Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Kathleen Ferrier: The Complete Decca RecordingsCentenary Edition
Bach, J S: | St Matthew Passion, BWV244 (excerpts) ed. Elgar and Atkins; transl. Troutbeck and Johnson Elsie Suddaby (soprano), Kathleen Ferrier (contralto), Eric Greene (tenor), William Parsons (baritone), Osborne Peasgood (organ), Thornton Lofthouse (harpsichord) The Bach Choir, The Jacques Orchestra, Reginald Jacques Cantata BWV67 'Halt im Gedächtnis Jesum Christ' Ena Mitchell (soprano), William Herbert (tenor), William Parsons (bass),
Thornton Lofthouse (harpsichord continuo), Wilfred Parry (piano) The Jacques Orchestra, The Cantata Singers, Reginald Jacques Ascension Oratorio 'Lobet Gott in seinen Reichen', BWV11 Ena Mitchell (soprano), William Herbert (tenor), William Parsons (bass),
Thornton Lofthouse (harpsichord continuo), Wilfred Parry (piano) The Jacques Orchestra, The Cantata Singers, Reginald Jacques Erbarm' dich mein, o Herre gott, BWV305 sung in English as 'Have mercy, Lord' David McCallum (violin) National Symphony Orchestra, Malcolm Sargent Vergiss mein nicht, BWV505 Millicent Silver (harpsichord) Ach, dass nicht die letze Stunde BWV439 Millicent Silver (harpsichord) Bist du bei mir, BWV508 John Newmark (piano) Mass in B minor, BWV232: Qui sedes ad dexteram Patris Michael Dobson (oboe d’amore) St Matthew Passion, BWV244: Buss und Reu sung in English as 'Grief for sin' London Philharmonic Orchestra, Sir Adrian Boult St John Passion, BWV245: Es ist vollbracht sung in English as 'All is fulfilled' Ambrose Gauntlett (viola da gamba) London Philharmonic Orchestra, Sir Adrian Boult Mass in B minor, BWV232: Agnus Dei Basil Lam (harpsichord continuo) London Philharmonic Orchestra, Sir Adrian Boult | Brahms: | Sapphische Ode, Op. 94 No. 4 Phyllis Spurr (piano) Botschaft, Op. 47 No. 1 Phyllis Spurr (piano) Vier ernste Gesänge, Op. 121 orch. Sargent; transl. England BBC Symphony Orchestra, Sir Malcolm Sargent Alto Rhapsody, Op. 53 London Philharmonic Orchestra, London Philharmonic Choir (men’s voices), Clemens Krauss Two songs for contralto with viola obbligato, Op. 91 Phyllis Spurr (piano), Max Gilbert (viola) Liebeslieder-Walzer, Op. 52 Irmgard Seefried (soprano), Julius Patzak (tenor), Horst Günter (bass-baritone)
(Clifford Curzon, Hans Gál piano duet) Immer leiser wird mein Schlummer, Op. 105 No. 2 Bruno Walter (piano) Der Tod, das ist die kühle Nacht, Op. 96 No. 1 Bruno Walter (piano) Botschaft, Op. 47 No. 1 Bruno Walter (piano) Von ewiger Liebe, Op. 43 No. 1 Bruno Walter (piano) Neue Liebeslieder-Walzer, Op. 65 Irmgard Seefried (soprano), Julius Patzak (tenor), Horst Günter (bass-baritone), Clifford Curzon, Hans Gál (piano duet) | Bridge: | Go Not, Happy Day Frederick Stone (piano) | Britten: | Spring Symphony, Op. 44 Jo Vincent (soprano), Peter Pears (tenor) Concertgebouw Orchestra, The Netherlands Radio Choir, The Boys’ Choir of St Willibrorduskerk, Rotterdam, Eduard van Beinum O Waly, Waly Frederick Stone (piano) Come ye not from Newcastle? Frederick Stone (piano) O Waly, Waly Phyllis Spurr (piano) | Chausson: | Poème de l'amour et de la mer, Op. 19 Hallé Orchestra, Sir John Barbirolli | Ferguson, H: | Discovery, Op. 13 Ernest Lush (piano) | Gluck: | Orfeo ed Euridice -abridged version Kathleen Ferrier (Orfeo), Ann Ayars (Euridice), Zoë Vlachopoulos (Amor) Southern Philharmonic Orchestra, Glyndebourne Festival Chorus, Fritz Stiedry What is life? (Orfeo ed Euridice) London Symphony Orchestra, Malcolm Sargent | Gruber, F: | Silent Night The Boyd Neel String