Wolfgang Amadeus Mozart

The final two volumes in this benchmark survey of Mozart’s complete music for Keyboard and Violin, released together at a special priced 2 disc set.

‘(… ) So, my lasting impression, having dissected every note of the music, is of a cornucopia of hidden gems; hidden because history has under-rated, misunderstood and bowdlerized the collective meaning of these works by assuming that it is an uneven genre – but then so are the symphonies and even the operas! Finally, one asks why there hasn’t previously been a complete recording on historical instruments. From my ‘privileged’ position as listener-inchief, I can tell you it is because no pair can make such transparent and difficult music sound so effortless, elegant, witty, emotionally persuasive and enjoyable.’ Jonathan Freeman- Attwood, producer

A fixture on the music scene for more than six decades, pianist Leon Fleisher releases his first two-hand concerto recording in 40 years.

The new recording is comprised of a trio of Mozart concertos recorded with the Stuttgart Chamber Orchestra: no. 23 in A Major, K. 488; no. 12 in A Major, K. 414; and no. 7 in F Major for two pianos, K. 242, for which he is joined by his wife Katherine Jacobson-Fleisher. Founded in 1945, the Stuttgart Chamber Orchestra has held a top position in the international orchestral world for more than 60 years. Under founder and director Karl Mnchinger, the ensemble had developed and cultivated the repertoire of the Viennese Classicists.

+BONUS DVD

Filmed in December 2008 in Paris (Salle pleyel) & Wuppertl, Germany (Immanuelskirche)

A classic recording of Mozart’s opera ‘Die Entführung aus dem Serail’, by the legendary operatic conductor Peter Maag.

Mozart’s Die Entführung aus dem Serail is based on a libretto by Christoph Friedrich Bretzner, and in formal terms is a typical Singspiel of comic nature where musical pieces alternate with recited passages. However, unlike the ‘dry recitative’ of Italian opera which is sung to the accompaniment of a basso continuo, Die Entführung aus dem Serail is musically very varied with quite elaborate arias and duets of remarkable length.

This radio recording of Die Entführung aus dem Serail was made in Bolzano in 1958 with the orchestra and chorus of the Milan RAI under the artistic direction of the legendary operatic conductor Peter Maag. The featured soloists, all of whom were highly regarded singers of their time, are sopranos Teresa Stich Randall and Rosl Schwaiger, tenors Herbert Handt and Ernst Haflinger, and the renowned bass Gottlob Frick.

One of Verdi’s masterpieces sung by excellent singers, combined with two complimentary works. Conducted by Cambreling, this is a stunning recording on 2 SACDs.

Sviatoslav Richter represents the summit of pianistic achievement: his incredible virtuosity and strength, his vision of structure and form, the range of emotion he was able to express on his instrument in concert and on disc have never been surpassed.

Now, for the first time, all nine of the solo and concerto LP-recordings he made for Deutsche Grammophon have been gathered into a single box-set at budget price. All of these recordings have been in the DG catalogue since they were made; if they’re not still at top price, they’re in The Originals series.

It started in 1956 with a Schumann recital and ended in 1962 with a recital recorded live on tour in Italy. In between there were five concerto LPs (including Rachmaninov’s Second, Tchaikovsy’s First with Karajan, the Schumann and Prokofiev’s Fifth) and two more mixed recitals. Here they are, faithfully reproduced in their original couplings (newly mastered) and with original artwork in mini-LP format. The CD booklet (in the style of the The Martha Argerich Collection) has masterly new liner notes by piano expert Jeremy Siepmann, who manages to capture the essence of Richter the man and musician, as well as furnishing precise annotations on each of the albums in turn.

An essential box-set for all serious lovers of piano music.

‘Russia is old, Russia is vast, Russia is mighty. But her advance in art, letters and music is comparatively recent’. So wrote Joseph Lhévinne in 1917. Mikhail, Glinka emerged along with Pushkin, Turgenev and Tolstoy in the early 1800s and was to become the father of Russian music. At the same time as Glinka was establishing himself as the first nationalistic composer of the nation, the first great pianist-composer settled in Moscow - the Irishman John Field. Field can lay claim to not only inventing the nocturne, but also to laying the foundation stone of what would become the great piano school of Russia. The latest students of this great tradition are very much with us today: Lugansky, Kissin and Demidenko can all be found in this set.

This remarkable 25CD survey of some of the great Russian pianists of past and present follows the tradition from those who can, through their teachers, trace a direct lineage to Clementi, Field, Beethoven, Czerny, Henselt and Liszt. The Rubinstein brothers Anton and Nikolai established the St Petersburg and Moscow Conservatories, and from the 1840s, Russia started to produce the first of the great virtuosos.

Great names such as Neuhaus and Horowitz are to be found in this set, as well as Richter, Gilels – both with three CDs each – Berman, Ashkenazy, Pletnev, Gavrilov and many more. Other names (Konstantin Igumnov, Viktor Merzhanov, Yakov Zak) may be less familiar to Western ears, but will offer fascinating perspectives on the developing school of Russian pianism, and the subtly various approaches to phrase and timbre within it.

The repertoire ranges from Russian warhorses such as the First Piano Concertos by Tchaikovsky and Prokofiev to intimate salon pieces such as Tchaikovsky’s The Seasons, including rarely heard works such as Kabalevsky’s set of Preludes. The monumental concertos by Brahms, Beethoven and others are well represented, as are the litmus tests of Classical and Romantic piano literature: there are several contrasting versions of Liszt’s B minor Sonata and Beethoven’s Sonata No.32.

A fabulous survey of some of the greatest pianists of the past century and more to emerge from the great Russian tradition of piano playing and teaching. A must for all lovers of the piano.

Of historical interest – many recordings are rare, and have been hitherto been unavailable on CD.

Comprehensive booklet with detailed notes on every pianist and the recordings.

‘The performances are consistently of the highest quality…’ Penguin Guide 08