Ex. VAT prices will be applied automatically for non-EU delivery addresses. See Terms & Conditions for p&p rates. | |  | Purcell - Cease, Anxious WorldSongs & chamber music
Purcell: | Cease, anxious world, your fruitless pain Z362 A New Irish Tune Z646 Soft notes and gently raised (A Serenading Song) Z510 A New Ground in E minor, Z. T682 Amidst the shades and cool refreshing streams Z355 A Prince of glorious race, from Who can from joy refrain? When first Amintas sued for a kiss Here the deities approve, Z.339 Prelude Trio Sonata, for violin, bass viol and organ, Z780 Sweeter than Roses Ground in C minor, ZD221 Music for a while, Z583 Dear pretty youth Sonata Terza Plainte: O, Let Me Weep |
Benjamin Perrot (theorbe & direction) La Rêveuse The civil war that culminated in the decapitation of King CharlesI was a
dark period of English history; yet, in musical terms, the Puritans led by Oliver Cromwell did not do as
much damage as one might have imagined. By prohibiting public music-making in places of workship and
theatres, they contributed to the development of the practice of chamber music between friends in the
home. | 
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| |  | Sound the Trumpet
Mark Bennett & Michael Laird (trumpets) The Parley of Instruments, Peter Holman Until the middle of the seventeenth century the trumpet was essentially a fanfare instrument, used in armies and at courts to invest ceremonial with grandeur. The earliest
English truly ‘composed’ works for trumpet all come from odes and stage works, though they were often detached from their parent works to be performed separately—
the practice followed here, in works by composers ranging from familiar names Purcell and Croft to the Moravian immigrant Gottfried Finger and William Corbett (last
heard of in Italy, apparently as a spy for the British government). | 
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| |  | Purcell - Fantasias for the Viols
Hespèrion XX, Jordi Savall RecordedOctober 1994, remastered February 2008 | 
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| |  | Purcell - Complete Chamber Music
Musica Amphion Rémy Baudet (violin), Sayuri Yamagata (violin), Elisabeth Ingenhousz (violin) Rainer Zipperling (viola da gamba), Johannes Boer (viola da gamba), Nanneke Schaap (viola da gamba), Ricardo Rodriguez (viola da gamba), Nicholas Milne (viola da gamba), Frank Wakelkamp (viola da gamba) Pieter-Jan Belder (harpsichord & organ) A rare treat: no less than 7 CDs with instrumental chamber music by Henry Purcell. In spite of his past and present international fame too little attention has been paid to this part of his oeuvre. This collection offers a great variety: from ‘the Staircase overture’ to voluntaries for organ.
Henry Purcell’s present fame is mainly based on some dramatic works. Dido and Aeneas -, his anthems and numerous songs. In his relatively short life he managed to compose in every genre usual at the time. Well hidden among a vast amount of vocal music lies a relatively small collection of chamber music pieces. Together with Handel Henry Purcell was and is England’s most important baroque composer. He was also an organist and as such left behind remarkable little for his instrument. Pieter-Jan Belder - the keyboard player who also recorded the complete Scarlatti sonatas - combined this with Purcell’s varied music for harpsichord, which includes eight suites. Here (together with) his ensemble Musica Amphion (he) also performs the bulk of Purcell’s chamber music: listen and enjoy. | 
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| |  | Anne Sophie von Otter - In My Element
| | I let the music speak No Wonder (arr. by Elvis Costello and Ensemble) I Want to Vanish (arr. by Elvis Costello and Ensemble) | Bizet: | L’amour est un oiseau rebelle (Carmen) Les tringles des sistres tintaient (from Carmen) | Brahms: | He, Zigeuner, greife in die Saiten ein! Brauner Bursche führt zum Tanze | Chaminade: | Ah! si l'amour prenait Mignonne, à l'amour j'ai lié | Dowland: | In darkness let me dwell | Grieg: | Haugtussa, Op. 67 No. 8 'Ved Gjætle-Bekken' | Haas, P: | Seven Songs in a Folk Style, Op. 18 (unreleased) | Handel: | Qui d'amor from Ariodante The world, when day's career is run (Hercules) When beauty sorrow's liv'ry wears (Hercules) | Mahler: | Rheinlegendchen (Des Knaben Wunderhorn) Oft denk' ich, sie sind nur ausgegangen | Monteverdi: | Adagiati, Poppea - Oblivion soave (L'incoronazione di Poppea) Disprezzata regina (L'incoronazione di Poppea) A Dio, Roma! (L'incoronazione di Poppea) | Mozart: | Parto! Parto, ma tu ben moi (from La Clemenza di Tito) Oh Dei, che smania è questa (La Clemenza di Tito) Ah, qual gelido orror; Il padre adorato (from Idomeneo) No, la morte io non pavento (Idomeno) Non so più cosa son, cosa faccio (from Le nozze di Figaro) Le nozze di Figaro, K492 - Voi che sapete | Offenbach: | Barcarolle (from The Tales of Hoffman) Portez armes Vous aimez le danger… Ah! que j’aime les militaires! | Purcell: | When I am laid in earth (Dido's Lament) from Dido and Aeneas | Schubert: | Im Abendrot, D799 Erlkönig, D328 | Schumann: | Süsser Freund Die Meerfee Op. 125 No. 1 | Strauss, R: | Ariadne auf Naxos: Composer's Aria: Sein wir wieder gut | Weill: | Buddy on the Nightshift My ship Surabaya Johnny (from Happy End) |
“Smart, sophisticated and opinionated, Anne Sofie von Otter has become a star by doing exactly what she wants” (Opera News) | 
| DG - 4777077 (CD - 2 discs) £12.49 (£10.63 ex. VAT) |
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| |  | Purcell - Songs
Alfred Deller (counter tenor) & Wieland Kuijken William Christie | 
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| |  | Purcell - Theatre Music Volume 1
Aronoff, Bower, Duyn, Jeffrey, Kettrick, Mahon, McArthur & Tomkins Aradia Ensemble, Kevin Mallon Written mostly during the last five years of his life, Purcell’s Theatre Music is a rich and varied collection of some of the composer’s finest melodic inspirations. They include solemn overtures, cheerful and sad songs, as well as delightful dances, either incorporated into the action of the play or performed as preludes and interludes. This first volume of the series includes many gems such as the erotic musical diversion in Amphitryon which takes the form of a Pastoral Dialogue betwixt Thyrsis and Iris, the amorous shepherd begging for, and finally being granted, his heart’s desire; and the series of dances in The Gordian Knot Unty’d, the most delightful of which are the Rondeau, Minuett and the final Chacone. | 
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Kirsten Flagstad, Elisabeth Schwarzkopf The Mermaid Singers & Orchestra, Geraint Jones ‘EMI’s Great Recordings of the Century is exactly what it says: these classic interpretations warrant a place in everybody’s collection.’ (The Times) | 
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| |  | Purcell - Here Let my Life and other songs
James Bowman & Daniel Taylor (counter tenors) Theatre of Early Music | 
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| |  | The Art Of Alfred DellerClassic Vanguard Recordings
Alfred Deller, Desmond Dupré (lute), Walter Bergman (harpsichord), Gustav Leonhardt (harpsichord) The Deller Consort, Oriana Concert Choir and Orchestra, Ensemble of Baroque Instruments, Leonhardt Baroque Ensemble | 
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