Roland Farley(1892-1932) |
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See Terms & Conditions for p&p rates. | |  | Great Singers - Rosa PonselleAmerican Recordings 1939 and 1954
| | Star vicino attr. Rosa Interview with Ruby Mercer | Alvarez, A: | La partida | anon.: | Jeune fillette Carmen-Carmela | Arensky: | On Wings of Dreams | Beethoven: | In questa tomba oscura, WoO.133 | Bizet: | Agnus Dei | Brahms: | Von ewiger Liebe, Op. 43 No. 1 | Buzzi-Peccia: | Colombetta | Charles, A: | When I have sung my songs two versions | Chausson: | Poème de l'amour et de la mer, Op. 19 Le temps des lilas | Chopin: | Tristesse éternelle | Ciampi: | Tre giorni son che Nina Gli tre cicisbei ridicoli | Debussy: | Beau Soir La chevelure | Delibes: | Bonjour, Suzon! | Denza: | Se | Donaudy: | O del mio amato ben | Duparc: | L'Invitation au voyage | Falvo: | Dicitencello vuie | Farley: | The Night Wind | Fontenailles: | Al’aimé | Granados: | Tonadillas: No. 8, El mirar de la maja | Lockhart: | In the Luxembourg Gardens | Lully: | Bois épais (from Amadis de Gaule) | Luzzi: | Ave Maria | Martini, G B: | Plaisir d'amour | Millard: | Ave Maria | Mozart: | Le nozze di Figaro, K492 - Voi che sapete | Paisiello: | Nel cor più non mi sento | Paladilhe: | Psyché | Persico: | Rosemonde | Riego: | Homing | Rimsky Korsakov: | The Nightingale and the Rose | Sadero: | Fa la nana, bambin' Amuri, amuri I battitori di grano | Saint-Saëns: | Guitares et Mandolines (St-Saëns) | Sandoval: | Ave Maria | Schubert: | Ave Maria, D839 two versions Erlkönig, D328 An die Musik D547 Der Tod und das Mädchen, D531 | Strauss, R: | Morgen, Op. 27 No. 4 | Tchaikovsky: | None but the lonely heart, Op. 6 No. 6 | Tosti: | Si tu le voulais A vucchella Ideale Marechiare Could I Aprile Ave Maria | trad.: | Drink to me only with thine eyes | Trunk: | Mir träumte von einem Königskind, Op. 4, No. 5 | Wagner: | Träume from Wesendonk Lieder | Wolf-Ferrari: | Rispetto |
This 3 CD set includes her last studio recordings from 1939 as well as the historical sessions she made 15 years later at her home, ‘Villa Pace’, in Baltimore, when the great diva was persuaded to come out of retirement. New restorations by Ward Marston “This great artist proves herself an outstanding interpreter; singing with handsome tone, great attention to the text, and an ability to alter the basic colour of her voice…” Classics Today on previous release by Rosa Ponselle | 
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