Sergey Vassilievich Rachmaninov

(1873-1943)

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Fantasies for Bassoon

Fantasies for Bassoon


Elgar:

Salut d'amour, Op. 12

arranged for bassoon & piano

Rachmaninov:

Vocalise, Op. 34 No. 14

arranged for bassoon & piano

Schreck:

Sonata in E flat major, Op. 9

Schubert:

Sonata in A minor 'Arpeggione', D821

arranged for bassoon & piano

Schumann:

Fantasiestücke, Op. 73

arranged for bassoon & piano

Spohr:

Adagio in F major for cello and piano, op. 151

arranged for bassoon & piano


Karen Geoghegan (bassoon) & Philip Edward Fisher (piano)

Chandos signed Karen Geoghegan as an exclusive artist in 2007 following her appearance on BBC TV’s Classical Star programme. This is her fifth recording with the label, and the expressive maturity and sensitivity of her playing have quickly cemented her status as a rising star, Gramophone writing: ‘Name five internationally famous bassoon soloists. Archie Camden, Gwydion Brooke and, er, that’s it. Except I think we shall soon be adding the name of Karen Geoghegan to the roll call.’

On this disc, she is accompanied by Philip Edward Fisher in works by some of the greatest composers of the nineteenth and early twentieth centuries: Schubert, Schumann, Spohr, Rachmaninoff, and Elgar. Yet, with a single exception, namely the Sonata in E flat by Gustav Schreck, none of the works recorded here were originally composed for the bassoon.

One of Rachmaninoff’s best-loved short pieces, the Vocalise was written for wordless voice and piano. Demonstrating the capacities of the voice as a pure instrument, this work is a prime example of the power of melody without the need for words. In this arrangement, the bassoon takes on the role of ‘wordless voice’, which shows off the instrument’s great lyrical qualities to perfection, as does Elgar’s Salut d’amour.

Schumann’s Fantasiestücke was originally composed for clarinet and piano, its three pieces played without a break, with each subsequent piece taking up and developing melodic ideas from the preceding one. The Sonata in A minor, D 821 by Schubert, which remained unpublished and unperformed for decades after his death, is an emotionally complex work, its moods moving from deep melancholy to excited ebullience.

“Geoghegan is probably the best advocate the instrument could have: even though parts of the 'Arpeggione' Sonata (usually heard on cello or viola) don't quite work on the bassoon, as the ear adjusts her exemplary musicianship comes through and triumphs...There's a wonderfully natural quality to Geoghegan's phrasing and expression - especially in the Schumann - and she is partnered adeptly at all times by Philip Edward Fisher.” Classic FM Magazine, December 2011 ****

“the most substantial music comes in the transcription of Schubert's Arpeggione Sonata...It would be foolish to expect the bassoon to offer the emotional depth and richness of tone that can be accommodated on a string instrument, but Karen Geoghegan certainly convinces with the melancholic hue of the first movement.” BBC Music Magazine, February 2012 ****

“There is no clowning here. If anything, the bassoon lends a pleasant dolefulness to the music played on this CD...Even the cello...is not as consistently mellow as a bassoon, when it is played by a musician on Geoghegan's level.” International Record Review, January 2012

Chandos - CHAN10703

(CD)

$16.25

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Europa Konzert 2011 from Madrid

Europa Konzert 2011 from Madrid

Recorded live at Teatro Real, Madrid, 1 May 2011


Chabrier:

España

Rachmaninov:

Symphony No. 2 in E minor, Op. 27

Rodrigo:

Concierto de Aranjuez

Cañizares (guitar)


For over 20 years, the Berliner Philharmoniker have celebrated their foundation on May 1st with the annual EUROPA KONZERT - this year’s event takes place at the magnificent Teatro Real in Madrid.

The renowned orchestra, under the baton of Sir Simon Rattle, performs Joaquín Rodrigo's beloved Concierto de Aranjuez, Emmanuel Chabrier's exuberant España, and Sergey Rachmaninov's dramatic Second Symphony.

