Gabriel Urbain Fauré

(1845-1924)

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Song Recital

Song Recital


Brahms:

Vier Ernste Gesänge, Op. 121

Fauré:

L'horizon chimérique, Op. 118

Finzi:

Earth and Air and Rain, Op. 15 - excerpts

Schubert:

Der Wanderer an den Mond D870 (Seidl)

Auf der Donau, D553 (Mayrhofer)

Der Schiffer, D536 (Mayrhofer)

Der Wanderer, D489

trad.:

Lowlands

arr. Vignoles


Jonathan Lemalu & Roger Vignoles

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EMI Encore - 2081232

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Rencontres

Rencontres

Mélodies Françaises


Duparc:

L'Invitation au voyage

Le Manoir de Rosemonde

La Vie antérieure

Phidylé

Fauré:

Automne, Op. 18 No. 3

Poème d'un jour Op. 21

Les berceaux, Op. 23 No. 1

Chanson du pêcheur Op. 4 No. 1

Gounod:

L'Absent

Hahn, R:

L'heure exquise

Ibert:

4 Chansons de Don Quichotte

Poulenc:

Voyage

La grenouillère, Op. 5

Ravel:

Don Quichotte à Dulcinée


Carlo Colombara (bass) & Rani Calderon (piano)

This CD presents a collection of French art songs – mélodies - covering a wide range of emotional and stylistic content from Fauré to Ibert. The French declamatory style emphasizes the text rather than the melody, but it is the piano part where the beauty of the music can shine through, both in the rich textures employed and in the special harmonies. This is particularly evident in the songs by Henri Duparc. The three songs by Ravel were his last works. Carlo Colombara has been a regular guest at the leading opera houses in Italy and abroad. He has worked with the most renowned conductors, such as Sir Colin Davis, Carlo Maria Giulini, Vladimir Jurowski, Riccardo Muti, Giuseppe Sinopoli and Sir Georg Solti. Critics in Italy and abroad have praised his stylistic versatility and the dark timbre and the colourful diversity of Colombara’s voice makes him one of the most sought-after basses of our time.

“The other find of the evening was Carlo Colombara, a bass making his New York debut as Mocenigo. Mr. Colombara's sound is deep and rounded, and he projected Mocenigo's malign character powerfully but without forcing it.” New York Times

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Dynamic - CDS583

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Classic Branford Marsalis

Classic Branford Marsalis


Debussy:

The Little Shepherd (from Children's Corner)

Arabesque No. 1

Fauré:

Requiem: Pie Jesu

Sicilienne from Pelléas et Mélisande

Ibert:

Larghetto from Concertino da camera for Alto Saxophone

Marsalis:

A Thousand Autumns

Milhaud:

La Création du Monde, Op. 81

Rachmaninov:

Vocalise, Op. 34 No. 14

Ravel:

Pavane pour une infante défunte

Vocalise-étude en forme de habanera

Satie:

Gymnopédie No. 3

Stravinsky:

Pastorale

Villa-Lobos:

Bachianas Brasileiras No. 5 - Aria (Cantilena)


Branford Marsalis (saxophone)

English Chamber Orchestra & Orpheus Chamber Orchestra, Andrew Litton

World-renowned saxophonist Branford Marsalis has always been a man of numerous musical interests. The three-time Grammy Award-winner, known for his innovative spirit and broad musical scope, is equally at home on the stages of the world’s greatest jazz clubs as major concert halls. It is the latter platform which inspires Classic Branford Marsalis; a fascinating and diverse collection of his best-loved classical tracks, collected from his previous recordings.

“This compilation album is an uncomplicated showcase for the silky talents of Branford Marsalis, whose seamless soprano sax pours balm over some favourite melodies. Milhaud's 'La Creation du monde' allows Marsalis to display his alto sax jazz technique, and his own quartet joins him for engaging composition, 'A Thousand Autumns'. There's nothing too demanding - just add a glass of chilled white wine and a warm summer evening.” Stephen Pritchard, The Observer, 6th July 2008

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Sony - 88697275442

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Poulenc, Faure & Ravel - Violin Sonatas

Poulenc, Faure & Ravel - Violin Sonatas


Fauré:

Violin Sonata No. 1 in A major, Op. 13

Poulenc:

Violin Sonata, Op. 12

Ravel:

Violin Sonata in G major

Tzigane


Arabella Steinbacher (violin) & Robert Kulek (piano)

French chamber music from the time of the Third Republic is remarkable for its tremendous stylistic variety, revealing, as it does, not only Neoclassical elements but also unexpected rhythms, the sort of local colour associated with folk music and, last but not least, typically French melodies typified by their elegance and songlike character.A classic example of this style is Fauré's Violin Sonata, first performed in 1877, inspired by the Belgian violinist Hubert Léonard and now at the very heart of the new CD that Arabella Steinbacher has recorded with the pianist Robert Kulek.Written half a century later, Ravel's Violin Sonata not only places considerable technical demands on its performers, it also reflects the influence of jazz, an influence explored by the two performers with audible delight in imitating plucked instruments and blue notes.The dizzying energy generated by Steinbacher and Kulek in Ravel's Tzigane needs to be heard to be believed.This homogeneous and yet varied programme opens with a piece that may also be regarded as an epilogue to this chapter from the history of French music: Francis Poulenc's Violin Sonata was written in the 1940s in memory of Federico García Lorca and is a compact work in terms of its expressive and compositional density. Arabella Steinbacher and Robert Kulek bring to it all the necessary shades and nuances.

