Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Domingo Romantic Arias
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| |  | Cecilia Bartoli: Sospiri (Prestige Edition)
Bach, J S: | Mass in B minor, BWV232: Kyrie eleison Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | Bellini: | Ah, non credea mirarti (from La Sonnambula) with Juan Diego Flórez Orchestra La Scintilla, Alessandro de Marchi Casta Diva (from Norma) | Caldara: | Quel buon pastor son io | Duruflé: | Requiem, Op. 9: Pie Jesu Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | Fauré: | Requiem: Pie Jesu Orchestra dell'Accademia Nazionale di Santa Cecilia & Coro dell'Accademia Nazionale Di Santa Cecilia, Myung-Whun Chung | Franck, C: | Panis Angelicus with Cinzia Maurizio, Luigi Piovano & Daniele Rossi | Giacomelli: | Sposa non mi conosci (from Merope) | Gounod: | Ave Maria Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | Handel: | Ombra mai fu (from Serse) Lascia la spina (from Il Trionfo del Tempo e del Disinganno) Les Musiciens du Louvre, Marc Minkowski | Mascagni: | Tutto tace with Luciano Pavarotti London Voices & Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | Mendelssohn: | Infelice | Mozart: | Voi che sapete (from Le nozze di Figaro - Vienna version) Wiener Philharmoniker, Claudio Abbado La ci darem la mano (from Don Giovanni) with Bryn Terfel Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung Vesperae Solennes de Confessore, K339: Laudate Dominum Coro dell'Accademia Nazionale Di Santa Cecilia & Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | Persiani: | Cari Giorni Orchestra La Scintilla, Adam Fischer | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) International Chamber Soloists & Orchestra La Scintilla, Adam Fischer Fac, ut portem Christi mortem from Stabat Mater Wiener Philharmoniker, Myung-Whun Chung | Vinci, Leonardo: | Cervo in bosco (from Il Medo) Il Giardino Armonico, Giovanni Antonini | Vivaldi: | Gelido in ogni vena (from Il Farnace, RV711) Il Giardino Armonico, Giovanni Antonini |
Cecilia Bartoli is loved the world over for vocal fireworks and spectacular coloratura, but she is also adored for her spine-tingling pianissimi and her ability to shape endless, velvety phrases. For the first time, this product will focus on the irresistibly sensual side of Cecilia Bartoli's art. It has been conceived as a popular “mood” or lifestyle compilation — presenting quieter arias showcasing Cecilia's vocal beauty, sensuality and emotion. “Sospiri” is designed to present this most accessible aspect of Cecilia Bartoli's art to the broadest popular-classical market. “Sospiri” will contain favourite arias by Mozart and Handel, bel canto jewels by Bellini and Rossini and treasures by Vivaldi as well as music which Cecilia Bartoli has “rediscovered” on her recent record-breaking solo albums. For Cecilia’s existing fans, the Prestige Edition includes a previously unreleased aria and world premiere recording of Vinci’s Cervo in bosco, one of Farinelli’s calling-card arias. Both formats include a new interpretation of Rosina's aria Una voce poco fa, from Il Barbiere di Siviglia - the dazzling aria of young love, the role in which Cecilia Bartoli first shot to international stardom. She infuses this new interpretation with all her knowledge of the baroque and classical tradition on which Rossini’s music was founded, her experience of period practice and critical reading of the manuscripts, together with a playfulness and variety of colors which she has acquired over the years. On this track recorded during the Maria sessions Cecilia Bartoli is accompanied by a fantastic period practice orchestra, Orchestra La Scintilla. The Prestige Edition also includes several duets, two popular ones: Mozart’s Là ci darem la mano with Bryn Terfel and Mascagni’s Tutto tace (Cherry duet) with Luciano Pavarotti and features a very original one with Maxim Vengerov: Mendelssohn’s Ah, ritorna, an excerpt from the rarely performed concert aria Infelice! This beautiful album will be available in two CD formats. 