Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Handel: Concerti Grossi, Opp. 3 & 6, etc
Bach, J C: | Symphony in E major for Double Orchestra, Op. 18 No. 5: Allegro Hans-Martin Linde | Bach, J S: | Cantata BWV201 'Geschwinde, ihr wirbelnden Winde' Cologne Radio Chorus, Hans-Martin Linde | Cherubini: | Mass in A: O salutaris hostia Cologne Radio Chorus, Gabriele Ferro | Handel: | Concerto grosso, Op. 6 No. 5 in D major, HWV323 Hans-Martin Linde Concerto Grosso Op. 3 No. 4a in F Major, HWV315 Hans-Martin Linde Silete venti, HWV242 Emma Kirkby (soprano) Hans-Martin Linde | Hasse, J A: | Son reo, son reo...Giura il nocchier che al mare (from La Gelosia) Sophie Boulin (soprano) Hans-Martin Linde | Haydn: | Adagio from Violin Concerto in C, H.VIIa No. 1 Ingrid Seifert (violin) Hans-Martin Linde Symphony No. 92 in G major 'Oxford': Adagio - Allegro spiritoso Ferdinand Leitner | Mozart: | Piano Concerto No. 21 in C major, K467 'Elvira Madigan' - Andante Linda Nicholson (fortepiano) Nicholas Kraemer Ch'io mi scordi di te?... Non temer, amato bene, K505 Ann Murray (mezzo), Malcolm Frager (fortepiano) Georg Fischer Symphony No. 31 in D, K297 'Paris': Allegro Ulf Bjorlin | Paisiello: | Piano Concerto No. 1 in C Major: Rondo - Allegro Maria Luisa Tanzini (fortepiano) Gabriele Ferro | Stamitz, C: | Concerto No. 4 for 2 Clarinets & Orchestra in B Flat Major: Andante moderato Hans Deinzer (clarinet), Jann Engel (clarinet) Gabriele Ferro | Telemann: | Overture (Suite) TWV 55:C3 in C major for wind, strings & b.c. 'Hamburger Ebb und Fluth' ('Wassermusik') Hans-Martin Linde |
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| |  | Cantate d'amore: Italian Love Cantatas
Axel Kohler (counter-tenor), Christoph Huntgeburth (flute), Balazs Mate (cello), Raphael Alpermann (piano), Anne Schumann (violin) | |
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| |  | Handel - Eight Great Suites
The harpsichordist Laurence Cummings is the supremely gifted and versatile Director of the London Handel Orchestra. This CD is being released just in time for the annual London Handel Festival which begins at the end of February and ends at the beginning of April. The recording took place in the Handel House Museum. “Cummings is more measured and grave [than Pinnock], but the cumulative effect of the eight suites (especially the seventh, with its tremendous Passacaglia) is quite wonderful – this is like Handel playing to you in your own living room.” The Observer, 18th April 2010 “Cummings doesn't miss a detail: every trill and ornament is realised with the utmost clarity and his expertly balanced playing manages the rare feat of making the melody lines truly cantabile. Without fail, Cummings strikes the perfect combination of joyful characterisation and unfussy good taste.” Gramophone Magazine, August 2010 | | | Usually despatched in 2 - 3 working days. |
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| |  | The Handel Collection
Handel: | Samson Thomas Randle, Mark Padmore, Lynda Russell, Lynne Dawson, Catherine Wyn-Rogers, Michael George & Jonathan Best Israel in Egypt, HWV54 Esther 1718 version Lynda Russell, Nancy Argenta, Michael Chance, Tom Randle, Mark Padmore, Matthew Vine, Simon Berridge, Michael George, Robert Evans & Simon Birchall Alexander's Feast Nancy Argenta, Ian Partridge & Michael George Solomon (Queen of Sheba): Sinfonia - Arrival of the Queen of Sheba; Recit + Will the sun forget to streak Sarah Connolly Verdi prati (from Alcina) Sarah Connolly Ariodante (Ariodante): Sinfonia to Act 2; Recit + Scherza infida Sarah Connolly Dopo notte (from Ariodante) Sarah Connolly Clori, mia bella Cloria HWV 92 Ann Murray Armida abbandonata, HWV 105 Ann Murray Il delirio amoroso, HWV 99 Ann Murray Agrippina condotta a morire, HWV 110 Elin Manahan Thomas Armida abbandonata, HWV 105 Elin Manahan Thomas Nel dolce dell'oblio, Cantata Elin Manahan Thomas Tu fedel? tu costante? (HWV 171) Elin Manahan Thomas Coronation Anthems Nos. 1-4 Messiah: excerpts Arrival of the Queen of Sheba (from Solomon) Organ Concerto No. 4 in F major, HWV292, Op. 4 No. 4 Hercules: Sinfonia Hercules: Cease, ruler of the day, to rise Sarah Connolly (mezzo) Hercules: Where shall I fly? Sarah Connolly (mezzo) Sta nell'Ircana pietrosa tana (from Alcina) Sarah Connolly (mezzo) Alcina: Act 3 Sinfonia Sarah Connolly (mezzo) Mi lusinga il dolce affetto (from Alcina) Sarah Connolly (mezzo) |
Eight of The Sixteen’s celebrated Handel recordings in one beautiful boxed set edition. Harry Christophers and The Sixteen have long been celebrated for their recordings and performances of Handel. Over the past three decades Harry Christophers and his award-winning ensemble have expanded their Handel repertoire to take in his greatest works and have performed them to audiences across the globe from the UK, Europe and the Middle East to Australia and Japan. They have also made numerous celebrated recordings of Handel’s masterpieces and this twelve CD boxed set features a selection of some of their finest discs along with three remarkable solo albums featuring The Sixteen’s celebrated orchestra and acclaimed sopranos Sarah Connolly, Ann Murray and Elin Manahan Thomas. | | | Usually despatched in 2 - 3 working days. |
