Sigismondo d' India

(c.1582-c.1629)

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O Felice Morire (Firenze, 1600)

O Felice Morire (Firenze, 1600)


Caccini, G:

Dalla porta d'oriente

Muove si dolce

Chi mi confort'ahimè

Io, che l'età solea viver nel fango

Deh chi d'alloro

Amor ch'attendi

Casa:

Io canterei d'amor

Falconieri:

Armilla ingrata

Filli vezzosa

India:

Che farai Meliseo?

Kapsberger:

Pietà, di chi si more

Toccata V

Landi:

Superbe colli

Se tu mi lasci perfida tuo danno

Marini, B:

O vagha Tortorella

Monteverdi:

Io che nell'otio nacqui e d'otio vissi

Puliaschi:

Locar sopra gl'abissi


Joel Frederiksen (basso profondo)

Ensemble Phoenix Munich

"I have great pleasure in providing a few introductory words for this most engaging programme, as it recalls much delight I enjoyed when first I began to work with this area of repertoire about thirty years ago . . . This CD explores this particular area of virtuosity in a very engaging survey of highly ornamented yet deeply expressive music. From the suave complaint of Sigismondo D'India, Che farai Meliseo where the singer needs the agility of a nimble mountain goat, to [the virtuoso singer], Giovani Puliaschi's subterranean exploration, Locar sopra gl'abissi that resonates like some dark cavern, by way of the sublime 'crooning' of Caccini's Muove si dolce, the listener is in no doubt that in this repertoire at least, the empty bragging of Brancaccio is left far behind - and the comic bass buffoonery lies elsewhere and in the future.The quiet virtuosity of poetry is sublime, opening out into moments of profound declamation." Anthony Rooley

Giulio Caccini and the early Italian Baroque singer-songwriters have fascinated and challenged Joel Frederiksen for the past 20 years. For the most part they are the inspiration and subject of this CD. Men like Caccini, but also Giovanni Kapsberger and Giovanni Puliaschi, were singer-player-composers who wrote in a revolutionary way for the bass voice and accompanied themselves on the lute. Joel has attempted to recreate this performance ideal by accompanying himself on the archlute (which combines attributes of the lute and harp) and immersing himself in repertoire which flowered between approximately 1580 and 1620. After moving to Munich, Joel Frederiksen established Ensemble Phoenix Munich in 2003 for the recording of his first solo CD Orpheus, I am, a CD of Renaissance and early Baroque music, from England, Italy and France.The ensemble is heir to his previous group, L'antica musica New York, 1989-2001. It presents a wide range of programmes from the Renaissance and Baroque, and from Early America c.1800-1900.

Released or re-released in last 6 months

Harmonia Mundi - HMC901999

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India:

Madrigals

Monteverdi:

Madrigals selection


Chiaroscuro & London Baroque, Nigel Rogers

Penguin Guide

Rosette Winner

Virgin - 5611652

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£8.49 (£7.23 ex. VAT)

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India: Arias, Madrigals and Laments

India: Arias, Madrigals and Laments


Gudrun Anders (soprano), Sigrun Richter (Arciliuto & Chitarrone) & Hille Perl (Viola da gamba & lirone)

Sigismondo d'India (c.1582-1629), an Italian nobleman and a contemporary of Monteverdi, wrote exclusively vocal music. A highly respected composer who travelled to all of Italy's important musical centres, he is thought to have come from Naples and been amongst Carlo Gesualdo di Venosa's intimate circle of musicians. Even today D'India's musical languague seems astonishingly fresh and new. This CD contains pieces from all of D'India's printed collections and offers a cross section of his works for solo voice with continuo: arias, canzonettas, madrigals and laments.

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Christophorus - CHE1342

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Dolcissimo Sospiro

Dolcissimo Sospiro

16th-17th century Italian music to the poetry of Ottavio Rinuccini et al..


Caccini, G:

Filli, mirando il cielo

Dolcissimo sospiro

Non ha'l ciel cotanti lumi

Ford, R:

Rinuccini, song cycle for high soprano & baroque ensemble

India:

Piangono al pianger mio

Diana (Questo dardo, quest' arco)

Marini, B:

Nativita di Cristo

Merula:

Canzonetta spirituale sopra alla nanna 'Hor ch'è il tempo di dormire'

Su la cetra amorosa, aria di ciaccona

Monteverdi:

Ohime ch'io cado

Quagliati:

Aria, A una voce. Villanella


Tone Wik (soprano), Vegard Lund (theorbo, lute, guitar), Shalev Adel (harpsichord), Bjarte Eike (baroque violin), Sigyn Fossnes (baroque violin), Gunnar Hauge (baroque cello)

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2L - 2L19

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Musique and Sweet Poetrie

Musique and Sweet Poetrie

Songs and Lute Solos from Europe around 1600


Ballard:

Entree De Luth

Branles De Village

Boesset:

Que Philis a l’esprit léger

Danyel:

He whose desires are still abroad

Dost thou withdraw thy grace?

Why canst thou not?