2CD Prestige Edition (NOT limited edition) in luxurious gift packaging; includes a special bonus CD showcasing earlier recordings of Cecilia Bartoli with best-loved sacred classics by Bach, Mozart, Fauré and more. This bonus Sacred Arias CD is a real rarity in the discography of Cecilia Bartoli, and it makes the 2CD Prestige Edition a MUST HAVE item for the gift season “she attacks the music with punch and personality. The pieces have been well-chosen to demonstrate her extraordinary range...Even if she plays second fiddle to Pavarotti in the Cherry Duet from Mascagni's L'amico Fritz, she distinguishes herself here, too” BBC Music Magazine, January 2011 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Giuseppe di Stefano
Bellini: | I Puritani Mexico City, 29th May 1952 Giuseppe di Stefano (Arturo), Maria Callas (Elvira), Piero Campolonghi (Riccardo), Roberto Silva (Giorgio) Orchestra & Chorus of the Teatro de Bellas Artes, Guido Picco | Donizetti: | Lucia di Lammermoor Berlin, 29th September 1955 Giuseppe di Stefano (Edgardo), Maria Callas (Lucia), Rolando Panerai (Enrico) La Scala Chorus & RAIS Symphony Orchestra, Berlin, Herbert von Karajan | Giordano, U: | Fedora Naples, 14th December 1961 Giuseppe di Stefano (Loris), Renata Tebaldi (Fedora), Mario Sereni (De Siriex), Sofia Mizzetti (Olga) Orchestra & Chorus of the Teatro San Carlo, Naples, Arturo Basile | Mascagni: | Cavalleria Rusticana Milan, 10th May 1955 Giuseppe di Stefano (Turiddu), Giulietta Simionato (Santuzza), Giangiacomo Guelfi (Alfio) Orchestra & Chorus of La Scala Milan, Antonino Votto | Puccini: | Turandot Milan, 7th December 1958 Giuseppe di Stefano (Calaf), Birgit Nilsson (Turandot), Rosanna Cartieri (Liu), Giuseppi Modesti (Timur) Orchestra & Chorus of La Scala Milan, Antonino Votto Tosca Milan, 12th December 1959 Giuseppe di Stefano (Cavaradossi), Renata Tebaldi (Tosca), Tito Gobbi (Scarpia), Nicola Zaccaria (Angelotti) Orchestra & Chorus of La Scala Milan, Gianandrea Gavazzeni | Verdi: | Rigoletto Mexico City, 17th June 1952 Giuseppe di Stefano (Duke), Maria Callas (Gilda), Piero Compolonghi (Rigoletto), Ignacio Ruffino (Sparafucile) Orchestra & Chorus of the Teatro de Bellas Artes, Humberto Mugnai |
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| |  | Jussi Björling LiveBroadcast Concerts 1937-1960
Adam: | O Holy Night Recorded 20th December 1954 | Alfvén: | Skogen sover, Op. 28 No. 6 Recorded 11th April 1949 Jag längtar dig (Text: Ernest Thiel) Recorded 5th August 1960 | Althen: | Land, du välsignade (Thou Blessed Country) Recorded 12th May 1946 Land, du välsignade (Thou Blessed Country) Recorded 25th May 1952 | Flotow: | M'appari (from Martha) Recorded 19th November 1945 | Foster, S: | I Dream of Jeanie with the Light Brown Hair Recorded 19th November 1945 I Dream of Jeanie with the Light Brown Hair Recorded 7th November 1949 | Geehl: | For You Alone Recorded 21st January 1946 For You Alone Recorded 8th January 1951 | Giordano, U: | Come un bel dì di maggio (from Andrea Chénier) Recorded 23rd October 1950 | Glover: | Rose of Tralee Recorded 12th March 1951 | Godard, B: | Cachès dans cet asile (Jocelyn) Recorded 25th March 1946; sung in English Cachès dans cet asile (Jocelyn) Recorded 11th August 1949; sung in English | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) Recorded 12th May 1946 Nuit d'hyménée from Roméo et Juliette Recorded 23rd October 1949 Anna-Lisa Björling (soprano) Nuit d'hyménée from Roméo et Juliette Recorded 30th September 1951 Bidú Sayão (soprano) Prison Scene (from Faust) Recorded 5th December 1937; Björling sings in Swedish | Grieg: | Jeg Elsker Deg, Op. 41 No. 3 Recorded 25th March 1946 | Hardelot: | Because Recorded 25th March 1946 | Herbert, V: | Neapolitan Love Song Recorded 25th March 1946 Neapolitan Love Song Recorded 4th April 1949 | Leoncavallo: | Recitar!...Vesti la giubba (from I Pagliacci) Recorded 16th February 1951 Mattinata - 'L'aurora di bianco vestita' Recorded 15th March 1948 Recitar!...Vesti la giubba (from