Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Philippe Jaroussky: The Voice
anon.: | Ninna nanna di Gesù bambino | Bach, J C: | Ebben si vada...lo ti lascio: Ebben si vada Orfeo ed Euridice: La legge accetto, o Dei Sentimi, non partir...Al mio bene - Rondo: Al mio bene | Bassani, G B: | Ardendo sospiro (from In caligine umbrosa) | Bononcini, G B: | Chi d'Amor tra le catene | Caldara: | Tutto fa nocchiero (Ifigenia in Aulide) Non tremar vassallo indegno (Temistocle) Tutti nemici e rei (Adriano in Siria) | Chaminade: | Sombrero (1894) – Edouard Guinand | Fauré: | Requiem: Pie Jesu | Hahn, R: | A Chloris | Handel: | Scherza, infida (from Ariodante) Ombra mai fu (from Serse) Venti turbini (Rinaldo) Mi lusinga il dolce affetto (from Alcina) | Lekeu: | Sur une tombe | Mattioli: | Ave Regina coelorum | Monteverdi: | Laudate Dominum Pur ti miro (I gaze upon you) from L'Incoronazione di Poppea | Piazzólla: | Los Pajaros Perdidos | Porpora: | Alto Giove (from Polifemo) Siface: Tu che d’ardire m’attendi | Purcell: | Music for a while, Z583 | Rossi, Luigi: | Lasciate averno (from Orfeo) | Sances: | Stabat Mater: O quam tristis | Vivaldi: | Vanne perdida... Frà le procelle from Tito Manlio Sento con qual diletto (from Ercole sul Termodonte) Cantata RV676 'Pianti, sospiri e dimandar mercede': Cor ingrato dispietato Vedro con mio diletto (from Giustino) Mentre dormi amor fomenti from L’Olimpiade Sento in seno from Tieteberga |
Philippe Jaroussky, described by Germany’s Die Zeit as “the Apollo of countertenors’, stands out among his many talented contemporaries as much for the soprano-like beauty of his tone as for the elegance and insight of his interpretations and his adventurous and erudite approach to repertoire – whether unearthing neglected scores by little-known composers or venturing beyond the Baroque into the 19th and 20th centuries. Established as one of Virgin Classics’ bestselling artists, Jaroussky, now aged 34, has been honoured three times in the Victoires de la Musique awards in his native France and has also received Germany’s most prominent music prize, the Echo Klassik. His diverse achievements are saluted in two new collections on Virgin Classics – the 2CD set “The Voice” and the DVD and Blu Ray “La Voix des rêves: Greatest moments in Concert”. “THE VOICE” 2 CD Best of Philippe Jaroussky comprises 31 tracks chosen by the singer himself and six previously unreleased tracks of music by Handel and Purcell. Vivaldi takes pride of place on the album, but other composers include Caldara, Porpora and JC Bach and, from later eras, Fauré, Reynaldo Hahn and even Argentina’s King of Tango, Ástor Piazzolla. | | | In stock - usually despatched within 1 working day. |
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| |  | Classical 2013
Beethoven: | Fidelio Overture Op. 72c Otto Klemperer | Bizet: | Carmen: Prelude to Act I Berliner Philharmoniker, Sir Simon Rattle Les tringles des sistres tintaient (from Carmen) Magdalena Kozena (mezzo) Berliner Philharmoniker, Sir Simon Rattle La fleur que tu m'avais jetée (from Carmen) Jonas Kaufmann (tenor) Berliner Philharmoniker, Sir Simon Rattle | Delibes: | Les filles de Cadix Tine Thing Helseth (trumpet) | Fauré: | Sicilienne, Op. 78 Gautier Capucon (cello) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) Kathleen Ferrier (contralto) Divinités du Styx (from Alceste) Maria Callas (soprano) | Handel: | Atalanta: Overture Alison Balsom (trumpet) English Concert, Trevor Pinnock | Heggie: | This journey...This journey to Christ (from Dead Man Walking) Joyce DiDonato (mezzo) | Leoncavallo: | Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci) Angela Gheorghiu (soprano) | Leontovich: | Carol of the Bells Libera | Liszt: | Bist du!, S277 Diana Damrau (soprano) | Puccini: | Donde lieta usci (from La Bohème) Angela Gheorghiu (soprano) | Purcell: | Sound the trumpet, beat the drum, Z335 Alison Balsom (trumpet) English Concert, Trevor Pinnock | Rachmaninov: | Vocalise, Op. 34 No. 14 - arrangement for orchestra Vasily Petrenko | Rodgers, R: | The King And I: Overture The John Wilson Orchestra, John Wilson | Verdi: | Ingemisco (from Requiem) Rolando Villazon (tenor) | Vivaldi: | Vedro con mio diletto (from Giustino) Philippe Jaroussky (countertenor) |
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| |  | Philippe Jaroussky: La voix des rêvesGreatest Moments on Concerts
