Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Lars Vogt live at Verbier FestivalLive recording from the Verbier Festival, July 2011
Lars Vogt's performance at the 2011 Verbier Festival, in the mountains of Switzerland, is an exercise in virtuosity. A challenging program of Janáček, Schubert, Beethoven and Brahms is followed by bonus material including a Mozart concerto and a Chopin nocturne. The German pianist Vogt proves himself more than up to the task, with an inspiring performance of the rarely performed In the Mists, then striking the subtle balance between the delicacy required of a Brahms Intermezzo and the boisterousness of Beethoven's last piano sonata. Picture format DVD: NTSC 16:9 Sounds format DVD: PCM Stereo Region code: 0 Booklet notes: English, German, French Running time: 75 min “Charm isn't sprayed around, but you must respect his intelligence..Vogt demonstrates particular care over the shading of dynamics, attack, and inner voicing, as he does indeed in Beethoven's final Sonata. Trouble is, his considered manner often resembles the dissection of a dispassionate surgeon...Yet there are three minutes of genuine poetry on this DVD, in the posthumously published Chopin Nocturne” BBC Music Magazine, December 2012 *** “Throughout this demanding programme Vogt plays with a wonderfully quiet hand, drawing the most lovely tone from the Steinway (Verbier ships in its best instruments for the Festival)...How good to hear one of the least-played of Mozart's miraculous cycle and to have it delivered by Vogt with understated, stylish conviction.” Gramophone Magazine, Awards Issue 2012 | | | Usually despatched in 2 - 3 working days. |
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| |  | Thibaud-Casals-Cortot Trio: Piano Trio Recordings
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| |  | JS Bach, Beethoven & Schubert: Piano Works
Reiko Fujisawa studied at the Musashino University of Music in Tokyo before moving to London in order to study further with Martino Tirimo, Bejamin Kaplin and Yonty Solomon. She has since established herself as an exciting and formidable virtuoso performer with recital and concert appearances throughout the UK, including the South Bank, Wigmore Hall and Cadogan Hall. Her first disc for Quartz admirably demonstrates her skilful use of the keyboard. “The highlight of this impressive recital is the unusually sombre reading of Schubert's First Impromptu, but the Bach Partitas is sturdy, and the Waldstein charismatic.” BBC Music Magazine, Christmas 2012 **** | | | Usually despatched in 4 - 5 working days. |
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| |  | Insomnia: A nocturnal voyage in song
Bennett, R R: | Dream-Song | Debussy: | Nuit d'étoiles | Fauré: | Clair de Lune, Op. 46 No. 2 Mandoline, Op. 58 No. 1 (Verlaine) Sérénade toscane Op. 3 No. 2 | Gounod: | Viens! Les gazons sont verts | Liszt: | O quand je dors (Hugo), S282 | Mozart: | Abendempfindung an Laura, K523 | Ravel: | Le Grillon (from Histoires naturelles) | Schubert: | Auf der Bruck, D853 | Schumann, Clara: | Der Mond kommt still gegangen | Strauss, R: | Morgen, Op. 27 No. 4 | Vaughan Williams: | Tired | Warlock: | The Night | Wolf, H: | Um Mitternacht (No. 19 from Mörike-Lieder) Schon streckt' ich aus (No. 27 from Italienisches Liederbuch) Nicht länger kann ich singen (No. 42 from Italienisches Liederbuch) Und steht Ihr früh am Morgen auf (No. 34 from Italienisches Liederbuch) | Yiu: | Sonnet |
