Wolfgang Amadeus Mozart

“The two works on this disc represent Mozart's clarinet writing at its most inspired; however, the instrument for which they were written differed in several respects from the modern clarinet, the most important being its extended bass range. Modern editions of both the Clarinet Concerto and the Quintet have adjusted the solo part to suit today's clarinets, but Thea King reverts as far as possible to the original texts, and her playing is both sensitive and intelligent. Jeffrey Tate and the ECO accompany with subtlety and discretion in the concerto, and the Gabrieli Quartet achieves a fine rapport with King in the Quintet. Both recordings are clear and naturally balanced, with just enough distance between soloist and listener.” Gramophone Classical Music Guide, 2010

“This release completes the Mosaïques' recording of the 10 mature Mozart Quartets: an outstanding achievement. Apart from the clear, rich sound of the period instruments and the precise, beautiful tuning, what impresses about this Mozart playing is the care for detail, the way each phrase is shaped so as to fit perfectly into context while having its own expressive nuances brought out clearly. This often leads the quartet to use more rubato, to make more noticeable breathing spaces between sentences than many other groups do.
In the first movements of both these quartets, for instance, the Mosaïques adopt a very similar tempo and tone to the Quartetto Italiano, but the Italians aren't so rhythmically flexible. The Mosaïques make us listen to and appreciate the significance of each detail as it unfolds. With this approach there might be a danger of sounding contrived, but even when adopting a mannered style, as in the Minuet of K499, the Mosaïques retain a strong physical connection with the music's natural pulse – by comparison the Italiano here seem a trifle heavy and humourless.
The slow movements of both quartets are taken at a flowing pace, making possible an unusual degree of expressive flexibility. All repeats are made, including those on the Minuet's dacapo in K499. The longer the better when the playing is as exceptional as this.” Gramophone Classical Music Guide, 2010