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See Terms & Conditions for p&p rates. | |  | David Oistrakh - 100th Birthday Tribute
Albéniz: | Chant d'Amour, No. 3 from 'Suenos' Vladimir Yampolski (piano) | Bach, J S: | Sonata for solo violin No. 1 in G minor, BWV1001 Trio Sonata in C major, BWV1037 with Igor Oistrakh (violin) and Vladimir Yampolski (piano) Sonata for Violin & Harpsichord No. 5 in F minor, BWV1018 Lev Oborin (piano) | Bartók: | Violin Concerto No. 1, BB48a, Sz 36 State Symphony Orchestra of USSR, Gennady Rozhdestvensky Violin Sonata No. 1, Sz 75 Frida Bauer (piano) Romanian Folk Dances, Sz.56 (arr. Székely for violin & piano) (6 of them) Inna Kollegorskaya (piano) | Beethoven: | Violin Concerto in D major, Op. 61 State Symphony Orchestra of USSR, Gennady Rozhdestvensky Romances Nos. 1 & 2 for violin and orchestra Moscow Philharmonic Orchestra, Gennady Rozhdestvensky Serenade in D major for Flute, Violin and Viola, Op. 25 Grigory Madatov (flute), Mikhail Terian (viola) Violin Sonata No. 6 in A major, Op. 30 No. 1 Sviatoslav Richter (piano) Violin Sonata No. 4 in A minor, Op. 23 Alexander Goldenweizer (piano) Violin Sonata No. 9 in A major, Op. 47 ‘Kreutzer' Frida Bauer (piano) | Brahms: | Violin Sonata No. 3 in D minor, Op. 108 Sviatoslav Richter (piano) | Bruch: | Scottish Fantasy, Op. 46 State Symphony Orchestra of USSR, Gennady Rozhdestvensky | Catoire: | Violin Sonata No. 1 in B minor, Op. 15 Alexander Goldenweizer (piano) Violin Sonata, Op 20 'Poeme' Alexander Goldenweizer (piano) Elegy in D minor for violin and piano Op. 26 Alexander Goldenweizer (piano) | Chausson: | Počme for Violin & Orchestra, Op. 25 State Symphony Orchestra of USSR, Kyrill Kondrashin | Debussy: | Passepied Frida Bauer (piano) Prélude "La Fille aux Cheveux de Lin" Frida Bauer (piano) | Dvorak: | Violin Concerto in A minor, Op. 53 State Symphony Orchestra of USSR, Kyrill Kondrashin Mazurek for violin and piano, Op. 49 (B89) Vladimir Yampolski (piano) | Glazunov: | Violin Concerto in A minor, Op. 82 State Symphony Orchestra of USSR, Kyrill Kondrashin Mazurka-Oberek in D major for violin and rochestra State Symphony Orchestra of USSR, Gabril Yudin | Grieg: | Violin Sonata No. 2 in G major, Op. 13 Vladimir Yampolski (piano) | Hindemith: | Violin Concerto State Symphony Orchestra of USSR, Gennady Rozhdestvensky Sonata in E flat major, Op. 11 No. 1 Vladimir Yampolski (piano) | Hummel, J: | Piano Trio No. 2 in F major, Op. 22 Sviatoslav Knushevitzky (cello) and Lev Oborin (piano) | Janacek: | Violin Sonata Frida Bauer (piano) | Kabalevsky: | Violin Concerto in C major Op. 48 State Symphony Orchestra of USSR, Carl Eliasberg | Kodály: | Hungarian Folk Dance Frida Bauer (piano) | Kreisler: | Spanish Dance (Falla arrangement) Vladimir Yampolski (piano) | Lalo: | Symphonie espagnole, Op. 21 State Symphony Orchestra of USSR, Kyrill Kondrashin | Leclair: | Sonata for Violin and Basso continuo in D major, Op. 9 No. 3 Frida Bauer (piano) | Locatelli: | Caprice 'Harmonious Labyrinth' Frida Bauer (piano) | Martinu: | Sonata for Violin and Piano No. 3, H. 303 Frida Bauer (piano) | Medtner: | Nocturne No. 1 in D, Op. 16/1 Vladimir Yampolski (piano) | Mendelssohn: | Violin Concerto in E minor, Op. 64 State Symphony Orchestra of USSR, Kyrill Kondrashin | Miaskovsky: | Violin Concerto in D minor, Op. 44 State Symphony Orchestra of USSR, Alexander Gauk | Mozart: | Violin Sonata No. 23 in D major, K306 Paul Badura-Skoda (piano) 12 Variations in G, K359 Frida Bauer (piano) | Prokofiev: | Violin Concerto No. 1 in D major, Op. 19 Moscow Philharmonic Orchestra, Kyrill Kondrashin Violin Sonata No. 1 in F minor, Op. 80 Lev Oborin (piano) Five Melodies for Violin and Piano, Op. 35b Vladimir Yampolski (piano) Violin Sonata No. 2 in D major, Op. 94a Frida Bauer (piano) Sonata for Two Violins in C