For his solo debut on disc, William Berger has devised an ingenious sequence of 17 songs describing a sleepless night experienced by a man who reflects on his love for an unnamed woman. From Viennese classicism to fin-de-siècle Romanticism, shadowy English pastoral to the contemporary worlds of Richard Rodney Bennett and Raymond Yiu, this wide-ranging programme is brought to nuanced life by this outstanding young baritone. The indefatigable Iain Burnside provides lucid and imaginative accompaniment. Together, their performances vividly capture the full gamut of nocturnal emotions. A graduate and Associate of the Royal Academy of Music in London, Berger is a former member of the Young Singers Programme at English National Opera. Recent engagements include singing Aeneas to Susan Graham's Dido, on tour in California, and his recital debut at the Lucerne International Festival. Pianist Iain Burnside has forged a worldwide reputation through his commitment to song repertoire and his collaborations with leading international singers. “Berger's grainy baritone is pleasing more than awe-inspiring...But he communicates with keen enthusiasm, and his word-lively Mozart Abendempfindung immediately draws the listener in to this artfully selected and ordered programme. With Iain Burnside as accompanist, there are light-filled starry nights aplenty” BBC Music Magazine, February 2013 *** “Berger has a warm, resonant baritone and an hour spent in its company is a pleasurable experience … the partnership between Berger and Iain Burnside yields some fine performances.” Gramophone Magazine, November 2012 “Much in this recital gives satisfaction and pleasure. First of all comes the sound of the voice, warm, full, smoothly emitted and steady. One notes too the use of legato, enabling lines and notes to flow” International Record Review, December 2012 “Berger is a gem of a singer” Los Angeles Times “[Burnside] is unfailingly sensitive and powerfully communicative throughout. The dreamy undulations of Mandoline are a knockout, as is the gently suggestive accompaniment to Wolf’s Um Mitternacht, to name but two examples.” MusicWeb International, October 2012 “Burnside handles everything with aplomb and insight'” Sunday Times “You’ll be beguiled by Berger’s voice and entranced by the more left-field musical choices...Songs by Wolf and Liszt dominate post-midnight, and after Morgen we get a couple of encores, including a tiny Gounod number sufficiently breezy to banish the introspective mood and leave one feeling invigorated, not depressed.” The Arts Desk, 8th September 2012 “His tone is beautiful, his technique immaculate. He does extraordinary things with breath control in Oh! Quand Je Dors and Wolf's Um Mitternacht, and his sense of line is exceptional...Iain Burnside is wonderfully responsive to his shifts in mood and style. An idiosyncratic disc, but very fine.” The Guardian, 9th August 2012 **** “[the programme] plays out its chronological narrative – songs depicting specific hours of a sleepless night – with logical and psychological inevitability...Berger sustains a magnetic affection throughout the varied sequence, aided by Iain Burnside’s deft pianism.” The Scotsman, 30th July 2012 **** | | | Usually despatched in 3 - 4 working days. |
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| |  | An Die MusikFamous songs by Franz Schubert
Schubert: | Der Musensohn, D764 (Goethe) Litanei auf das Fest Allerseelen, D343 Auf dem Wasser zu singen, D774 Das Rosenband, D280 (Klopstock) Harfenspieler I 'Wer sich der Einsamkeit ergibt', D478 Harfenspieler III 'Wer nie sein Brot mit Tränen ass', D480 Harfenspieler II 'An die Türen will ich schleichen, D479 Erlkönig, D328 An die Musik D547 An die Laute D905 Prometheus, D674 (Goethe) Heidenröslein, D257 Frühlingsglaube, D686 Die Forelle, D550 Du bist die Ruh D776 (Rückert) Der Tod und das Mädchen, D531 Schäfers Klagelied, D121 (Goethe) Lachen und Weinen, D777 Memnon, D541 (Mayrhofer) Rastlose Liebe, D138 Ständchen 'Leise flehen meine Lieder', D957 No. 4 |
