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See Terms & Conditions for p&p rates. | |  | The Voice in the GardenSpanish Songs and Motets, 1480–1550
Andrew Lawrence-King (harp) & Christopher Wilson (vihuela) Gothic Voices, Christopher Page “An enthralling disc, a wholly persuasive introduction both to this little-known repertoire and to how it should be performed” BBC Music Magazine “Whatever else you may have, don’t miss this” Fanfare | 
| | | In stock - usually despatched within 1 working day. |
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| |  | Ay LunaMusic from the Golden Age of Catholic Spain
Unda Maris: Guillemette Laurens (voice); Damien Colcomb (organ); Françoise Johannel (harp); Mike Fentross (vihuela); Francis Lassus (percussion) | | | In stock - usually despatched within 1 working day. |
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| |  | Marimbach & VibravaldiA New Sound of Old Music
Albrecht Volz (vibraphon, marimba, percussion) & Stefan Rapp (marimba) Kammerorchester Pro Vivaldi Stuttgart, Johannes Uhle | | | In stock - usually despatched within 1 working day. |
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| |  | Music of the Spanish Renaissancefor Voice, Vihuelas, Lute & Renaissance Guitar
Shirley Rumsey (voice, vihuelas, lute, renaissance guitar) "a most remarkable voice"
- Northern Echo | | | In stock - usually despatched within 1 working day. |
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| |  | Al Compas de la Vihuela - Lute music from the 16th centuryVarious works by Bonavita, Varvaez, Fuanllana, Mudarra and Milan.
The repertoire on this recording comes primarily from the Vihuela books published during the 16th
century, all highly original and progressive for their time and full of a wonderful variety of music.
Composed for lute, guitarist Rafael Bonavita, plays these pieces on guitar allowing him to fully
explore the boundaries and intricacies of the original works. |
| | | Usually despatched in 3 - 4 working days. |
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| |  | Segovia - 1950's American Recordings Volume 41952-1957 Recordings
Volume 4 of Segovia’s 1950’s American recordings is devoted in the main to his arrangements of music composed between 1535 and 1750. Although today it is customary to play this repertoire on reproductions of instruments authentically modelled on concepts of musicological research, Segovia preferred the 20th Century guitar to all other instruments as an expressive medium. To his interpretations of the 16th century works of Milan, Narvaez, Mudarra and Dowland, as well as the Baroque guitar of Robert de Visee and transcriptions from Scarlatti or Rameau, Segovia brings the same application of colour, variety of dynamics and rhythmic freedom as he applied to romantic pieces. This full blooded approach to early music was greatly appreciated during his lifetime and often provided one of the few opportunities for the general public to become acquainted with this area of the repertoire. | | | Usually despatched in 2 - 3 working days. |
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| |  | Segovia - Guitar Masterclass
| | | Usually despatched in 2 - 3 weeks. |
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| |  | Canciones EspañolasSongs from the Middle Ages and Renaissance
Teresa Berganza (mezzo-soprano) & Narciso Yepes (guitar) | | | Usually despatched in 2 - 3 working days. |
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| |  | The Harp of Luduvico
Andrew Lawrence-King (Baroque harps) ‘This is a quite stunning record. Treat yourself to it, even if it means pawning something you can live without’ (Gramophone) | | | Usually despatched in 2 - 3 working days. |
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| |  | The Da Vinci CollectionMusic of the Renaissance
Canova da Milano: | Spagna (Lute duet) Hopkinson Smith & Paul O’Dette | Carver: | O bone Jesu Taverner Choir | Despres: | La déploration de la mort de Hilliard Ensemble Scaramella va alla Guerra Early Music Consort of London, Munrow El grillo Early Music Consort of London, Munrow La plus des plus Ensemble Gilles Binchois | Dufay: | Missa 'L'homme armé' - Kyrie Hilliard Ensemble Ce moys de may (rondeau) Early Music Consort of London, Munrow | Encina: | Triste España Early Music Consort of London, Munrow | Escobar: | Requiem - Offertorium Ensemble Gilles Binchois | Henry VIII: | En vray amoure Ricercare Ensemble, alte musik, Zürich En vray amoure Ricercare Ensemble, alte musik, Zürich | Isaac: | Es wolt ein meydlein grasen gan Hilliard Ensemble | Milán: | Fantasia XI Early Music Consort of London, Munrow | Ockeghem: | Ma bouche rit (virelai) Early Music Consort of London, Munrow Missa Prolationum: Agnus Dei Hilliard Ensemble | Penalosa: | Inter vestibulum Ensemble Gilles Binchois | Tallis: | Spem in alium for eight five-part choirs '40-part Motet' Taverner Choir |
| | | Usually despatched in 3 - 4 working days. |
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