Gustav Mahler

(1860-1911)

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Mahler: Symphony No. 4

Mahler: Symphony No. 4


“this has a gleaming Vienna Philharmonic and a most touching soloist in von Stade” BBC Music Magazine, July 2013 *****

DG Virtuoso - 4784235

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Mahler: Symphony No. 1 in D major 'Titan'

Mahler: Symphony No. 1 in D major 'Titan'

New Studio Recording


“This first movement, while fresh and genial, is a little short on mystery...Luisi, like several recent exponents, launches the slow movement with massed double basses rather than that vulnerable-sounding solo instrument of old...Much more convincing is his super-articulate launch of the finale, the whole movement splendidly vivid” Gramophone Magazine, April 2013

“There’s refreshingly little of the routine here – the strangeness, the quirkiness of Mahler’s vision are gently highlighted, the whole aided by gorgeously idiomatic orchestral playing full of refreshingly old-world sonorities...There are flashier, noisier, more flamboyant Mahler 1s around. But this one is excellent, and won’t give you tinnitus.” The Arts Desk, 5th January 2013

Solo Musica Wiener Symphoniker - WS001

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Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand'

Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand'

Live from Caracas


Manuela Uhl, Julianna Di Giacomo and Kiera Duffy (sopranos), Anna Larsson and Charlotte Hellekant (contraltos), Burkhard Fritz (tenor), Brian Mulligan (baritone), Alexander Vinogradov (bass)

Simon Bolivar Symphony Orchestra of Venezuela & Los Angeles Philharmonic, Gustavo Dudamel

This could well be the most ambitious recording of any Mahler symphony ever and a once-in-a-generation classical event and an unforgettable night for the city of Caracas.

This truly unique account of Mahler’s most extraordinary symphony is part of Gustavo Dudamel's planned Mahler cycle, this time featuring BOTH orchestras with which he is most closely associated - the Los Angeles Philharmonic and the Simon Bolivar Symphony Orchestra of Venezuela, who have both played acclaimed Mahler concerts with Maestro Dudamel in the US and in Venezuela. The performance also features an immense vocal force including a massed choir of young Venezuelan voices and a line-up of international soloists.

The performance was seen in hundreds of theaters in the United States and Canada, as well as those in Brazil, Colombia and Argentina. In Venezuela, it aired on the state television channel, Tves, to mass audiences.

This special DVD and Blu-Ray will be released to coincide with the Opening Concert of the Los Angeles Philharmonic Orchestra season in September 2012.

Extra Material: 17 minutes documentary on the DVD and Blu-Ray which gives a unique insight into this world-beating Mahler recording.

STEREO: PCM / SURROUND: DTS 5.1

Picture Format: 16:9 · Filmed in High Definition

Subtitles: Latin, German, English, French, Spanish, Chinese

“an excellent rendition of Mahler’s Eighth Symphony...featuring a fine partnership of orchestras and a variable lineup of soloists...Of particular note is the huge choir, which included some 1,200 children from Venezuela’s remarkable system of youth choruses.” New York Times, 23rd November 2012

“This Symphony of much more than a thousand...maximises the advantages of group spirit and minimises the problems of monstrosity. The beginning, middle and end of Mahler's first movement hymn to the creator spirit blaze with unsurpassable, open-toned fervour...I guess it's the fervent-toned Simon Bolivar strings who bring true intensity to the tremolos and heart to the soarings.” BBC Music Magazine, March 2013 ****

BBC Music Magazine

DVD Choice - March 2013

DVD Video

Region: 0

Format: NTSC

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DG - 0734884

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Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand'

Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand'

Live from Caracas


This could well be the most ambitious recording of any Mahler symphony ever and a once-in-a-generation classical event and an unforgettable night for the city of Caracas.

This truly unique account of Mahler’s most extraordinary symphony is part of Gustavo Dudamel's planned Mahler cycle, this time featuring BOTH orchestras with which he is most closely associated - the Los Angeles Philharmonic and the Simon Bolivar Symphony Orchestra of Venezuela, who have both played acclaimed Mahler concerts with Maestro Dudamel in the US and in Venezuela. The performance also features an immense vocal force including a massed choir of young Venezuelan voices and a line-up of international soloists.

