Franz Peter Schubert

“This disc deserves serious consideration.” Gramophone Magazine

“This disc is further proof of Naxos's impressive ability to produce outstanding recordings at an astonishingly low price. Jenö Jandó's recording of the Trout Quintet, in a version which is based on the first edition of 1829, is buoyant and vigorous.
The string support from members of the Kodály Quartet and István Tóth, despite some rough edges, is generally sonorous and appropriate.
Balance is good, with the piano agreeably highlighted. The result is a performance which is a most desirable acquisition. Although Schubert wrote no concertos, he did write a concertante work for piano and strings which is also included here. Notwithstanding limitations of thematic invention, the Adagio and Rondo makes an attractive coupling. Jandó's sheer enthusiasm for this music provides a compelling alternative to other full-price accounts.” Gramophone Classical Music Guide, 2010

“Further proof of Naxos's impressive ability to produce outstanding recordings at an astonishingly low price.” Gramophone Magazine

“An outstanding performance.” Classic CD

“An impassioned performance.” Classic FM Magazine

“Skill is what Christiaan Teeuwsen has in abundance. His is playing of total command and confidence that he uses to the service of the music and its creator rather than to self-aggrandizement. He is rhythmically rock solid, never allowing the music to stagnate, and his registrations, while always interesting and bold, are never gaudy or in bad taste. In the abundant toccata and fantasia passages of the preludes he has an impeccable sense of ebb and flow, thrilling the listener with the fast passage work and reining back in just in time to set loose on another delightful ride. In the fugues, he has an excellent sense of line and voicing, bringing out subjects and countersubjects in bold relief against the accompaniment figures, allowing the voices to flow in and out of one another with elegance and grace. He is capable of a fine lyrical line as well, as is exemplified in quieter verses of the partitas, and in the chorale preludes. To round off this fine recital, we have excellent program notes, if perhaps too brief by the organist himself, who speaks well for both the composer and his music. This is the kind of project that leaves a listener eagerly anticipating the coming volumes. What a pleasure this recital is! Buy it!” MusicWeb International

“She has fine phrasing and real musicianship, and she delivers the lighter songs with style and freshness.” Irish Evening Press

“Superb playing from both artists.” CD Review

“Guaranteed to bring back many happy memories of the past for those of us who still enjoy the Romantic Age of music.” Sunday Star (Malaysia)