Orchestra, Boyd Neel | Handel: | Art thou troubled? (from Rodelinda) London Symphony Orchestra, Malcolm Sargent Frondi tenere e belle ... Ombra mai fù (from Serse) London Symphony Orchestra, Malcolm Sargent Come alla tortorella langue (from Atalanta) sung in English as 'Like as the love-lorn turtle' Phyllis Spurr (piano) Cangio d'aspetto (from Admeto) sung in English as 'How changed the vision' Phyllis Spurr (piano) Samson: Return, O God of hosts Basil Lam (harpsichord continuo) London Philharmonic Orchestra, Sir Adrian Boult Messiah: O thou that tellest good tidings to Zion Basil Lam (harpsichord continuo) London Philharmonic Orchestra, Sir Adrian Boult Judas Maccabaeus: Father of Heaven Basil Lam (harpsichord continuo) London Philharmonic Orchestra, Sir Adrian Boult Messiah: He was despised Basil Lam (harpsichord continuo) London Philharmonic Orchestra, Sir Adrian Boult | Jensen, A: | Altar Phyllis Spurr (piano) | Mahler: | Symphony No. 2 in C minor 'Resurrection' Jo Vincent (soprano) Concertgebouw Orchestra, Amsterdam Tonkunst Choir, Otto Klemperer Kindertotenlieder Concertgebouw Orchestra, Otto Klemperer Das Lied von der Erde Julius Patzak (tenor) Wiener Philharmoniker, Bruno Walter Ich bin der Welt abhanden gekommen (Rückert-Lieder) Wiener Philharmoniker, Bruno Walter Ich atmet' einen linden Duft (Rückert-Lieder) Wiener Philharmoniker, Bruno Walter Um Mitternacht (Rückert-Lieder) Wiener Philharmoniker, Bruno Walter | Mendelssohn: | Elijah: Woe unto them The Boyd Neel Orchestra, Boyd Neel Elijah: O rest in the Lord The Boyd Neel Orchestra, Boyd Neel | Parry: | Love is a bable, Op. 152 No. 3 Frederick Stone (piano) | Pergolesi: | Stabat Mater Joan Taylor (soprano) Nottingham Oriana Choir, The Boyd Neel String Orchestra, Roy Henderson | Purcell: | From silent shades ('Bess of Bedlam') Z370 arr. Britten Phyllis Spurr (piano) Hark! The Echoing Air (from The Fairy Queen, Z629) Phyllis Spurr (piano) | Quilter: | Now sleeps the crimson petal, Op. 3 No. 2 (Tennyson) Phyllis Spurr (piano) The Fair House of Joy Phyllis Spurr (piano) To Daisies, Op. 8 No. 3 Phyllis Spurr (piano) Over the Mountains Phyllis Spurr (piano) Ye banks and braes Phyllis Spurr (piano) Drink to me only Phyllis Spurr (piano) | Rubbra: | Psalms (3), Op. 81 Ernest Lush (piano) | Schubert: | Gretchen am Spinnrade, D118 Phyllis Spurr (piano) Die junge Nonne, D828 Phyllis Spurr (piano) An die Musik D547 Phyllis Spurr (piano) Der Musensohn, D764 (Goethe) Phyllis Spurr (piano) Ganymed, D544 (Goethe) Benjamin Britten (piano) Du liebst mich nicht D756 (Platen) Benjamin Britten (piano) Lachen und Weinen, D777 Benjamin Britten (piano) Die junge Nonne, D828 Bruno Walter (piano) Rosamunde, D797: Romance 'Der Vollmond Strahlt auf Bergeshöh'n' Bruno Walter (piano) Du liebst mich nicht D756 (Platen) Bruno Walter (piano) Der Tod und das Mädchen, D531 Bruno Walter (piano) Suleika I, D720 Bruno Walter (piano) Du bist die Ruh D776 (Rückert) Bruno Walter (piano) | Schumann: | Frauenliebe und -leben, Op. 42 John Newmark (piano) Volksliedchen, Op. 51 No. 2 John Newmark (piano) Widmung, Op. 25 No. 1 John Newmark (piano) Frauenliebe und -leben, Op. 42 Bruno Walter (piano) | Stanford: | The Fairy Lough Op. 77 No. 2, from An Irish Idyll in Six Miniatures (1901) Frederick Stone (piano) A soft day Frederick Stone (piano) | trad.: | Kitty my love arr. Hughes Frederick Stone (piano) Ma bonny lad Phyllis Spurr (piano) The Keel Row Phyllis Spurr (piano) Blow the Wind Southerly Phyllis Spurr (piano) I have a bonnet trimmed with blue Phyllis Spurr (piano) My