Major, Op. 56 with Igor Oistrakh (violin) | Rachmaninov: | Vocalise, Op. 34 No. 14 Inna Kollegorskaya (piano) | Ravel: | Tzigane State Symphony Orchestra of USSR, Gennady Rozhdestvensky | Reger: | Prélude for Solo Violin | Sarasate: | Navarra, Op. 33 Igor Oistrakh (violin) and Vladimir Yampolski (piano) | Schubert: | Fantasie in C major for violin and piano, D934 Vladimir Yampolski (piano) | Schumann: | Piano Trio No. 1 in D minor, Op. 63 Sviatoslav Knushevitzky (cello) and Lev Oborin (piano) | Shostakovich: | Violin Concerto No. 1 in A minor, Op. 99 Leningrad Philharmonic Orchestra, Yevgeny Mravinsky Violin Concerto No. 2 in C sharp minor, Op. 129 Moscow Philharmonic Orchestra, Gennady Rozhdestvensky | Sibelius: | Violin Concerto in D minor, Op. 47 Moscow Philharmonic Orchestra, Gennady Rozhdestvensky | Smetana: | From the Homeland: No. 2 Andantino Vladimir Yampolski (piano) | Stravinsky: | Violin Concerto in D Moscow Philharmonic Orchestra, Kyrill Kondrashin | Suk: | Un poco triste, Op. 17, No. 3 Abram Makarov (piano) Four Pieces, Op. 17 for violin & piano : IV. Burleska Abram Makarov (piano) | Szymanowski: | Violin Concerto No. 1, Op. 35 State Symphony Orchestra of USSR, Kurt Sanderling Mythes, Op. 30 Vladimir Yampolski (piano) | Taneyev: | Suite de Concert Op. 28 State Symphony Orchestra of USSR, Kurt Sanderling | Tartini: | Violin Sonata in G minor 'Devil's Trill' Frida Bauer (piano) | Tchaikovsky: | Violin Concerto in D major, Op. 35 Moscow Philharmonic Orchestra, Gennady Rozhdestvensky Meditation in D minor Op. 42 No. 1 Vladimir Yampolski (piano) Waltz-Scherzo for Violin and Piano Op. 34 Vladimir Yampolski (piano) | Vitali, G: | Chaconne Vladimir Yampolski (piano) | Vladigerov: | Song No. 2 from the Bulgarian Suite, Op. 21/2 Abram Makarov (piano) Racenista, for violin & piano, Op. 18/2 Abram Makarov (piano) Fantasy on a Bulgarian Folk Dance "Khoro", Op. 18/1 Vladimir Yampolski (piano) | Wieniawski: | Légende in G minor, Op. 17 Vladimir Yampolski (piano) | Ysaye: | Sonata for solo violin in D minor, Op. 27 No. 3 'Ballade' Poeme elegiaque in D minor, Op. 12 Vladimir Yampolski (piano) | Zarzycki: | Mazurka in G Major, Op. 25 Vladimir Yampolski (piano) |
Not so long ago, Gramophone magazine asked several of today’s leading virtuosos: who is the violinist’s violinist? The answer was almost unequivocal: David Oistrakh, violinist, footballer and gentleman. Growing up and thriving in difficult and dangerous times in Stalin’s Russia, his almost superhuman patience and poise made him an ideal recording artist, but that consistency is no less evident in this historical collection of live performances which have been collected to mark the hundredth anniversary of his birth. It includes several concertos of which he was progenitor, if not dedicatee, by virtue of his strength and delicacy as an artist: the two by Shostakovich and others by Prokofiev, Myaskovsky and Kabalevsky. The favourite hall-fillers by Beethoven, Mendelssohn, Tchaikovsky and Sibelius are included – and Oistrakh’s partners are no less distinguished, among them Yevgeny Mravinsky, Kurt Sanderling and the great conductor-accompanist, Kyrill Kondrashin, who recognised a kindred spirit in the dedication and human warmth of Oistrakh. There is, therefore, a significant representation of Oistrakh not just as heroic soloist but as gregarious chamber musician, with friends including the pianists Lev Oborin and Vladimir Yampolsky and the cellist Sviatoslav Knushevitsky. Their repertoire ranges from Albéniz to Zarzycki, including showpieces such as Tartini’s ‘Devil’s Trill’ Sonata and Beethoven’s ‘Kreutzer’ as well as more Oistrakh-inspired works by Prokofiev and Catoire. This is an essential set both for anyone who has some of Oistrakh’s many studio recordings and wishes to explore further, and as an introduction to one of the last century’s most inspiring musicians. Many performances not otherwise available New remasterings Detailed booklet-notes exploring Oistrakh’s eventful life and musical career | 