Philippe Jaroussky, described by Germany’s Die Zeit as “the Apollo of countertenors’, stands out among his many talented contemporaries as much for the soprano-like beauty of his tone as for the elegance and insight of his interpretations and his adventurous and erudite approach to repertoire – whether unearthing neglected scores by little-known composers or venturing beyond the Baroque into the 19th and 20th centuries. Established as one of Virgin Classics’ bestselling artists, Jaroussky, now aged 34, has been honoured three times in the Victoires de la Musique awards in his native France and has also received Germany’s most prominent music prize, the Echo Klassik. His diverse achievements are saluted in two new collections on Virgin Classics – the 2CD set “The Voice” and the DVD and Blu Ray “La Voix des rêves: Greatest moments in Concert”. “LA VOIX DES RÊVES - Greatest Moments in Concert” (available on DVD & Blu Ray) features video footage from a number of occasions and venues – including items from a concert given among the crystal chandeliers of the splendid Galerie des Glaces in the palace of Versailles, and works by Handel and Vivaldi performed in another jewel of French Baroque architecture, the sumptuously decorated Chapelle de la Trinité in Lyon. Also included are exclusive interviews an array of fellow musicians: Jean-Christophe Spinosi, Emmanuelle Haïm, Christina Pluhar; Jérôme Ducros, Quatuor Ebène, Gautier Capuçon, Marie-Nicole Lemieux and Renaud Capuçon. Jaroussky and his appeal were aptly summarised in a recent profile in the French magazine Balthazar: “Philippe Jaroussky alternates between opera and recitals, bringing his sensual, graceful voice and matinee idol looks, and this has made him a key star of classical music. But his recordings also reveal a skilled musicologist who has revived numerous forgotten artists like the castrato Carestini [and the composers] Johann Christian Bach and Caldara. Jaroussky simply glows. Anyone who has had the opportunity to meet him will find it hard to forget his enthusiastic conversation and his magnetic gaze.” The singer made his passions clear in an interview with Crescendo magazine, revealing that “I don’t like being told I have the ‘voice of an angel’, because that would just mean that it sounds pretty and takes people out of themselves … I want to be able to evoke more human emotions too: sorrow, despair, jealousy.” Speaking to the leading French newspaper Le Monde, he went into more detail on his philosophy as a maturing singer: “Ten years into your career, you reach a certain level of purity in your approach. You are always set on improving – strengthening your high notes, your low notes, your projection or your expressivity – but you also accept what it means to be an artist.” | | | In stock - usually despatched within 1 working day. |
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| |  | Recorded live at the De Nederlandse Opera, March & April 2012
DNO presents a new production of Händel's last Italian opera, Deidamia, staged by the American David Alden. No known literary source has been linked directly to this opera, which is set at the time of the Trojan War. After an oracle has predicted the death of Achilles at Troy, Achilles disguises himself as a woman and takes refuge at the court of Lycomedes, whose daughter Deidamia falls in love with the young Greek. Amorous developments and tricks of disguise expose the truth and Achilles is forced to take his place at the side of his countrymen in the battle against the Trojans. Comedy and tragedy are bedfellows in this opera, and the title role in particular covers the entire expressive spectrum, from flirtatious love song to heartfelt lament. Premiere of this opera on DVD & Blu-ray. Performed by Concerto Köln, a period instrument orchestra. This latest release demonstrates the breadth of productions performed by De Nederlandse Opera. Running time: 208 minutes Subtitles: EN/FR/DE/NE Sound format: 2.0LPCM + 5.1(5.0) DTS “David Alden's jokey, modern-dress production is entertaining without quite persuading one that the opera's neglect is undeserved...Sally Matthews is perfect as Deidamia: saucy in 'Nasconde l'usignol', heartfelt in 'M'hai resa infelice'...Ivor Bolton conducts with passion: splendid sforzandos in another intense aria, 'Se il timore'.” Gramophone Magazine, February 2013 “Alden's approach is lightly ironic, matching well with a piece that treats its material with a knowing air...Ivor Bolton and Concerto Koln provide the expert musical underpinning. Sally Matthews shines as a vocally and physically poised Deidamia, Olga Pasichnyk emphasises the lusty young man hiding beneath Achille's skirts, and Silvia Tro Santafe's Ulisse presents him with a credible rival.” BBC Music Magazine, March 2013 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Christmas with the Vienna Boys’ ChoirWorld Famous Christmas Songs, and highlights from Handel's Messiah
