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See Terms & Conditions for p&p rates. | |  | The Cries of London
Theatre of Voices & Fretwork, Paul Hillier "Theatre of Voices enters infectiously into the extrovert spirit of the pieces and Fretwork's elegantly expressive playing of Gibbons and Dering fantasias provides an effectively contrasted touch of sophistication." The Daily Telegraph | | | In stock - usually despatched within 1 working day. |
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| | | The Cries of London
Theatre of Voices & Fretwork, Paul Hillier "Theatre of Voices produce the kind of soft-grained and angelic choral sound I
could listen to until the Book with Seven Seals is opened."
American Record Guide | | | In stock - usually despatched within 1 working day. |
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| |  | The Triumphs Of Oriana
Bennet: | All creatures now are merry-minded | Carlton: | Calm was the air and clear the sky | Cavendish: | Come, gentle swains | Cobbold: | With wreaths of rose and laurel | East: | Hence stars too dim of light | Farmer: | Fair Nymphs, I heard one telling | Gibbons, E: | Round about her charret, with all-admiring strains Long live fair Oriana | Hilton: | Fair Oriana, beauty's Queen | Holmes, J: | Thus Bonny-boots the birthday celebrated | Hunt, T: | Hark! did ye ever hear so sweet a singing? | Johnson, E: | Come, blessed Bird | Jones, R: | Fair Oriana, seeming to wink at folly | Kirbye: | Bright Phoebus greets most clearly | Lisley: | Fair Cytherea presents her doves | Marson: | The Nymphs and shepherds danced | Milton: | Fair Orian in the morn | Morley: | Hard by a crystal fountain | Mundy, J: | Lightly she whipped o'er the dales | Nicholson, R: | Sing, shepherds all | Norcome: | With angel's face and brightness | Tomkins: | The Fauns and Satyrs tripping | Weelkes: | As Vesta was from Latmos hill descending | Wilbye: | The Lady Oriana |
A collection of 25 madrigals from 23 different composers, from the famous to the obscure, make up this
Elizabethan curiosity, published in 1601 by Thomas Morley.A musical dedication to Queen Elizabeth 1, The
Triumphs of Oriana displays the talents of English songwriters, long-overshadowed by their European
counterparts, conjuring up an image of an idealised and mythical England of old. | | | Usually despatched in 2 - 3 working days. |
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| |  | Flora gave me fairest flowers21 madrigals of the English Renaissance
Bennet: | Round about in a fair ring | Byrd: | Though Amaryllis dance in green The sweet and merry month of May Lullaby, my sweet little baby | East: | Quick, quick, away, dispatch! | Farmer: | A little pretty bonny lass | Gibbons, O: | Dainty fine bird The Silver Swan | Morley: | Now is the month of maying My bonny lass she smileth Fyre! Fyre | Ramsey: | Sleep, fleshy birth | Tomkins: | Too much I once lamented Adieu, ye city-prisoning towers! | Weelkes: | Hark, all ye lovely saints above Ha ha! This world doth pass Death hath deprived me | Wilbye: | Weep, weep, mine eyes Flora gave me fairest flowers Draw on, sweet night Adieu, sweet Amaryllis |
The Cambridge Singers, John Rutter | | | Usually despatched in 2 - 3 working days. |
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| |  | The Triumphs of OrianaMadrigals, compiled by Thomas Morley, 1601
Bennet: | All creatures now are merry-minded | Byrd: | Galliard (Hirsch No. 2) | Carlton: | Calm was the air and clear the sky | Cavendish: | Come, gentle swains and shepherds' dainty daughters | Cobbold: | With wreaths of rose and laurel | East: | Hence stars too dim of light | Farmer: | Fair Nymphs, I heard one telling | Gibbons, E: | Round about her charret, with all-admiring strains Long live fair Oriana | Hilton: | Fair Oriana, beauty's Queen | Holborne: | Fantasia No. 2 (Hirsch No. 46) Galliard (Hirsch No. 9) Galliard No. 8 'Jest' or 'Clark's Galliard' (Hirsch No. 15) Fantasia No. 3 (Hirsch No. 49) | Holmes, J: | Thus Bonny-boots the birthday celebrated | Hunt, T: | Hark! did ye ever hear so sweet a singing? | Johnson, E: | Come, blessed Bird | Jones, R: | Fair Oriana, seeming to wink at folly | Kirbye: | With angel's face and brightness | Lisley: | Fair Cytherea presents her doves | Marson: | The Nymphs and shepherds danced | Milton: | Fair Orian in the morn | Morley: | Arise, awake, awake Hard by a crystal fountain | Mundy, J: | Lightly she whipped o'er the dales | Nicholson, R: | Sing, shepherds all | Norcome: | With angel's face and brightness | Tomkins: | The Fauns and Satyrs tripping | Weelkes: | As Vesta was from Latmos hill descending | Wilbye: | The Lady Oriana |
David Miller (lute) I Fagiolini, Robert Hollingworth | | | Usually despatched in 2 - 3 working days. |
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| |  | English Consort Music
Musica Dolce, Clas Pehrsson | | | Usually despatched in 2 - 3 working days. |
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| |  | The Emma Kirkby Collection
Emma Kirkby (soprano) with various supporting ensembles | | | Usually despatched in 2 - 3 working days. |
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| |  | For His Majestys Sagbutts and CornettsEnglish Music from Henry VIII to Charles II
His Majestys Sagbutts and Cornetts | | | Usually despatched in 2 - 3 working days. |
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| |  | O SapientiaAdvent from King's College London
Robert Quinney (organ) The Choir of King's College London, Phantasm, David Trendell, Laurence Dreyfus The Advent Carol Services held in the Chapel at King’s College London are undoubtedly one of the highlights of the academic year. Over the years the format has varied slightly, most notably with the addition of the Great Advent ‘O’ Antiphons that precede the Magnificat at Vespers for the week before Christmas, together with an eighth specific to the Sarum rite. Starting with O Sapientia (‘O Wisdom’), these form the backbone of this recording, dividing it into eight sections, with each antiphon followed by one of the eight programmatic viol fantasias by Michael East and then a choral piece. The disc is released as part of the College’s 175th anniversary celebrations. | | | Usually despatched in 3 - 4 working days. |
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