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| |  | Edition Staatskapelle Dresden - Volume 26
The late 1940s were in many respects a period of transition in Germany and the people of Dresden were still in a state of shock after the Second World War. People were striving to regain a sense of normality in their lives and music in particular helped this. Concert and opera seasons were instituted and The Staatskapelle programmes during that period contained an astonishing number of world premieres, including a whole series of works by composers like Ernst Toch, whose works were banned in the Third Reich. Volume 26 documents this transition with two works by Toch and Hindemith, the former presented in its world premičre recording. |
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| |  | 20th Century Masterpieces - 100 Years of Classical Music
Adams, J: | The Chairman Dances City of Birmingham Symphony Orchestra, Simon Rattle | Adčs: | Asyla City of Birmingham Symphony Orchestra, Sir Simon Rattle | Barber: | Adagio for Strings, Op. 11 London Symphony Orchestra, Michael Tilson Thomas | Bartók: | Piano Concerto No. 3, BB 127, Sz. 119 Martha Argerich (piano) Orchestre Symphonique de Montreal, Charles Dutoit | Berg: | Violin Concerto 'To the Memory of an Angel' (1935) Frank Peter Zimmermann (violin) Radio-Sinfonieorchester Stuttgart, Gianluigi Gelmetti | Bernstein: | West Side Story - Symphonic Dances City of Birmingham Symphony Orchestra, Paavo Järvi | Birtwistle: | Tragoedia Melos Ensemble, Lawrence Foster | Boulez: | Le Soleil des Eaux Josephine Nendick, Barry McDaniel & Louis Devos BBC Chorus & Symphony Orchestra, Pierre Boulez | Britten: | Sinfonia da Requiem, Op. 20 City of Birmingham Symphony Orchestra, Simon Rattle | Copland: | Fanfare for the Common Man Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz | Debussy: | La Mer Philharmonia Orchestra, Carlo Maria Giulini | Delius: | Brigg Fair Royal Philharmonic Orchestra, Sir Thomas Beecham | Dutilleux: | Cello Concerto Mstislav Rostropovich (cello) Orchestre de Paris, Serge Baudo | Elgar: | Cello Concerto in E minor, Op. 85 Jacqueline du Pré (cello) London Symphony Orchestra, Sir John Barbirolli | Falla: | Noches en los jardines de Espana Gonzalo Soriano Orchestre de la Société des Concerts du Conservatoire, Rafael Frühbeck de Burgos | Gershwin: | Rhapsody in Blue orch. Grofé London Symphony Orchestra, André Previn | Gorecki: | Symphony No. 3, Op. 36 'Symphony of Sorrowful Songs' Zofia Kilanowicz Kraków Symphony Orchestra, Jacek Kaspszyk | Henze: | Barcarola City of Birmingham Symphony Orchestra, Simon Rattle | Hindemith: | Symphony 'Mathis der Maler' Philadelphia Orchestra, Wolfgang Sawallisch | Holst: | The Planets, Op. 32 Geoffrey Mitchell Choir & London Philharmonic Orchestra, Sir Adrian Boult | Honegger: | Movement symphonique No. 1 'Pacific 231' Oslo Philharmonic Orchestra, Mariss Jansons | Janacek: | Sinfonietta Pro Arte Orchestra, Sir Charles Mackerras | Khachaturian: | Masquerade Philharmonia Orchestra, Efrem Kurtz | Landowski: | Adagio cantabile for string orchestra Ensemble Orchestral de Paris, Marcel Landowski | Lutoslawski: | Concerto for Orchestra | Mahler: | Der Abschied (from Das Lied Von Der Erde) Christa Ludwig (soprano) Philharmonia Orchestra, Otto Klemperer | Maw: | Dance Scenes Philharmonia Orchestra, Daniel Harding | Messiaen: | Et Expecto Resurrectionem Mortuorum Ensemble de Percussion de l'Orchestre de Paris & Orchestre de Paris, Serge Baudo | Milhaud: | La Création du Monde, Op. 81 Orchestre National de France, Leonard Bernstein | Nielsen: | Symphony No. 5, Op. 50 (FS97) Danish Radio Symphony