I Pagliacci) Recorded 12th March 1951 | Mascagni: | Addio alla madre (from Cavalleria Rusticana) Recorded 4th April 1949 | Massenet: | Instant charmant … En fermant les yeux (from Manon) Recorded 19th November 1945 Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Recorded 23rd October 1949 Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Recorded 15th March 1948 Instant charmant … En fermant les yeux (from Manon) Recorded 8th January 1951 | Meyerbeer: | Pays merveilleux... Ô paradis (from L'Africaine) Recorded 23rd October 1950 Pays merveilleux... Ô paradis (from L'Africaine) Recorded 5th December 1937 | Millöcker: | Ich hab' kein Geld, bin vogelfrei (from Der Bettelstudent) Recorded 25th May 1952; sung in Swedish | Morgan, O: | Clorinda Recorded 15th March 1948 | Nordqvist: | Till havs (Towards the Sea) Recorded 20th December 1954 | Peterson-Berger: | Jungfrun under lind (Ernst von der Recke) Recorded 12th May 1946 Jungfrun under lind (Ernst von der Recke) Recorded 11th April 1949 Jungfrun under lind (Ernst von der Recke) Recorded 8th January 1951 När jag för mig själv (When I Walk by Myself) Recorded 20th December 1954 | Ponchielli: | Cielo e mar! (from La Gioconda) Recorded 30th September 1951 | Puccini: | O soave fanciulla (from La Bohème) Recorded 25th September 1949 Licia Albanese (soprano) Che gelida manina (from La Bohème) Recorded 23rd October 1949 O soave fanciulla (from La Bohème) Recorded 23rd October 1949 Anna-Lisa Björling (soprano) E lucevan le stelle (from Tosca) Recorded 30th September 1951 Che gelida manina (from La Bohème) Recorded 7th November 1949 Donna non vidi mai (from Manon Lescaut) Recorded 8th January 1951 O sventata, sventata (from La Bohème) Recorded 30th January 1956 Che gelida manina (from La Bohème) Recorded 30th January 1956 Si, mi chiamano Mimi (from La Bohème) Recorded 30th January 1956 O soave fanciulla (from La Bohème) Recorded 30th January 1956 Renata Tebaldi (soprano) Recondita armonia (from Tosca) Recorded 5th December 1937 | Rachmaninov: | Lilacs, Op. 21 No. 5 Recorded 15th March 1948 V molchanii nochi taynoy, Op. 4 No. 3 Recorded 23rd October 1950 | Rangström: | Tristans död Recorded 11th April 1949 | Romberg, S: | Will You Remember (from Maytime) Recorded 21st January 1946 | Schubert: | An Sylvia, D891 sung in English; recorded 19th November 1945 Ständchen 'Leise flehen meine Lieder', D957 No. 4 Recorded 4th April 1949 | Sjögren: | I drömmen du är mig nära Recorded 11th April 1949 | Söderman: | Trollsjön Recorded 11th April 1949 Trollsjön Recorded 25th May 1952 | Strauss, R: | Ständchen, Op. 17 No. 2 Recorded 7th November 1949 Zueignung, Op. 10 No. 1 Recorded 23rd October 1950 | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) Recorded 5th August 1960; sung in Swedish | Tosti: | L'alba separa dalla luce l'ombra Recorded 30th September 1951 L'alba separa dalla luce l'ombra Recorded 11th April 1949 | Verdi: | Quel suon…Ah! Che la morte ognora (from Il Trovatore) Recorded 21st January 1946 Eleanor Steber (soprano) Solenne in quest'ora (from La Forza del Destino) Recorded 5th December 1937 Se quel guerrier io fossi!…Celeste Aida (from Aida) Recorded 12th March 1951 Celeste Aida (from Aida) Recorded 12th March 1951 | Wagner: | In fernem Land (from Lohengrin) Recorded 20th December 1954 In fernem Land (from Lohengrin) Recorded 5th August 1960; sung in Swedish |
This month is an excellent one for Björling fans. This collection is a treasury of rare performances from the US and Sweden and includes previously unreleased material. There is commentary and interviews, as well as Art and popular songs, Arias and duets and there are many guest artists such as Licia Albanese, Anna Lisa Björling and Renata Tebaldi. “Björling recorded [Lensky's aria] many times but never, I think, so poignantly as here. As a prologue to this year's centenary celebrations the album is a worthy offering and this track an especially moving example of the great tenor's art at its best.” Gramophone Magazine, March 2011 | | | Usually despatched in 2 - 3 working days. |