boy Willie Phyllis Spurr (piano) I know where I'm going Phyllis Spurr (piano) The fidgety bairn John Newmark (piano) I will walk with my love Phyllis Spurr (piano) Ca' the yowes John Newmark (piano) Willow, willow Phyllis Spurr (piano) The stuttering lovers Phyllis Spurr (piano) Have you seen but the whyte lillie grow Phyllis Spurr (piano) Down by the Salley Gardens arr. Hughes Phyllis Spurr (piano) The lover's curse Phyllis Spurr (piano) | Vaughan Williams: | Silent Noon Frederick Stone (piano) | Wade: | O come, all ye faithful The Boyd Neel String Orchestra, Boyd Neel | Warlock: | Sleep Frederick Stone (piano) Pretty Ring Time Frederick Stone (piano) | Wolf, H: | Verborgenheit (No. 12 from Mörike-Lieder) Phyllis Spurr (piano) Der Gärtner (No. 17 from Mörike-Lieder) Phyllis Spurr (piano) Auf ein altes Bild (No. 23 from Mörike-Lieder) Phyllis Spurr (piano) Auf einer Wanderung (No. 15 from Mörike-Lieder) Phyllis Spurr (piano) | Wordsworth: | Songs (3), Op. 5 Ernest Lush (piano) |
22nd April 2012 marks 100th anniversary of the birth of Kathleen Ferrier. Kathleen Ferrier was born on 22 April 1912 and died at the age of forty-one on 8 October 1953. She was an artist held in awe and affection by numerous colleagues and countless fans worldwide and her reputation is undiminished to this day. A true contralto, whose repertory encompassed English song as well as German Lieder, her recording of Mahler’s Das Lied von der Erde with the Vienna Philharmonic under Bruno Walter [and tenor Julius Patzak] is one of the most celebrated classical recordings of all time and has been a staple of the Decca catalogue since it was first released in 1952. The majority of Ferrier’s studio recordings were made for DECCA and many from broadcast sources have also been published by DECCA. On the occasion of the 100th anniversary of Kathleen Ferrier’s birth the DECCA legacy is brought together in a comprehensive 14-CD set with a bonus DVD. All the recordings have been remastered for this anniversary edition and will further demonstrate the unique qualities of this much-loved artist. Also included is 'What the Edinburgh Festival has meant to me' - a talk given by Ferrier on 11th September 1949 | | | Usually despatched in 2 - 3 working days. |
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| |  | Kathleen Ferrier: The Centenary Edition – A Tribute
Bach, J S: | St Matthew Passion, BWV244: Erbarme dich sung in English as 'Have mercy, Lord' St Matthew Passion, BWV244: Buss und Reu sung in English as 'Grief for sin' St John Passion, BWV245: Es ist vollbracht sung in English as 'All is fulfilled' Bist du bei mir, BWV508 Mass in B minor, BWV232: Qui sedes ad dexteram Patris Mass in B minor, BWV232: Agnus Dei | Brahms: | Geistliches Wiegenlied, Op. 91 No. 2 | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) Sung in English as 'What is life to me without thee?' | Handel: | Samson: Return, O God of hosts Come alla tortorella langue (from Atalanta) Sung in English as 'Like as the love-lorn turtle' Messiah: O thou that tellest good tidings to Zion Messiah: He was despised Ombra mai fu (from Serse) | Mahler: | Nun will die Sonn so hell aufgehn (Kindertotenlieder) Nun seh ich wohl, warum so dunkle Flammen (Kindertotenlieder) Oft denk' ich, sie sind nur ausgegangen (Kindertotenlieder) Ich bin der Welt abhanden gekommen (Rückert-Lieder) Um Mitternacht (Rückert-Lieder) Der Abschied (Das Lied von der Erde) | Mendelssohn: | Elijah: O rest in the Lord | Purcell: | Hark! The Echoing Air (from The Fairy Queen, Z629) | Schubert: | An die Musik D547 Gretchen am Spinnrade, D118 | trad.: | Blow the Wind Southerly Down by the Salley Gardens The Keel Row Ye Banks and Braes Drink to me only with thine eyes Ma bonny lad Come you not from Newcastle Kitty my love I know where I'm going |
