Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Teldec Recordings: Thomas Zehetmair
Bach, J S: | Sonatas & Partitas for solo violin, BWV1001-1006 | Beethoven: | Triple Concerto for Piano, Violin, and Cello in C major, Op. 56 with Clemens Hagen & Pierre-Laurent Aimard Chamber Orchestra of Europe, Nikolaus Harnoncourt Romance No. 2 for Violin and Orchestra in F major, Op. 50 Thomas Zehetmair (violin & conductor) Deutsche Kammerphilharmonie Romance No. 1 for Violin and Orchestra in G major, Op. 40 Thomas Zehetmair (violin & conductor) Deutsche Kammerphilharmonie Violin Sonata No. 5 in F major, Op. 24 'Spring' with Malcolm Frager (fortepiano) Violin Sonata No. 9 in A major, Op. 47 ‘Kreutzer' with Malcolm Frager (fortepiano) | Berg: | Violin Concerto 'To the Memory of an Angel' (1935) Philharmonia Orchestra, Heinz Holliger Chamber Concerto for Piano and Violin with 13 Wind Instruments with Oleg Maisenberg (piano) Chamber Orchestra of Europe, Heinz Holliger | Brahms: | Violin Concerto in D major, Op. 77 The Cleveland Orchestra, Christoph von Dohnanyi | Dvorak: | Violin Concerto in A minor, Op. 53 Philharmonia Orchestra, Eliahu Inbal Romance in F minor, Op. 11 Thomas Zehetmair (violin & conductor) Deutsche Kammerphilharmonie | Hartmann, K: | Concerto Funèbre for violin & string orchestra Thomas Zehetmair (violin & conductor) Deutsche Kammerphilharmonie | Haydn: | Violin Concerto No. 1 in C major, Hob.VIIa:1 Thomas Zehetmair (violin & conductor) Franz Liszt Chamber Orchestra | Haydn, M: | Duo in C major, MH 335 (P. 127) with Tabea Zimmermann (viola) | Janacek: | Violin Concerto 'Pilgrimage of the Soul' [Fragment Reconstruction] arr Faltus & Stedron Philharmonia Orchestra, Heinz Holliger | Mendelssohn: | Violin Concerto in D minor, Op. post. Franz Liszt Chamber Orchestra, János Rolla | Mozart: | Rondo for Violin and Orchestra in B flat, K269 Thomas Zehetmair (violin & conductor) Philharmonia Orchestra Adagio for Violin and Orchestra in E, K261 Thomas Zehetmair (violin & conductor) Philharmonia Orchestra Rondo for Violin and Orchestra in C, K373 Thomas Zehetmair (violin & conductor) Philharmonia Orchestra Violin Concerto No. 1 in B flat major K207 Thomas Zehetmair (violin & conductor) Philharmonia Orchestra Violin Concerto No. 2 in D major, K211 Thomas Zehetmair (violin & conductor) Philharmonia Orchestra Violin Concerto No. 3 in G major, K216 Thomas Zehetmair (violin & conductor) Philharmonia Orchestra Violin Concerto No. 4 in D major, K218 Thomas Zehetmair (violin & conductor) Philharmonia Orchestra Violin Concerto No. 5 in A major, K219 'Turkish' Thomas Zehetmair (violin & conductor) Philharmonia Orchestra Violin Concerto No. 7 in D major, KV 271a Thomas Zehetmair (violin & conductor) Philharmonia Orchestra March in D, K249 Staatskapelle Dresden, Nikolaus Harnoncourt Serenade No. 7 in D major, K250 'Haffner' Staatskapelle Dresden, Nikolaus Harnoncourt Duo for violin & viola in G major, K423 with Tabea Zimmermann (viola) Duo for violin and viola in B flat major, K424 with Tabea Zimmermann (viola) | Paganini: | Caprices for solo violin, Op. 1 Nos. 1-24 (complete) | Schoenberg: | Chamber Symphony No. 1 in E major, Op. 9 Chamber Orchestra of Europe, Heinz Holliger | Schubert: | Konzertstück (for Violin and Orchestra) in D major, D345 Thomas Zehetmair (violin & conductor) Deutsche Kammerphilharmonie Polonaise in B flat major, D580 Thomas Zehetmair (violin & conductor) Deutsche Kammerphilharmonie Rondo for violin and strings in A major, D438 Thomas Zehetmair (violin & conductor) Deutsche Kammerphilharmonie Rondo brillant in B minor, D895 (Op. 70) with David Levine (piano) | Schumann: | Fantasie in C major for Violin and Orchestra, Op.131 Philharmonia Orchestra, Christoph Eschenbach Violin Concerto in D minor, WoO 23 Philharmonia Orchestra, Christoph Eschenbach Violin Sonata No. 1 in A minor, Op. 105 Thomas Zehetmair (violin & viola) & Cyprien Katsaris (piano) Violin Sonata No. 2 in D minor, Op. 121 Thomas Zehetmair (violin & viola) & Cyprien Katsaris (piano) Märchenbilder (4), Op. 113 Thomas Zehetmair (violin & viola) & Cyprien Katsaris (piano) | Sibelius: | Violin Concerto in D minor, Op. 47 Gewandhausorchester, Kurt Masur |
