an early war-time performance of Shostakovich’s epic Sixth Symphony with the Phlharmonic-Symphony Orchestra of New York. This very well-filled CD is completed by a brilliant performance of Mozart’s ‘Impresario’ Overture, and masterly accounts of the March from Tchaikovsky’s First Orchestral Suite, Debussy’s Fetes from his three Nocturnes and a beautifully transcription by Lucien Caillet of Bach’s ‘Little’ Fugue in G minor – the last three with the Chicago Symphony Orchestra. Excellent sound.