George Gershwin

Renowned as a virtuoso jazz clarinetist and legendary bandleader, Benny Goodman is also remembered for the works he commissioned from leading composers of his day. Poulenc’s strikingly beautiful Clarinet Sonata was his last composition, while Bernstein’s was his first published piece. Both Gershwin and Stravinsky added their distinctive stamp to the swing vibe which was all the rage in the early 20th century. The jazz flavour of Morton Gould’s Benny’s Gig is heightened by the unusual coupling of clarinet and double bass, while pungent folk rhythms define Bartók’s virtuoso Contrasts.

This is of course a disc of outstanding music, and it is shown in a new light by pianist Corinna Simon. She presents to us as yet entirely unknown treats from Gershwin’s magnificent piano world with selected songs from his papers – performed on the legendary “Manfred Bürki” Steinway of 1901, perhaps even qualifying as a New York Steinway.

Almost 100 years ago, Gershwin had already started experimenting with the sounds of everyday life into his music, using his background of jazz, classical and modern and traditional music. The performers on this recording were winners of the 2010 ARD Competition and their skills combine to make this recording a dazzling display of Gershwin’s music.

This 60-disc box set contains 60 original ‘Living Stereo’ recordings

This is the first time a comprehensive collection of these iconic recordings has been created.

Each album comes complete with its original LP artwork.

An extensive booklet is included with the liner notes from each original album.

Includes recordings by such great artists as Jascha Heifetz, Charles Munch, Fritz Reiner, Julian Bream, Leontyne Price and Arthur Rubinstein

LIVING STEREO – THE HISTORY

On October 6, 1953, RCA held experimental stereophonic sessions in New York's Manhattan Center with Leopold Stokowski conducting a group of New York musicians in performances of Enesco's Roumanian Rhapsody No. 1 and the waltz from Tchaikovsky's opera Eugene Onegin. There were additional stereo tests in December, again in the Manhattan Center, this time with Pierre Monteux conducting members of the Boston Symphony Orchestra. In February 1954, RCA made its first commercial stereophonic recordings, taping the Boston Symphony Orchestra, conducted by Charles Münch, in a performance of The Damnation of Faust by Hector Berlioz. This began a practice of simultaneously recording orchestras with both stereophonic and monaural equipment. Other early stereo recordings were made by Toscanini and Guido Cantelli respectively, with the NBC Symphony Orchestra; the Boston Pops Orchestra under Arthur Fiedler; and the Chicago Symphony Orchestra under Fritz Reiner. Initially, RCA used RT-21 quarter-inch tape recorders (which ran at 30 inches per second), wired to mono mixers, with Neumann U-47 cardioid and M-49/50 omnidirectional microphones. Then they switched to an Ampex 300-3 one-half inch machine, running at 15 inches per second (which was later increased to 30 inches per second). These recordings were initially issued in 1955 on special stereophonic reel-to-reel tapes and then, beginning in 1958, on vinyl LPs with the logo ‘Living Stereo’. Sony Music and successor companies have continued to reissue these recordings on CD. Another 1953 project for RCA was converting the acoustically superior building Webster Hall into its East Coast recording studio. It operated this studio venue from 1953 to 1968.

Jenny Lin’s latest release on the Steinway & Sons label is a spectacular collection of showtunes arranged by Greg Anderson, Marc-André Hamelin, Stephen Hough, Dick Hyman, Stefan Malzew, Christopher O’Riley, André Previn, Stephen Prutsman, David Saperton, Cy Walter, Alexis Weissenberg and Earl Wild.

Including new commissions and world premiere recordings, this is Steinway’s top priority release for 2012!

Jenny Lin's previous release on the Steinway & Sons label, Silent Music, was chosen as one of the best albums of the year by the New York Times in 2011.

Get Happy includes brand-new arrangements by Marc-André Hamelin (David Raskin’s “Laura”), Stefan Malzew (“Eliza in Ascot” from My Fair Lady) and Greg Anderson (Cole Porter’s “So In Love”).

World premiere recordings include Christopher O’Riley’s gorgeous arrangement of “Johanna” from Sondheim’s Sweeney Todd and Alexis Weissenberg’s exquisite version of “Lover” from the Rodgers & Hart musical film, Love Me Tonight.

First release to include all four of Stephen Hough’s arrangements of the music of Rodgers & Hammerstein.

Bonus track for iTunes of Uri Caine’s arrangement of “Honeysuckle Rose by” Fats Waller.

Robert Merrill (1917-2004) possessed a beautiful, resonant baritone voice that over the years endeared him to the American opera-loving public in particular. He appeared in 551 performances at the New York Met and a further 221 during its famous tours of the USA. The 10 CDs in this collection illustrate the complete spectrum of Robert Merrill’s career, featuring music from La Traviata, Pagliacci, Don Carlo, Un Ballo in Maschera, Rigoletto, Il Trovatore, Aida, Carmen, Samson et Dalila, Faust, Il Barbiere di Siviglia, La Bohème, Porgy and Bess, Show Boat, Kiss me Kate, Rose-Marie, film hits, Irish folksongs and Old English melodies.