(Johann) Michaël Haydn

It is one of the oldest boys' choirs in the world, and even after now 500 years, the Vienna Boys' Choir is still a living tradition. This 2 CD set presents a selection of world famous Christmas songs alongside highlights from Handel’s Messiah.

The Duos for Violin and Viola by Mozart have long been favourite pieces of ours – pieces we'd take out and play when there wasn't a keyboard player or cellist to hand, or busk as teenagers to earn extra pocket money. Back then, the audience's response clearly indicated how appealing these pieces were as our takings always doubled when we played them! These works never cease to amaze – Mozart uses the two instruments so effectively and with such exquisite craftsmanship that he never leaves one wondering where the rest of the string quartet might have gone….They are also hugely engaging to play and so endlessly rich and interesting that the appeal to the listener is guaranteed.

Mozart's reference to other genres is always fascinating. In this case the writing is dramatic, operatic even (the violin taking the role as soprano diva (!) and the viola as the heroic tenor?!). One could perhaps go as far to say that these duos are distillations of the art of chamber music as in the Haydn quartets, but more naturally recreational and less self-conscious. For a violist they are about as exposed as you can be; hitherto very few sonatas or con certi had been written for solo viola - and the accompaniment would seldom have been as scant as a single violin. The conversational and imitative nature of the writing allows for freedom and characterization, and it was refreshing and rewarding to be as spon taneous as possible in the recording sessions.

It was also a diverting and enjoyable experience to record two of the Michael Haydn duos, previously unknown to us both. The character of these pieces is often reminiscent of Austrian folk music and it really seems as if you can hear the yodelling vernacular bouncing off the mountains in timely echoes. The challenges in these works are quite different to those of his friend Wolfgang – the demands placed on the violinist are obvious as the writing is busy, yet in need of a casual fluidity, whereas the violist has the task of being constantly inventive with material which is largely accompanimental (melody and bass, in effect). Who knows? Maybe Wolfgang and Michael tried these out during Mozart's visit to Salzburg when he helped his friend complete a set of six Sonatas in 1783.

Johann Michael Haydn, brother of Joseph, was a highly proficient composer in his own right who earned the respect and affection of his contemporaries. A Gramophone reviewer described him thus: ‘He is a man whose character, it seems to me, always comes clearly through his music: he was cheerful, easygoing, unambitious (also, said the Mozarts, inclined to the bottle)’. In recent decades, his music has begun to be more widely appreciated, due largely to the efforts of the American musicologist Charles Sherman, whose discoveries include this Horn Concerto in D major. This collection, originally issued on Decca’s ‘Serenata’ series in 1993, has long been out of circulation, and offers music of incredible charm and warmth. Hidden, as it were, from history, it is now exhumed on Eloquence for enjoyment.

Recording location: Sofiensaal, Vienna, Austria, October 1956 (KV 498, 452), June 1957 (Beethoven), September 1962 (M. Haydn), October 1963 (KV 581), October 1964 (KV 99)

This recording forms part of a series of 10 reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. Five titles were released in September and the remaining five are released this month.

Receiving their first international release on CD are the Mozart Clarinet Trio, his Cassation (written when the composer was a mere thirteen!), and the piano-and-wind Quintets of Mozart and Beethoven. The ‘soloists’ within the chamber ensemble – if, as such, one might identify them – are one of the Vienna Octet’s founders, Alfred Boskovsky, and the Octet’s ‘house’ pianist, Walter Panhofer. The mellow writing for the clarinet in both the Mozart Quintets was inspired by the playing of Anton Stadler. This anthology is also unique in that it affords us the only recording on which Willi Boskovsky played the viola – in the ‘Kegelstatt’ Trio. Concluding this anthology is the delightful G major Divertimento by Michael Haydn (Joseph’s younger brother). Found in the British Museum and edited by the Vienna Octet’s bassist, it was often used by the group as a concert opener.

Thomas Zehetmair is one of the most significant violinists of his generation. He enjoys a successful international career thrilling audiences and critics with his abilities as a soloist, chamber musician and conductor.

As violinist Thomas Zehetmair is a regular guest of the most renowned European and American orchestras as well as leading conductors of the day. He dedicates a large part of his artistic activities to contemporary music and has a second career as a conductor as well as working with leading chamber musicians such as Pierre-Laurent Aimard.

Thomas Zehetmair has recorded nearly the entire violin repertoire on CD, more recently on a number of different labels but in the early part of his career in the 1990’s he made many recordings for Teldec as celebrated in this box set.

Where known, booklet includes original LP number, recording date and venue.

Part 2 of a simple yet inspired idea from Cypres records; a project to trace the musical evolution of the Requiem by recording one Requiem from each century beginning in the 15th with the Requiem by Johannes Ockeghem (Part 1 CYP1648) up to the present day. (The Requiem by Pierre Bartholomee will be released later in the year). The whole project performed by the Laudantes Consort under the skilled and knowledgeable baton of Guy Janssens.