Gauntlett: | Once in Royal David's city | Gruber, F: | Stille Nacht | Handel: | Tochter Zion, freue dich Messiah (highlights) Max Emanuel Cencic (soprano), Charles Humphries (countertenor), Ivan Sharpe (tenor) & Robert Torday (bass-baritone) Chorus Viennensis & Academy of London | Haydn, M: | Heiligste Nacht | Herbeck: | Pueri concinite | Humperdinck: | Abendsegen 'Abends will ich schlafen gehn' (Hänsel und Gretel) | Mason, L: | Joy to the World | Praetorius, M: | Es ist ein Ros' entsprungen In natali Domini (à 4) | Schubert: | Ave Maria, D839 | trad.: | Vom Himmel hoch Maria durch ein’ Dornwald ging (arr. H. Froschauer) O du fröhliche The First Nowell Trauet Himmel den Gerechten Auf dem Berge, da wehet der Wind (arr. H. Froschauer) Nun sei gegrusst, o Jesulein O Heiland, reiss die Himmel auf Es hat sich halt eroffnet Es wird schon glei dumpa Als ich bei meinen Schafen wacht Ihr Kinderlein kommet Tuet eilends erwachen Deck the Hall God Rest Ye Merry, Gentlemen | Wade: | O come, all ye faithful |
Vienna Boys’ Choir, Peter Marschik It is one of the oldest boys' choirs in the world, and even after now 500 years, the Vienna Boys' Choir is still a living tradition. This 2 CD set presents a selection of world famous Christmas songs alongside highlights from Handel’s Messiah. | | | (also available to download from $21.75) | In stock - usually despatched within 1 working day. |
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| |  | Alison Balsom: Sound The TrumpetRoyal Music of Purcell and Handel
In the year of Queen Elizabeth II’s Diamond Jubilee, Alison Balsom celebrates the heroic era of the Baroque trumpet in works by George Frideric Handel (1685-1759) and Henry Purcell (1658 or 1659-1695), whose anthems, odes, sinfonias and operas have provided the music for numerous royal celebrations from their own day to the present. Joining forces with Trevor Pinnock, harpsichordist, conductor and pioneer of historical performance, and with the English Concert orchestra that he founded, Balsom demonstrates the versatility and expressive power of her valve-less instrument in original works and new arrangements. These include Purcell’s Sound the trumpet and Handel’s Eternal Source of light divine in duet with countertenor Iestyn Davies and Purcell’s The Plaint from The Fairy Queen in duet with soprano Lucy Crowe. Further repertoire includes suites from Purcell’s semi-operas King Arthur (1691) and The Fairy Queen (1692) in new arrangements by Balsom and Pinnock, Handel’s Water Piece in D Major HWV 341 and his Oboe Concerto No. 1 in B-flat Major HWV 301 transposed into C Major. Alison Balsom is one of today’s most popular classical musicians. Having managed to break through to the mainstream without abandoning her musical integrity, she continues to draw ever-wider audiences for her performances and recordings of diverse repertoire. “For historical accuracy, she plays the valve-less “natural” trumpet: it really does appear to offer a more direct access to the human voice, a quality confirmed when she duets with countertenor Iestyn Davies” The Independent, 13th October 2012 **** “The music is glorious; so is Balsom’s artistry as she weaves a flawless path alongside Trevor Pinnock’s English Concert” The Times, 19th October 2012 *** “when the instrument is played as fluidly agreeably as it is here, nobody could doubt that it is the right tool for the job...And it all works. This is rattling good music, and so easily does the trumpet fit into it that often it is hard to recall what the original scorings were anyway. Balsom, too, sounds utterly at home...and [is] wonderfully backed by the English Concert and the bright natural musicianship of Trevor Pinnock” Gramophone Magazine, December 2012 “Her distinctive tone remains clearly recognisable, despite the instrument's limitations. The timbre is sweeter, less aggressively strident than that of the modern trumpet, and she’s paired with Trevor Pinnock and the English Concert, providing crisp, bouncy support.” The Arts Desk, 1st December 2012 “Up at the top of her range, or down below, fast or slow, she is in superb control and form...the lightness of the string accompaniments, the calm attention to springy rhythms, the unobtrusive sensitivity of the phrasing, all done without exaggerated emphasis or anachronistic flamboyance, are a sheer delight...