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| |  | Handel - Keyboard Suites Volume 1
Philip Edward Fisher (piano) Handel’s keyboard suites may be among his lesser-known works, but the so-called ‘Eight Great Suites’ of 1720 are true masterpieces of the genre. This volume, containing the first four, showcases his extraordinary versatility, imagination and contrapuntal skill, as well as his willingness to break with tradition. Handel skilfully weaves together a wide range of forms, including fugues, a toccata, Italianate airs and Baroque dances. | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Handel Duets
This new Handel collection features two great singers alongside the English Concert, arguably one of the best baroque orchestras in the UK. Duets play a key role in Handel’s stage works. A master of the Baroque opera seria medium, with its extended sequence of solo arias and recitative dialogue, he understood the dramatic effectiveness of occasional numbers blending two voices, generally those of a soprano heroine and a castrato hero. The exquisite programme offers a carefully chosen selection of Handel duets from his operas and oratorios Giulio Cesare, Belshazzar, Theodora, Ottone, Sosarme, Radimisto, Rodelinda, Agrippina and Tamerlano. Sarah Connolly CBE has become a highly sought-after performer on the operatic stage in a wide range of repertoire. Her Handelian roles have including the title-role in Giulio Cesare for the Glyndebourne Festival; in Agrippina, Xerxes, Ariodante and Ruggiero (Alcina) for the English National Opera and Ino/Juno (Semele) for the San Francisco Opera. She also starred in the 2009 Last Night of the Proms. Rosemary Joshua is well known for her Handel roles, having sung Ginevra (Ariodante) in San Diego; Angelica (Orlando) in Munich, for Covent Garden and at the Aix-en- Provence Festival; and the title-role in Semele for which she was nominated for a Laurence Olivier Award and recorded for Chandos. Her recording of Partenope for Chandos was awarded the Stanley Sadie Handel Recording Prize. The English Concert is conducted by Harry Bicket. With a combination of such forces, this album is sure to make for a must-have for all Handel enthusiasts. “The playing is crisp and the singing polished and stylish, with Joshua, in particular, conveying infectious delight in this sophisticated music.” BBC Music Magazine, May 2010 **** “Connolly and Joshua are as outstanding a pair of Handel singers as one is likely to hear...The English Concert and Harry Bicket provide understated and efficient accompaniment...fans of both composer and these two singers will be enchanted by the highly accomplished music-making.” Gramophone Magazine, June 2010 | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Recorded live at the Royal Opera House, Covent Garden, London, on 8th April 2009.
Danielle de Niese (Galatea), Charles Workman (Acis), Matthew Rose (Polyphemus), Paul Agnew (Damon), Ji-Min Park (Corydon); Lauren Cuthbertson (Galatea - dancer), Edward Watson (Acis - dancer), Steven McRae (Damon - dancer), Eric Underwood (Polyphemus - dancer), Paul Kay (Coridon - dancer) Dancers of The Royal Ballet, The Royal Opera Extra Chorus & Orchestra of the Age of Enlightenment, Christopher Hogwood (conductor) & Wayne McGregor (director) Christopher Hogwood conducts the Orchestra of the Age of Enlightenment and a distinguished cast including Danielle de Niese and Charles Workman in Wayne McGregor's new production of Handel's opera in which The Royal Opera and The Royal Ballet appear in a rare and beautifully crafted collaboration. Filmed with High Definition cameras and recorded in true surround sound. “Charles Workman and Danielle de Niese had bags of vocal and personal charm in the title roles, with strong contributions from Matthew Rose as Polyphemus and Paul Agnew and Ji-Min Park as attendant shepherds; among the dancers, special praise to Lauren Cuthbertson as Galatea's frolicking nymph. …An evening of exquisite sensual pleasure.” The Telegraph Extra features: Illustrated synopsis Cast gallery Documentary: Staging Acis and Galatea Running time 110 mins Region code All regions Picture format 16:9 Anamorphic Sound format 2.0 PCM & 5.0 DTS Menu language EN Subtitles FR/DE/ES (extra features only) “Vocally, the star of the show is Matthew Rose, whose pitch-perfect Polyphemus conveys the bruised vulnerability of the inarticulate and ugly...The Orchestra of the Age of Enlightenment play suavely, with exquisite work from the uncredited sopranino recorders.” BBC Music Magazine, June 2010 *** “The most compelling moments...tend to be when the OAE, Christopher Hogwood, Handel and the singer are permitted to possess centre stage (both metaphorical and literal)...As usual, Danielle de Niese looks and glides around the stage like a million dollars” Gramophone Magazine, January 2011 | | | Usually despatched in 2 - 3 working days. |
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| |  | Recorded live at the Royal Opera House, Covent Garden, London, on 8th April 2009.