The performance was seen in hundreds of theaters in the United States and Canada, as well as those in Brazil, Colombia and Argentina. In Venezuela, it aired on the state television channel, Tves, to mass audiences.

This special DVD and Blu-Ray will be released to coincide with the Opening Concert of the Los Angeles Philharmonic Orchestra season in September 2012.

Extra Material: 17 minutes documentary on the DVD and Blu-Ray which gives a unique insight into this world-beating Mahler recording.

“It's difficult to overstate the magnitude here...Dudamel's charisma, supremely necessary in unifying his onstage forces, also proves photogenic...Rarely has a chorus come off so perfectly balanced, even in the softest sections...Dudamel's concept of Mahler has deepened noticeably since his initial Fifth with the Simon Bolivar Youth Orchestra.” Gramophone Magazine, January 2013

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DG - 0734890

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50 Best Smooth Classics

50 Best Smooth Classics


Albinoni:

Concerto Op. 9 No. 3 for two oboes & strings in F major: Adagio

Allegri:

Miserere mei, Deus

Bach, J S:

Concerto for Two Violins in D minor, BWV1043: Largo ma non tanto

Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String')

Barber:

Adagio for Strings, Op. 11

Beethoven:

Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight': Adagio sostenuto

Brahms:

Wiegenlied, Op. 49 No. 4 (Lullaby)

(arr. P. Nagy)

Canteloube:

Songs of the Auvergne: Baïlèro

Chopin:

Prelude Op. 28 No. 15 in D flat major ‘Raindrop'

(two versions)

Debussy:

Clair de lune (song)

Prélude à l'après-midi d'un faune

Arabesque No. 1

Delibes:

Coppelia - Waltz of the Doll

Lakmé: Dôme épais (Flower Duet)

Dvorak:

Symphony No. 9 in E minor, Op. 95 'From the New World' - Largo

Elgar:

Nimrod (from Enigma Variations)

Serenade for Strings in E minor, Op. 20 - Allegretto

Fauré:

Pavane, Op. 50

Requiem: Pie Jesu

Dolly Suite, Op. 56: No. 5, Tendresse

(orch. H. Rabaud)

Finzi:

Eclogue, Op. 10

Giazotto:

The Albinoni Adagio

Gluck:

Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits

Grieg:

Våren, elegiac melody for strings, Op. 34 No. 2

Peer Gynt: Morning

Handel:

Ombra mai fu (from Serse)

Holst:

Venus, the Bringer of Peace (The Planets)

Howells:

Salvator mundi

Lauridsen:

O magnum mysterium

Mahler:

Symphony No. 5 in C sharp minor - Adagietto

Mascagni:

Cavalleria Rusticana: Intermezzo

Mendelssohn:

A Midsummer Night's Dream: Nocturne

Mozart:

Flute & Harp Concerto in C major, K299 - Andantino

Ave verum corpus, K618

Puccini:

Humming Chorus (from Madama Butterfly)

Rachmaninov:

Rhapsody on a Theme of Paganini - Variation 18

Bogorodice Devo

Piano Concerto No. 2 in C minor, Op. 18: 2 - Adagio sostenuto

Saint-Saëns:

Le carnaval des animaux: Le Cygne

Satie:

Gymnopédie No. 1

(version for guitar and orchestra)

Shostakovich:

Romance (from The Gadfly)

Piano Concerto No. 2 in F major, Op. 102 - Andante

Stanford:

The Blue Bird, Op. 119 No. 3

Tárrega:

Recuerdos de la Alhambra

Tavener:

Song for Athene

Tchaikovsky:

Symphony No. 6 in B minor, Op. 74 'Pathétique' - Allegro con grazia

Vaughan Williams:

The Lark Ascending

Fantasia on a Theme by Thomas Tallis

Whitacre:

Sleep


Francois-Joel Thiollier (piano), Takako Nishizaki (violin), Alexander Jablokov (violin), Adriana Kohutkova (soprano), Denisa Slepkovska (mezzo-soprano), Bernd Glemser (piano), Peter Nagy (piano), Veronique Gens (soprano), Mats Bergstrom (guitar), Anthony Camden (oboe), Peter Donohoe (piano), Irina Zaritzkaya (piano), Klara Kormendi (piano), Idil Biret (piano), David Greed (violin), Jeno Jando (piano), Lisa Beckley (soprano), Colm Carey (organ), Carys-Anne Lane (soprano), Jiri Valek (flute), Hana Mullerova (harp), Michael Houstoun (piano), Jozef Cejka (oboe), Gerald Garcia (guitar)

Slovak Radio Symphony Orchestra, Baltimore Symphony Orchestra, St. John's College Choir, Cambridge, Capella Istropolitana, Polish National Radio Symphony Orchestra, London Symphony Orchestra, Lille National Orchestra, London Virtuosi, Northern Sinfonia, F, Andrew Mogrelia, Marin Alsop, Christopher Robinson, Oliver Dohnanyi, Johannes Wildner, Gyorgy Lehel, James DePreist, Jean-Claude Casadesus, Richard Edlinger, Keith Clark, John Georgiadis, Howard Griffiths, Eric-Olof Soderstrom, Anthony Bramall, Alexander

Naxos Digital Compilations - 900140

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Schoenberg: Weihnachtsmusik & Arrangements

Schoenberg: Weihnachtsmusik & Arrangements


Busoni:

Berceuse élégiaque, Op. 42

(arr. A Schoenberg)

Hakon Austbo (harmonium), Michel Moragues (flute), Louise Bessette (piano), Paul Meyer (clarinet)

Mahler:

Lieder eines fahrenden Gesellen (4 songs, complete)

(arr. A Schoenberg)

Isabelle Berteletti (percussion), Jean-Luc Chaignaud (baritone), Michel Moragues (flute), Paul Meyer (clarinet), Hakon Austbo (harmonium)

Schoenberg:

Weihnachtsmusik

Hakon Austbo (harmonium), Louise Bessette (piano)

Strauss, J, II:

Kaiser-Walzer, Op. 437

(arr. A Schoenberg)

Michel Moragues (flute), Louise Bessette (piano), Paul Meyer (clarinet)

Rosen aus dem Süden, Op. 388

(arr. A Schoenberg)

Louise Bessette (piano), Hakon Austbo (harmonium)


Naive - MO782160

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Mahler: Totenfeier & Lieder eines fahrenden Gesellen

Mahler: Totenfeier & Lieder eines fahrenden Gesellen


Mahler:

Totenfeier

Lieder eines fahrenden Gesellen (4 songs, complete)


In this live recording from the Royal Festival Hall the OAE shines its musical torch into the realms of some later repertoire, shedding new light on the music of Mahler. Conducted by Principal Artist Vladimir Jurowski, this CD includes Mahler’s 'Lieder eines fahrenden Gesellen' (Songs of a Wayfarer), written in the wake of an unhappy affair with a soprano, and the extraordinarily exciting and powerful 'Totenfeier', Mahler’s first foray into orchestral music, and later reworked into the opening movement of his second symphony.

“rich, ardent singing of Mahler’s Lieder eines fahrenden Gesellen.” The Times, 29th September 2012 ***

“[Totenfeier is] an intriguing piece, rendered here with typical panache by the Orchestra of The Age of Enlightenment, and accompanied by Sarah Connolly's poised delivery of Mahler's four "Lieder eines fahrenden Gesellen".” The Independent, 3rd November 2012 ***

“Jurowski’s wonderful orchestra play like angels, the narrow-bore brass incredibly present but never strident. Jurowski also understands the Mahler idiom, with elegant, restrained string portamenti in the work’s reflective moments. Magical. And so is Sarah Connolly’s vocal in the Lieder eines Fahrenden Gesellen, her voice perfectly attuned to the colours made by the OAE’s winds.” The Arts Desk, 17th November 2012

