Franz Peter Schubert

LIMITED EDITION

28 CDs and 1 DVD - 'My Life, My Music' including 'The Last Interview' (German with optional subtitles in English and French)

Gunter Wand (January 7, 1912 - February 14, 2002) was one of the most important conductors of the 20th century. Together with the Kolner Rundfunk-Sinfonie-Orchester (WDR Sinfonieorchester) and then with the NDR Sinfonieorchester, whose principal conductor he was from 1982-1991. He produced outstanding recordings that retain their reference status to this day. His Bruckner cycle with the Cologne orchestra in particular mader Gunther Wand's work internationally known.

Wand was a keen advocate of absolute fidelity to the original, and was famous for his authentic interpretations, for the unrelenting precision of his rehearsal work and the high standards the set for recordings that were released on disc. This edition contains magnificent recordings personally authorised by Wand himself, such as the complete Beethoven, Brahms, Bruckner and Schubert symphonies. The DVD "My Life, My Music" gives a comprehensive insight into the life and work of this great conductor.

After having established her reputation for all time by singing ‘The Angel’ in Elgar’s Dream of Gerontius with Sir John Barbirolli in 1964, Dame Janet Baker became the mezzo-soprano of choice for numerous conductors, bringing to each performance her incisive musicality, clear diction and natural warmth of tone that endeared her to audiences all over the world. Her range was enormous - from Monteverdi through to 20th century composers, particularly Britten.

EMI is fortunate that it was able to capture so much of her unimpeachable artistic legacy and, although many classic recordings have been available on CD before, nearly 25% of the collection is new to this medium including her Monteverdi and Scarlatti with Leppard, two concerts of duets with Dietrich Fischer-Dieskau and many of her recordings of English and French songs. Indeed this collection is a fitting tribute to a remarkable talent who will shortly celebrate her 80th birthday.

In more recent years, every Abbado recording has been an event, something special – whether his Mahler symphonies with Berlin, or the Mozart, Bach and Pergolesi projects with “his” Orchestra Mozart. And, of course, as a sponsor and champion of new orchestras he is unrivalled – not least with his most recent creations, the Lucerne Festival Orchestra and the Orchestra Mozart.

THE SYMPHONY EDITION – OVERVIEW

His Grand-Old-Man status assured Abbado remains a modest, unassuming but tenaciously demanding orchestral leader. Now, to celebrate the maestro’s reaching his 80th year, we have prepared an ambitious Symphony Edition as a birthday tribute:

• Limited-edition 41-CD box set

• Complete recordings of eight great symphonists – Mozart (with Orchestra Mozart), Haydn, Beethoven (with Berliner Philharmoniker), Schubert, Mendelssohn, Brahms, Bruckner and Mahler (with Berliner Phliharmoniker and Lucerne festival Orchestra)

• Featuring seven of the orchestras with whom Abbado is most closely associated (Orchestra Mozart, Chamber Orchestra of Europe, London Symphony, Berliner Philharmoniker, Wiener Philharmoniker, Mahler Chamber Orchestra and Lucerne Festival Orchestra)

• Complete symphonic cycles of Beethoven, Schubert, Mendelssohn, Brahms and Mahler (see attachment for complete track list).

• All recordings have been personally selected by Claudio Abbado

IN PARTICULAR…

• Bruckner’s First Symphony – a special “addition”: at Abbado’s request, we have licensed a live recording of Bruckner’s First Symphony with the Lucerne Festival Orchestra, being released here for the first time anywhere.

• He had previously recorded the first version (the “Linz” version, 1866) of the Symphony with the Wiener Philharmoniker, but has since discovered and championed the later expanded “Vienna” version (carried out by Bruckner in 1890–91) – a not uncontroversial step!

• Is this such a big deal? Anyone who has heard performances of the symphony that Abbado has given with the orchestra on tour in recent months will know that this is an electrifying account, one that changes the way we should regard the work. It’s the first CD to go for in the Edition (and will be offered as advance music)!

• In sum, a superb addition to the Symphony Edition, and to Abbado’s discogaphy (also to be released in a separate Bruckner box later).

• Parallel to this Edition, Decca is releasing a 7-CD set of the early Abbado recordings on Decca

PACKAGING

• The attractive cube features four striking, dynamic portraits of Abbado from the 1970s to the present day.

• The 96-page four-language booklet has an interview with Abbado by journalist Julia Spinola (formerly of the Frankfürter Allgemeine) plus many photos.

39 CD-box with recordings of Bruno Walter’s later years in a high quality LP-sized box.

32 page LP-sized booklet with elaborate liner notes in German and English.