[Pinnock] is surely a national treasure” International Record Review, December 2012 “This charming disc contains some of the most imaginative and polished trumpet playing you're ever likely to hear...Born-again authenticists may cavil at Balsom's vented trumpet, a modern development aiding intonation. But her flexible tuning, scrupulously focused to blend with the harmony, is a relief from the compromised tuning needed to play certain notes on true 18th-century instruments.” BBC Music Magazine, January 2013 ***** “the music-making is a joy from beginning to end. Alison Balsom’s playing is stunning. The tone and intonation are fabulous; the lip trills, ornaments and runs simply staggering. How she achieves this level of technical assurance on an instrument without valves is remarkable...Crowe’s rendition of The Plaint from Purcell’s The Fairy Queen is sensitively and beautifully sung and it’s obvious that there’s an equal musical partnership captured here” MusicWeb International, April 2013 | | | In stock - usually despatched within 1 working day. |
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| |  | The Enchanted Island
Joyce DiDonato (Sycorax), David Daniels (Prospero), Danielle de Niese (Ariel), Placido Domingo (Neptune), Luca Pisaroni (Caliban), Lisette Oropesa (Miranda), Layla Claire (Helena), Elizabeth DeShong (Hermia), Anthony Roth Costanzo (Ferdinand), Paul Appleby (Demetrius), Elliot Madore (Lysander) Orchestra and Chorus of the Metropolitan Opera, William Christie A showcase for – and a love letter to – a century of amazing music” is how the creator of The Enchanted Island, Jeremy Sams, described this spectacular operatic pasticcio of music by Handel, Vivaldi, Rameau, Purcell and others. Premiered at the Metropolitan in New York on New Year’s Eve 2011, it stars Joyce DiDonato, David Daniels, Danielle de Niese and Plácido Domingo, and is conducted by William Christie. New Year’s Eve 2011 brought the world premiere at New York’s Metropolitan Opera of a spectacular and star-studded opera, The Enchanted Island. With a story based on Shakespeare’s The Tempest and A Midsummer Night’s Dream, it was not the work of contemporary composer, but instead drew on works by figures of the Baroque era – Handel, Vivaldi, Rameau, Purcell, Campra, Ferrandini, Leclair and and Rebel. Devised by the British writer, librettist and translator Jeremy Sams, the piece revived the 18th century tradition of the pasticcio, taking arias from a variety of different sources and setting them to a new libretto. If the work itself was an exotic hybrid, the cast comprised thoroughbreds. The leading roles were assigned to Joyce DiDonato as the sorceress Sycorax, David Daniels as the magician Prospero, Luca Pisaroni as Sycorax’s son Caliban and Danielle de Niese as Prospero’s spirit aide Ariel, while, making a special appearance as King Neptune and rising from the watery depths of the ocean to the bubbling strains of Handel’s Zadok the Priest, was the indefatigable Plácido Domingo. Meanwhile, a cornucopia of rising talent filled the roles of the opera’s six young lovers – Lisette Oropesa, Layla Claire, Elizabeth DeShong, Anthony Roth Costanzo, Paul Appleby and Elliot Madore – while the conductor was that established master of baroque opera, and an essential figure in the Virgin Classics catalogue, William Christie. The sumptuous production, designed by Julian Crouch and blending 18th-century theatrical techniques with advanced video projections, was by Phelim McDermott. Handel is the dominant figure among the composers enlisted by Jeremy Sams, and The Enchanted Island repurposes numbers from his operas (including Alcina, Ariodante, Partenope, Semele, Tamerlano and Teseo), his oratorios (Hercules and Judas Maccabaeus) and his cantatas. The New York Times described the opera as an ”inventive concoction” and a “fanciful, clever and touching pastiche”, while the Associated Press found it “irresistibly entertaining. It's a light-hearted romp with enough fizz to send a dozen champagne corks popping.” Among the praise for the singers, the New York Times spoke of David Daniels’ “transfixing blend of melting sound and forceful delivery and the Financial Times described how “Joyce DiDonato cackled, curled and soared with virtuosic flair in the bitchy-witchy spasms of Sycorax”; the Wall Street Journal felt that “the best moments came from Ms DiDonato, a tragic heroine adrift in