It is joined for the Concierto by the famous flamenco guitarist Cañizares, whose virtuosity and sensitivity are given full opportunity to shine in this multi-faceted and subtle work.

Bonus: Interview with Sir Simon Rattle

Picture format: 1080i Full HD 16:9

Sounds formats: PCM 2.0, DTS-HD Master Audio Surround

Region code: All (worldwide)

Booklet notes: English, German, French

Running time: 105 mins (97 mins Concert, 8 mins Interview)

German FSK: 0

“Flamenco star Cañizares brings nonchalant authority to the Concierto de Aranjuez in a concert fizzing with energy, from a playful Espana to the sweeps of Rachmaninov's Symphony No. 2.” BBC Music Magazine, December 2011 ****

“for all the luxury of the performance, Rattle never milks it; and for all the attention to the music's larger paragraphs, he never scants the particulars of the moment...From first note to last, there's not a moment of questionable ensemble, not a moment of strain. Is this, however, an unmitigated virtue?...This is a first-rate release, made all the more welcome by the excellent engineering and by the tactful camerawork” International Record Review, January 2012

Blu-ray Disc

Region: all

EuroArts Europakonzert - 2058394

(Blu-ray)

$41.75

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Rachmaninov: Symphony No. 2

Rachmaninov: Symphony No. 2


Rachmaninov:

Symphony No. 2 in E minor, Op. 27

Vocalise, Op. 34 No. 14 - arrangement for orchestra

Aleko - Intermezzo & Women's Dance


Building a Library

First Choice - February 2012

Building a Library

First Choice - June 2012

EMI Masters - 0852892

(CD)

$11.00

In stock - usually despatched within 1 working day.

William Steinberg: The Disciplined Master Conductor

William Steinberg: The Disciplined Master Conductor


Beethoven:

Symphony No. 3 in E flat major, Op. 55 'Eroica'

Rudolf Firkusny (piano)

Symphony No. 8 in F major, Op. 93

Symphony No. 5 in C minor, Op. 67

Symphony No. 6 in F major, Op. 68 'Pastoral'

Piano Concerto No. 5 in E flat major, Op. 73 'Emperor'

Violin Concerto in D major, Op. 61

Nathan Milstein (violin)

Symphony No. 7 in A major, Op. 92

Bloch, E:

Concerto Grosso No. 1, for string orchestra & piano

Borodin:

Prince Igor: Polovtsian Dances

Brahms:

Violin Concerto in D major, Op. 77

Nathan Milstein (violin)

Symphony No. 1 in C minor, Op. 68

Piano Concerto No. 1 in D minor, Op. 15

Rudolf Firkusny (piano)

Bruch:

Violin Concerto No. 1 in G minor, Op. 26

Nathan Milstein (violin)

Bruckner:

Symphony No. 4 in Eb Major 'Romantic'

Dvorak:

Violin Concerto in A minor, Op. 53

Nathan Milstein (violin)

Elgar:

Enigma Variations, Op. 36

Glazunov:

Violin Concerto in A minor, Op. 82

Godfrey Layefsky (violin)

Glinka:

Kamarinskaya

Handel:

Water Music Suite

Haydn:

Symphony No. 94 in G Major 'Surprise'

Hindemith:

Symphony 'Mathis der Maler'

Mahler:

Symphony No. 1 in D major 'Titan'

Mendelssohn:

Violin Concerto in D major, Op. 61

Nathan Milstein (violin)

Symphony No. 3 in A minor, Op. 56 'Scottish'

Symphony No. 4 in A major, Op. 90 'Italian'

Mozart:

Symphony No. 40 in G minor, K550

Serenade No. 13 in G major, K525 'Eine kleine Nachtmusik'

Mussorgsky:

A Night on the Bare Mountain

Prokofiev:

The Love for Three Oranges: March

Symphony No. 1 in D major, Op. 25 'Classical'

Rachmaninov:

Symphonic Dances, Op. 45

Ravel:

Pavane pour une infante défunte

La Valse

Boléro

Rimsky Korsakov:

Scheherazade, Op. 35

Le Coq d'Or Suite

Schubert:

