Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Stormin' Norma 2
Kemp English (organ of Dunedin Town Hall) “More lollipops that you could shake a stick at: Stormin Norma (the nickname of the instrument not the performer) will make purists shudder, but both she and Kemp English have a crispness of delivery and panache in performance that recall a day at the seaside, alternately bracing and sugary. Bach (and Buxtehude), Dubois, Noel Rawsthorne, Lefebure-Wely and Widor, are all dispatched impeccably, and the tuning and articulation in particular, put
many more serious recordings to shame” Choir & Organ | | | In stock - usually despatched within 1 working day. |
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| |  | Rossini: Famous Overtures
This has to be one of the most amazing recordings of Rossini Overtures ever made. The polish and scintillation of the orchestral playing practically outclasses any other recording and the sense of fun is infectious. | | | In stock - usually despatched within 1 working day. |
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| |  | Standing OvationPopular Overtures
A thrilling collection of Overtures and Preludes (with some popular orchestral pieces thrown in for good measure) from Zubin Mehta. As a showman of the best variety, his recordings remains one of the Decca catalogue's richest legacies, and more than half of this collection is being released on CD for the first time. | | | In stock - usually despatched within 1 working day. |
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| |  | Vassily Sinasky Conducts Overtures
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| |  | Cecilia & Bryn
| | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | The Art of Cecilia Bartoli
| | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Marcelle Meyer: Recordings 1925-1957
Includes works by Chabrier, Debussy, Espla, Ravel, Bach, Couperin, Scarlatti, Mozart, Rossini, Schubert and Stravinsky.
In her day Marcelle Meyer was the doyenne of French piano. Cortot admired her and she performed with the likes of Ravel and Couperin. She had a vast repertoire that extended from the Baroque to contemporary composers like Stravinsky and she left a considerable recorded legacy. The recordings she made have not always been as readily available as one might wish, so it is a great pleasure to be able to get one's hands on this set of her recordings from 1927 to 1957. At a total of seventeen discs, this is a fascinating collection as well as a fantastic bargain. The composers represented include Chabrier, Debussy, Ravel, Bach, Couperin, Scarlatti, Mozart, Rossini, Schubert and Stravinsky. There is also a sonata by Oscar Espla, which was a new name to me. Almost all of the recordings are of the solo repertoire (there are no chamber pieces and only two Mozart concerti). There is also some reduplication of music Meyer recorded more than once: this applies to a lesser extent to the Couperin and Rameau, and to a slightly greater extent to the Scarlatti sonatas. | | | In stock - usually despatched within 1 working day. |
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| |  | Bel Canto Arias
Recorded in her 59th year, this was one of Sutherland's last studio recordings. The notes are by Richard Bonynge, the indefatigable mind behind the research of much of this repertoire. “How good, for instance, that Sutherland should still be exploring. Everything here is new to her discography, and the solo from Il castello di Kenilworth will be new to most of her listeners … The fine tragic sweep of the violins in the Attila solo, the plaintive elegance of Bellini's cantilena, the simple good humour of Betly's 'tralla las' – none of these is too familiar to be welcome, and in the last of them Sutherland's gaiety is vividly personal and expert in timing. Of her French arias the Africaine is probably most successful, with its emotions imaginatively caught” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
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