This box set contains the complete symphonies of Beethoven and Brahms, the later symphonies of Mozart, symphonies of Mahler and Bruckner, CDs with rehearsals and many more.

The German born conductor Bruno Walter (1876-1962) was known primarily for his interpretations of the Viennese school. Though out of step with 20th century trends he was such a fine musician that he became a major figure - filling the wide gulf between the extremes of his day - Arturo Toscanini and Wilhelm Furtwängler.

He was an associate of Gustav Mahler and a long and faithful proponent and interpreter of Mahler's music.

He conducted the world premieres of “Das Lied von der Erde” (1911) and the “Symphony No. 9” (1912).

In 1925, he helped institute the Salzburg Festival and was named musical director of the Berlin Staatsoper. In 1929, Walter had a falling out with the Berlin opera management and departed to succeed Wilhelm Furtwängler at the Leipzig Gewandhaus.

In 1933 he left Germany when the Nazis came to power and went to Austria and from there in 1938 to France. Walter finally left Europe in 1939 and settled in the United States where he already had a strong following. He built up a reputation as a respected conductor under whom musicians enjoyed working. Amongst other orchestras, he frequently conducted the New York Philharmonic.

In 1957 a West Coast recording ensemble named Columbia Symphony Orchestra was specially put together for Walter to produce new recordings of famous works by Bruckner and Mahler in stereo.

World-famous tenor Christoph Prégardien continues his series of recordings for Challenge Classics of Schubert song-cycles, with what many consider to be the composer’s greatest work in the genre “Winterreise”. As with the previous critically acclaimed release of “Die Schone Mullerin” the pianist on this hybrid SACD is Michael Gees.

Christoph Prégardien has made almost 200 recordings for all the major labels, amongst which are several for Challenge Classics. These include recordings released in 2008 of Schubert’s “Die Schone Mullerin” with Michael Gees, (CC72292), which was a Gramophone Editor’s Choice, and the same composer’s “Schwanengesang” with Andreas Staier (CC72302). Prégardien and Gees also released the award winning ‘Between Life and Death’ in 2009, which featured songs and arias by composers including Mahler, Schubert, Schumann, Wolf, Brahms, and Mozart.

This recording of Winterreise is also available on DVD and Blu-ray, featuring a studio performance of the cycle, and a documentary with artist interviews and behind-the-scenes footage of the studio recording process.

A true discovery for many western ears: Valentina Levko, star contralto of the Bolshoi!

“In a career of 50 years, I have rarely encountered such a voice, rounded, youthful, with an uncommon timbre and astonishing warmth” , thus said the legendary Sol Hurok, one of the most famous American Impresarios, who introduced Valentina Levko in the New York Met.

Although she frequently toured the world, her real home was Russia, where she reigned for more than 40 years, and 25 years as the star contralto of the Bolshoi Theatre.

This set features Levko in a wide variety of repertoire, ranging from moving Baroque arias by Bach and Handel, through the art songs of Schubert and Brahms, towards great opera scenes from Prince Igor, Ruslan & Ludmilla, Ivan Susanin, Queen of Spades, Rossini, Verdi, the songs of Tchaikovsky and Rachmaninoff, and a superb collection of Russian folk songs.

An unrivalled breadth of recordings.

Valentina Levko was another in the glorious line of Russian 20th‐century contraltos who in some ways defined the sound of Russian opera for ears, both Eastern and Western, which were often discovering the rich tradition of Russian opera for the first time through recordings. Levko's name, however, unlike compatriots such as Elena Obratzova, never travelled as far or as well. Committed to her contract at the Bolshoi, she spurned several opportunities to make a name for herself in the West, with the lucrative recording contracts that would surely have followed.

And yet hers was, as this important set reveals, a voice and dramatic presence firmly in the mould of greats of the past such as Zara Dolukhanova. The set is carefully curated by themes, thereby revealing Levko's remarkable versatility. Arias from Bolshoi classics by Glinka, Rimsky‐Korsakov and Tchaikovsky sit alongside Western operas by Ponchielli, Verdi and others; her ability to scale her voice to an intimate environment results in warmly idiomatic recordings of art song by Schubert, Brahms, Tchaikovsky and Rachmaninov. The pleasure she took in the popular song of her own country also resulted in many recordings with the Ossipov Folk Orchestra, but her facility extended to folk songs of many languages, as the last CD reveals. Perhaps most remarkably of all, the first CD reveals a natural interpreter of Bach and Handel. An extensive booklet note discusses her life and career; for anyone interested in Russian voices, this set will be essential.