Dlugoraj:

Fantasia

Dowland:

Shall I sue?

Go Crystal tears

Shall I strive with wordes to move?

Galilei, M:

Toccata

Corrente

Volta

Huwet:

Fantasia

India:

Quella vermiglia rosa

Da l’onde del mio pianto

Johnson, R:

Almaine

Full fathom five

Pavans

Kapsberger:

Toccata

Morley:

Thirsis and Milla

Come sorrow, come

Moulinié:

Paisible et ténébreuse nuit

Schimmelpfennig:

Dolce tempo passato

Schütz:

Eile mich, Gott, zu erretten, SWV282


Emma Kirkby (soprano) & Jakob Lindberg (lute)

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BIS - BISSACD1505

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Orfeo Fantasy

Orfeo Fantasy


anon.:

Harpsichord transcription of Dowland's 'Lachrimae' pavane

La Rosignol for two lutes

Transcription for two lutes of Dowland's 'Lachrimae' pavane

Caccini, G:

Air Odi, Euterpe, il dolce canto (Le Niove Musiche, Florence, 1601)

Dowland:

L Air Lasso mia vita

Flow my teares (Lacrimæ)

Guédron:

Air de cour Quel Espoir de gaurir

Hume, T:

My hope is revived, My joys are coming

Cease Leaden Slumber

India:

Lamento d'Orfeo ou Que vegg'io ohime

Monteverdi:

Air d'Orphee Rosa del ciel

Air d'Orphee, Vi rcoirda, o boschi ombrosi

Ritornello du prologue de l'Orfeo

Lamento d'Orphee Questi I campi di Tracia

Picchi:

Toccata for harpsichord


Sylvain Bergeron (lute), Charles Daniels (tenor), Olivier Fortin (harpsichord), Margaret Little (viola da gamba), Nigel North (lute), Skip Sempé (harpsichord)

Montreal Baroque, Susie Napper

It is hardly surprising that musicians of the Baroque period were fascinated by the legend of Orpheus, as much for the tragic love story of the mythic couple, as for the ancient Greek belief in the extraordinary power of music. Among the first operas we have two settings of Euridice, the first by Jacopo Peri and the second by Giulio Caccini, as well as Monteverdi's Orfeo. Composers up to Haydn, including Luigi Rossi, Telemann, and Gluck, adapted the tragic story for the stage, and thus evoked the power – which they themselves possessed – of the art of sound. This recording includes diverse pieces of music chosen to evoke the main episode of the myth; they were composed in Italy, England, and France, during the first two decades of the seventeenth century. There are compositions for lute and for harpsichord that suggest the art of Orpheus himself, using his lyre to charm men, beasts, and gods; there are also instrumental pieces and interventions for the hero of Orfeo by Monteverdi. Finally, Italian monodies, airs de cour, as well as airs by John Dowland and Tobias Hume, express the many vicissitudes that weave together the fabric of existence.

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ATMA - SACD22337

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India: Voi Ch'ascoltate

India: Voi Ch'ascoltate


Ensemble Poïésis, Marion Fourquier (direction & harp)

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Zigzag - ZZT040101

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The Emma Kirkby Collection

The Emma Kirkby Collection


Bach, J S:

Sheep May Safely Graze, from Cantata BWV208

Wedding Cantata

Campion:

Move now with measured sound

Now hath Flora robbed her bowers

Dowland:

Flow not so fast, ye fountains

Time stands still

East:

You meaner beauties of the night

Handel:

Sharp thorns despising

Hildegard:

Columba aspexit

India:

Diana (Questo dardo, quest' arco)

Piangono al pianger mio

Lawes, H:

The Lark (Swift thro' the yielding air)

Machaut:

Foy porter

Monteverdi:

Confitebor tibi, Domine (Psalm 110)

Voglio di vita uscir

Quel sguardo sdegnosetto

Maladetto sia l'aspetto

Purcell:

Stript of their green our groves appear


Emma Kirkby (soprano) with various supporting ensembles

Hyperion Early Vocal Music - CDA66227

(CD)

£12.99 (£11.06 ex. VAT)

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India: Libro Primo de Madrigali, 1606

India: Libro Primo de Madrigali, 1606


La Venexiana, Claudio Cavina

GGramophone Magazine

Editor's Choice - June 2001

Glossa - GCD920908

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Lettera Amorosa

Lettera Amorosa


Caccini, G:

O che felice giorno

India:

Vostro fui, vostro son e sarò vostro

Quella vermiglia rosa

Cruda Amarilli

Intenerite voi, lagrime mie

Ma che? Squallido e oscuro

Kapsberger:

Toccata VI

Melli:

Capriccio chromatico

Corrente

Monteverdi:

Se i languidi miei sguardi

Disprezzata regina (L'incoronazione di Poppea)

Piccinini:

Toccata XV

Sarabanda 'alla Francese'

Rossi, L:

Tornate, o miei sospiri


Guillemette Laurens (Mezzo soprano); Luca Pianca (Lute); Luca Pianca (Theorbo)

Apex - 0927495732

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