Klaus Mertens (bass/baritone) & Tini Mathot (fortepiano) This recording of Schubert lieder features many of his most popular works in the genre including Die Forelle (The Trout), Erlkönig (The Earl King), Der Tod und das Mädchen (Death and the Maiden), and the title track An Die Musik (To Music). The bass-baritone soloist is the noted Bach specialist Klaus Mertens, and the fortepiano is played by Ton Koopman’s wife and regular musical partner Tini Mathot. The German bass-baritone Klaus Mertens has made a name for himself as one of the most prominent and sought-after interpreters of the Baroque oratorio, and has recorded the great vocal works of Johann Sebastian Bach with numerous conductors. A soloist on more than 140 CDs and DVDs, he was a regular collaborator on the critically-acclaimed complete recording of Bach Cantatas by Ton Koopman and the Amsterdam Baroque Orchestra & Choir. He has also recorded Schubert’s great song-cycle Wintereisse for Challenge. The keyboard player Tini Mathot enjoys a close collaboration with her husband and former teacher, Ton Koopman. Together they give recitals and perform in chamber music projects in the major concert halls of Europe, the United States and Japan. Tini Mathot regularly appears as a soloist together with Ton Koopman in concertos for two (or more) harpsichords and orchestra, and alongside him has recorded double concertos by J.S. Bach, C.P.E. Bach, J.F. Reichardt and C. Schaffrath with the Amsterdam Baroque Orchestra. | | | Usually despatched in 4 - 5 working days. |
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| |  | Sergiu Celibidache: Magician of Sound
Barber, S: | Capricorn Concerto Rec. 1950 Berlin Philharmonic | Beethoven: | Symphony No. 9 in D minor, Op. 125 'Choral' Rec. 1958 Bruna Rizzoli, Marga Hoeffgen, Petre Munteanu, Aureliano Neagu Orchestra Sinfonica e Coro di Torino della RAI | Brahms: | Ein Deutsches Requiem, Op. 45 Rec. 1957 Agnes Giebel (soprano), Hans Hotter (baritone) Cologne RSO & Chorus Violin Concerto in D major, Op. 77 Rec. 1953 Ida Haendel (violin) London Symphony Orchestra | Cherubini: | Anacréon Overture Rec. 1949 Berlin Philharmonic | Copland: | Appalachian Spring Rec. 1949 Berlin Philharmonic | Genzmer: | Concerto for Flute and Chamber Orchestra Rec. 1950 Gustav Scheck (flute) Berlin Philharmonic | Gershwin: | Rhapsody in Blue orch. Ferd Grofé. Rec.1948 Gerhard Puchelt (piano) RIAS-Symphony Orchestra | Mozart: | Flute Concerto No. 2 in D major, K314 Rec. 1950 Gustav Scheck (flute) Berlin Philharmonic Symphony No. 36 in C major, K425 'Linz' Rec. 1959 Orchestra Allessandro Scarlatti di Napoli della RAI Serenade No. 13 in G major, K525 'Eine kleine Nachtmusik' Rec. 1959 Orchestra Allessandro Scarlatti di Napoli della RAI | Purcell: | Suite from King Arthur Rec. 1945 Berlin RSO | Ravel: | Rapsodie Espagnole Rec. 1948 Berlin Philharmonic | Roussel: | Petite Suite Op. 39 Rec. 1945 Berlin RSO | Schubert: | Symphony No. 8 in B minor, D759 'Unfinished' Rec. 1963 Orchestra della Svizzera Italiana | Schumann: | Symphony No. 2 in C major, Op. 61 Rec. 1963 Orchestra della Svizzera Italiana | Schwarz-Schilling: | Introduction and Fugue for string orchestra Rec. 1950 Berlin Philharmonic | Strauss, R: | Till Eulenspiegels lustige Streiche, Op. 28 Rec. 1947 Berlin Philharmonic | Tchaikovsky: | The Nutcracker Suite, Op. 71a Rec. 1963 Orch. della Svizzera Italiana | Tiessen: | Hamlet Suite, Op. 30 Rec.1957 Berlin RSO Salambo Suite, Op. 34a Rec.1957 Berlin RSO Symphony No. 2, Op. 17 ‘Stirb und Werde’ Rec.1957 Berlin RSO |
Very few great conductors were able to polarise the concert scene like the Romanian-born Sergiu Celibidache (1912-1996). He hated marketing in all of its forms, and with the exception of Wilhelm Furtwängler, was disparaging of his more famous fellow conductors, including Herbert von Karajan and Arturo Toscanini. He also loathed going into the studio, so most recordings illustrating his astounding talents as a conductor are of concert performances. The recordings featured in this 10-CD set were made between 1945 and 1963, and are mainly live broadcasts given with the Berlin Philharmonic, the Radio Symphony Orchestras of Berlin and Cologne, and a number of Italian radio orchestras. The repertoire ranges widely - from the English baroque of Purcell through Viennese Classicism of Mozart to Beethoven, Schubert, Schumann, Brahms, Tchaikovsky and Strauss. The compilation also features several popular works from the 20th century (Ravel, Gershwin and Samuel Barber for instance), plus music by Reinhard Schwarz-Schilling and Harald Genzmer associated with the German avant-garde. The least-known pieces are undoubtedly orchestral works of Heinz Thiessen (1887-1971), Celibidache’s composition teacher, to whom a full disc is devoted. | | | Usually despatched in 4 - 5 working days. |
