Edward William Elgar

(1857-1934)

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Sir Adrian Boult conducts Elgar & Brahms

Sir Adrian Boult conducts Elgar & Brahms


Brahms:

Symphony No. 1 in C minor, Op. 68

Royal Albert Hall, 17 August 1976

Elgar:

Enigma Variations, Op. 36

Royal Albert Hall Centenary Concert, 29 March 1971

George Thalben-Ball (organ)

plus:

John Douglas Todd interviews Sir Adrian Boult (extract from 85th birthday broadcast)

BBC STUDIOS, 25 MARCH 1974


Sir Adrian Boult (1889–1983), one of the great British conductors of the 20th century, who studied under the legendary Arthur Nikisch in Berlin which make his Brahms interpretations so special.

This fiery 1976 Prom stereo broadcast of Brahms 1 is the only authorised live account available. He recorded the symphony three times in the studio.

The live stereo broadcast of Elgar’s Enigma Variations was sourced from the Royal Albert Hall Centenary Concert on 29 March 1971 and features the alternative organ part played by George Thalben-Ball, one of the most celebrated organists of his time.

The CD is completed by an extract of an interview Boult gave on the occasion of his 85th birthday where he talks about the art of interpretation.

SAMPLE TRACK Brahms Symphony No.1 – 1st movement

“These performances would surpass all superlatives under any circumstance, but what makes them especially incredible is that, despite Boult being in his nineties, they sound like the interpretations of a young man...Many recordings have been released since these first appeared, and yet one would be hard-pushed to name any that can truly top them.” Classic FM Magazine, August 2011 ****

“this Brahms 1 is superbly paced: hard-driven yet flexible, virile yet richly expressive. The opening’s 6/8 — relentless, tragic — has, rightly, the same pulse as the ensuing allegro (where Boult, unusually, observes the repeat). In Elgar, Boult could sometimes misjudge tempo, but not here. From the theme onwards (exquisitely judged), his touch is sure and masterly.” Sunday Times, 15th May 2011

ica classics Legacy - ICAC5019

(CD)

$15.00

(also available to download from $10.50)

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British Anthems

British Anthems

A Collection of Great British Music


anon.:

God Save The Queen

Arne:

Rule, Britannia (from Alfred)

Clarke, Jeremiah:

Trumpet Voluntary 'Prince of Denmark's March'

Elgar:

Nimrod (from Enigma Variations)

Pomp and Circumstance March No. 1 in D major, Op. 39 No. 1

Handel:

Coronation Anthem No. 1, HWV258 'Zadok the Priest'

Holst:

The Planets: Jupiter

I Vow to Thee, My Country

Irvine, Jessie:

The Lord's My Shepherd (Crimond)

Monk, W H:

Abide with me

Parry:

I was glad

Jerusalem

Purcell:

Rondeau from Abdelazer

Vaughan Williams:

The Old Hundredth Psalm Tune 'All people that on earth do dwell'

He who would valiant be

Walton:

Crown Imperial

Orb and Sceptre


A collection of music by great British composers, including Elgar - Land of Hope and Glory, Enigma Variations; Holst – The Planets; Walton – Crown Imperial; Orb & Sceptre and Parry – Jerusalem. Full of highly recognisable themes, this album captures and celebrates the great British spirit.

Released in time for the Royal Wedding of Prince William to Katherine Middleton, which takes place on the 29th April 2011. With street parties up and down the isle and a national bank holiday, the biggest Royal event since the Marriage of Prince Charles to Princess Diana is set to be celebrated in style.

Sony - 88697898632

(CD)

$7.50

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British Ballet Music

British Ballet Music


Bliss:

Checkmate - Suite

Royal Liverpool Philharmonic Orchestra, Vernon Handley

Elgar:

Enigma Variations, Op. 36

London Symphony Orchestra, Sir Adrian Boult

Holst:

The Perfect Fool, Op. 39/H 150: Ballet Music

London Symphony Orchestra, André Previn

Sullivan, A:

Pineapple Poll

Royal Philharmonic Orchestra, Sir Charles Mackerras

Tyrwhitt-Wilson:

A Wedding Bouquet: Tango & Waltz

Orchestra & Chorus of the Royal Opera House, Robert Irving/

Walton:

Façade Orchestral Suite No. 1

City of Birmingham Symphony Orchestra, Louis Frémaux

Façade Orchestral Suite No. 2

City of Birmingham Symphony Orchestra, Louis Frémaux


This collection of music from 20th-century ballets features such master conductors of British repertoire as Boult, Previn, Handley and Mackerras – who also, drawing on the works of Sir Arthur Sullivan, wrote Pineapple Poll for John Cranko. Dame Ninette de Valois choreographed the chessboard machinations of Bliss’s Checkmate, here complemented by Elgar’s much-loved Enigma Variations, Walton’s witty Façade, elemental dances from Holst’s opera The Perfect Fool, and colourful pieces by Berners, Lambert and Gordon.