In addition to the 15-disc boxed set, Decca is also presenting a 2-CD collection of Ferrier’s best-loved recordings. | | (Sorry, download not available in your country) | |
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| |  | Jana Büchner: Thoughts of Love
Lewy: | Freundschaft oder Liebe, Op. 7 | Mendelssohn: | Neue Liebe, Op. 19a No. 4 Auf Flügeln des Gesanges, Op. 34 No. 2 Andres Maienlied (‘Hexenlied') Op. 8/8 | Mendelssohn, Fanny: | Warum sind denn die Rosen so blass, Op. 1 No. 3 (Text: Heinrich Heine) Dämmrung senkte sich von oben (Text: Johann Wolfgang von Goethe) Nacht ist wie ein stilles Meer | Mozart: | Dans un bois solitaire, K308 Das Traumbild, K.530 Als Luise die Briefe, K520 Das Veilchen, K476 Fragment in E flat major, K. 307b (reconstructed by John Humphries): Allegro Abendempfindung an Laura, K523 | Schubert: | Rastlose Liebe, D138 Du bist die Ruh D776 (Rückert) Lachen und Weinen, D777 Erster Verlust, D226 (Goethe) Nähe des Geliebten, D162 Auf dem Strom, D943, Op. post. 119 Lied der Delphine, D857 No. 1 |
Jana Büchner (soprano), Hans-Pieter Fieber (horn) & Eckhart Sellheim & Britta Wideranders (piano) Jana Büchner’s selection of lieder traces the evolution of the song from Mozart and Schubert all the way through to Hensel and Mendelssohn. The works deal with the joys and sufferings of love, hence “Thoughts of Love”. Included are lieder with horn obligato and Lewy’s song (1802 - 1881) is thought to be a premiere recording. | | | Usually despatched in 2 - 3 working days. |
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| |  | The Britannic Organ Vol. 3: Music on the High Seas
Bach, J S: | Toccata & Fugue in D minor, BWV565 David Rumsey (organ) | Blaufuchs: | My Isle of Golden Dreams Hans Hauser (organ) | Bonnet: | In Memoriam - Titanic, Op. 10 No. 1 Joseph Bonnet (organ) | Chopin: | Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre': 3rd movement (Funeral March) Marco Enrico Bossi (organ) | Debussy: | Préludes - Book 1: No. 10, La cathédrale engloutie Bernard ten Cate (attributed - organ) | Dubois, T: | Toccata David Rumsey (organ) | Dvorak: | Symphony No. 9 in E minor, Op. 95 'From the New World' - Adagio - Allegro molto handmade roll (anonymous, but probably created by Franz Xavier Franz) | Dykes: | Nearer, my God, to thee (Horbury) David Rumsey (organ) Eternal Father, strong to save David Rumsey (organ) | Hein: | Pawnee Hans Hauser (organ) | Hofmann, H: | Barcarole, Op. 46 Edwin Lemare (organ) | Lanner: | Altwiener Waltz Artur Schnabel (organ) | Lemmens: | Grand Fantasia in E minor (The Storm) Harry Goss-Custard (organ) | Malderen: | Le tango du rêve Hans Hauser (organ) | Mason, L: | Nearer My God to Thee David Rumsey (organ) | Mendelssohn: | Calm Sea and Prosperous Voyage, Op. 27 Harry Goss-Custard (organ) | Monk, W H: | Abide with me Harry Goss-Custard (organ) | Perez-Freire: | Ting-a-Ling Hans Hauser (organ) Ay-ay-ay Hans Hauser (organ) | Sullivan, A: | Propior Deo (Nearer My God to Thee) David Rumsey (organ) | trad.: | Song of the Volga Boatmen Paul Mania (organ) | Wagner: | Der Fliegende Holländer: highlights Franz Xavier Franz (handmade roll) | Wolstenholme: | Barcarolle William Wolstenholme (organ) |
