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See Terms & Conditions for p&p rates. | |  | (complete opera)
Florida State Opera, Anthony Rooley | | | In stock - usually despatched within 1 working day. |
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| |  | A Musical Hodge-PodgeEnglish Song 1600-1750
anon.: | Baloo, my babe Amintor, ah, thou faithless swain | Boyce: | Tell me, ye brooks | Campion: | All looks be pale | Carey: | The Musical Hodge-Podge | Cousser: | Long have I fear'd | Dowland: | Tell me, true Love | Eccles, J: | Awake, awake, the spirits raise If I hear Orinda swear Still I'm grieving I burn, I burn Love's but the frailty of the mind | Giordani, T: | Willow, willow | Johnson, R: | As I walked forth | King, W: | I wonder what those lovers mean | Leveridge: | Black and gloomy | Weldon: | Take, O take those lips away | Wilbye: | Weep, weep, mine eyes |
Evelyn Tubb (soprano), Anthony Rooley, Michael Fields (lute), Frances Kelly (triple harp) The English Trumpet Virtuosi | | | In stock - usually despatched within 1 working day. |
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| | Rule BritanniaA Stirring Collection of British Music
Various artists, orchestras & conductors | | | In stock - usually despatched within 1 working day. |
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| |  | Sound the Trumpet
Mark Bennett & Michael Laird (trumpets) The Parley of Instruments, Peter Holman Until the middle of the seventeenth century the trumpet was essentially a fanfare instrument, used in armies and at courts to invest ceremonial with grandeur. The earliest
English truly ‘composed’ works for trumpet all come from odes and stage works, though they were often detached from their parent works to be performed separately—
the practice followed here, in works by composers ranging from familiar names Purcell and Croft to the Moravian immigrant Gottfried Finger and William Corbett (last
heard of in Italy, apparently as a spy for the British government). | 
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| |  | Songs From The Pleasure Garden
Philip Langridge (tenor), David Owen Norris (harpsichord, piano), Tristan Gurney (violin) & Jennifer Langridge (cello) | | | Usually despatched in 2 - 3 working days. |
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| |  | Jacques Thibaud -The Complete Solo Recordings 1929-36
Albéniz: | Malagueña, Op. 165, No. 3 Tango | Bach, J S: | Gavotte & Preludio (Partita 3) | Debussy: | Minstrels | Desplanes: | Intrada | Eccles, J: | Sonata | Falla: | Danse Espagnol Jota | Fauré: | Berceuse, Op. 16 | Granados: | Danse Espagnol | Lalo: | Fantaisie Norvégienne Symphonie espagnole, Op. 21 (live concert 17th November 1941 and previously unpublished) Suisse Romande Orchestra, Ansermet | Marsick: | Scherzando | Mozart: | Piano Concerto No. 21 in C major, K467 'Elvira Madigan' - Andante Adagio for Violin and Orchestra in E, K261 | Paradies: | Sicilienne | Poldini: | Poupée valsante | Saint-Saëns: | Le Déluge Op. 45 Havanaise, Op. 83 | Szymanowski: | La Fontaine de Aréthuse | Veracini: | Menuet & Gavotta | Vitali, G: | Chaconne | Vivaldi: | Adagio |
Jacques Thibaud (violin), Tasso Janopoulo, Georges de Lausnay & Alfred Cortot (piano) (2 CDs for the price of 1) | | APR - APR6003 (CD - 2 discs) Normally: £12.99 (£11.06 ex. VAT) Special: £9.74 (£8.29 ex. VAT) |
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| |  | The English Orpheus 50 - Orpheus with his LuteMusic for Shakespeare from Purcell to Arne
Arne: | To fair Fidele's grassy tomb When daisies pied (from Love's Labours Lost) Honour, riches, marriage, blessing Where the Bee Sucks | Chilcot: | Pardon, goddess of the night Orpheus with his lute Hark, hark the lark | Clarke, Jeremiah: | Overture to Titus Andronicus | Eccles, J: | Can life be a blessing | Fesch: | All fancy sick | Greene, M: | Orpheus with his lute | Leveridge: | When daisies pied, and violets blue | Purcell: | Dear pretty youth | Smith, J C: | You spotted snakes Full fathom five | Weldon: | Take, O take those lips away Dry those eyes which are o'erflowing | Woodcock, R: | Concerto No. 9 in E minor |
Catherine Bott (soprano), Rachel Brown (flute) The Parley of Instruments, Peter Holman | | | Usually despatched in 2 - 3 working days. |
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| |  | Classical KirkbyOrpheus and Corinna - 17th century English songs on classical themes
Blow: | Sappho to the Goddess of Love Sappho to the Goddess of Beauty | Boyce: | When Orpheus went down to the Regions below An answer to Orpheus and Euridice (the Words by a Lady) | Campion: | When to her lute Corinna sings | Eccles, J: | Corinna now you'r young and gay | Ferrabosco, A II: | So beautie on the waters stood | Greene, M: | Orpheus with his lute | Lanier: | Hero and Leander (Nor com'st thou yet) | Lawes, H: | Legousin hai gunaikes Away, away, Anacreon ('Anacreon's Ode Englished') Anacreon's Ode, call'd The Lute (original Greek) Anacreon's Ode, call'd The Lute ('English'd, to be sung by a Basse alone') Orpheus' Hymn to God At dead low ebb of night ('A tale out of Anacreon') | Weldon: | Stop, O ye waves | Wilson, J: | Diffugere nives (Horace, Odes IV, 7) Integer vitae (Horace, Odes I, 22) |
Emma Kirkby (soprano), Anthony Rooley (theorbo-lute) “customary radiance of voice, technical agility and interpretative intelligence” Gramophone Magazine | | | Usually despatched in 2 - 3 working days. |
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| |  | Cantatas From The Georgian Drawing-Room
Margarette Ashton (soprano) Concert Royal | | | Usually despatched in 2 - 3 working days. |
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Jacques Thibaud (violin), Harold Craxton (piano), Tasso Janopoulo (piano) | | | Usually despatched in 2 - 3 working days. |
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