Edward William Elgar

The greatest cellist of the early 20th century, Pablo Casals is renowned for the inimitably beautiful timbre and expressive range of his playing. This extensive collection brings together his classic interpretations of the Elgar and Dvorák cello concertos, combined with a variety of suites, piano trios, national Catalonian dances and other showpieces.

Jascha Heifetz has been described as the ‘greatest twentieth-century exponent of his instrument’ (Gramophone). Critics admired his technical agility and the myriad nuances of his playing, qualities that made him one of the most iconic violinists of his era. This set includes a selection of concertos and sonatas that showcase Heifetz’s versatility and his extraordinary ability to capture the particular character of each piece in his repertoire.

Constantin Silvestri was born in Bucharest, Romania on 31st May 1913. His mother had to bring him up as both his father and stepfather had died whilst he was still a teenager. By the age of six he was playing both piano and organ and showed skill as an improviser. Although not in conducting classes at the Conservatoire in Bucharest he was already appearing as a conductor in his teens, making his debut with the Bucharest Radio Symphony Orchestra in 1930 in a concert which included The Rite of Spring and one of his own compositions.

After further success with the National Radio Orchestra of Romania he decided to make conducting his career. In 1935 he started his association with the Romanian National Opera and directed the Bucharest Philharmonic Orchestra for six years. In 1948 he started teaching at the Conservatoire and founded its Conducting Department. Whilst conducting all the main orchestras in Romania he was also able to accept guest appearances in the USSR, Czechoslovakia and Hungary.

In 1957 he also made his debut in the U.K. conducting the London Philharmonic Orchestra in the Royal Albert Hall and started making recordings for EMI in London, Paris and Vienna. Before leaving his home country he had his greatest success there – the premiere of Enesco’s opera Oedipe in 1958.

Settling first in Paris in 1959 and then in England when offered the post of Principal Conductor of the Bournemouth Symphony Orchestra. With his meticulous and lengthy preparation in rehearsals he raised the standard and prestige of the orchestra to one of international standing.

He became a British citizen in 1967 but his growing reputation was cut short by increasing ill-health and he died of cancer in London on 23rd February 1968 at the age of 55.

This set presents the Complete Recordings made by Constantin Silvestri for EMI. The microphones did offer to this “fanatical idealist” the most favourable circumstances to let his particular talent blossom.

Sir Adrian Boult conducts the London Philharmonic and BBC Symphony orchestras with soloists Alfredo Campoli and Pablo Casals in Elgar’s two great string concertos.

Drawn from across the composer's lengthy career, this collection of Part-Songs and Choral-Works explores the great variety and range within Elgar's work for choir and voices. Along with more well-known works such as 'Love' and 'Deep in my Soul' there are early pieces such as 'O Salutaris hostia' (composed for small amateur choirs) that give hints of his later mature style, through to the 1928 piece 'I sing the Birth' – a work that shows Elgar's ability to adapt to more contemporary styles of 20th-century choral composition.

The Rodolfus Choir have established themselves as one of the leading youth choirs in Britain, made up of singers aged from 16 to 25 who have been chosen from past and present members of the Eton Choral Courses for prospective choral scholars. Many members of the Choir are choral scholars, some are at music college, and most hope to make a career in music. The Rodolfus Choir and Ralph Allwood are well-known for imaginative programming, and for presenting new music. The Rodolfus Choir’s recent CD recordings with Signum include music as diverse as Howells, Monteverdi, Grier, Tallis and the German Romantics.

The outbreak of the Great War caused Elgar much anguish and depression and the music composed during these years reflects his sorrow and deep patriotism.

Apart from Elgar’s early Sursum Corda Op. 11 (composed in 1894), this disc takes us on a musical journey from shortly before the war began to the composer’s last wartime orchestral work, The Sanguine Fan, a shaft of light during the darkest days of the war in 1917. The music on this disc, although not premiere recordings (they were originally recorded by the HMV label), this is the first modern recording not only of these works but also to provide a unique survey of Elgar’s compositions of this time.

Performed by the BBC Concert Orchestra and conducted by John Wilson, this CD also includes Susan Gritton and the renowned actor Simon Callow who is the speaker on Le Drapeau Belge Op 79.