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See Terms & Conditions for p&p rates. | |  | The Study of LoveFrench songs and motets of the 14th century
Gothic Voices, Christopher Page “A wonderful addition to the catalogue, and the recorded sound … is superlative” Gramophone Magazine “A simply superb CD … a recording which you might use to snare those as yet unconverted and resistant to the beauties of the Gothic” Fanfare | 
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| |  | Santeny LiveWorks by Machault, Borlet, Senleches, Solage, Dufay & Binchois
The ensemble Santeny was formed in 2004 and consists of four talented performers/musicians, Julia Schmidt (vocals-organetto) Szilard Chereji (fiddle) Elodie Wiemar (Flute-recorder) Ori Harmelin (lute). This recording was made live in concert and the programme displays various aspects of the secular music of the 14th and 15th centuries. The instruments played are replicas of historical instruments. |
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| |  | Lancaster and ValoisFrench & English Music, c1350–1420
Gothic Voices, Christopher Page ‘We are exceptionally lucky to have such brilliantly persuasive advocates of such wonderful music’ (Gramophone) |
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| |  | The Medieval RomanticsFrench Songs and Motets, 1340–1440
Gothic Voices, directed by Christopher Page ‘These performances reach an unrivalled level of excellence … and show just how marvellous medieval music can be’ (BBC Record Review) “Enthusiasm abounds in this landmark recording, sometimes overwhelmingly. The textless or partially-texted vocalisations that cocoon the poetry occasionally tip over into jarringly reedy vocal lines. Subtleties elsewhere - generally in Andrew Lawrence-King's playing - compensate for occasional longeurs.” BBC Music Magazine, July 2008 *** | | | Usually despatched in 2 - 3 working days. |
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| |  | Gothic Voices - The Unknown LoverSongs by Machaut and Solage
Recorded 19 – 22 February 2006, Toddington Church, Gloucester “The singers manage with perfect ease the long vocalisms and rhythmic complexity of ... the ballades” Gramophone Magazine “Gothic voices do not only merely relay stunning sonic effects, but seem to delight in playing with them” BBC Music Magazine “Gothic voices catch hold of the extravagant weirdness of works (…) propelling them into the 21st Century with irresistible dash and enthusiasm.’” Classic FM Magazine | | | Usually despatched in 2 - 3 working days. |
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| |  | Codex ChantillyBallades & Rondeaux
Ensemble Organum, Marcel Pérès The successors of Guillaume de Machaut carried polyphonic complexity to unresonable lengths, even beyond those already attained by the Ars Nova. But these pieces of 'superior art' go well beyond mere speculation. Just before the Renaissance they propounded a scientific vision of music on the borders of the mystical! | | | Usually despatched in 2 - 3 working days. |
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| |  | Chapter 7 - Ars Subtilior (1380-1460) & Pre-Renaissance
Orlando Consort & Hilliard Ensemble | | | Usually despatched in 2 - 3 working days. |
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| |  | ZodiacArs Nova and Ars Subtilior in the low countries and Europe
anon.: | Tsinghen van de nachtegaele Or sus vous Isabella Je, Fortune, fay a toulx assevoir Esperance, ki en mon cuer s'embath Je languis d'amere mort | Ciconia: | Sus un' fontayne en remirant | Cordier, B: | Tous par compas suy composés | Fabri, M: | Die mey so lieflic wol ghebloiit Ach, Vlaendre vrie | Gant, M de: | De faire chançon envoisie Mahiu, jugiez Je serf Amors | Halle: | Adan, d'amour vous demant | Hasprois: | Puisque je suis fumeux | Machaut: | Riches d'amour et mendians d'amie Quant je sui mis au retour | Molins: | De ce que foul pensé souvent remaynt | Solage: | Joieux de cuer en seumellant estoye Calextone, qui fut dame terrouse Le basile de sa propre nature |
Capilla Flamenca, Dirk Snellings | | | Usually despatched in 3 - 4 working days. |
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