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| |  | Dieter Klocker: The Explorer with the Clarinet
One of the most important and influential clarinet players of his generation, the German virtuoso Dieter Klöcker, who died in 2011, was responsible for numerous recording sessions and radio productions. His chamber ensemble, Consortium Classicum, boasted an excellent line-up and thanks to its originality and high artistic standards went on to gain recognition all over the world. He cultivated a love of the so-called “little masters” and used his talent to promote their music. This 4-CD set features rarely-heard musical gems written by the likes of Franz Anton Hoffmeister, Theodor Baron von Schacht, Johann Christoph Vogel and Johann Georg Heinrich Backofen in addition to well-known pieces by Mozart and Schubert. | | | (also available to download from $16.00) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | The Art of Bryn Terfel
Berlioz: | Une puce gentille 'Flea Song' (from La damnation de Faust) Voici des roses (Air de Méphistophélès) | Gurney: | Sleep | Gwynn Williams: | My Little Welsh Home | Handel: | Si, tra i ceppi (from Berenice) Te Deum in D major 'Dettingen', HWV283: Vouchsafe, O Lord | Hughes, J: | Guide me, O thou great Redeemer (Cwm Rhondda) | Loewe, F: | Paint Your Wagon: They Call the Wind Maria | Mahler: | In diesem Wetter, in diesem Braus (Kindertotenlieder) | Mendelssohn: | Lord God of Abraham (Elijah) | Mozart: | Non piu andrai, farfallone amoroso (from Le Nozze di Figaro) Il core vi dono (from Così fan tutte) Ein Mädchen oder Weibchen (from Die Zauberflöte) Io ti lascio, oh cara, addio, KAnh. 245 | Puccini: | Tre sbirri...Una carozza...Presto 'Te Deum' (from Tosca) | Quilter: | Go, lovely Rose, Op. 24 No. 3 (Edmund Wailer) | Rutter: | The Lord bless you and keep you | Schubert: | Erlkönig, D328 Du bist die Ruh D776 (Rückert) Der Musensohn, D764 (Goethe) | Schumann: | Du bist wie eine Blume, Op. 25 No. 24 Die beiden Grenadiere, Op. 49 No. 1 Mein Wagen rollet langsam, Op. 142 No. 4 | Sullivan, A: | Hereupon we’re both agreed (The Yeomen of the Guard) | trad.: | Amazing Grace Shenandoah Ar hyd y Nos (All through the night) Suo gan Deep River | Vaughan Williams: | The Vagabond (from Songs of Travel) Silent Noon | Verdi: | Ehi! Paggio! ... L'onore! Ladri! (from Falstaff) | Wagner: | Die Frist ist um (from Der fliegende Holländer) O du, mein holder Abendstern (from Tannhäuser) |
Bryn Terfel is one of Britain’s best-loved singers, as comfortable in popular musical repertoire as he is in the great roles of opera. Ahead of his curated BrynFest appearances at London’s Southbank Centre, and his career-defining role as Wotan in Wagner’s Ring Cycle at the Royal Opera House this autumn, Deutsche Grammophon is proud to release this 2CD career retrospective. | | | (Sorry, download not available in your country) | Usually despatched in 2 - 3 working days. |
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| |  | Schubert: Sonatas for Violin and Piano
Gernot Süßmuth (violin) & Frank-Immo Zichner (piano) This CD includes all of Schubert’s early works for violin and piano. Süßmuth and Zichner have been performing together for more than ten years in the Aperto Quartet. They are renowned chamber musicians and also perform with the Vogler Quartett and Petersen Quartett. | | | Usually despatched in 2 - 3 working days. |
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| |  | Dianne Baar: Intro
Dianne Baar began playing the piano at the age of three. She was awarded Austrian citizenship in honour of her outstanding musical performances. She performs in the the Lichental Trio which won the Gradus ad Parnassum competition in 2011. | | | Usually despatched in 2 - 3 working days. |
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