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| |  | Jonas Kaufmann: Verismo Arias
Jonas Kaufmann returns to the Italian verismo tradition to sing arias that define opera’s most passionate and vulnerable leading men. Kaufmann’s international reputation is soaring as, going from strength to strength, he delivers consistently thrilling performances. The onyx-dark beauty of his tone and the refinement and unexpected insights of his delivery mark Jonas Kaufmann a poet of tenors. Timed for release when he makes his anticipated role debut as Maurizio in Adriana Lecouvreur at Covent Garden opposite Angela Gheorghiu, this disc includes excerpts from the Cilea work that helped put Caruso on the map. This album also entices with rarities from Zandonai’s dramatic Giulietta e Romeo and Puccini’s Le Villi. Supporting Jonas Kaufmann is Italy’s leading symphonic orchestra, the Accademia Nazionale di Santa Cecilia, under its dynamic music director Antonio Pappano. Both maestro and orchestra are utterly at home in this repertoire. “One might think the musicianship of the tenor Jonas Kaufmann would be wasted on the frankly third-rate music of the verismo composers. But given his emotional commitment and powerful middle register, this recital proves an irresistible outpouring of melodrama” The Telegraph, 22nd October 2010 **** “Italian repertoire now, is it? Given the prodigious gifts of the German tenor Jonas Kaufmann we shouldn’t be too surprised. But there’s still considerable novelty as that darkly lustrous voice plunges headlong into anguish...Fluent in Italian, Kaufmann is equally at ease navigating the arias’ vocal and emotional tempests.” The Times, 8th October 2010 “Kaufmann sings Giordano (“Come un bel dì di maggio”), Leoncavallo (“Vesti la giubba”), Mascagni (“Mamma!”) and others with lusty good taste” Financial Times, 23rd October 2010 *** “...there is rare sensitivity to the words in his Lamento di Federico (Cilea’s L’Arlesiana) and Turiddu’s Mamma, quel vino è generoso (Mascagni’s Cavalleria Rusticana). The best news is Kaufmann’s thrilling Andrea Chénier (Giordano): a gripping Improviso is followed by a soaring Come un bel dì di maggio” Sunday Times, 24th October 2010 **** “The accompaniments are special..[Pappano] is hugely alert to detail, weighting and what's happening on the imaginary stage around the singer...Kaufmann has entered this world most completely. His Italian is good, as are his desire and ability to project clearly differentiated characters. He is never afraid to sing softly...and there is plenty of power when needed.” Gramophone Magazine, December 2010 “Not only does Kaufmann have a fine voice but he knows how to use it: admirable technique, interpretative ability and much intelligence when it comes to changes of colour, gradations of tone and weight and the willingness to sing softly. There is nothing monochromatic about his performances” International Record Review, November 2010 “This is a wonderful disc, the most exciting and enterprising operatic recital I have heard for a very long time...Kaufmann has everything, and at the age of 40 his voice may well be in its finest shape. He brings a Classical training to these arias, and yet he doesn't in any degree stint on the passion.” BBC Music Magazine, Christmas 2010 ***** “The only really well-known pieces are those from Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci, which Kaufmann delivers with the same directness and perfectly judged musicality that he uses for the far less familiar ones. The colour, the elegance and the sheer beauty of tone in his singing are truly exceptional” The Guardian, 16th December 2010 ***** “It seems he really is able to do anything: his rich, dark-hued tenor lends itself to dramatic singing (a raging, heartbroken 'Vesti la giubba'), yet he can also caress a pianissimo vocal line and float exquisite top notes (Cilea's Lamento di Federico)...The other stars of the disc are Pappano and his Santa Cecilia orchestra who perfectly capture the music's passionate, glowing ebb and flow.” Classic FM Magazine, February 2011 ***** “a brave, dedicated and altogether arresting piece of work...a series of steps in unfamiliar directions, taken boldly and with complete confidence and conviction... the sheer originality, versatility and freshness-the excellence-of what Kaufmann creates in every piece demands from the listener a comparable willingness to bring fresh ears to the listening.” Opera BBC Music Magazine