Danielle de Niese (Galatea), Charles Workman (Acis), Matthew Rose (Polyphemus), Paul Agnew (Damon), Ji-Min Park (Corydon); Lauren Cuthbertson (Galatea - dancer), Edward Watson (Acis - dancer), Steven McRae (Damon - dancer), Eric Underwood (Polyphemus - dancer), Paul Kay (Coridon - dancer) Dancers of The Royal Ballet, The Royal Opera Extra Chorus & Orchestra of the Age of Enlightenment, Christopher Hogwood (conductor) & Wayne McGregor (director) Christopher Hogwood conducts the Orchestra of the Age of Enlightenment and a distinguished cast including Danielle de Niese and Charles Workman in Wayne McGregor's new production of Handel's opera in which The Royal Opera and The Royal Ballet appear in a rare and beautifully crafted collaboration. Filmed with High Definition cameras and recorded in true surround sound. “Charles Workman and Danielle de Niese had bags of vocal and personal charm in the title roles, with strong contributions from Matthew Rose as Polyphemus and Paul Agnew and Ji-Min Park as attendant shepherds; among the dancers, special praise to Lauren Cuthbertson as Galatea's frolicking nymph. …An evening of exquisite sensual pleasure.” The Telegraph Extra features: Illustrated synopsis Cast gallery Documentary: Staging Acis and Galatea Running time 110 mins Region code All regions Video codec: AVC/MPEG-4 Disc size: BD50 Picture format 1080i High Definition / 16:9 Sound format 2.0 PCM & 5.0 DTS Master Audio Menu language EN Subtitles FR/DE/ES (extra features only) “Vocally, the star of the show is Matthew Rose, whose pitch-perfect Polyphemus conveys the bruised vulnerability of the inarticulate and ugly...The Orchestra of the Age of Enlightenment play suavely, with exquisite work from the uncredited sopranino recorders.” BBC Music Magazine, June 2010 *** “The most compelling moments...tend to be when the OAE, Christopher Hogwood, Handel and the singer are permitted to possess centre stage (both metaphorical and literal)...As usual, Danielle de Niese looks and glides around the stage like a million dollars” Gramophone Magazine, January 2010 | | | Usually despatched in 2 - 3 working days. |
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| |  | Three-part Original Version from 1739
Rosemary Joshua (soprano), Atsuko Suzuki (soprano), Gerhild Romberger (alto), Kobie van Rensburg (tenor), Simon Pauly (baritone), Thomas Hamberger (bass-baritone), Harald Hoeren (harpsichord) & Christoph Lehmann, Max Hanft (organ) Chor des Bayerischen Rundfunks & Concerto Köln, Peter Dijkstra (director) Georg Friedrich Händel’s great choral oratorio, “Israel in Egypt” is the most valuable gift the composer ever gave to choral music. The chorus functions as protagonist in this powerful work, which tells the Old Testament story of Exodus with telling dramatic intensity. Two multiple prize-winning, major ensemble, Concerto Köln, the well known period instrument ensemble and the Chor des Bayerischen Rundfunks, joined forces for the first time in November of 2008. The strong individual characteristics of the vocal soloists combine impressively with the chorus and orchestra for a multi-layered interpretation that is concurrently borne by a clear, common musical objective. This recording features the original three-part version from 1739. Live-recording; Munich, Prinzregententheater, Nov. 2008 Booklet Notes: English, German, French Libretto: English, German “Concerto Köln play with muscularity...the Bavarian Radio Chorus does not seem to be very large, although it makes a grand old-fashioned choral society noise...Its English pronunciation is flawless...Dijkstra achieves another worthy entry into a competitive discography” Gramophone Magazine, August 2010 | | | Usually despatched in 2 - 3 working days. |
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| |  | Farinelli & Il Castrato - Original Soundtrack
Reissue of Naïve’s best selling (more than 800,000 copies sold worldwide) soundtrack to the film ‘Farinelli’, the 1994 biopic film about the life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time. It stars Stefano Dionisi as Farinelli and was directed by Belgian director Gérard Corbiau. Although Dionisi provided the speaking voice, Farinelli's singing voice was provided by a soprano, Ewa Malas-Godlewska and a countertenor, Derek Lee Ragin, who were recorded separately then digitally merged to recreate the sound of a castrato. Through the film the general public discovered a whole repertoire of works for a voice that can no longer be heard today. The soundtrack from the film became a bestseller, as we discovered with delight some beautiful pieces by Handel, Pergolesi, Hasse, Porpora and others, in a unique interpretation. | | | Usually despatched in 3 - 4 working days. |
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