Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Clara Butt
Prima Voce has assembled some truly remarkable examples of Clara Butt’s art and even at first hearing the listener will be struck by the vocal presence and personality behind each recording. The deliberate but completely unforced exploitation of those extraordinary and smoothly blended cello-like bottom notes in her lower and middle registers was beautifully managed throughout her career, but they do evoke different reactions from some modern commentators on vocal-art. Recorded 1909-1925 | | | Usually despatched in 4 - 5 working days. |
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| |  | 250th anniversary performance
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“Marijana Mijanovic is impressive, with a full, flexible bottom-end to the range that puts plenty of counter-tenors to shame...she's able to knock out the more virtuosic arias with impressive fire. As Cleopatra, Magdalena Kožená is superb, with real beauty of tone and impressive ornamentation, never over-sentimentalising her romantic moments.” Andrew McGregor, bbc.co.uk, 20th November 2003 “As established in the Overture, Minkowski prefers speeds on the fast side, sometimes very fast, with playing clear and clipped...[Kozena's] is a commanding performance, deeply moving in her big lyrical numbers, V'adoro and Piangero, for which Minkowksi allows full warmth and tenderness at aptly spacious speeds. Marijana Mijanovic sings powerfully in the title-role” Penguin Guide, 2010 **/* “On René Jacobs’s recording Barbara Schlick is bright and nimble. But for seductiveness and subtlety she is outclassed in this “live” 2002 recording from Vienna by Magdalena Kožená, who catches all the enchantment of the glorious “Parnassus” tableau. Kožená brings tragic intensity to her great laments “Per pietà” and “Piangerò”, using ornamentation to heighten the expression when the opening music returns.” The Telegraph, 14th June 2008 | | | Usually despatched in 2 - 3 working days. |
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| |  | Wilhelm Furtwängler in CaracasRecorded 21st March 1954
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| |  | Kathleen Ferrier - A Tribute
anon.: | Newcastle The Keel Row Ye Banks and Braes | Bach, J S: | St Matthew Passion, BWV244: Erbarme dich Sung in English Mass in B minor, BWV232: Agnus Dei St John Passion, BWV245: Es ist vollbracht Sung in English | Brahms: | Geistliches Wiegenlied, Op. 91 No. 2 Sapphische Ode, Op. 94 No. 4 Botschaft, Op. 47 No. 1 | Bridge: | Go Not, Happy Day | Gluck: | What is life? (Orfeo ed Euridice) Che puro ciel (Orfeo ed Euridice) | Handel: | Art thou troubled? (from Rodelinda) Ombra mai fu (from Serse) Come alla tortorella langue (from Atalanta) Sung in English Judas Maccabaeus: Father of Heaven Messiah: He was despised Messiah: O thou that tellest good tidings to Zion | Mahler: | Ich bin der Welt abhanden gekommen (Rückert-Lieder) Ich atmet' einen linden Duft (Rückert-Lieder) Um Mitternacht (Rückert-Lieder) | Mendelssohn: | Elijah: Woe unto them Elijah: O rest in the Lord | Purcell: | Hark! The Echoing Air (from The Fairy Queen, Z629) | Schubert: | An die Musik D547 Der Musensohn, D764 (Goethe) Gretchen am Spinnrade, D118 Die junge Nonne, D828 Du bist die Ruh D776 (Rückert) Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n' | Schumann: | Er, der Herrlichste von allem (No. 2 from Frauenliebe und Leben, Op. 42) | Stanford: | A soft day | trad.: | Ma bonny lad Kitty my love Blow the Wind Southerly I have a bonnet trimmed with blue Down by the Salley Gardens The stuttering lovers Drink to me only with thine eyes |