Thomas Zehetmair is one of the most significant violinists of his generation. He enjoys a successful international career thrilling audiences and critics with his abilities as a soloist, chamber musician and conductor. As violinist Thomas Zehetmair is a regular guest of the most renowned European and American orchestras as well as leading conductors of the day. He dedicates a large part of his artistic activities to contemporary music and has a second career as a conductor as well as working with leading chamber musicians such as Pierre-Laurent Aimard. Thomas Zehetmair has recorded nearly the entire violin repertoire on CD, more recently on a number of different labels but in the early part of his career in the 1990’s he made many recordings for Teldec as celebrated in this box set. | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart: Requiem
“Giulini's first account of Mozart's Requiem is grand and solemn, employing modern instruments and choice soloists. Barbara Hendricks shines in the early motet under Marriner.” BBC Music Magazine, January 2011 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart: Opera & Concert Arias
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The relatively novel instrumental combination which Mozart used for his string quintets (employing two violas) seems to have been inspired by a work by his friend and colleague Michael Haydn. Throughout his life Mozart loved the dusky sonority of the viola, always his instrument of choice when he played chamber music with friends. Beyond that, prompted by Michael Haydn’s charming, lightweight Notturno, he was evidently eager to explore a medium that enabled him to indulge his fondness for dark, saturated textures and rich inner-part writing. The complete String Quintets is a enchanting body of chamber music, recorded here in a 3-disc set by the peerless Nash Ensemble. “The performances of the four original works (the last two, written in 1790 and 1791, look forward to Beethoven and pay homage to Haydn) are magnificently played throughout — conversational, argumentative, profoundly expressive, witty — and rank with the finest ever committed to disc.” Sunday Times, 5th September 2010 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart: Duo Sonatas Volume 3
Catherine Mackintosh and Geoffrey Govier (Duo Amadè) Catherine Mackintosh and Geoffrey Govier formed Duo Amadè in order to perform the charming and intimate works for keyboard and violin by Mozart in concert, often with readings from his family letters. In 2006 Duo Amadè performed the whole cycle at the Royal College of Music. Catherine Mackintosh in particular has long been recognised as a pioneering early music spirit and in recording the complete cycle of duo sonatas is fulfilling the ambition of a lifetime. The First Volume (CHAN0755) of Duo Sonatas was released in late 2008, being made an ‘Editor’s Choice’ by Gramophone in recognition of its musicality and ‘historically informed performance’. The Second Volume (CHAN0764) was a ‘Critics’ Choice’ in the December 2009 issue of the same magazine, Duncan Druce writing: ‘I’ve been enjoying the infectiously enthusiastic music-making on Duo Amadè’s second volume of Mozart sonatas. In these wonderful works, Geoffrey Govier and Catherine Mackintosh give the instrumental dialogue the wit and verve of a spirited operatic exchange.’ In this third collection of sonatas, featuring KV 376, KV 378, and KV 526, Duo Amadè once again offers performances of similar spirit and style. Geoffrey Govier plays a fortepiano made by Christopher Clarke in Cluny, after an instrument by Anton Walter, while Catherine Mackintosh plays a violin by Giovanni Grancino, dating from 1703. These instruments bring a lightness and freshness of articulation to these delightful works, entirely in keeping with the spirit of enlightenment in which the sonatas were written. “Violinist Catherine Mackintosh and fortepianist Geoffrey Govier, playing on copies of instruments from Mozart’s time, have 18th century performing practice down pat: though historically-informed, theirs is natural and engaging music-making...Duo Amadè bring a wealth of insight to their stylish and well-recorded performances, making this release eminently recommendable.” Graham Rogers, bbc.co.uk, 16th September 2010 “Here's Mozart interpretation in the raw, not overlaid with effusive graciousness, neither apologetically insipid nor crude, but very expressive on its own terms. Listen and ponder. These are committed performances throughout.” Gramophone Magazine, Awards Issue 2010 | | | (also available to download from $10.75) | In stock - usually despatched within 1 working day. |
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| |  | Recorded at the Haus für Mozart during the 2009 Salzburg Festival
Claus Guth - staging Director Claus Guth’s production of Mozart’s Da Ponte trilogy for the Salzburg Festival reaches its sensational conclusion with his elegant, stylish production of Così fan tutte from the “Haus für Mozart”. Guth bolsters the unity of the cycle by making ingenious reference to his stagings of the first two works, Le nozze di Figaro and Don Giovanni. His widely acclaimed production of the trilogy consolidates Guth’s international reputation as one of the most sought-afterstage directors of our time. Among his other major successes are Der fliegende Holländer in Bayreuth and Luisa Miller at the Bavarian State Opera. Guth assembles a superb ensemble of young singers who toy with love and trust under the cynical gaze of ringmaster Bo Skovhus’ Don Alfonso and his foxy, temperamental sidekick Despina, played by fiery young soprano Patricia Petibon. Baritone Florian Boesch and tenor Topi Lehtipuu ideally complement their frisky partners Miah Persson and Isabel Leonard. Conductor Adam Fischer keeps the tempi brisk and the Wiener Philharmoniker on their toes in his layered reading of the score. Picture format DVD: NTSC 16:9 Sounds formats DVD: PCM Stereo, DD 5.0, DTS 5.0 Region code: 0 Booklet notes: English, German, French Subtitles: Italiano, English, Deutsch, Français, Español, 日本語 Running time: 191 mins Audience: all FSK: 0 “superbly cast, with not a weak link. Bo Skovhus, as a central Mephistophelian operator de nos jours, plays a savage dance-driven double-act with Patricia Petibon's red-haired biker of a Despina...Within a single, minimalist duplex apartment interior, illusion and disillusion constantly shift.” BBC Music Magazine, December 2010 **** “Guth has drawn marvellously natural acting from this cast (the hammy Despina excepted)...this opera's sisters have never been more gorgeous to behold...The ultra-suave Skovhus's Don Alfonso is a very cool customer indeed, full of cynicism and self-satisfaction...Playing with extreme beauty and technical mastery but not without incisiveness, the Vienna Philharmonic responds aptly to every dramatic nuance.” International Record Review, November 2010 “Guth is deft at choreographing the pain and the embarrassment of "wrong" couples getting together...this is already a mighty contribution to the otherwise rather naturalistic Così filmography. Its musical performances are solid...its acting ones much more than that.” Gramophone Magazine, March 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | Recorded at the Haus für Mozart during the 2008 Salzburg Festival