a sea of comedy.” Jeremy Sams, writing about The Enchanted Island in The Guardian in January 2012, a couple of weeks after its premiere, said: “On New Year's Eve, we opened at the Met. The production, by Phelim McDermott, is sumptuous, and the cast quite simply the finest in the world. As for the piece, well, many New Yorkers have taken it to their hearts. Purists have been suitably and predictably outraged. My only hope is that it should be seen for what it is: a showcase for – and a love letter to – a century of amazing music.” “The singing from Danielle de Niese, David Daniels and Joyce DiDonato is stellar...William Christie conducts magisterially.” The Observer, 21st October 2012 “an all-you-can-eat operatic buffet...Daniels's hauteur, Oropesa's sweetness and Pisaroni's loneliness lend this frothy fantasy some fibre, while DiDonato's transformation from dreadlocked hag to anguished parent to triumphant cougar packs a hefy emotional punch.” BBC Music Magazine, Christmas 2012 **** BBC Music Magazine
DVD Choice |
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| |  | Sleigh Ride
Anderson, Leroy: | A Christmas Festival Sleigh Ride | Bach, J S: | Cantata BWV147 'Herz und Mund und Tat und Leben': Jesu, bleibet meine Freude Christmas Oratorio, BWV248: Sinfonia 'Hirtenmusik' Sonata for solo violin No. 3 in C major, BWV1005: Adagio orch. Bachrich Sheep May Safely Graze, from Cantata BWV208 | Berlin, I: | White Christmas arr. Jack Mason | Coots: | Santa Claus is Coming to Town arr. Mason | Handel: | Messiah: Hallelujah Chorus | Humperdinck: | Dream Pantomime (from Hänsel und Gretel) | Marks, J: | Rudolph, the red-nosed reindeer arr. Hayman | Mozart, L: | Divertimento in F major 'Eine musikalische Schlittelfahrt' | Tchaikovsky: | The Nutcracker: Dance of the Sugar Plum Fairy The Nutcracker: Dance of the Mirlitons The Nutcracker: Waltz of the Flowers |
Arthur Fiedler took great pride in bringing classical music to the world at large. While Leonard Bernstein was busy with his Young People’s Concerts with the New York Philharmonic, Fiedler and his Boston Pops Orchestra (most of the members drawn from the Boston Symphony) gave concerts of popular classics that became a fixture on America’s musical calendar. They made several recordings for Polydor / Deutsche Grammophon and the ever-popular Christmas disc is here reissued with built-in bonus tracks by Bach, Humperdinck and Tchaikovsky, in a sleigh ride, taking the listener from a delightful pot-pourri of carols (‘A Christmas Festival’) arranged by Leroy Anderson to Baroque hits in lush orchestrations to high-energy American Christmas songs – all arranged sumptuously for orchestra. | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Handel with CareHandel's Vocal Music in Instrumental Arrangements
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| |  | The Baroque Collection
Albinoni: | Adagio for Strings and Organ in G minor Trumpet Concerto 'San Marco' Concerto for 2 Trumpets in C major, Op. 9, No. 9 Concerto Op. 7 No. 3 for oboe & strings in B flat major | Bach, J S: | Mass in B minor, BWV232 (excerpts) St John Passion, BWV245 (excerpts) St Matthew Passion, BWV244 (excerpts) Magnificat in D major, BWV243: excerpts Concerto for Two Violins in D minor, BWV1043 Partita for solo violin No. 2 in D minor, BWV1004: Chaconne Cello Suite No. 1 in G major, BWV1007 Orchestral Suite No. 2 in B minor, BWV1067 Brandenburg Concerto No. 2 in F Major, BWV1047 Musical Offering, BWV1079 | Handel: | Coronation Anthem No. 3, HWV260 'The King Shall Rejoice' Coronation Anthem No. 1, HWV258 'Zadok the Priest' Messiah: excerpts Solomon: highlights Dixit Dominus, HWV 232 Harp Concerto in B flat major, Op. 4 No. 6, HWV 294 | Monteverdi: | Vespro della beata Vergine (1610): excerpts | Palestrina: | Missa Papae Marcelli: excerpts | Purcell: | Dido and Aeneas: excerpts The Fairy Queen, Z629: excerpts | Vivaldi: | The Four Seasons Violin Concerto, Op. 8 No. 5 in E flat major, RV253 'La tempesta di mare' Flute Concerto, Op. 10 No. 3 in D major, RV 428 'Il gardellino' |
The term ‘Baroque’ is broadly used in the music world to refer to the period between 1600 and 1750 encompassing composers from Monteverdi and Purcell in the earlier part of the period, to Telemann, Vivaldi, JS Bach and Handel. This 10CD set brings together the greatest musical works written during the Baroque era, forming the definitive Baroque Collection | | | In stock - usually despatched within 1 working day. |
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