“The OAE's period instruments emphasise [Totenfeier]'s rawness, just as they point up the anguished detail of the accompaniments to the Lieder eines Fahrenden Gesellen, in which mezzo Sarah Connolly allows the words and Mahler's treatment of them to speak for themselves, without unnecessary gilding.” The Guardian, 22nd November 2012 ****

“While Connolly's dark vocal hues fully convey Mahler's melancholy, her singing offers few of the glimpses of joy that ultimately makes the music far more tragic. Beyond that, however, the OAE provide seomthing all too rare in the Mahler catalogue...this is a recognisable portrait of Mahler as a young man, rather than an elder composer of 10 symphonies looking backwards.” Gramophone Magazine, December 2012

“The sound of even so vast an array of period instruments in full cry is slimmer than a modern orchestra but it has a clarity and visceral impact in this live recording that is startlingly effective...[Connolly] is very fine indeed, sailing effortlessly into her upper register but always with a rich and creamy sound” International Record Review, December 2012

“Jurowski brings Mahler's tragic worlds - both cosmic and human - alive with incomparable vividness...Details leaps out in the fine balance of the Wayfarer Songs, too. Sarah Connolly holds her own against the orchestra's briefly raised voice here...but finds all the introspection Mahler could wish for as bright morning ebbs away in the second song.” BBC Music Magazine, January 2013 *****

Signum Orchestra of the Age of Enlightenment - SIGCD259

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Schumann: Kerner Lieder Op. 35

Schumann: Kerner Lieder Op. 35

plus songs by Wolf, Korngold & Mahler


Korngold:

Abschiedslieder (Songs of Farewell), Op. 14

Mahler:

Um schlimme Kinder artig zu machen (Lieder und Gesänge aus der Jugendzeit)

Erinnerung (Lieder und Gesänge aus der Jugendzeit)

Ich ging mit Lust (Lieder und Gesänge aus der Jugendzeit)

Aus! Aus! (Lieder und Gesänge aus der Jugendzeit)

Schumann:

Gedichte (12) von Justinus Kerner Op. 35

Wolf, H:

Italienisches Liederbuch (selection)


Roderick Williams (baritone) & Helmut Deutsch (piano)

Described by Opera magazine as ‘Britain’s best baritone’, London-born Roderick Williams and leading pianist Helmut Deutsch perform an atmospheric Liederabend, featuring some of the most inspiring German songs of the 19th century. Immersing himself in the great range of moods portrayed through his programme, from the celebratory outpouring of praise in Wolf’s ‘Gesegnet sei, durch den die Welt entstund’ to the sorrowful resignation to heartbreak in Schumann’s ‘Alte Leute’, Williams’s dramatic narrations are emotionally engaging throughout. Complemented by Deutsch’s superlative pianism, this recording is unforgettably poignant – a ‘must have’ for lovers of Lieder.

“the sense of a wondering fragile sensibility is communicated to us through his characteristic loving attention to words - and to the presence of his audience. This intimacy of communication and word-liveliness also makes bright vignettes of six love songs, sacred and profane, from Hugo Wolf's Italian Songbook...Williams and Deutsch are alert to every quicksilver mood-change.” BBC Music Magazine, January 2013 ****

“Williams gives consistent pleasure with his rounded high baritone and unexaggerated response to mood and character...Fading into reverie, the Kerner songs are a brave choice to end a recital. But Williams vindicates it with his blanched pianissimo, a wounded, disenchanted spirit withdrawing from the world.” Gramophone Magazine, February 2013

“you can tell that he’s taken considerable trouble to study the poetry and to understand it so that he puts it across to his audience with exceptional intelligence. He also characterises the texts very well indeed..throughout this recital Roderick Williams’s use of his top register is quite superb...This is a marvellous, deeply satisfying lieder recital and we should be thankful that it’s been preserved on disc for a wide audience to savour.” MusicWeb International, December 2012

Wigmore Hall Live - WHLIVE0055

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Kathleen Ferrier: When the Voice Finds Wings to Fly

Kathleen Ferrier: When the Voice Finds Wings to Fly


 

Folk Songs

Phyllis Spurr (piano), John Newmark (piano), Frederick Stone (piano)

Bach, J S:

St Matthew Passion, BWV244 (excerpts)

Elsie Suddaby (soprano), Kathleen Ferrier (contralto), Eric Greene (tenor), William Parsons (bass)

The Bach Choir, The Jacques Orchestra, Reginald Jacques

Mass in B minor, BWV232: Qui sedes ad dexteram Patris

London Philharmonic Orchestra, Sir Adrian Boult

Mass in B minor, BWV232: Agnus Dei

London Philharmonic Orchestra, Sir Adrian Boult

St John Passion, BWV245: Es ist vollbracht

sung in English as 'All is fulfilled'

London Philharmonic Orchestra, Sir Adrian Boult

St Matthew Passion, BWV244: Buss und Reu

sung in English as 'Grief for Sin'

London Philharmonic Orchestra, Sir Adrian Boult

St Matthew Passion, BWV244: Erbarme dich

sung in English as 'Have mercy, Lord'

National Symphony Orchestra, Malcolm Sargent

Aria No. 10 "Ah Tarry Yet" from Cantata BWV11

The Jacques Orchestra, Reginald Jacques

Brahms:

Two songs for contralto with viola obbligato, Op. 91

Phyllis Spurr (piano), Max Gilbert (viola)

Gluck:

Orfeo ed Euridice - abridged version

Ann Ayars, Zoë Vlachopoulos (sopranos)

Southern Philharmonic Orchestra, Glyndebourne Festival Chorus, Fritz Stiedry

Greene, M:

O praise the Lord

Gerald Moore (piano)

I will lay me down in peace

Gerald Moore (piano)

Handel:

Frondi tenere e belle ... Ombra mai fù (from Serse)

London Symphony Orchestra, Malcolm Sargent

Art thou troubled? (from Rodelinda)

London Symphony Orchestra, Malcolm Sargent

Spring is coming (from Ottone)

Gerald Moore (piano)

Come to me, soothing sleep (from Ottone)

Gerald Moore (piano)

Samson: Return, O God of hosts

London Philharmonic Orchestra

Messiah: O thou that tellest good tidings to Zion

London Philharmonic Orchestra

Judas Maccabaeus: Father of Heaven

London Philharmonic Orchestra

Messiah: He was despised

London Philharmonic Orchestra

Mahler:

Das Lied von der Erde

Julius Patzak (tenor)

Wiener Philharmoniker, Bruno Walter

Kindertotenlieder

Wiener Philharmoniker, Bruno Walter

Ich bin der Welt abhanden gekommen (Rückert-Lieder)

Ich atmet' einen linden Duft (Rückert-Lieder)

Um Mitternacht (Rückert-Lieder)

Wiener Philharmoniker, Bruno Walter

Pergolesi:

Stabat Mater

The Boyd Neel Orchestra, Boyd Neel

Purcell:

Sound the trumpet, beat the drum, Z335

London Symphony Orchestra, Malcolm Sargent

Let us Wander not Unseen (based on music from The Indian Queen, Z630)

London Symphony Orchestra, Malcolm Sargent

Shepherd, shepherd, leave decoying (from King Arthur, Z628)

London Symphony Orchestra, Malcolm Sargent

Schubert:

Gretchen am Spinnrade, D118

An die Musik D547

Die junge Nonne, D828

Der Musensohn, D764 (Goethe)

Phyllis Spurr (piano)

Schumann:

Frauenliebe und -leben, Op. 42

John Newmark (piano)

Volksliedchen, Op. 51 No. 2

Widmung, Op. 25 No. 1

John Newmark (piano)

Stanford:

A soft day

The Fairy Lough Op. 77 No. 2, from An Irish Idyll in Six Miniatures (1901)

Vaughan Williams:

Silent Noon

Wolf, H:

Verborgenheit (No. 12 from Mörike-Lieder)

Der Gärtner (No. 17 from Mörike-Lieder)

Auf ein altes Bild (No. 23 from Mörike-Lieder)

Auf einer Wanderung (No. 15 from Mörike-Lieder)

Phyllis Spurr (piano)


Kathleen Ferrier (contralto)

The centenary of the birth of the extraordinary British contralto Kathleen Ferrier, a singer who became a legend after her untimely death in 1952, is marked by a 10-CD set on the Documents label. These recordings from her all-too-short career present an outstanding artist who with her inspired singing and her legendary, darkly warm timbre achieved immortality.