Claus Guth - staging Wild animals live in the woods. Robbers hide there. Mystery is at home there. And, when the woods are on the stage of Salzburg’s Haus für Mozart, a notorious ladies’ man and his unsavoury accomplice can also find shelter there. For here, in the dense forest planted by director Claus Guth, is the home of the rugged macho Don Giovanni, who, assisted by Leporello, lures the ladies with the heady scent of danger. In Guth’s almost cinematic Salzburg Festival production, every character in Mozart’s most realistic opera seems to carry a back-story of thwarted love and frustration. Everyone appears to be seeking either salvation or damnation in the woods – a compelling concept that removes the opera from its traditional pseudo-Seville squares and palaces. And when Don Giovanni is played by Christopher Maltman, it’s no wonder that Donna Anna (Annette Dasch), Donna Elvira (Dorothea Röschmann) and even Zerlina (Ekaterina Siurina) are ready to throw themselves at his feet. With a physique as striking as his full-bodied baritone voice, Maltman embodies Don Giovanni as an almost reluctant seducer, a man fated to bring misery to women and, ultimately, to himself. Next to Maltman, it is Uruguayan bass-baritone Erwin Schrott who rivets the audience in this production: Schrott’s Leporello is an event in his own right, the event of the Salzburg Don Giovanni (Die Welt). Under Bertrand de Billy, the Wiener Philharmoniker play with refreshing verve and spirit. Picture format BD: 1080i Full HD - 16:9 Sounds formats BD: PCM 2.0, PCM 5.1 Region code: 0 Booklet notes: English, German, French Subtitles: Italiano, English, Deutsch, Français, Español, 日本語 Running time: 177 mins Audience: all “Christian Schmidt designs a crepuscular forest for Claus Guth's dark contemporary take on the opera...It's very much the women who have got a grip here. The rhythmic rigour of Dorothea Roschmann's Elvira splendidly embodies her fortitude...Giovanni and Leporello (superbly sung by Christopher Maltman and Erwin Schrott) are, by contrast, wrecks of men” BBC Music Magazine, December 2010 ***** “Giovanni's story...becomes a tale of fighting against imminent death, and Christopher Maltman plays it with convincing desperation. The singing is uniformly excellent, the acting of a high calibre, and Bertand de Billy's fast tempi keep the action taut...a fresh take on a great work.” Classic FM Magazine, December 2010 **** “[Guth's] shabbily sombre, drug-fuelled, blood-bespattered take on Mozart's dramma giocoso (rarely indeed has the opera seemed less jocose) exerts a perverse fascination, not least for the interplay between the charismatic pairing of Maltman and Schrott...all the singers throw themselves wholeheartedly into Guth's Konzept.” Gramophone Magazine, January 2011 “The cast is top-drawer, with strong voices. There should be law against performing Mozart without Dorothea Röschmann, who here sings the crazed Elvira with real bite and zeal...Christopher Maltman and Erwin Schrott are two of the finest actors I've ever seen on an opera stage...They never break character and have clearly bought into Guth's interpretation hook, line and sinker” International Record Review, November 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart & Brahms: Clarinet Quintets
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Edith Mathis (Pamina), Gottfried Hornik (Papageno), Karin Ott (Königin der Nacht), Francisco Araiza (Tamino), José Van Dam (Sarastro), Janet Perry (Papagena), Anna Tomowa-Sintow (Erste Dame), Agnes Baltsa (Zweite Dame), Hanna Schwarz (Dritte Dame), Claudio Nicolai (Sprecher) Chor der Deutschen Oper Berlin & Berliner Philharmoniker, Herbert von Karajan Full track-list and synopsis in English, German and French “The orchestral playing and Karajan's sense of hieratic mystery gild the deeply affecting Pamina of Edith Mathis, José Van Dam's noble Sarastro, and the inspired dialogue direction of veteran actor Will Quadflieg.” BBC Music Magazine, January 2011 **** | | | In stock - usually despatched within 1 working day. |
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The Russian violinist Dmitry Sitkovetsky is an exceptional soloist and has also recently become an exciting conductor. This budget priced CD set brings together all of his previous recordings of Mozart’s Sonatas as well as the missing ones form the cycle. Interestingly, we encounter Antonio Pappano as accompanist, rather than in his role as Music Director of the Royal Opera House. | | | In stock - usually despatched within 1 working day. |
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