Orchestra, Herbert Blomstedt | Orff: | Carmina Burana Lucia Popp, Gerhard Unger, Raymond Wolansky & John Noble Wandsworth School Boys' Choir & New Philharmonia Chorus & Orchestra, Rafael Frühbeck de Burgos | Penderecki: | Tren (Threnody), "To the Victims of Hiroshima" Polish Radio National Symphony Orchestra, Krzysztof Penderecki | Poulenc: | Concerto in G minor for Organ, Strings & Timpani Gillian Weir City of London Sinfonia, Richard Hickox | Prokofiev: | Piano Concerto No. 1 in D flat major, Op. 10 Martha Argerich (piano) Orchestre Symphonique de Montreal, Charles Dutoit | Pärt: | Spiegel im Spiegel Tasmin Little & Martin Roscoe | Rachmaninov: | Piano Concerto No. 2 in C minor, Op. 18 Leif Ove Andsnes (piano) Berliner Philharmoniker, Antonio Pappano | Ravel: | Boléro Berliner Philharmoniker, Herbert von Karajan | Respighi: | Pines of Rome London Symphony Orchestra, Lamberto Gardelli | Rodrigo: | Concierto de Aranjuez Angel Romero London Symphony Orchestra, André Previn | Schnittke: | Minuet for String Trio Gidon Kremer, Yuri Bashmet & Mstislav Rostropovich | Schoenberg: | 5 orchestral pieces, Op. 16 City of Birmingham Symphony Orchestra, Simon Rattle | Shostakovich: | Symphony No. 5 in D minor, Op. 47 Wiener Philharmoniker, Mariss Jansons | Sibelius: | Symphony No. 5 in E flat major, Op. 82 Helsinki Philharmonic Orchestra, Paavo Berglund | Strauss, R: | Four Last Songs Nina Stemme Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano | Stravinsky: | The Rite of Spring London Philharmonic Orchestra, Sir Charles Mackerras | Takemitsu: | Water-ways London Sinfonietta, Oliver Knussen | Tavener: | The Protecting Veil Steven Isserlis (cello) London Symphony Orchestra, Gennadi Rhozdestvensky | Tippett: | Concerto for double string orchestra Moscow Chamber Orchestra & Bath Festival Orchestra, Rudolf Barshai | Turnage: | Drowned Out City of Birmingham Symphony Orchestra, Sir Simon Rattle | Vaughan Williams: | The Lark Ascending Sarah Chang (violin) London Philharmonic Orchestra, Bernard Haitink | Walton: | Cello Concerto Lynn Harrell (cello) City of Birmingham Symphony Orchestra, Simon Rattle | Webern: | Six Pieces for Orchestra Op. 6 (revised version) City of Birmingham Symphony Orchestra, Simon Rattle |
At no time in its long history did European music go through a period of such revolution and diversification as in the 20th Century. Wagner had transformed music in the 19th century to the extent that every composer coming after had to acknowledge his existence, to a lesser or greater extent. The advent of the new century saw a great flourishing of compositional styles and techniques that were largely the direct result of Wagner's influence. Not only that, the new century was to be one of great technological advance and invention. The gramophone and, later, the spread of radio, brought about massive changes in the way that ordinary people accessed and perceived music. Suddenly a whole new world of serious music was to open up to an audience that had hitherto been excluded from what had previously been, albeit unintentionally, an elitist art form. The works in this set of 16 CDs have been arranged in strict chronological order of composition and the first disc begins with a work from 1901 that has become one of the most popular works in the classical repertoire, mainly through it's use in another great 20th-century art form – the film: Rachmaninov's Second Piano Concerto. Thereafter each disc in the set takes the listener on a fascinating journey through the century, composer by composer and work by work, from Russian Romanticism, French Impressionism, English Pastoralism, Atonalism, Neo Classicism right up to Post Modernism, and from as wide a range of countries and genres as possible. |
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| |  | Composers in Person