“Some sparkling playing here, especially Pineapple Poll under its arranger Charles Mackerras” BBC Music Magazine, September 2011 ***

EMI Ballet Edition - 9498192

(CD - 2 discs)

$11.00

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Elgar, Stanford & Parry

Elgar, Stanford & Parry


Elgar:

Chanson de Matin, Op. 15 No. 2

Minuet from Beau Brummel

Starlight Express: My Old Tunes (Organ-Grinder's Song No. 5)

Starlight Express: To the Children (Organ-Grinder’s Song No.1)

The Wand of Youth Suite No. 1, Op. 1a: Sun Dance

Dream Children, Op. 43

Salut d'amour, Op. 12

Royal Philharmonic Orchestra, Lawrance Collingwood

Minuet

May Song

Rosemary

Romance, Op. 62

Sevillana

Sérénade lyrique

Three Characteristic Pieces

Carissima

Mina

Northern Sinfonia Orchestra, Sir Neville Marriner

Scenes (6) from the Bavarian Highlands, Op. 27

Bournemouth Symphony Chorus, Geoffrey Hughes

Elegy for strings, Op. 58

City of London Sinfonia, Richard Hickox

Sospiri, Op. 70

City of London Sinfonia, Richard Hickox

Serenade for Strings in E minor, Op. 20

City of London Sinfonia, Richard Hickox

Parry:

An English Suite

City of London Sinfonia, Richard Hickox

Lady Radnor's Suite

City of London Sinfonia, Richard Hickox

Symphony No. 5 in B minor 'Symphonic Fantasia'

Blest Pair of Sirens

London Philharmonic Choir

Symphonic Variations (1897)

Elegy

London Philharmonic Orchestra, Sir Adrian Boult

Stanford:

Symphony No. 3 in F minor 'Irish', Op. 28

Bournemouth Sinfonietta, Norman Del Mar

Evening Service (Magnificat & Nunc dimittis) in G major, Op. 81

Alastair Hussain (treble), Francis Brett (bass)

For lo, I raise up, Op. 145

Thomas Hopkinson (treble), Edward Gardner (tenor)

A Song of Peace, Op. 113, No. 4

John Mark Ainsley (tenor)

O for a closer walk with God, Op. 113 No. 6

Morning, Evening and Communion Services in C Op. 115

James Vivian (organ scholar)

Choir of King’s College, Cambridge, Stephen Cleobury


A 5CD set containing titles from the acclaimed EMI British Composers series, based around the music of Sir Edward Elgar and his contemporaries; Sir Charles Villiers Stanford and Sir Hubert Parry.

EMI British Composers - 0954222

(CD - 5 discs)

$26.25

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Sir John Barbirolli conducts Elgar

Sir John Barbirolli conducts Elgar


Elgar:

Symphony No. 1 in A flat major, Op. 55

Philharmonia Orchestra

Introduction & Allegro for strings, Op. 47

Sinfonia of London, Allegri String Quartet

Symphony No. 2 in E flat major, Op. 63

Hallé Orchestra

Elegy for strings, Op. 58

New Philharmonia Orchestra

Sospiri, Op. 70

New Philharmonia Orchestra

Falstaff - Symphonic Study in C minor, Op. 68

with Elgar's divisions

Hallé Orchestra

Cockaigne Overture, Op. 40 'In London Town'

Philharmonia Orchestra

Froissart Overture, Op. 19

New Philharmonia Orchestra

Enigma Variations, Op. 36

Philharmonia Orchestra

Pomp and Circumstance Marches Nos. 1-5, Op. 39

Philharmonia Orchestra

Serenade for Strings in E minor, Op. 20

Sinfonia of London

Sea Pictures, Op. 37

Janet Baker (mezzo)

London Symphony Orchestra

Cello Concerto in E minor, Op. 85

Jacqueline du Pré (cello)

London Symphony Orchestra


A 5CD set containing titles from the acclaimed EMI British Composers series, Sir John Barbirolli conducts the orchestral works of Sir Edward Elgar, including the Enigma Variations, Pomp and Circumstance Marches, Symphonies and the legendary recording of the Cello Concerto by Jacqueline du Pré.

