Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Pnina Salzman (Vol. 6)
Bach, J S: | Viola da Gamba Sonata No. 1 in G major, BWV1027 Daniel Benyamini (viola) Prelude & Fugue in A minor, BWV543 | Falla: | Noches en los jardines de Espana Jerusalem Symphony Orchestra, Mendi Rodan Serenata Andaluza | Liszt: | Consolation, S. 172 No. 3 in D flat major Hungarian Rhapsody, S244 No. 12 in C sharp minor Fantasy on Hungarian Folk-tunes, S123 Jerusalem Symphony Orchestra, George Singer Funérailles (Harmonies poétiques et religieuses, S. 173 No. 7) | Mozart: | Clarinet Trio in E flat major, K498 "Kegelstatt-Trio" Yona Ettlinger (clarinet), Daniel Benyamini (viola) Piano Concerto No. 14 in E flat major, K449 The Israel Kibutzim Symphony Orchestra, Noam Sheriff Piano Sonata No. 11 in A major, K331 'Alla Turca' |
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| |  | Great Swedish Singers: Sigurd Björling
Sigurd Björling (baritone) | |
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| |  | The Journey
“…a nicely balanced and entertaining recital disc… the performances… are never less than interesting, and at best exquisite. Best of all is Fleisher's Bach. The Chromatic Fantasy is a compelling journey in Fleisher's hands, after which the picking out of individual voices in the Fugue is achieved with great subtlety and clarity.” BBC Music Magazine, October 2006 ***** “…one performance stands out… Bach's Chromatic Fantasy and Fugue. …Fleisher… offers a long, searching experience of the loftiness behind Bach's structural scheme. The sense of a personal communion that Fleisher seems always to aim for is very marked here; and almost so in Chopin's Berceuse where introspection is not expressed through maudlin sentimentality.” Gramophone Magazine, November 2006 | | | Usually despatched in 8 - 10 working days. |
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Recorded Live at Salzberg Festival 1997 “…Roger Norrington… brings terrifically fresh and incisive orchestral detail to the score. …Bruce Ford it has the best Mitridate in the business.” BBC Music Magazine, November 2006 *** | | | Usually despatched in 3 - 4 working days. |
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| |  | Mozart: Bastien und Bastienne & Der Schauspieldirektor
Recorded Live at Salzberg Festival 1976 | | | Usually despatched in 3 - 4 working days. |
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Salzburg Festival live 1957 "And so she plays three choice piano sonatas: Mozart, Beethoven and Schubert.And on each occasion she presents not only the form and outward garb of the piece but also its spiritual form, its soul and its idea. She offers what is essential and intrinsic to the work, what exists behind the notes on the printed page and what is accessible only to the elect." Die Presse 13/8/1957 | | | Usually despatched in 3 - 4 working days. |
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| |  | Mozart at DrottningholmArnold Östman’s Legendary Mozart-Cycle
Chorus & Orchestra of the Drottningholm Court Theatre, Arnold Östman Recording Date: 1991
Place of recording: From the Drottningholm Court Theatre
Running Time: more than 850 min
Picture Format: 4:3
Sound Format: PCM Stereo
Language: D, I
Menu Languages NTSC: D, F, GB, SP
Subtitle Languages NTSC: D, F, GB, I, SP
“I had already known and admired Idomeneo, Così fan tutte, and Die Zauberflöte, but La clemenza di Tito was new to me: happily it is quite up to the excellent standard of the others, all of them notable for the clarity of the period-instrument sound and for a production wholly appropriate to the tiny Drottningholm space.” Gramophone | | | Usually despatched in 2 - 3 working days. |
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| |  | Mozart: Clarinet Concerto & Symphony No. 25
Recorded live at the Konzerthaus, Vienna, 1–2 September 1987 (Clarinet Concerto) - At the Großer Musikvereinssaal, Vienna,
1–4 October 1988 (Symphony) “What is at once evident is the truth of Bernstein's 'love-affair' with the Vienna Philharmonic. The rapport in these performances is almost tangible and probably was visible. They phrase lovingly for him, they produce a soft and caressing piano string tone [...] and the woodwind are mellifluous indeed. I like these interpretations. They are so musical and so tuned in to Mozart's genius.” Gramophone Magazine “[Schmidl's] mellow but patrician contribution, using a modern clarinet, is smoothly articulate and very warm and musical.” Penguin Guide, 2010 edition **/*** | | | Usually despatched in 2 - 3 working days. |
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| |  | Casals Festivals at Prades, Volume 2Live Concert Performances, 1953-62