Symphony No. 2 in B flat major, D125

Symphony No. 8 in B minor, D759 'Unfinished'

Strauss, J, II:

Accelerationen, Op. 234

Strauss, R:

Tod und Verklärung, Op. 24

Till Eulenspiegels lustige Streiche, Op. 28

Don Juan, Op. 20

Der Rosenkavalier - Suite

Stravinsky:

The Rite of Spring

Tchaikovsky:

Serenade for strings in C major, Op. 48

Capriccio italien, Op. 45

Symphony No. 6 in B minor, Op. 74 'Pathétique'

Marche slave, Op. 31

Violin Concerto in D major, Op. 35

Nathan Milstein (violin)

Toch:

Symphony No. 3, Op. 75

Vaughan Williams:

Fantasia on a Theme by Thomas Tallis

Five Tudor Portraits

Wagner:

Siegfried Idyll

Die Meistersinger von Nürnberg: Overture

Parsifal: Prelude to Act 1

Parsifal: Prelude to Act 3

Parsifal: Good Friday Music

Götterdämmerung: Siegfried's Rhine Journey and Funeral March

Tristan und Isolde: Prelude & Liebestod

Wolf, H:

Italian Serenade in G major


There were occasions during the three decades when the LP record ruled supreme – from the 1950s to the 1970s – when the chemistry between an orchestra, its conductor and their record company combined to work a magic that the commitment of long-term recording contracts quite often made possible. Karajan and the Philharmonia; Ansermet and the Suisse Romande; Dorati and the Minneapolis; Münch and the Boston Symphony, Cluytens and the Paris Conservatoire and Previn and the London Symphony are all prime examples of such collaborations. All of these produced recorded performances that are as fine today as they ever were and are all well-represented in the current CD catalogues. Until now there has been one successful recording collaboration that seems almost to have slipped under the radar: the Pittsburgh Symphony, William Steinberg and the Capitol Records producer, Richard C. Jones.

This set of 20 CDs presents virtually everything that was recorded by Steinberg during the seven years that he recorded for Capitol: from the Schubert Second Symphony, recorded on 9 February 1952, to the Italian Serenade by Wolf, from 16 April 1959. There are some exceedingly good performances in this set and the recordings show that Capitol Records were at the technical forefront when it came to sound quality and production values.

The earlier recordings were, of course, made in mono and come up surprisingly well on CD. From 1956 onwards the recordings were made in stereo. There are a selection of recordings, both mono and stereo, that are here being released on CD for the first time.

Also included are the recordings of Strauss that Steinberg and Jones made with the Philharmonia Orchestra in London, in June 1957.

Getting to know these wonderful 1950s recordings from a conductor who, perhaps, didn't always get the critical acclaim that was his due, will be an exciting and rewarding experience for any prospective purchaser.

Box Sets - up to 50% off

EMI Icons - 0264862

(CD - 20 discs)

Normally: $77.75

Special: $46.65

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Vladimir Horowitz plays Great Sonatas

Vladimir Horowitz plays Great Sonatas


Barber, S:

Piano Sonata, Op. 26

Beethoven:

Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight'

Piano Sonata No. 21 in C major, Op. 53 'Waldstein'

Piano Sonata No. 23 in F minor, Op. 57 'Appassionata'

Piano Sonata No. 8 in C minor, Op. 13 'Pathetique'

Piano Sonata No. 7 in D major, Op. 10 No. 3

Piano Sonata No. 28 in A major, Op. 101

Chopin:

Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre'

Clementi:

Sonata in C Major, Op. 33 No. 3

Sonata in B flat Major, Op. 25 No. 3

II Rondo. Vivace

Sonata in A major Op. 50 No. 1

II Adagio sostenuto e patetico

Sonata in E flat Major, Op. 12 No. 2

III Rondo. Allegro assai

Haydn:

Piano Sonata No. 59 in E flat major, Hob.XVI:49

Piano Sonata No. 38 in F major, Hob.XVI:23

Piano Sonata No. 58 in C major, Hob.XVI:48

Kabalevsky:

Piano Sonata No. 3 in F major, Op. 46

Liszt:

Piano Sonata in B minor, S178

Mozart:

Piano Sonata No. 11 in A major, K331 'Alla Turca'

Piano Sonata No. 12 in F major, K332

Prokofiev:

Piano Sonata No. 7 in B flat major, Op. 83

Rachmaninov:

Piano Sonata No. 2 in B flat minor, Op. 36

Scarlatti, D:

Keyboard Sonata K33 in D Major

Keyboard Sonata K54 in A minor

Keyboard Sonata K525 in F major

Keyboard Sonata K466 in F minor

Keyboard Sonata K146 in G major

Keyboard Sonata K96 in D major

Keyboard Sonata K162 in E major

Keyboard Sonata K474 in E flat major

Keyboard Sonata K198 in E minor

Keyboard Sonata K491 in D major

Keyboard Sonata K481 in F minor

Keyboard Sonata K39 in A major

Keyboard Sonata K547 in G major

Keyboard Sonata K197 in B minor

Keyboard Sonata K25 in F sharp minor

Keyboard Sonata K52 in D minor

Keyboard Sonata K201 in G major

Keyboard Sonata K303 in C minor

Keyboard Sonata K319 in F sharp major

Keyboard Sonata K260 in G major

Keyboard Sonata K380 in E major

Keyboard Sonata K55 in G major

Keyboard Sonata K531 in E major

Keyboard Sonata K322 in A major

Keyboard Sonata K455 in G major

Keyboard Sonata K127 in A flat major

Keyboard Sonata K101 in A major

Keyboard Sonata K184 in F minor

Keyboard Sonata K87 in B minor

Keyboard Sonata K135 in E major

Keyboard Sonata K46 in E major

Keyboard Sonata K20 in E major

Schubert:

Piano Sonata No. 21 in B flat major, D960

Schumann:

Piano Sonata No. 3 in F minor, Op. 14 'Concerto Without Orchestra'

Scriabin:

Piano Sonata No. 5 in F sharp major, Op. 53

Piano Sonata No. 9, Op. 68 'Black Mass'

Piano Sonata No. 10, Op. 70

Piano Sonata No. 3 in F sharp minor, Op. 23


Sony Classical Masters - 88697884092

(CD - 10 discs)

$38.25

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The Art of Oda Slobodskaya

The Art of Oda Slobodskaya

The Decca & Rymington van Wyck recordings


Balakirev:

Hebrew Melody (Yevreyskaya Melodiya) 1859 (Lermontov/Byron)

Blanter:

In the Forest by the Front Line

Katyusha

Borodin:

From my tears sprang flowers

Morskaya tsaryevna (The Princess Of the Sea)

Cui:

The Fountain Statue at Tsarskoye Selo, Op. 57 No. 17

Grechaninov:

Lullaby, Op. 108

The Dreary Steppe

Like an angel

My country

Kabalevsky:

Nursery Rhymes (7)

Prokofiev:

Dunyushka, Op. 104

Rachmaninov:

Lilacs, Op. 21 No. 5

How fair this spot, Op. 21 No. 7

To my children, Op.26, No. 7

Small island, Op. 14 No. 2

The Soldier’s Wife, Op. 8, No. 4

Rimsky Korsakov:

Three Folksongs

arr. Ippolitov-Ivanov

Shostakovich:

Six Spanish Songs Op. 100

Stravinsky:

Stories for Children (3)

Taneyev:

Nocturne

Dreams

My Heart is Beating

In the Silence of the Night

Tchaikovsky:

Was I not a blade of grass?, Op. 47 No. 7

Zabït tak skoro (So soon forgotten)

If only I had known, Op.47, No.1

Na nivi zhyoltiye (On the golden cornfields), Op. 57 No.2

Puskay pogibnu ya 'Tatiana's Letter Scene' (from Eugene Onegin)

London Symphony Orchestra, Anatole Fistoulari

Child’s Song

Tcherepnin:

I would have kissed you


Oda Slobodskaya (soprano) & Ivor Newton (piano)