“This is the best Kathleen Ferrier collection available and it includes many of her famous recordings...Decca have remastered and improved the sound for this bargain two-CD set, and the booklet includes many fascinating pictures of the great contralto.” Penguin Guide, 2011 edition | | | Usually despatched in 2 - 3 working days. |
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| |  | Dining Classics
Albinoni: | Concerto for Two Oboes, Op. 7 No. 11: 1st movement | Arne: | Symphony No. 2: 3rd movement | Bach, J S: | Violin Concerto No. 2 in E major: 3rd movement Brandenburg Concerto No. 5 in D major, BWV1050: 3rd movement Sheep May Safely Graze, from Cantata BWV208 (orch. Stokowski) | Beethoven: | Bagatelles (7): No. 4 | Chopin: | Étude Op. 10 No. 5 in G flat major 'Black Key' Étude Op. 25 No. 10 in B minor | Debussy: | Préludes - Book 1: No. 8, La fille aux cheveux de lin | Elgar: | Chanson de Matin, Op. 15 No. 2 | Field: | Concerto No. 2 in A flat major: 2nd movement Nocturne No. 5 in B flat major | Handel: | Semele: Where'er you walk Water Music - Suite No. 2: Sarabande Lascia ch'io pianga (from Rinaldo) | Herschel: | Symphony No. 2: 2nd movement | Hummel, J: | Mandolin Concerto: 2nd movement | Ireland: | A Downland Suite: 3rd movement | Massenet: | La Vierge: Le Dernier Sommeil de la vierge (Légende sacrée) | Mozart: | Rondo for Violin and Orchestra in C, K373 Piano Concerto No. 21 in C major, K467 'Elvira Madigan' - Andante Serenade No. 13 in G major, K525 'Eine kleine Nachtmusik': Romance (Andante) Horn Concerto No. 4 in E flat major, K495 - Rondo | Myers: | Cavatina (from The Deerhunter) (arr. John Williams) | Pachelbel: | Canon | Pergolesi: | Concerto armonici No. 5 in B flat major: Largo, Andante | Respighi: | Six Pieces for Violin & Piano: No. 4 | Scheibe: | Sinfonia à 4 in A major: Allegro | Schubert: | String Quartet No. 8 in B flat major, D112 - 3rd movement | Spohr: | String Sextet, Op. 140: 3rd movement | Tárrega: | Recuerdos de la Alhambra | Telemann: | Concerto in D major: 1st movement | Torroba: | Sonatina in A major for solo guitar: 1. Allegretto | Villa-Lobos: | Chôros No. 1 for guitar | Vivaldi: | Concerto for Lute, 2 Violins and Basso Continuo: 3rd movement The Four Seasons: Spring, RV269 Concerto for Strings in D major: 1st movement |
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| |  | Great Operatic Arias 13 - Bruce Ford Volume 2Sung in English
Sung in English | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | (complete opera)
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| |  | Divine Sopranos
Berlioz: | Absence (from Les nuits d'été, Op. 7) Elly Ameling | Brahms: | Ihr habt nun Traurigkeit (Ein Deutsches Requiem, Op. 45) Arleen Auger | Catalani: | Ebben? Ne andrò lontana (from La Wally) Diana Soviero | Fauré: | Requiem: Pie Jesu Judith Blegen | Handel: | Messiah: Rejoice Greatly, O Daughter of Zion Sylvia McNair | Haydn: | The Creation : On mighty pens uplifted soars the eagle aloft Dawn Upshaw | Mahler: | Symphony No. 2 in C minor 'Resurrection': 5th movement (exc.) Kathleen Battle, Maureen Forrester | Mozart: | Ach, ich fühl's (from Die Zauberflöte, K620) Barbara Hendricks | Orff: | Carmina Burana: In trutina Judith Blegen | Rachmaninov: | Vocalise, Op. 34 No. 14 Sylvia McNair | Rodgers, R: | My Favorite Things (from The Sound of Music) Frederica Von Stade | Strauss, R: | Im Abendrot (from Vier Letzte Lieder) Arleen Auger | Sullivan, A: | The Sun Whose Rays (from The Mikado) Marie McLaughlin | Vivaldi: | Laudamus te (We praise thee) from Gloria in D, RV589 Dawn Upshaw, Penelope Jensen |
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