EMI British Composers - 0954442

(CD - 5 discs)

$26.25

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The Elgar Edition: The Complete Electrical Recordings

The Elgar Edition: The Complete Electrical Recordings


anon.:

God Save The Queen

arr. Elgar

London Symphony Orchestra, Philharmonic Choir

Croft:

O God, our Help in Ages past

London Symphony Orchestra, Philharmonic Choir

Elgar:

Symphony No. 1 in A flat major, Op. 55

London Symphony Orchestra

Falstaff - Symphonic Study in C minor, Op. 68

London Symphony Orchestra

Symphony No. 2 in E flat major, Op. 63

London Symphony Orchestra

The Dream of Gerontius, Op. 38 (excerpts)

Steuart Wilson (Gerontius), Margaret Balfour (Angel), Herbert Heyner (The Priest/The Angel of the Agony)

Royal Albert Hall Orchestra, Royal Choral Society

The Dream of Gerontius, Op. 38 (excerpts)

Tudor Davies (Gerontius), Margaret Balfour (Angel), Horace Stevens (The Angel of the Agony)

The Music Makers, Op. 69: excerpts

London Symphony Orchestra, Three Choirs Festival Chorus

Enigma Variations, Op. 36

Royal Albert Hall Orchestra

Violin Concerto in B minor, Op. 61

Yehudi Menuhin (violin)

London Symphony Orchestra

The Wand of Youth Suite No. 1, Op. 1a

London Symphony Orchestra

The Wand of Youth Suite No. 2, Op. 1b

London Symphony Orchestra

Nursery Suite

London Symphony Orchestra

Severn Suite, Op. 87

London Symphony Orchestra

Land of Hope and Glory

Margaret Balfour (contralto)

London Symphony Orchestra, Philharmonic Choir

The Banner of St George: It comes from the misty ages

London Symphony Orchestra, Philharmonic Choir

The Light of Life, Op. 29 'Lux Christi' - Meditation

Royal Albert Hall Orchestra

Three Characteristic Pieces

New Symphony Orchestra

Chanson de Matin, Op. 15 No. 2

London Symphony Orchestra

Chanson de Nuit, Op. 15 No. 1

Royal Albert Hall Orchestra

Bavarian Dances (3)

London Symphony Orchestra

Crown of India, Op. 66: Suite

London Symphony Orchestra

Fantasia & Fugue in C minor, Op. 86 (after Bach, BWV 537)

Royal Albert Hall Orchestra

Froissart Overture, Op. 19

London Philharmonic Orchestra

Cockaigne Overture, Op. 40 'In London Town'

Royal Albert Hall Orchestra

In the South (Alassio), Op. 50

London Symphony Orchestra

Two Interludes from Falstaff

New Symphony Orchestra

Cello Concerto in E minor, Op. 85

Beatrice Harrison (cello)

New Symphony Orchestra

Minuet from Beau Brummel

New Symphony Orchestra

Rosemary

New Symphony Orchestra

Salut d'amour, Op. 12

New Symphony Orchestra

Minuet

New Symphony Orchestra

Sérénade lyrique

New Symphony Orchestra

May Song

New Symphony Orchestra

Carissima

New Symphony Orchestra

Minuet from Beau Brummel

London Symphony Orchestra

Five Piano Improvisations

Sir Edward Elgar (piano)

Pomp and Circumstance Marches Nos. 1-5, Op. 39

Royal Albert Hall Orchestra, London Symphony Orchestra

Land of Hope and Glory

introduced by Elgar

London Symphony Orchestra

The Kingdom, Op. 51 - Prelude

Pomp and Circumstance March No. 1 in D major, Op. 39 No. 1

BBC Symphony Orchestra

Pomp and Circumstance March No. 2 in A minor, Op. 39 No. 2

BBC Symphony Orchestra

Pomp and Circumstance March No. 4 in G major, Op. 39 No. 4

BBC Symphony Orchestra

Cockaigne Overture, Op. 40 'In London Town'