Bartók: | No. 2: Allegro giocoso from 14 Bagatelles Op.6/Sz38/BB50 Evening in Transylvania, Ten Easy Pieces for piano No. 5 (Este a székelyeknél), Sz. 39/5, BB 51/5 Medvetánc (Bear Dance) from 10 Easy Pieces Sz39/BB51 Romanian Dance, Sz. 43, BB 56: No. 1 - Allegro vivace No. 2: Kicsit ázottan… (A bit drunk…) from 3 Burlesques Op.8c/Sz47/BB55 Allegro barbaro, Sz. 49 Piano Suite Op. 14 Staccato (Allegretto mosso), Vol.V, No.124 from Mikrokosmos Sz107/BB105 Ostinato (Vivacissimo), Vol.VI, No.146 from Mikrokosmos Sz107/BB105 5 Hungarian Folk Songs from Sz33/BB97 Vilma Medgyaszay (soprano) 8 Hungarian Folk Songs Sz64/BB47 Mária Basilides (contralto) & Ferenc Székelyhid (tenor) 7 Hungarian Folk Tunes (transcribed 1926, by Joseph Szigeti from 7 pieces from For Children, 1909, for piano, Sz42) Béla Bartók (piano) & Joseph Szigeti (violin) 6 Romanian Folk Dances (transcribed 1925, by Zoltán Székely from 6 Romanian Folk Dances, 1915, for piano, Sz56) Béla Bartók (piano) & Joseph Szigeti (violin) | Dohnányi: | Variations on a Nursery Tune, Op. 25 Erno Dohnányi (piano) London Symphony Orchestra, Lawrence Collingwood | Hindemith: | Sonata for Solo Viola, Op. 25 No. 1 Paul Hindemith (viola) Scherzo for viola and cello Paul Hindemith (viola) & Emanuel Feuermann (cello) Nobilissima Visione Philharmonia Orchestra, Paul Hindemith Symphonia serena Philharmonia Orchestra, Paul Hindemith String Trio No. 2 Szymon Goldberg (violin), Paul Hindemith (viola) & Emmanuel Feuermann (cello) Concerto for Clarinet and Orchestra Louis Cahuzac (clarinet) Philharmonia Orchestra, Paul Hindemith Horn Concerto Dennis Brain (horn) Philharmonia Orchestra, Paul Hindemith Konzertmusik, Op. 50 for strings & brass Philharmonia Orchestra, Paul Hindemith | Honegger: | Pastorale d'été Arthur Honegger Cello Concerto Maurice Maréchal (cello) Orchestre de la Société des Concerts du Conservatoire, Arthur Honneger | Khachaturian: | Masquerade Suite Philharmonia Orchestra, Aram Khachaturian Violin Concerto in D minor David Oistrakh (violin) Philharmonia Orchestra, Aram Khachaturian Gayane Suite Philharmonia Orchestra, Aram Khachaturian | Poulenc: | Trois Mouvements perpétuels Francis Poulenc (piano) Trio for piano, oboe and bassoon Roger Lamorlette (oboe), Gustav Dhérin (bassoon) & Francis Poulenc (piano) Deux Novelettes Francis Poulenc (piano) Nocturne Nos. 1 & 4 Francis Poulenc (piano) Nocturne No. 2 in A (‘Bal des jeunes filles’) Francis Poulenc (piano) 15 Improvisations, No. 2 in A flat major Francis Poulenc (piano) 15 Improvisations, No. 5 in A minor Francis Poulenc (piano) 15 Improvisations, No. 9 in D Francis Poulenc (piano) 15 Improvisations, No. 10 in F (‘Éloge des gammes’) Francis Poulenc (piano) Aubade Francis Poulenc (piano) Walther Straram Concerts Orchestra, Walther Straram |
There can be few, if any, musicians, whilst practicing works written earlier than the 20th century, who have not wondered how the composer himself might have performed their music. There are reports, some of which are most skilful in their description, how the likes of Bach, Mozart and Beethoven may have played or improvised; furthermore there are lines of teacher/pupil relationships which can trace their lineage back to the pianistic greats such as Liszt, but still we have to imagine the sound since we cannot actually hear it. Edison’s invention of a recording machine which developed through the Gramophone to the latest Hi-Fi system of today has been able to capture an extraordinary range of music which continues to give us endless pleasure, though some of us might occasionally even have sympathy with the perspicacious remark that Sir Arthur Sullivan recorded in a message to Edison congratulating him on his invention but expressing his terror “at the thought that much hideous and bad music may be put on record for ever”. Some composers have