Born in 1888, the Russian soprano Oda Slobodskaya won a scholarship for secondary education but, having completed her schooling, to her displeasure, found herself working with her parents in a second hand clothes shop. Despite having no formal musical training, she travelled, at the age of eighteen, from her hometown of Vilno (then part of the Russian Empire) some 300 miles to St. Petersburg, to audition. She was successful. During the Russian revolution she was ordered to join other singers on obligatory tours to factories and farms to entertain the workers. At the invitation of Diaghilev she starred in the premiere of Stravinsky’s opera Mavra. The impresario Rabinoff organised for her to tour America as star soloist with The Ukranian Chorus and while there she made a successful solo debut at Carnegie Hall in New York. But, as a displaced Russian living abroad when appreciation of the Russian repertoire was minimal, Slobodskaya had difficulty finding a good manager. It was at this point that her career took a most unexpected turn. She was persuaded that as a stop-gap measure to earn some much-needed cash she might utilise her talents in the Variety Theatre rather than the opera house, and so under the assumed name of Odali Careno she made her variety debut in Baltimore in 1928. Dressed in a stunning eau-de-nile gown, she was a sensation, singing a mixture of familiar opera arias, ballads and popular songs.

Slobodskaya’s recordings are few and far between. A handful of Medtner songs with the composer at the piano were recorded early in the 20th century for HMV. In 1938 she recorded eight sides of Russian songs for a limited edition set of four 78s issued by the Rimington van Wyck record shop in Leicester Square. Slobodskaya had been heard on the radio by Mr. Frederick T. Smith, owner of RvW, and he was so overwhelmed by her voice that he paid for the records to be recorded by Decca. They were issued in May 1942 in a limited edition of 2000 in an attractive brown and gold album. Decca recorded her again in 1945 and 1946, and then in 1961.

The recordings are of cult status, much sought after by collectors of great vocal treasures, and this is their first issue on Decca CD. Andrew Dalton has compiled the collection and provided the liner notes, and the booklet is illustrated with all the album jackets as well as illustrations from program booklets, making this a real collector’s item.

This release marks the launch of an Eloquence series of notable recitals of songs and opera arias by some of the great voices of Decca and Deutsche Grammophon.

Australian Eloquence Vocal Recitals - ELQ4803524

(CD - 2 discs)

$15.00

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Rachmaninov: Piano Music

Rachmaninov: Piano Music


Rachmaninov:

Piano Sonata No. 2 in B flat minor, Op. 36

Variations on a theme of Corelli, Op. 42

Moments Musicaux, Op. 16


John Lill (piano)

Critically acclaimed performances, given by one of the UK’s most highly regarded pianists.

‘Lill at his finest’ Classical CD of Piano Sonata No. 2

“a hotline to Rachmaninov's dark poetry. The Variations and Moments Musicaux are vividly characterised, the Sonata majestic.” BBC Music Magazine, February 2012 ****

Regis - RRC1331

(CD)

$7.75

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Rachmaninov: Piano Concertos Nos. 1 & 4 & Rhapsody on a Theme of Paganini

Rachmaninov: Piano Concertos Nos. 1 & 4 & Rhapsody on a Theme of Paganini


Rachmaninov:

Piano Concerto No. 1 in F sharp minor, Op. 1

Piano Concerto No. 4 in G minor, Op. 40

Rhapsody on a Theme of Paganini, Op. 43


Simon Simon Trpceski’s recording of Rachmaninov’s Piano Concertos Nos. 2 and 3 was one of the most acclaimed and best-selling classical releases of 2010. His frequent collaborations with Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra are justly celebrated. Together they complete the Rachmaninov canon with this highly-anticipated follow up of Concertos Nos. 1 and 4, and the Paganini Rhapsody.

Rachmaninov Concertos 2 and 3 made the Top 10 of Billboard’s Classical Chart and won a Diapason d’or de l’année. Simon Trpceski will support the sequel with extensive touring and CD signings at which he regularly attracts hundreds of fans.