Opera Choice - December 2010 |
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| |  | Glorious JohnAnniversary Set
Bach, J S: | Sheep May Safely Graze, from Cantata BWV208 (arr: Barbirolli). 1969 Hallé Orchestra | Balfe: | The Bohemian Girl overture 1933 Symphony Orchestra | Biene: | The Broken Melody 1911 John Barbirolli (cello) | Collins, A: | Sir Andrew and Sir Toby - Overture 22 March 1942, ‘live’ in Carnegie Hall, New York | Delius: | The Walk to the Paradise Garden 20 August 1947 ‘live’ in the Festspielhaus, Salzburg Vienna Philharmonic Orchestra | Falla: | Seguidilla murciana (No. 2 from Siete canciones populares españolas) (arr: Halffter). 1957 Marina de Gabarain | Grieg: | Lyric Pieces Op. 57: No. 4 - Secret (arr: Barbirolli). 1953 Hallé Orchestra | Lehár: | Gold und Silber Walzer, Op. 79 1966 Hallé Orchestra | Mascagni: | Santuzza’s Aria from Cavalleria Rusticana 1927 Lilian Stiles-Allen | Mozart: | String Quartet No. 16 in E flat, K428 1925 Cassation K63 1950 Hallé Orchestra Divertimento No. 11 in D major, K251 1952 Hallé Orchestra | Puccini: | Tre sbirri...Una carozza...Presto 'Te Deum' (from Tosca) 1929 Giovanni Inghilleri | Saint-Saëns: | Wedding Cake - Valse-Caprice for piano & strings, Op. 76 1932 Yvonne Arnaud | Strauss, J, II: | Die Fledermaus: Bruderlein und Schwesterlein 1930 | Stravinsky: | Concerto in D for string orchestra 'Basler' 1948 Hallé Orchestra | Verdi: | Niun mi tema (from Otello) 1928 Renato Zanelli | Villa-Lobos: | Bachianas Brasileiras No. 4 for piano or orchestra 1955 Hallé Orchestra | Weber: | Euryanthe Overture | Weinberger: | Christmas 24 December 1939, ‘live’ in Carnegie Hall, New York New York Philharmonic Orchestra |
plus: REHEARSAL SEQUENCE BERLIOZ The Damnation of Faust, op.24 • Hallé Orchestra 1957 INTERVIEW Sir John Barbirolli and R. Kinloch Anderson The complete interview, recorded by EMI – 1964
This 2-CD set marks the 40th anniversary of the death of Sir John Barbirolli (1899-1970) and features recordings ranging from boy cellist in 1911 to international conductor 1969 – in both ‘live’ and studio recordings. John Barbirolli was born in Southampton Row, Bloomsbury, on 2 December 1899, a Cockney as he proudly boasted. Or, to be accurate, Giovanni Battista Barbirolli was born, son of an Italian émigré violinist and his French wife. English-born with Italo-French parentage – a wonderful pedigree for a musician. And so it proved, for he conducted Elgar, Verdi and Debussy, Vaughan Williams, Puccini and Ravel, with equal sensitivity and perception and intuition. This album of recordings forms a kind of musical biography; and Michael Kennedy’s notes (with many rare photos) trace that life alongside the recordings. A special bonus is the 1947 Austrian Radio recording of two works, Weber’s Euryanthe overture and Delius’s Walk to the Paradise Garden, from the Salzburg Festival concert on 20 August at which he conducted the Vienna Philharmonic. Was this, Michael Kenneday asks, the first time this orchestra had played the Delius? Two rare mementos of the New York period are included in this album. Anthony Collins had long been a friend of Barbirolli (they played in the LSO together) and worked in the USA from 1936 to 1945 and his Sir Toby and Sir Andrew, based on the two comic characters in Twelfth Night, is an example of his overlooked talent. Another composer almost forgotten today is the Czech-born Jaromir Weinberger whose opera Schwanda the Bagpiper enjoyed inter-war popularity. His Christmas for organ and orchestra was composed in 1929. In 1939 he dedicated his Variations and Fugue on an old English tune, ‘Under the Spreading Chestnut Tree’ to Barbirolli and the New York Philharmonic. | | | Usually despatched in 4 - 5 working days. |