left us an extensive catalogue of recorded performances, most notably Edward Elgar, Igor Stravinsky and Benjamin Britten. Others like Olivier Messiaen, Heitor Villa-Lobos and William Walton have left us significant, although limited, editions. All too many, however, have merely left us a mere fraction of their output and it was to bring these recordings to the record-buying public that the EMI Classics series COMPOSERS IN PERSON was planned and researched by Ken Jagger (1945-2007). He did include representative issues for five the above named composers in the series so as to provide a total of 20 releases. Most composers are found as either conductors or pianists (so sometimes both) although some appear on other instruments – Hindemith as violist as well as conductor and Messiaen, Widor, Vierne and Dupré as organist. |
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| |  | Hindemith - Symphonia Serena
Tabea Zimmermann Berliner Philharmoniker, Philharmonia Orchestra, Philadelphia Orchestra & Symphonie-Orchester des Bayerischen Rundfunks, Herbert von Karajan, Paul Hindemith, Eugene Ormandy & David Shallon | | | In stock - usually despatched within 1 working day. |
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The London Philharmonic Orchestra, Sir Adrian Boult Total CD time 29.47 | | | In stock - usually despatched within 1 working day. |
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| |  | Sviatoslav Richter - The Master Volume 11
Sviatoslav Richter (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Cello from Haydn to Bernstein
I Musici de Montreal, Yuri Turovsky (cello & cnductor) | | | In stock - usually despatched within 1 working day. |
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| |  | Earl Wild Plays 20th & 21st Century Piano Sonatas
Earl Wild, whose legendary career has spanned over 70 years, performs in this brand new recording four 20th and 21st century piano sonatas. Mr. Wild states: "I had a personal friendship with all four composers on this disc, although one of the relationships has been a little more intimate. I have performed the Hindemith and Stravinsky sonatas in public many times since the 1940s. The Barber Sonata however is a first performance for me. I have the greatest admiration for this wonderful work. My own Sonata was completed in April of this year. A stylistically eclectic work, it incorporates Civil War tunes, echoes of popular music of the 1920s and, in the finale (entitled "Toccata a la Ricky Martin"), there is a distinctive Latin American flavour. | | | In stock - usually despatched within 1 working day. |
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| |  | I Hear America Singing
Bacon: | One Thought Ever at the Fore The Banks of the Yellow Sea,Wild Nights, Let down the Bars,The Postponeless Creature | Berger: | Heart, Lonely People | Bernstein: | To What You Said | Bowles: | Blue Mountain Ballads | Bridge: | The Last Invocation | Burleigh: | Ethiopia Saluting the Colors | Castelnuovo-Tedesco: | Louisiana | Gold: | Parting | Griffes: | Evening Song | Hageman: | The Rich Man | Hindemith: | Sing on there Drei Hymnnen, Op. 14 | Kagen: | Drum | Korngold: | 5 Lieder Op. 38 No. 1 & No. 2 | Loeffler: | To Helen | MacDowell: | O lovely Rose,The Sea | Naginski: | Look Down Fair Moon Richard Cory | Pahlen: | Erlebnis, Auch ich bin Amerika | Reutter, H: | Trommel, Lied für ein dunkles Mädchen | Ritter, F L: | Dirge for Two Veterans | Rorem: | Look down fair moon | Stanford: | To the Soul, | Vaughan Williams: | A Clear Midnight, Joy, Shipmate, Joy! | Weisgall: | Shiloh |
Thomas Hampson, Wolfram Rieger & Malcolm Martineau (pianos) Recorded Live at Salzberg Festival August 2001 | | | In stock - usually despatched within 1 working day. |
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Gramophone Magazine
