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See Terms & Conditions for p&p rates. | |  | Venetian Music for Double Choir
Adriaan Willaert (ca.1490-1562) 1 Lauda Jerusalem 2 Credidi propter quod 3 Ricecrar X Giovanni Gabrieli (ca.1555-1612) from Sacrae Symphoniae (1597): 4 In te Domine speravi 5 Beata es virgo (instrumental) 6 Beata es virgo 7 Sancta et immaculata Virginitas 8 Angelus Domini 9 O Jesu mi dulcissime 10 Canzon à 6 from Canzoni e Sonate (1615) from Symphoniae sacrae (1615): 11 Exultavit cor meum 12 Sancta et immaculata Virginitas 13 O Jesu mi dulcissime 14 Benedictus es Dominus 15 O quam suavis 16 Hodie completi sunt
Currende & Concerto Palatino, Erik van Nevel These superb performances of Venetian Music for Double Choir, have set the bench mark for this style of composition since it’s first appearance in 1993. | 
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| |  | Sacred BrassPolyphonic Brass Arrangements
London Symphony Brass, Eric Crees | | | In stock - usually despatched within 1 working day. |
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The Taverner Choir, London Cornett & Sackbutt Ensemble, Andrew Parrott Recorded:1977 | | | In stock - usually despatched within 1 working day. |
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| |  | Venezia StravagantissimaMusic for the Venetian Carnival. Balli, canzone & madrigali 1550-1630
Capriccio Stravagante Renaissance Orchestra, Skip Sempé | | | In stock - usually despatched within 1 working day. |
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| |  | The Art of Guido Cantelli - New York Concerts & Broadcasts
Bartók: | Concerto for Orchestra, Sz.116 | Beethoven: | Symphony No. 7 in A major, Op. 92 Symphony No. 5 in C minor, Op. 67 | Brahms: | Symphony No. 3 in F major, Op. 90 Symphony No. 1 in C minor, Op. 68 Tragic Overture, Op. 81 | Debussy: | Le Martyre de Saint Sébastien - Fragments symphoniques | Dvorak: | Piano Concerto in G minor, Op. 33 | Frescobaldi: | Four Pieces | Gabrieli, G: | Canzona for Double Brass Ouartet | Ghedini: | Concertante Magnificat: Vespro della Beata Vergine | Haydn: | Symphony No. 94 in G Major 'Surprise' Symphony No. 88 in G Major | Hindemith: | Symphony 'Mathis der Maler' | Mendelssohn: | Symphony No. 4 in A major, Op. 90 'Italian' | Monteverdi: | Vespro della beata Vergine (1610) | Mozart: | Le nozze di Figaro, K492 - Overture Symphony No. 29 in A major, K201 | Ravel: | Pavane pour une infante défunte La Valse Tableaux D'Une Exposition | Rossini: | Le Siège de Corinthe Overture Semiramide Overture | Roussel: | Sinfonietta for string orchestra, Op. 52 | Schubert: | Symphony No. 2 in B flat major, D125 | Shulman: | A Laurentian Overture | Tchaikovsky: | Romeo & Juliet: Fantasy Overture Symphony No. 4 in F minor, Op. 36 | Verdi: | La Forza del Destino Overture | Vivaldi: | Concerto Grosso Concerto Grosso Op. 3 No. 8 | Weber: | Euryanthe Overture |
NBC Symphony Orchestra, NYP Symphony Orchestra, Guido Cantelli | | | In stock - usually despatched within 1 working day. |
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London Brass, Philip Pickett | | | In stock - usually despatched within 1 working day. |
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| |  | The Glory of GabrieliAntiphonal music for brass choirs
Empire Brass Quintet and friends, Rolf Smedvig |
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| |  | Crown Imperial (Festive music for organ, winds, brass & percussion)
Mary Preston (organ) Dallas Wind Symphony, Jerry Junkin |
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| |  | Trumpet Masque
Jonathan Freeman-Attwood (trumpet), Daniel-Ben Pienaar (piano) “Trumpet Masque” sees renowned trumpeter Jonathan Freeman-Attwood explore his passion for expanding the instrument’s limited chamber repertoire by imaginatively arranging Baroque works previously scored for alternative forces.
In “Trumpet Masque”, Jonathan Freeman-Attwood and Daniel-Ben Pienaar take a radical new look at the 17th century with a compelling vision of repertoire historically far-removed from the traditional contexts of both trumpet and piano.
Through wonderfully vibrant programming and arrangements, this invigorating and warm-hearted chamber duo present music from Dowland to Purcell in an energetic, innovative and 21st century fashion.
The aim of this recording is to open our ears to a period of unequalled variety, colour, regional diversity and expressive freedom: the Venetian world of Gabrieli, the great pre-Bach North German lineage of Buxtehude, Jacobean dances and songs and the great G major sonata from Muffat’s ‘Armonico Tributo’ with its virtuoso and valedictory passacaglia, which appropriately ends the disc. “Jonathan Freeman-Attwood's playing is notable for the beauty and freedom of line of his lyrical phrasing, while the bravura is exhilarating. Daniel-Ben Pienaar's accompaniments are boldly supportive and well in the picture.” Gramophone Magazine, July 2008 |
| | | Linn - CKD310 (SACD) Normally: £12.99 (£11.06 ex. VAT) Special: £9.74 (£8.29 ex. VAT) |
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Rosa Dominguez (soprano), Eric Mentzel (alto), Hans Jörg Mammel (tenor) & Stephan Van Dyck (tenor) La Fenice & Choeur De Chambre De Namur, Jean Tubery From Nativity to Whitsun, from Annunciation to Assumption, all
the high holy days of the liturgical year were, at the basilica of San
Marco 'della serenissima republica di Venetia' worthy occasions to
deploy incomparable ceremonies. Music played the major role and
had to be as splendid and glorious as the golden dome under which
it was performed.The celebration of the Holy Trinity was given a
particularly elevated status, which implied a first class musical
performance. Choirs as well as an instrumental ensemble and two
organs on both sides of the Basilica's chancel were called to
contribute to all this splendour.
This record is offered at a special price and includes a 2008
catalogue of the Ricercar label. | | | Usually despatched in 2 - 3 working days. |
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