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| |  | Claudio Muzio
Claudio Muzio was an Italian soprano whose singing exuded a rarely heard and deeply moving emotionalism and urgent abandon. This collection features some of her famous Columbia recordings from 1934 and 1935 including works by Verdi, Puccini, Cilea and Bellini. | | | Usually despatched in 2 - 3 working days. |
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| |  | Marc Hervieux: Tenor Arias
Marc Hervieux delivers superb renditions of favourite Italian arias on this blockbuster ATMA recording. After the extraordinary success of Le Premier Noël (ATMA’s best selling CD in 2009), Hervieux presents his second CD on the ATMA label. This CD is devoted to the the most beautiful arias by Puccini, Verdi, Mascagni and Leoncavallo. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Heroes & Villains: Opera's Leading Men
Bizet: | Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) La fleur que tu m'avais jetée (from Carmen) Au fond du temple saint (from Les Pêcheurs de Perles) | Donizetti: | Quanto è bella, quanto è cara! (from L'Elisir d'amore) Una furtiva lagrima (from L'elisir d'amore) | Giordano, U: | Come un bel dì di maggio (from Andrea Chénier) | Gounod: | Le veau d'or est toujours debout (from Faust) Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) | Leoncavallo: | Vesti la giubba (from I Pagliacci) | Mascagni: | O Lola, ch'ai di latti la cammisa (from Cavalleria Rusticana) | Massenet: | Pourquoi me reveiller (from Werther) | Mozart: | Fin ch'han dal vino (from Don Giovanni) Deh! vieni alla finestra (from Don Giovanni) Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) O Isis und Osiris, schenket (from Die Zauberflöte) Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Vedro mentr'io sospiro (from Le nozze di Figaro) | Ponchielli: | Cielo e mar! (from La Gioconda) | Puccini: | Che gelida manina (from La Bohème) In un Coupe?...O Mimi, tu piu non torni (from La Bohème) E lucevan le stelle (from Tosca) Tre sbirri...Una carozza...Presto 'Te Deum' (from Tosca) Donna non vidi mai (from Manon Lescaut) Nessun dorma (from Turandot) | Verdi: | La donna è mobile (from Rigoletto) Questa o quella (from Rigoletto) Alzati…Eri tu che macchiavi quell'anima (from Un Ballo in Maschera) Dio, che nell'alma infondere (from Don Carlo) O Carlo, ascolta (from Don Carlo) Di quella pira (from Il trovatore) De' miei bollenti spiriti (from La traviata) Di provenza il mar (from La Traviata) Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello) Niun mi tema (from Otello) La rivedrà nell'estasi (from Un ballo in maschera) | Wagner: | In fernem Land (from Lohengrin) Morgenlich leuchtend im rosigen Schein 'Prize Song' (from Die Meistersinger von Nürnberg) O du, mein holder Abendstern (from Tannhäuser) |
Featuring Roberto Alagna, Thomas Allen, Francisco Araiza, Carlo Bergonzi, José Carreras, José Cura, Plácido Domingo, Dietrich Fischer-Dieskau, Nicolai Ghiaurov, Ben Heppner, Jonas Kaufmann, Luciano Pavarotti, Samuel Ramey, Bryn Terfel, Ingvar Wixell, José Van Dam & Rolando Villazón The biggest stars seize centre stage to sing the greatest scenes and arias of opera’s heroes and villains. This is a compilation of the calibre which only Decca and DG can offer. With 147 minutes of music, it offers remarkable value too. 2 CDs for the price of 1. | | | Usually despatched in 2 - 3 working days. |
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| |  | Opera’s Greatest Choruses
Opera Queensland Chorus & Queensland Orchestra, Johannes Fritzsch & Richard Lewis This collection includes favourites such as Verdi’s Anvil Chorus and Chorus of the Hebrew Slaves and Mascagni’s Easter Hymn. A great selection for anyone dipping their toes into opera. | | | Usually despatched in 2 - 3 working days. |
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