Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Beethoven - Mozart - Schubert: Violin Sonatas
| | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Mozart: Piano Concertos No. 17 & No. 21
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Susanne Krumbiegel (contralto), Martin Petzold (tenor), Gotthold Schwarz (bass), Jutta Bohnert (soprano) Leipzig Gewandhaus Orchestra, St. Thomas Boys Choir, Leipzig, Georg Christoph Biller | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Hommage d'Amour
| | Letter from Wolfgang Amadeus Mozart to hiw wife Konstanze, 13th April 1789 Letter from Ludwig van Beethoven to Joesphine von Brunswick, 6th July 1816 Letter from Carl Maria von Weber to Caroline Brandt, 19th July 1814 Letter from Robert Schumann to Clara Wieck, 13th August 1837 Letter from Franz Liszt to Marie d'Agoult in 1834 Letter from Franz Liszt to Marie d'Agoult, 23rd July 1836 Letter from Franz Liszt to Carolyne von Sayn-Wittgenstein Letter from Johannes Brahms to Clara Schumann, May 1856 Letter from Richard Wagner to Mathilde Wesendonck, 1st January 1859 | Beethoven: | Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight': Adagio sostenuto | Brahms: | Intermezzo in A major, Op. 118 No. 2 | Liszt: | Consolation, S. 172 No. 3 in D flat major Liebestraum, S541 No. 3 (Nocturne in A flat major) Un Sospiro from 3 Concert Studies, S144 No. 3 Isolde's Liebestod (after Wagner), S447 | Mozart: | Piano Sonata No. 11 in A major, K331 'Alla Turca' | Schumann: | Kinderszenen, Op. 15: Traümerei Davidsbündlertänze, Op. 6 | Weber: | Invitation to the Dance, Op. 65 |
Sandra Brune (piano), Rainer Goernemann (narrator) | |
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| |  | Mozart: Piano Concertos Nos. 13, 14 & 27
Daniel Isoir (fortepiano & conductor) La Petite Symphonie Established in 2006, the instrumental ensemble La Petite Symphonie reclaims the directory of the 18th century. Daniel Isoir directs his period instrument ensemble from the keyboard: a copy of a fortepiano by Johann Andreas Stein, as preferred by Mozart. This is the debut recording of La Petite Symphonie for the label Agogigue, dedicated to three great piano concertos of Mozart. Coming from the family of organists, Isoir studied with such great masters as Marek Jablonski, Claude Frank, Paul Badura-Skoda on piano, Paul Tortelier and Yevgeny Korolyov. As well as his Petite Symphonie he also works regularly on projects with the Royaumont Foundation or the Bach Academy, including operas by Gretry directed by Jean-François Novelli. The musicians of La Petite Symphonie share a passion for classical music and playing on period instruments. They participate regularly with the 'big' bands playing on period instruments: Les Arts Florissants, Les Talens Lyriques, The Musicians of the Louvre, Le Concert d'Astree, Chamber Philharmonic, the Orchestre des Champs Elysées, Le Concert des Nations etc.. “This period performance feels ideally balanced, with one-instrument-per-part sounding like a full orchestra: the 'pianoforte' has great charm.” BBC Music Magazine, June 2012 ***** “With two solitary violins, the slow melodic lines of K449’s andantino sound distressingly thin; and, though the prominence of woodwind and horns in K595 is welcome, their sudden fanfare bursting across the murmured opening is out of all proportion. Yet the zest of the performances silences objections.” Sunday Times, 1st April 2012 | | | Usually despatched in 3 - 4 working days. |
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| |  | Mozart: Requiem - Bruckner: Te Deum
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| |  | Mozart: Grande Sestetto Concertante and other works
Sten Johan Sunding (viola), Henrik Peterson (violin) Uppsala Chamber Soloists | |
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| |  | Margareta Hallin: The Early Recordings (1955-1960)
Margareta Hallin (soprano), Stig Westerberg (piano) Stockholm Royal Opera Orchestra , Swedish Radio Orchestra, Stockholm Philharmonic Orchestra, Berlin State Opera Orchestra, Arthur Rother, Fausto Cleva, Nils Grevillius, Herbert Sandberg, Stig Westerberg, Sixten Ehrling | |
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| |  | Furtwängler: The Best Studio Recordings (1929-1943)
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| |  | Emil Gilels: Recital in Florence (6th November 1951)
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