Die Welte-Philharmonie-Orgel im Museum für Musikautomaten Seewen, CH The third volume in this Welte-Philharmonic-Organ series is dedicated primarily to entertainment on board a steamer. It also pays tribute to the sister ship of the Britannic, the Titanic. The CD includes In Memoriam Titanic written in commemoration, as 2012 marks the 100th anniversary of the maiden voyage. Also included is Chopin’s Funeral March, 20th century “cinematic accompaniment” and dance music. | | | (also available to download from $21.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Praise & Majesty
Archer, M: | Magnificat in C major | Bach, J S: | Now Thank We All Our God arr. Virgil Fox | Bairstow: | Let all mortal flesh keep silence Though I speak with the tongues of men | Duruflé: | Ubi caritas, Op. 10 No. 1 | Franck, C: | Panis Angelicus | Head, C: | Blake's Cradle Song | How: | Day by day | Humfrey: | A Hymne to God the Father Owen Hughes (Treble soloist) | Hurford: | Sanctus & Benedictus Agnus Dei | Ireland: | Ex ore innocentium (It is a Thing Most Wonderful) Jubilate Deo in F | Mendelssohn: | Six Motets, Op. 79: Am Himmelfahrtstage | Rose, Barry: | Risen Lord | Sheppard, J: | I give you a new commandment | Stanford: | Benedictus (from the Service in B flat) | Sumsion: | Te Deum Laudamus in G | Walker, E: | I Will Lift up Mine Eyes | Wesley, S S: | Thou wilt keep him in perfect peace |
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| |  | Mendelssohn: A Midsummer Night's Dream & Ruy Blas
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| |  | Great Violin Concertos
Bach, J S: | Violin Concerto No. 1 in A minor, BWV1041 Violin Concerto No. 2 in E major, BWV1042 | Beethoven: | Violin Concerto in D major, Op. 61 | Brahms: | Violin Concerto in D major, Op. 77 | Bruch: | Violin Concerto No. 1 in G minor, Op. 26 | Dvorak: | Violin Concerto in A minor, Op. 53 | Elgar: | Violin Concerto in B minor, Op. 61 | Glazunov: | Violin Concerto in A minor, Op. 82 | Lalo: | Symphonie espagnole, Op. 21 | Mendelssohn: | Violin Concerto in E minor, Op. 64 | Mozart: | Violin Concerto No. 4 in D major, K218 Violin Concerto No. 5 in A major, K219 'Turkish' Violin Concerto No. 3 in G major, K216 | Paganini: | Violin Concerto No. 1 in D major, Op. 6 | Prokofiev: | Violin Concerto No. 1 in D major, Op. 19 | Saint-Saëns: | Violin Concerto No. 3 in B minor, Op. 61 | Shostakovich: | Violin Concerto No. 1 in A minor, Op. 99 | Sibelius: | Violin Concerto in D minor, Op. 47 | Spohr: | Violin Concerto No. 8 in A minor, Op. 47 'in modo di scena cantante' | Tchaikovsky: | Violin Concerto in D major, Op. 35 | Vieuxtemps: | Violin Concerto No. 5 in A minor, Op. 37 | Vivaldi: | The Four Seasons | Wieniawski: | Violin Concerto No. 2 in D minor, Op. 22 |
| | | (also available to download from $24.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Great Sacred Masterpieces
Allegri: | Miserere mei, Deus | Bach, J S: | Mass in B minor, BWV232 (excerpts) St Matthew Passion (highlights) | Beethoven: | Missa Solemnis in D major, Op. 123 | Fauré: | Requiem, Op. 48 Messe basse Cantique de Jean Racine, Op. 11 | Franck, C: | Panis Angelicus | Gounod: | Ave Maria | Handel: | Messiah (highlights) | Haydn: | The Creation (extracts) | Mendelssohn: | Elijah (highlights) | Mozart: | Requiem in D minor, K626 Ave verum corpus, K618 | Pergolesi: | Stabat Mater | Severac: | Tantum ergo | Tallis: | Spem in alium for eight five-part choirs '40-part Motet' | Verdi: | Requiem (highlights) | Vierne, L: | Pièces de fantaisie, 1st suite, Op. 51: No. 2, Andantino |