Many of the recordings featured have become benchmarks, in particular her interpretations of Mahler’s Das Lied von der Erde and Kindertotenlieder. Her Brahms, Schubert, Schumann and Wolf are evidence that she was a great Lied singer. The set also includes sacred works by Pergolesi, Handel and Bach, together with a complete recording of Gluck’s opera Orfeo ed Euridice, as well as her wonderful interpretations of the traditional songs of her native country, sung with lightness of touch and devotion in equal measure.

“It’s somewhat of a mish-mash of a collection yet gives a good idea of the breadth of Ferrier’s repertoire at an inexpensive price...Those who are testing the water when it comes to Kathleen Ferrier might be at a loss without any background information to put her into context as Britain’s greatest lyric contralto of the twentieth century but on the other hand the voice ‘says’ it all.” MusicWeb International, November 2012

Documents - 233590

(CD - 10 discs)

$23.00

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Georg Solti: Charisma and Vitality

Georg Solti: Charisma and Vitality


Bartók:

Music for Strings, Percussion & Celesta, BB 114, Sz. 106

London Philharmonic Orchestra

Beethoven:

Violin Concerto in D major, Op. 61

Mischa Elman (violin)

London Philharmonic Orchestra

Piano Concerto No. 5 in E flat major, Op. 73 'Emperor'

Brahms:

Violin Sonata No. 1 in G major, Op. 78

Georg Kulenkampff (violin), Georg Solti (piano)

Violin Sonata No. 2 in A major, Op. 100

Georg Kulenkampff (violin), Georg Solti (piano)

Gounod:

Faust - Ballet Music

Orchestra of the Royal Opera House, Covent Garden

Mahler:

Symphony No. 1 in D major 'Titan'

Cologne Radio Symphony Orchestra

Offenbach:

Gaîté Parisienne: excerpts

arr. Manuel Rosenthal

Barcarolle (from Les Contes d'Hoffmann )

Orchestra of the Royal Opera House, Covent Garden

Ponchielli:

Dance of the Hours (from La Gioconda)

Orchestra of the Royal Opera House, Covent Garden

Rossini:

Semiramide Overture

Orchestra of the Royal Opera House, Covent Garden

L'Italiana in Algeri Overture

Orchestra of the Royal Opera House, Covent Garden

Schubert:

Symphony No. 5 in B flat major, D485

Israel Philharmonic Orchestra

Suppe:

Pique Dame Overture

Vienna Philharmonic Orchestra

Leichte Kavallerie Overture

Vienna Philharmonic Orchestra

Dichter und Bauer Overture

Vienna Philharmonic Orchestra

Ein Morgen, ein Mittag, ein Abend in Wien Overture

Vienna Philharmonic Orchestra

Tchaikovsky:

Serenade for strings in C major, Op. 48

Israel Philharmonic Orchestra

Verdi:

Requiem

Gré Brouwenstijn (soprano), Oralia Dominguez (mezzo), ²Giuseppe Zampieri (tenor), Nicola Zaccaria (bass)

Cologne Radio Symphony Orchestra, Cologne Radio Chorus


This 10-CD collection featuring the legendary Sir Georg Solti consists of early recordings in which he appears not only as the conductor of some of the great orchestras of the world, but also as a pianist and chamber musician. The repertoire presented reflects his enormous versatility, beginning with Rossini, Offenbach and Suppé, and moving on through Beethoven, Brahms, Schubert, Tchaikovsky, Mahler, and Bartók. The set concludes with a splendid live recording of a performance of Verdi’s Requiem given in 1958.

“Solti's way with the Schubert symphony is musical, but favours Classical severity rather than Viennese geniality...It's the "legit" mono recordings that prove the most informative, if not always the best.” MusicWeb International, 25th September 2013

Documents - 233588

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$23.00

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