“Simon Trpceski, Vasily Petrenko and the RLPO bring understanding and instinct to their performances, and take to heart the different temperaments that each of the three works on this recording manifests...the judicious variety of touch and colour, and ability to reveal important details of the music, combine with an expressive maturity to make these performances utterly compelling.” The Telegraph, 16th June 2011 *****

“The virtuosi Macedonian Simon Trpčeski and St Petersburg-born Vasily Petrenko combine in taut, poetic performances with notably coruscating brass playing from an RLPO on impressive and expressive form.” The Observer, 26th June 2011

“Trpceski captures the music’s protean mood switches to perfection, his mercurial fingers dashing off the vivace flourishes of the outer movements and the most brilliant Paganini variations with insouciant bravura and brio...These performances are a meeting of dazzling musical minds, offering an untraditional approach that never sounds wilful, attention-seeking or eccentric.” Sunday Times, 3rd July 2011 *****

“Trpceski relishes Rachmaninov, thrilling his audience with virtuosic passages which easily demonstrate why these pieces in particular were important vehicles for Rachmaninov the exiled pianist. Petrenko maintains timing and tension, whilst never allowing lush lyricism to become stodgy or overwhelming...this is a musical combination which works superbly.” Classic FM Magazine, August 2011 *****

“[Nos 1 & 4] have never been such sure-fire crowd-pleasers, but Trpceski certainly plays them with fire and passion. No. 1 emerges as big-boned and compelling, while he plays up the leanly modernist aspects of No. 4...Trpceski is aided throughout by the unanimity of feeling produced by Vassily Petrenko's direction of the orchestra, conductor and pianist working hand in glove.” BBC Music Magazine, August 2011 ****

“Expectations are fully realised in performances of the highest order...Trpceski was put on this earth to play this music and Petrenko to conduct it...This is a riveting disc, another major landmark for Trpceski and one on which Rachmaninov finds interpreters thoroughly attuned to his emotional world.” Gramophone Magazine, September 2011

GGramophone Magazine

Editor's Choice - September 2011

Avie - AV2191

(CD)

$17.75

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Phénoménal Vengerov!

Phénoménal Vengerov!


includes:

Beethoven:

Violin Concerto in D major, Op. 61

Romances Nos. 1 & 2 for violin and orchestra

Kreisler:

Liebesfreud

Liebesleid

Lalo:

Symphonie espagnole, Op. 21

Rachmaninov:

Vocalise, Op. 34 No. 14

Ravel:

Tzigane

Saint-Saëns:

Violin Concerto No. 3 in B minor, Op. 61

Wieniawski:

Scherzo-Tarantelle in G minor, Op. 16


This 3CD set offers an incredible value for the price of one mid album, with a great panorama of his art. On CD1, the Beethoven Concerto and two Romances, and Kreisler’s favorite encore ‘Liebesleid’ and ‘Liebesfreud’. The second CD contains the French most famous violin concertos: Lalo’s Symphonie espagnole, a piece of bravura with the 3rd violin concerto by Camille Saint-Saëns, and Ravel’s great ‘Tzigane’. Last but not least the 3rd CD celebrates best loved and virtuoso violin works: Meditation de Thaïs, Ave Maria, Hungarian Dances, Vocalise…

Box Sets - up to 50% off

EMI - 0264772

(CD - 3 discs)

Normally: $13.50

Special: $9.45

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Raluca Stirbat plays Enescu, Silvestri, Constantinescu, Rachmaninov & Kreisler

Raluca Stirbat plays Enescu, Silvestri, Constantinescu, Rachmaninov & Kreisler


Constantinescu:

Toccata-Joc dobrogean

Enescu:

Suite for Piano No. 2 in D major, Op. 10

Piano Sonata No. 1 in F sharp minor, Op. 24/1

Rachmaninov:

Liebesleid (after Kreisler)

Liebesfreud (after Kreisler)

Silvestri, C:

Konzertstück, Op. 25 No. 3

Baccanale


Raluca Stirbat (piano)

Gramola - GRAM98905

(CD)

$18.75

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