| | | (also available to download from $24.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | A Musical Journey: Germany - Majestic MarchesA Musical Visit to Kulmbach and the Tin Soldier Museum
with excerpts from works byTchaikovsky, Mendelssohn, Wagner, Saint-Saëns, Delibes, Ippolitov-Ivanov, Halvorsen, Suppe, Rimsky Korsakov and Meyerbeer
The Places On a hill above the ancient town of Kulmbach stands the imposing 12th century Hohenzollern fortress of Plassenburg. Among various collections on display is the remarkable Tin Soldier Museum, with various figures and dioramas that recreate battles and mirror the great castle itself, with a variety of scenes from all periods of human history. The Music The March has an inevitable part to play in human history. Marco Polo remarked on the use of music by the armies of China to terrify the enemy before a battle. Military music, however, has a more precise purpose, whatever alarm it may strike into the hearts of those who hear it. Drums and trumpets may serve as useful signals, to advance or retreat, to eat or to sleep. The same instruments and their near relations may serve to keep an army moving together, and may serve to inspire feelings of bravery and patriotism. At the same time a march can provide a suitable accompaniment to an occasion of solemnity, a wedding, a funeral or a state ceremony. The music chosen for this tour offers a series of Marches by different composers, culminating in Mendelssohn’s Wedding March. Video Format • NTSC / Colour / 4:3 Audio Format • DTS 5.1 / Dolby Digital 5.1 / PCM Stereo 2.0 Region Coding • No Region Coding | | | Usually despatched in 2 - 3 working days. |
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| |  | Sweet Remembrance
Brahms: | Sonatensatz (Scherzo from the F.A.E. sonata), WoO 2 | Elgar: | Salut d'amour, Op. 12 | Glazunov: | Meditation, Op. 32 | Kreisler: | Schön Rosmarin | Massenet: | Meditation (from Thaïs) | Mendelssohn: | Song without Words, Op. 19b No. 1 in E major 'Sweet Remembrance' arr. Jascha Heifetz | Mussorgsky: | Sorochintsy Fair: Gopak | Paganini: | Cantabile for violin & piano/guitar in D major, Op. 17, MS 109 Moto perpetuo, Op. 11, MS 72 La Campanella | Paradis: | Sicilienne | Sarasate: | Danza Española No. 1: Malagueña, Op. 21, No. 1 | Ysaye: | Sonata for solo violin in A minor, Op. 27 No. 2 |
plus: Henryk Wieniawski: Mazurka Dmitri Shostakovich: Preludium
Violinist Rudens Turku presents his fifth album for Avie, Sweet Remembrance, a personal selection of virtuoso miniatures and encores. Since making his recording debut for Avie in 2005 with the sonatas of Brahms, Franck and Schumann (AV2080), Albanian-born, Munich-resident violinist Rudens Turku has amassed a devoted following and fan base for his effortless virtuosity and innate musicianship. Following albums devoted to solo works, duos, and concertos, Rudens returns with a personal selection of miniatures and encores for violin and piano. Sweet Remembrance – the subtitle of Jascha Heifetz’s arrangement of Mendelssohn’s Song without Words - ranges from the romantic Salut d’amour by Elgar, Schön Rosmarin by Kreisler and Massenet’s Meditation from Thaïs, to the energetic Scherzo from Brahms’ F-A-E Sonata and Shostakovich’s exhilarating Preludium. Interspersed with miniature masterpieces by great violinist-composers such as Paganini, Sarasate, Kreisler and Wienawski, the album boldly concludes with Ysaÿe’s commanding Second Sonata, itself written in remembrance of another great violinist, Jacques Thibaud. | | | Usually despatched in 4 - 5 working days. |
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