Bach, J S: | Partita for solo violin No. 2 in D minor, BWV1004 9/7/1955 Yehudi Menuhin (violin) Partita for solo violin No. 1 in B minor, BWV1002 7/7/1956 Yehudi Menuhin (violin) Sonata for solo violin No. 3 in C major, BWV1005 8/7/1955 Yehudi Menuhin (violin) Partita No. 3 in A minor, BWV827 8/7/1955 Yehudi Menuhin (violin) Cello Suite No. 3 in C major, BWV1009 2/7/1955 Pablo Casals (cello) Cello Suite No. 5 in C minor, BWV1011 3/7/1956 Pablo Casals (cello) Italian Concerto, BWV971 11/7/1956 The Well Tempered Clavier, book II: selection Nos. 14, 15, 24. 17/7/1956 Cantata and Mass excerpts 2/7/1955 Eleanor Steber, Carol Smith, Jan Peerce, Norman Farrow, Maurice Wilk (violin), Bernard Greenhouse (cello), Erich Itor Kahn (piano), Julius Baker (flute) & Robert Bloom (oboe) Cantata BWV202 'Weichet Nur, betrübte Schatten' (Wedding Cantata) 19/6/1953 Maria Stader (soprano) Brandenburg Concerto No. 3 in G Major, BWV1048 19/7/1953 Brandenburg Concerto No. 4 in G major, BWV1049 24/6/1953 Festival Orchestra, Casals | Beethoven: | Piano Sonata No. 30 in E major, Op. 109 20/6/1954 Piano Sonata No. 31 in A flat major, Op. 110 15/7/1959 Wilhelm Kempff (piano) Piano Sonata No. 32 in C minor, Op. 111 9/6/1954 Mieczislaw Horszowski (piano) Violin Sonata No. 9 in A major, Op. 47 ‘Kreutzer' 15/7/1959 Christian Ferras (violin) & Kempff (piano) Piano Concerto No. 1 in C Major, Op. 15 24/6/1953 Horszowski (piano) Festival Orchestra, Casals Piano Concerto No. 2 in B flat major, Op. 19 24/6/1953 Horszowski (piano) Festival Orchestra, Casals Symphony No. 4 in B flat major, Op. 60 8/7/1959 Collegium Musicum of London, Casals | Brahms: | Fantasies (7 piano pieces), Op. 116 11/7/1958 Horszowski (piano) Cello Sonata No. 1 In E Minor, Op. 38 19/7/1958 Casals (cello) & Horszowski (piano) String Quartet No. 1 in C minor, Op. 51 No. 1 Végh Quartet | Casals: | The Birds 18/7/1956 Casals (cello) & Horszowski (piano) | Mendelssohn: | Piano Trio No. 2 in C minor, Op. 66 15/7/1959 Ferras (violin); Kempff (piano) & Casals (cello) | Mozart: | Fantasia in C minor, K396 1/8/1962 Violin Sonata No. 32 in B flat major, K454 7/7/1956 Menuhin (violin) & Horszowski (piano) Divertimento in E flat major, K563 16/6/1953 Joseph Fuchs (violin); Lillian Fuchs (viola) & Tortelier (cello) String Quintet No. 4 in G minor, K516 11/7/1956 Végh Quartet Ch'io mi scordi di te?... Non temer, amato bene, K505 de Los Angeles Collegium Musicum of London, Casals Divertimento in D major, K136 3/8/1962 Végh CO Sinfonia Concertante for Violin, Viola & Orchestra in E flat major, K364 19/6/1953 Fuchs (violin) & Fuchs (viola) Festival Orchestra, Casals | Schubert: | Lieder 8/7/1959 Victoria de los Angeles (soprano) & Horszowski (piano) | Schumann: | Études symphoniques, Op. 13 12/7/1956 Rudolf Serkin (piano) Kreisleriana, Op. 16 1/8/1962 |
Includes over 12 hours of previously unreleased material | | | Usually despatched in 2 - 3 working days. |
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This release was Leon McCawley's personal tribute to Mozart in the composer’s 250th birthday year - a new recording of the complete piano sonatas. Leon’s acute sensitivity and deeply committed interpretations illuminate the precision, beauty, drama and tension of Mozart’s radiant musical language; his inspiration for this recording was Mozart-specialist Nina Milkina, his long-time cherished mentor and muse. Mozart perfected the sonata form with infinite purity and wisdom, and Leon honours the scores in every way possible, allowing Mozart’s many-faceted character to shine through. Prize-winner of the International Beethoven Piano Competition in Vienna and the Leeds International Competition, Leon’s previous Avie releases – a double disc of works by Schumann (AV 0029) and a three-CD set of the world premiere recording of the complete solo piano works by Hans Gál (AV 2064) – have both been honoured with an Editor’s Choice from The Gramophone. His concertising has taken him around the globe, in recent seasons to the Queen Elizabeth Hall (International Piano Series) and Wigmore Hall in London, the Philharmonie and Konzerthaus in Berlin, the Prinzregententheater in Munich, the Musikverein in Vienna, Tonhalle in Zurich, Prague Rudolfinum and Washington DC’s Kennedy Center. Leon’s 5-CD Mozart Sonata set is competitively priced and – with the inclusion of the A minor Rondo, Eine Kleine Gigue, Menuett in D, and B minor Adagio – boasts an added value not offered with any other available version. | | | Usually despatched in 4 - 5 working days. |
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