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Orfeo - C739081A

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Fauré - Cello Sonatas Nos. 1 & 2

Fauré - Cello Sonatas Nos. 1 & 2


Fauré:

Élégie in C minor, Op. 24

Papillon, Op. 77

Cello Sonata No. 1 in D minor, Op. 109

Berceuse, Op. 16

Romance in A major for cello & piano, Op. 69

Sicilienne, Op. 78

Cello Sonata No. 2 in G minor, Op. 117

Après un rêve, Op. 7 No. 1

Sérénade, Op. 98


Maria Kliegel (cello) & Nina Tichman (piano)

Fauré’s two cello sonatas are compact, beautifully written works whose musical language, with its many subtle changes of tonality and gift for melody, has been described as conveying ‘the power of tranquil thought’. Written in the summer of 1917, during the First World War, the neglected First Sonata begins with a troubled Allegro, followed by an eloquent Andante and a sparkling Finale. The C minor Andante of the Second Sonata has its origin in a Chant funèbre commissioned for the celebration in May 1921 of the centenary of the death of Napoleon. This recital also includes an arrangement of the ever-popular song Après un rêve, as well as the virtuosic Papillon.

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Naxos - 8557889

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Fauré: Nocturnes Nos. 1-13


Charles Owen (piano)

Gabriel Fauré's set of thirteen Nocturnes for solo piano contain some of the most beautiful and original pieces that the composer created. Their composition over half a century (1870 - 1921) charts the development of a highly personal voice beginning with the Chopinesque early works and culminating in the passionate outpourings of the final masterpieces.

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Avie - AV2133

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Barbara Bonney, Jennifer Larmore & Thomas Hampson

Barbara Bonney, Jennifer Larmore & Thomas Hampson


Duruflé:

Requiem, Op. 9

Fauré:

Requiem, Op. 48


Philharmonia Orchestra & Ambrosian Singers, Michel Legrand

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Warner Classics Maestro - 2564696553

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Libera - New Dawn

Libera - New Dawn


 

Secret

Gloria

based on ‘Organ Symphony’ (Saint-Saens)

Sancte

Rest in peace

May the road rise up

Never be alone

Bach, J S:

Air (from Orchestral Suite No. 3, BWV1068 'Air on a G String')

Caccini, G:

Ave Maria

Enya:

Orinoco Flow

Fauré:

Requiem: In Paradisum

Parry:

Jerusalem

Tallis:

God Grant we grace (Tallis Canon)

Tavener:

The Lamb

Wilson, B:

Love and mercy


This album features both classical tracks and pop arrangements, such as Enya’s Orinoco Flow and Bach’s Air on a G string; the disc also includes a track penned by Brian Wilson called ‘Love and Mercy’. This is the song Libera performed to a star-studded audience in Washington DC before Christmas at the Kennedy Centre Honours, an audience which included President Bush, Robert De Niro, Cameron Diaz and Brian Wilson himself. The talented singers of Libera come from a variety of different schools and backgrounds in London and join together at a church in South London where they rehearse and perform for many hours each week. The youngest is seven and the oldest members are fourteen.

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EMI - 5193540

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Fauré - Requiem

Fauré - Requiem


Fauré:

Requiem, Op. 48

Mozart:

Ave verum corpus, K618

Vesperae solemnes de confessore in C, K339


Elin Manahan Thomas, Roderick Williams, Ruth Massey & Mark Dobell

The Sixteen & Academy of St Martin in the Fields, Harry Christophers

Recorded at the 2007 Mostly Mozart Festival at London’s Barbican Hall, this disc reflects the unique live experience of a concert performance that captivated its audience.

“…the singers of The Sixteen evoked an unearthly expressiveness. Fauré once said: ‘here it was as if we had stumbled upon some private memorial, and caught a haunting glimpse of paradise.’" The London Independent

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Coro - COR16057

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Grainger - Transcriptions for Wind Band

Grainger - Transcriptions for Wind Band


anon.:

Angelus ad Virginem

Bach, J S:

March

See what His love can do

O Menschen, die ihr täglich sündigt from Cantata 122

Cabezón, A:

Prelude in the Dorian Mode

Despres:

La Bernardina

Fauré:

Tuscan Serenade

Ferrabosco, A II:

Four-note pavan

Franck, C:

Choral No. 2 in B minor

Goossens:

Folk-Tune

Jenkins, J:

Five-Part Fantasy No. 15

Liszt:

Fantasy on Hungarian Folk-tunes, S123, Op. 458

Machaut:

Ballade No. 17

Parker, K:

Down Longford Way


Ivor Hovorun (piano)

Royal Northern College of Music Wind Orchestra, Clark Rundell

The eccentric Percy Grainger was well-known for his musical arrangements which ranged from works by other composers as well as arrangements of his own original and folk music settings. These arrangements form a body of work which is perhaps unique in musical history. Most of the works on this CD are taken from a series Grainger named Chosen Gems for Winds. Grainger had a musical mind of unusual breadth and vision, with interests spanning the ages from mediaeval music to the latest twentieth century developments and had the vision to see this context of the wind orchestra setting. It is likely that enlisting in the American Army as a bandsman at the outbreak of World War I, cemented his interest in wind band music, along with an awareness of Stokowski’s Bach transcriptions.

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Chandos - CHAN10455

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