BBC Symphony Orchestra

Serenade for Strings in E minor, Op. 20

London Philharmonic Orchestra

Elegy for strings, Op. 58

London Philharmonic Orchestra

Woodland Interlude from Caractacus

London Symphony Orchestra, Lawrance Collingwood

Triumphal March from Caractacus

London Symphony Orchestra, Lawrance Collingwood

Mina

New Light Symphony Orchestra, J. Ainslie Murray

Mina

Light Symphony Orchestra, Haydn Wood

Coronation March, Op. 65

London Philharmonic Orchestra, Sir Landon Ronald


Edward Elgar was the first composer to make extensive recordings of his own compositions. HMV (His Master's Voice) recorded much of his music acoustically from 1914 onwards and then began a series of electrical recordings in 1926 that continued until 1933, including his "Enigma Variations," "Falstaff," the first and second symphonies, his cello and violin concertos, all of the "Pomp and Circumstance" marches, and other orchestral works. Part of a 1927 rehearsal of the second symphony with the London Symphony Orchestra was also recorded and later issued.

“With Colin Davis, Mark Elder, Andrew Davis and others promoting it, Elgar’s music is in good hands. Yet perhaps nobody has known so well as the composer himself how it should go — how passionately, how freely — as this collection of the complete electrical recordings he made between 1926 and 1933 magnificently shows...Elgarians owe EMI so much.” Sunday Times, 26th June 2011 ****

“It’s surprising how few allowances need to be made for the scratchy mono sound. Elgar was a skilled conductor of his own work, and what’s refreshing is how swift and urgent an interpreter he was...The two symphonies have rarely sounded less parochial and more like fin de siècle European classics...This set is a revelatory bargain - once you start dipping in you can't stop.” Graham Rickson, The Arts Desk, 16th July 2011

EMI - 0956942

(CD - 9 discs)

$34.00

In stock - usually despatched within 1 working day.

Elgar: Symphony No. 2 & Enigma Variations

Elgar: Symphony No. 2 & Enigma Variations


Elgar:

Symphony No. 2 in E flat major, Op. 63

Royal Festival Hall, London, 13 February 1975

Enigma Variations, Op. 36

Royal Festival Hall, London, 25 September 1979


Solti recorded Elgar’s Symphony No.2 (along with the Cockaigne Overture) on audio around the same time as the Royal Festival Hall performance, to great acclaim. Solti’s recordings were always the recommended version of each work he performed – he had a deep understanding of the repertoire.

This DVD is the first audiovisual recording to feature Solti performing Elgar 2, and has never been released before.

The Second Symphony is also a record of the first concert Solti conducted as the London Philharmonic’s Chief Conductor in 1975.

James Mallinson, one of Solti’s record producers, commented that his audio recordings of the two Elgar symphonies are probably two of his finest recordings due to his open and fresh approach.

Solti’s quote at the time of broadcasting the Enigma Variations: “I love Elgar, and for me the Enigma Variations is his masterpiece.”

1DVD

Sound format: LCPM mono

Picture format: 4:3

Running time: 84’

Subtitles: n/a

Menu languages: English

Booklet languages: E/F/G

Region code: 0

Territory Restrictions: None

“It is, quite simply, a codument to treasure, with the LPO...galvanised to thrilling effect by Solti's prodigiously energetic presence on the podium...Both the picture quality and full-blooded (mono) sound are perfectly acceptable...The direction, too, is mercifully undistracting throughout. Most rewarding - and a genuine tonic to boot.” Gramophone Magazine, August 2011

“A highlight of the new ICA Classics Legacy series, Solti's LPO Elgar remains fresh, the passionate vigour of his Second Symphony balanced by one of the most loving Enigma Variations on disc.” BBC Music Magazine, July 2011 *****

DVD Video

Region: 0

Format: NTSC

ica classics Legacy - ICAD5011

(DVD Video)

$26.25

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Elgar: Symphonies Nos 1 & 2 & Sospiri

Elgar: Symphonies Nos 1 & 2 & Sospiri


Elgar:

Symphony No. 1 in A flat major, Op. 55

Bernard Haitink

Pomp and Circumstance March No. 5 in C major, Op. 39 No. 5

Bernard Haitink

Sospiri, Op. 70

City of London Sinfonia, Richard Hickox

Serenade for Strings in E minor, Op. 20

Richard Hickox

Symphony No. 2 in E flat major, Op. 63

Bernard Haitink

Cockaigne Overture, Op. 40 'In London Town'

Sir Adrian Boult


Sir Edward Elgar (1857-1934) was England's greatest composer since the death of Henry Purcell in 1695. He was a relatively late developer, with his first major symphonic work, the Enigma Variations (1898-99), being produced when he was already in his forties.

