Atli Ingólfsson

(b.1962)

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Iceland

Iceland

Piano Music by Icelandic Composers


Bjork:

I Miss You

Egilsson:

Borealis

Hallgrímsson:

Lullaby on a Winters´ Night

Ingólfsson:

... ma la melodia

Ísólfsson:

Impromptu

Johannsson, J G:

Ég er að tala um þig

Leifs:

Íslensk rímnadanslög (Icelandic Folk-dances), Op. 11: Nos. 2, 3 & 4

Sigurbjörnsson, T:

Hans-Variationen

Sveinbjörnsson:

Vikivaki

Sveinsson, A H:

Óður Steinsins No. IV

Af hreinu hjarta

Albumblatt an Susanne Kessel

Tómasson:

Brotnir Hljómar

Urbancic:

Caprices Mignons über ein Kinderlied

Vidar:

Meditations on five old Icelandic ballads, for piano: Nos. 1 & 4


Susanne Kessel (piano)

Since the mid-20th century, Iceland has developed its own scene for contemporary classical music. Icelandic composers went to Europe or the USA to study closely with the musical avant-garde. Many of these returned home and developed a style that unites traditional and folk Icelandic music with contemporary western music. This is a very interesting release of a style of composition all too rarely heard. Susanne Kessel plays with a true understanding and commitment to this music.

Released or re-released in last 6 months

Oehms - OC813

(CD)

£9.49 (£8.08 ex. VAT)

Usually despatched in 3 - 4 working days.

Atli Ingólfsson - Enter >>

Atli Ingólfsson - Enter >>


Ingólfsson:

The Elves' Accent for quintet

Slash 1-4 for electronics

Object of Terror for ensemble of 14

HZH: String Quartet No. 1

La métrique du cri for ensemble of 11

Flecte Lapis II for clarinet and keyboard sampler


Atli Ingólfsson (electronics), Gudni Franzson (clarinet), Massimiliano Viel (keyboard)

Arditti Quartet, The Caput Ensemble

BIS presents its first disc of works by this fascinating contemporary Icelandic composer. One of the label’s most innovative projects ever undertaken, the disc uniquely offers a variety of works composed specifically for the CD medium. Ingolfsson was closely involved in the making of this CD, through both the recording session and editing stages, and the decisions that he made throughout this process have undoubtedly shaped the end result we have here.
 

“This meant making full use of the possibilities of stereo, moving and rearranging the instruments in space, changing the microphone angles (e.g. recording the violin through the flute microphone), zooming from close microphones to more distant stereo mikes, doubling or boosting some instruments, varying reverberation and even filtering some sounds… We cannot capture or reconstruct the magic of live performance, but we can treat the recording itself as a living and expressive performance."
Atli Ingolffson on his involvement in this recording project

BIS - BISCD1298

(CD)

£12.99 (£11.06 ex. VAT)

Usually despatched in 2 - 3 working days.

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