Elgar wrote two very fine symphonies that unerringly captured the zeitgeist of Edwardian England; both are included in this set in superb performances by Bernard Haitink. The first disc ends with two additional Elgar pieces performed by the late lamented Richard Hickox.

“Magnificent Elgar from Haitink, masterfully balancing long-range sweep and fine orchestral detail, and finding ferocious brilliance in the First Symphony's Scherzo. Boult's Cockaigne is a coruscating bonus.” BBC Music Magazine, May 2011 ****

“conductor and orchestra seem alert to every nuance of Elgar's wonderful scoring. They make the most of the stranger and more remote regions of this great work, resulting in a performance that is full of interest as well as beautifully played and very well paced by Haitink.” International Record Review, May 2011

EMI 20th Century Classics - 9072212

(CD - 2 discs)

$11.00

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Europa Konzert 2010 from Oxford

Europa Konzert 2010 from Oxford

Recorded live at Sheldonian Theatre, Oxford, 1 May 2010


Brahms:

Symphony No. 1 in C minor, Op. 68

Elgar:

Cello Concerto in E minor, Op. 85

Alisa Weilerstein (cello)

Wagner:

Die Meistersinger von Nürnberg: Prelude to Act 3


For over 20 years, the Berliner Philharmoniker have celebrated their foundation on May 1st with the annual Europa Konzert - this year’s concert takes place in Oxford. The orchestra, under the baton of worldwide renowned musician Daniel Barenboim, welcome cellist Alisa Weilerstein who has attracted widespread attention for playing that combines natural virtuoso command and technical precision with impassioned musicianship.

'Daniel Barenboim´s programme played to the orchestra's strengths, and the sound was sumptuous. The plush strings and refulgent brass permitted him to unfold the introspective third-act prelude to Wagner's Die Meistersinger with glacial slowness, while the energy that pulsed through Brahms's First Symphony, its phrases sculpted in great expressive arcs with every detail and woodwind solo thrillingly realised, was irresistible. Between the prelude and the symphony, Barenboim conducted the young American cellist Alisa Weilerstein in Elgar's Cello Concerto … Barenboim's approach was refreshingly un-English, a bonus in Elgar, and the sound of the orchestra in the climaxes was overwhelming.' Guardian

Picture format DVD: NTSC 16:9

Sounds formats DVD: PCM Stereo, DD 5.0, DTS 5.0

Region code: 0

Booklet notes: English, German, French

Running time: 83 mins

FSK: 0

“There's no old man's regret in [Weilerstein's] performance, which is passionate and full-blooded, and shot through with grief and longing rather than any nostalgia...Barenboim has always been an excellent Brahmsian...and he rounds the concert off with a richly satisfying account of the First Symphony. No real surprises, but not far from perfection” BBC Music Magazine, January 2011 *****

“The young American cellist Ailsa Weilerstein simply steals the show. Her musicianship is absolutely stunning. She captures a perfect balance between introversion and songfulness, sensitivity and whimsy, seemingly at one with the music...The filming captures the event's rapt atmosphere, if a bit busily.” Classic FM Magazine, June 2011 ****

“[The Elgar] is gripping from the very start...[Weilerstein] never holds back and takes some impressive risks, perhaps inspired by an accompaniment that convinces me, for the time, of the Berlin Philharmonic being the finest orchestra for Elgar, as well as for everything else.” Gramophone Magazine, August 2011

“[In the Brahms and Wagner] the Berliners' majestic playing is deeply impressive, their timbral and intonational blend bordering on the miraculous...playing at this level of achievement still has the power to have one shaking one's head in disbelief at its sheer expertise...[Weilerstein] plays with compelling flair and understanding” International Record Review, January 2012

DVD Video

Region: 0

Format: NTSC

EuroArts - 2058068

(DVD Video)

$32.75

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Elgar: Violin Concerto

Elgar: Violin Concerto


Elgar:

Violin Concerto in B minor, Op. 61

plus cadenza as originally recorded

Tasmin Little (violin)

Polonia

Crown of India, Op. 66: Interlude


The long-awaited and much anticipated recording by Tasmin Little of Elgar’s Violin Concerto will be released this November, 100 years after the work’s first performance. In concert Tasmin Little is closely associated with this concerto, having celebrated the 150th anniversary of the birth of Sir Edward Elgar with performances of it on a major tour to Southeast Asia and Australia in 2007; she has also performed the concerto extensively in London: at the BBC Proms in the Royal Albert Hall, with the BBC Symphony Orchestra at the Barbican, and with the Philharmonia Orchestra in the Royal Festival Hall. What makes this recording especially interesting is that she has included the cadenza used in the work’s first recording, made in 1916 with Marie Hall. For that occasion, Elgar, amongst other things, added harps to counter the sonic limitations of the acoustic recording process. For those used to hearing the standard version, also included, the result makes for fascinating listening, and the recording will prove a valuable addition to the Elgar discography. The 1916 version of the cadenza has been tracked separately.

Tasmin Little: ‘I have waited a long time to record the Elgar Concerto, a work that I have been playing for twenty years and one which is so close to my heart. In the inspirational Andrew Davis and the RSNO’s commitment, I found exactly the right partnership for this monumental work.’

The Violin Concerto is complemented by another piece for violin and orchestra, the charming Interlude from The Crown of India, as well as the rarely recorded but imposing Polonia, an inventive and colourful work incorporating much Polish melodic material. This was commissioned by the Polish conductor Emil Młynarski in 1915 and dedicated to Ignacy Jan Paderewski, the pianist-composer and, later, Prime Minister of Poland.

Since coming to prominence as a finalist in the string section of the 1982 BBC Young Musician of the Year competition, Tasmin Little has enjoyed an international career, making more than twenty recordings. Highly imaginative in her approach to classical music, she received the 2008 Classic FM / Gramophone Award for Audience Innovation in London for the project ‘The Naked Violin’. Whilst she has made superb recordings of the great popular violin concertos, including those by Bruch, Brahms, and Sibelius, she has made a speciality of recording and performing less familiar repertoire, especially neglected British works. On Chandos, she has released a recording of Finzi’s Violin Concerto to tremendous critical acclaim (CHAN9888).

Sir Andrew Davis is famous for his performances of British music in general, and of the music of Elgar in particular. Last year he had great success with the premiere recording of Elgar’s The Crown of India on Chandos (CHAN10570(2)). Chandos also has a long association with the Royal Scottish National Orchestra. Over the last thirty years the label, in partnership with the RSNO, has produced a string of award winning CDs, notable among much else for their sound quality. This new CD, recorded in five-channel surround sound, continues that tradition.

“If ever a violin concerto deserved the feminine touch, it is Elgar’s...[Little] knows just how to make her violin sing, subtly swelling and fading through the solo part’s lyrical lines as Elgar penetrates the mysteries and wonder of the feminine soul...[She] is tender, velvet, winsome, always beguiling, never de trop, with complete mastery of the pianissimo caress .” The Times, 12th November 2010 ****

“Little...finds an element of wit in the fast-moving figuration [of the finale], leading to a more tender treatment of the lyrical contrasting sections.” Gramophone Magazine, December 2010

“This may have been a bumper year for this work...but Little brings a profoundly idiomatic nostalgia to this secretive, yearning, wistful yet passionate music. The extras make it an Elgarian must-have” Sunday Times, 28th November 2010 ***

“Little and Davis steer a near-perfect path between the English stoicism and continental passion that lies at the heart of this glorious score. Positioned naturally against the orchestra, Little shares the concerto's surging emotional narrative equally with her accompanists, without the slightest hint of virtuoso ostentation.” Classic FM Magazine, January 2011 *****

“She takes the opening Allegro boldly, and with plenty of confident ardour...Far more than was possible in the early recordings, there is scrupulous balance, with and sometimes within Elgar's rich but always lucid orchestration (he was, after all, a violinist himself) ensuring that the performance does as full justice to the sound as any on record.” International Record Review, December 2010

GGramophone Magazine

Editor's Choice - December 2010

Super Audio CD

Format:

Hybrid Multi-channel

Chandos - CHSA5083

(SACD)

$16.75

(also available to download from $10.50)

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